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Juneau’s new Civic Center: A vision for community spaces

Juneau’s proposed new Civic Center, photo from capitalciviccenter.org

Juneau is actively planning and moving forward with the construction of a new Capital Civic Center, according to the project’s executive director Bob Banghart the Civic Center’s purpose is to provide Alaska’s Capital City with an essential and vibrant community cultural and conference center located within the Áak’w Village Arts and Culture District.

“‘I’ll take us back to the early 80s, when Centennial Hall was first being designed and built.” Said Banghart, “Centennial Hall was built as it is, with an idea that there would be an addition later that would support performing arts and the arts itself. So about 10 years ago, a group of people got together to say, we need to do this.”

According to Banghart, the process of designing the new Civic Center started with an independent standalone building in the vicinity of Centennial Hall, but the group kept running into opposition, “We started listening to the different, diverse voices in the community, and then pandemic hit us.” Said Banghart, “during that process, the city approached us and said, what if we were to join the two buildings together and see about looking for some synergy that could be generated there. So the city put up some money, and we did just that, we designed a facility that conjoined what we had programmatically in the standalone building with Centennial Hall.”

The project has overcome significant challenges in recent years, including high construction costs and community opposition.

“In August last year, we came up with an idea, and we shopped it around. Took a lot of evaluation of it. People were saying, we like this, we don’t like that.” Said Banghart, “predominantly, we were looking at just joining the two buildings together with a large common space that proved to be, again, non-viable because it completely eradicated all the local parking in the area, and the cost to operate was looking like it might be outside the boundaries that we were able to afford.”

The proposed facility, an addition to the existing Centennial Hall, will feature a 299-seat professional theater, expanded lobby space, a gallery, and a flexible “black box” performance area.

Banghart described the project as a strategic response to community needs. “We’ve designed a facility that not only meets current event management challenges but creates new opportunities for community gatherings,” Banghart explained.

The $60 million project has already secured significant community support, with over 140 local donors contributing more than $10,000.

In terms of timeline, Banghart says he’d love to see the Civic Center break ground in 2027, “That’s funding pending right? the city is not on the hook to do any of that, other than what they’ve already contributed, contrary to some people’s beliefs, we are on a full court press to raise the money. We’ve been having some very strong successes.” Banghart said “So we’d love to see it happen in 27, we’ll see the documents completed next year.”

Though Banghart says there’s uncertainty on the federal end of things, he’s optimistic about contributions from the Coast Guard, “they’ve been very positive. They see a lot of application for the building’s use. We’re right across the street from them.”

The City and Project, the founding nonprofit, are jointly managing the Civic Center project, sharing design phase costs.

Interested community members can follow the project’s progress at capitalciviccenter.org.

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Wrangell had it’s first Totem raising event in 38 years

By: Jonathon Dawe, Wrangell Sentinel

Linda Churchill carefully works on July 10 to finish painting the Bear up the mountain Totem

For the first time in 38 years, the Wrangell Native community has raised new totem poles in town, with four days of events planned Thursday through Sunday, July 17-20.

Unveiling the five new poles marks a significant revival of a centuries-old Tlingit tradition. The event honors the carvers and apprentices who transformed logs into cultural masterpieces, continuing a legacy nearly lost to time.

By the early 1900s, most of the town’s 30 to 40 totem poles had decayed or fallen, and the art of pole carving faded. The last totem pole raised in Wrangell was the Sun House Totem in 1987, carved by Steve Brown and Wayne Price, according to organizers of this week’s events.

Last week’s celebration symbolized a broader cultural resurgence that began with the 2013 rededication of Chief Shakes House and the 2015 completion of the WCA’s Carving Shed on Front Street, the organizers explained.

The new poles were funded in part by the U.S. Army (Gunakaadeit Pole) and organized by the Wrangell Cooperative Association.

The poles and their stories

Each pole tells a story rooted in Tlingit and Haida traditions:

Bear Up The Mountain Pole: A Naanya.aayí X’atgu Hít narrative of survival during a great flood.

Gunakaadeit Pole: A Naanya.aayí X’atgu Naasí Hít tale of a man using a sea monster’s skin to feed his community.

Underwater Sea Bear Pole: A Sik’nax.ádi legend of a mythical good-luck creature.

Killer Whale Grave Marker: A Kayaashkeiditaan tribute to Shx’atoo, who died during the U.S. Army’s 1869 bombardment of the Native village at Wrangell.

Kadashan Pole: A replica of a 1940 pole, originally gifted by Haida relatives to honor intermarriage with Tlingit women in the 1830s.

Master carvers and apprentices

Leading the project are master carvers:

Joe Young (Haida, Yahgw’laanaas clan), who learned from his grandfather Claude Morrison and carved the Bear Up The Mountain and Gunakaadeit poles.

Tommy Joseph (Tlingit, Kaagwaantaan clan), a renowned woodcarver behind the Underwater Sea Bear Pole.

TJ Young (Haida, Yahgw’láanaas clan), lead carver for the Kadashan pole.

Apprentice carvers, including Mike Hoyt, Tony Harding, Linda Churchill and Susie Beebee, also contributed, ensuring the tradition’s future.

“What an incredible experience to witness the community, literally pulling together to stand Kadashan pole in Totem Park.” Tlingit &Haida said in a Facebook post.

“This is more than art – it’s healing,” said Joe Young. “We’re reclaiming our history.”

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Juneau Symphony announces new music director

Photo courtesy of the Juneau Symphony

The Juneau Symphony has announced the appointment of Brad Hogarth as its new Music Director, following an extensive yearlong search and a final vote by Symphony members.

Hogarth, a conductor, educator, and trumpeter, was one of four finalists invited to lead a full concert during the Symphony’s 2024–2025 season. Each candidate spent time engaging with the orchestra and the wider community, but it was Hogarth’s dynamic podium presence, artistic vision, and collaboration that ultimately resonated.

“We are excited to welcome Brad to the Juneau Symphony family,” said Executive Director Charlotte Truitt. “He brings extraordinary musicianship and a passion for connecting people through music. His energy and artistic leadership will guide us into an inspiring next chapter.”

The search process was shaped by input from musicians, community members, and Symphony patrons. Hogarth’s appointment begins immediately, and he will work with Symphony leadership to finalize plans for the 2025–2026 season, strengthen community partnerships, and expand outreach throughout Southeast Alaska.

“I am honored and excited to join the Juneau Symphony as Music Director,” said Hogarth. “I am inspired by the talent and dedication of the musicians, and moved by the warmth of the Juneau community. I look forward to making music together and sharing meaningful artistic experiences with everyone.”

The Symphony plans to formally welcome Hogarth in the coming months. Details on the upcoming season, including ticket information, will be released soon.