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Hip Hop

‘Cooleyhighharmony’ And The Hip-Hop Doo-Wop Genius Of Boyz II Men

Boyz II Men 'Cooleyhighharmony' artwork - Courtesy: UMG

Formed in 1988 at Philadelphia’s High School For Creative Arts, Boyz II Men had their big break the following year when they snuck into New Edition man Michael Bivins’ dressing room in Philadelphia. So impressed was he with their impromptu audition – an a cappella version of his group’s “Can You Stand The Rain” – he agreed to manage them on the spot. With Bivins at the helm, Boyz II Men soon scored a deal with Motown and set to work on Cooleyhighharmony, the 1991 debut album which kick-started their stratospheric career.

Written largely by the band and produced by Dallas Austin – the man who’d later oversee some of TLC’s biggest hits – Cooleyhighharmony is a choice work that melds old-school R&B with contemporary influences, and the album’s two lead singles showcased the group’s versatility. “Motownphilly,” co-written by Michael Bivins and featuring a rap cameo that detailed that fateful first backstage meeting, utilized the upbeat, hip-hop-influenced New Jack Swing genre that dominated the charts that year. Meanwhile “It’s So Hard To Say Goodbye To Yesterday,” a spine-tingling a cappella cover of GC Cameron’s 1975 hit, perfectly showcased each member’s classically trained vocals and close harmonies. Both singles raced up the charts to become Top 5 US hits.

Listen to Cooleyhighharmony now.

Elsewhere, there were slow jams in the form of “Please Don’t Go” and “This Is My Heart”; the Boyz showcased their sensual side on the silky smooth “Uhh Ahh”; and there was another upbeat New Jack Swing-influenced anthem in the irresistible form of the James Bond-referencing “Sympin’.”  With its pitch-perfect close harmonies over tough hip-hop beats, “Under Pressure” was perhaps the purest example of the sound the boys themselves dubbed “hip-hop doo-wop.”

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With the band presenting a preppy, clean-cut look that was a fresh change from the street-tough image that dominated R&B at the time, Cooleyhighharmony proved a huge success. After its release on April 30, 1991, it reached No.3 in the US Billboard chart and quickly went multi-platinum. Repackaged the following year to include “End Of The Road,” the song recorded for the Boomerang soundtrack and which had scored Boyz II Men their first No.1 single, the album hit even greater commercial heights as it went on to sell over nine million copies. There was more success come awards season as Cooleyhighharmony won the nod for Best R&B Performance By A Duo Or Group With Vocals at the 1992 Grammy Awards, setting the stage for their chart-topping, multi-platinum-selling follow-up, II.

Listen to Cooleyhighharmony now.

​Discover more about the world’s greatest R&B artists | uDiscover Music

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Music

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Alaska News

Chilkat Valley students honored for their work during annual Region V Art Festival

Claire Davis, of Kake, helps Joe Lewis adjust a halibut hook during a display of student work at the Region V ArtFest on Monday, April 27, 2026, in Haines, Alaska. (Rashah McChesney/Chilkat Valley News)

Several Haines student artists were honored for their work after a weekend of experimenting with new techniques and mediums over the course of four days. 

Students from all over Southeast Alaska traveled to the Chilkat Valley for the annual Region V Art Festival. Each chose two options for classes and spent an average of 30 hours working on pieces over the weekend. 

“It was super challenging, said Ronnie Fairbanks of Craig, who taught a workshop where students created formline art for longboards. “We only have 15 hours to learn how to paint formline. Have you ever tried that? It’s not fun.” 

Two Chilkat Valley students were honored for their efforts in his class, Ruby Martin who was awarded best in workshop and Ezra Nash who was given an honorable mention. 

“I chose Ruby because if you see this design, she like threw this killer whale together and you can tell she has experience with formline, but it’s super complicated,” said Fairbanks. “She stayed up until 2 a.m. painting. She put in a lot of time, so I’m super proud of her.” 

Zorza Szatkowski brought home best in class in both John and Sharon Svenson’s glass mosaic workshop and in a found-item mixed media workshop taught by Juneau artist Sam Jordan. In the latter class, Szatkowski’s distinctive creation “The Eternal Struggle” got a lot of interest during a student art show on Monday. 

It features a robotic creation with batteries for eyes,  a row of screws spiking down its back, feathered driftwood trees, and a smaller creature with a shell for a head appearing to hunt with a spear. 

“It’s so rad to dish out this MacGyver set of random items and see some kid come up with something out of their head,” said Jordan. “You can see that and it’s crazy cool.” 

Local artist Skweit Jessie Morgan taught a copper-engraving workshop for seven students. 

“Copper engraving is really hard and unpredictable,” said Morgan, who thanked the Chilkoot Indian Association for loaning her class its equipment.  She said students who came in with formline experience made the workshop an “amazing space.” 

Other local students highlighted for their work included MJ Hotch whose efforts in Tawney Crowley’s gelli-print class won her an honorable mention while Ezra Nash was awarded best in workshop for her work in a painting class taught by Ashley Lohr. 

(Rashah McChesney/Chilkat Valley News) Anna Rock, of Petersburg, photographs a piece of glass artwork made by another student during a show on Monday, April 27, 2026, in Haines, Alaska. The Region V ArtFest drew students from across Southeast Alaska to Haines over the weekend for classes and a competition in several art forms.

Results: 

Glass Mosaic (taught by local artists John and Sharon Svenson) 

  • Best in Class, Zorza Szatkowski, Haines
  • Honorable mention, Zoe Lessard, Juneau

Copper Carving (taught by local artist Skweit Jessie Morgan) 

  • Best in Class, Riley Soboleff, Juneau 
  • Honorable mention, Ray Fairbanks, Klawock

Found Items Mixed Media (taught by Juneau artist Sam Jordan)

  • Best in Class, Zorza Szatkowski, Haines
  • Honorable mention, Hannah Hofstetter, Petersburg

Gelli Print (taught by Wrangell’s Tawney Crowley)

  • Best in Class, Tera Hicks, Juneau
  • Honorable mention, MJ Hotch, Haines

Beaded Earring Making (taught by Klawock’s Eva Rowan)

  • Best in Class, Ali Kittams, Petersburg
  • Honorable mention, Ellee Votzm, Wrangell

Glass blowing (taught by Haines’ Tassja Letchworth)  

  • Honorable mention, Claire Davis, Kake
  • Honorable mention, Claire Snyder, Juneau

Halibut Hooks (taught by Kake artist Joe Lewis)

  • Blood, Sweat and Tears award (Best in Workshop) Riley Soboleff, Juneau
  • Special Unicorn (honorable mention) August Rathbone, Juneau   

Formline Longboards (taught by Ronnie Fairbanks of Craig) 

  • Best in Workshop, Ruby Martin, Haines
  • Honorable Mention, Ezra Nash, Haines

Wash Painting and India Ink (local art teacher Kelleen Adams) 

  • Best in Workshop, Quinn Rafferty, Petersburg
  • Honorable mention, Hannah Hofstetter, Petersburg

Upcycled Photography (Skagway’s Valerie Larsen) 

  • Best in Workshop, Rebecca Midkiff, Petersburg
  • Honorable mention, Anna Rock, Petersburg

Painting (taught by Ashley Lohr, of Petersburg)

  • Best in Workshop, Ezra Nash, Haines
  • Honorable mention, Ayla Loges, Kake

Best for work completed at the event: Zoe Lessard, Juneau

Best for work from home (completed in their home town and brought to Haines): Eve Harrige

Kirk Garbisch award: Kiera Sanderson, of Klawock

Spirit of Art Festival award: Rick Mills

The post Chilkat Valley students honored for their work during annual Region V Art Festival appeared first on Chilkat Valley News.

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Alaska News

Emmer brings ‘crushingly analog’ folk and country music show to Haines

(Courtesy/Olive and West photography)

Folksinger and songwriter Jackson Emmer is headed to the Chilkat Valley this weekend as part of a tour of Alaska communities that starts in Seward on Thursday. 

He sat down with the Chilkat Valley News’ Rashah McChesney to talk about his music, outlook on life and what people can expect from his show. 

This interview has been edited for clarity and brevity. 

You’ve described Battle Hymn of the Early Riser as a “tired dad” record. What did parenthood make you notice that you weren’t writing about before?

Well, it has changed my level of empathy and patience and my wide-open heart for all kinds of people. I felt like I was pretty loving and empathetic before, but now that I’m a dad and I just see how insane parenting is, I just feel like so much more grace towards everyone. 

Also, I used to just kind of walk around … letting my hair blow in the wind, just being like, when’s inspiration gonna strike? Now it’s like ‘you have an hour and a half to finish … whatever the project is, could be the song, it could be the mix, it could be planning this part of your tour.’ Things get done on a much tighter schedule. 

A lot of the new songs seem built around small domestic moments. How do you decide when an ordinary detail is strong enough to carry a song?

There are these little moments in life that just hit me. This is 50 things at least in one second of, you know, how my daughter asks me ‘can we play now?’ And whenever I feel that way … my ears perk up, and I think maybe there’s a song there. More get abandoned than get written, but sometimes it works out.

If you listen to Tom Waits versus pop country, I think these are two approaches to writing that are almost in opposition to one another. The Tom Waits thing is these rambling little vignettes, almost moments in time that are strung together with watercolors of lyric and sound. You can’t quite get your hand around it but it makes you feel something. A lot of pop country writing, like [Toby Keith’s] “Red Solo Cup,” there’s no mistaking what this song is about, right? And I am kind of interested in the writing that blends those two worlds where it’s like this small moment that could be the red solo cup, or it could be in my song “Clementine Unicorn Sacrifice,” [with] my daughter pretending to murder stuffed animal unicorns. 

Your songs often balance humor with grief or disappointment. It sounds like that’s intentional, or is it just how you naturally see things at this stage in your life?

I think I’m a little bit of a ‘every sunny day has a dark cloud somewhere,’ kind of person. I feel what everybody else does, which is, like, a lot of joy and a lot of disappointment. I live with both of those things, and I’m not the kind of person to ignore them, and I think a lot of people are like that, but maybe better at shoving the inconvenient parts away or compartmentalizing, and I just, I don’t know, I just carry them around. 

What can people expect from your live show here?

I’m going to be playing mostly original music, folk and country music, with my buddy Martin Gilmore, who’s backed me up on this tour. We do a lot of shows together, and he’s an amazing flat-picker like bluegrass guitarist and singer-songwriter in his own right. So we’ll do some of his music too. It’s just crushingly analog folk and country music. It will be intimate. You will not feel like you know us by the end of the show, you will know us. 

What makes a song finished for you?

When you sing it and you’re proud of every syllable and every note comes out smooth and true. You know there are a lot of people, I find, that are pretty good at writing a song to like 90-95% complete. And then you go play it for people and there’ll be one line that you know in your heart ‘that’s not really it.’ There are little burrs in a song that always happen when you’re that close to a finished song.  You’ve got to go sand those burrs off and it takes 30 minutes of extra work or it could take months of extra work to get it how you want it. But, when you do that the song flows out and feels true and that’s, for me, when I know that it’s done. 

For someone in town who has never heard you before, what song would you tell them to start with?

I’d tell them to go listen to “All Hat, No Cattle” and I’d tell them to go listen to “Colorado Line” and another favorite of mine is called “Jericho’s Diamonds” which is kind of a sleepy waltz with a lot of pedal steel. 

Jackson Emmer is playing in concert at the Chilkat Center on May 3 at 7 p.m. General admission is $15 at the door, students free. 

The post Emmer brings ‘crushingly analog’ folk and country music show to Haines appeared first on Chilkat Valley News.

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Entertainment

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Alaska News Featured Juneau News juneau Juneau Local Juneau Local Ketchikan Local News Feeds Sitka Local

Alaska Legislature approves bill to revive public pension system, now headed to Dunleavy’s desk

Corinne Smith, Alaska Beacon

The Alaska and American flags fly in front of the Alaska State Capitol on Tuesday, April 22, 2025. (Photo by James Brooks/Alaska Beacon)

The Alaska House of Representatives voted to approve a revised bill to reinstate a pension system for all Alaska public sector employees, following passage by the Senate on Tuesday. The bill now heads to Gov. Mike Dunleavy’s desk for consideration.

With just 21 days to go in the second year of the 34th Legislature, the governor has 15 days, excluding Sundays, to approve or veto the bill, or allow it to become law without his signature.

A spokesperson with Dunleavy’s office declined to comment on the governor’s position on lawmakers’ pension plan on Wednesday. 

If enacted, the bill would revive the state’s defined benefit retirement system that was eliminated in 2006, a top priority of both the multipartisan Senate Majority and House Majority caucuses. 

The proposed defined benefit system would be open to all state employees, including teachers, public safety workers and public employees of cities and boroughs statewide. Those municipal employers have six months to decide whether to participate in the program or opt out beginning in January, and the new program would be launched in July 2027. 

Within the new plan, retirement for teachers and public employees would be possible at age 60 or any age after 30 years of service. For public safety officers, including police and firefighters, it would be age 50 with 25 years of service, or age 55 with 20 years of service. 

The House narrowly passed the bill along caucus lines by a vote of 21 to 19 on Wednesday. The Senate passed the bill with significant revisions the day before, by a vote of 12 to 8. 

Sen. Cathy Giessel, R-Anchorage, a longtime proponent of reviving the plan, said it took two decades of work in the Legislature and praised the House vote at a news conference on Wednesday.

Sen. Cathy Giessel, R-Anchorage, smiles at the news that the House concurred with the Senate's bill and approved a new state pension plan at a news conference on Apr. 29, 2026. (Photo by Corinne Smith/Alaska Beacon)
Sen. Cathy Giessel, R-Anchorage, smiles at the news that the House concurred with the Senate’s bill and approved a new state pension plan at a news conference on Apr. 29, 2026. (Photo by Corinne Smith/Alaska Beacon)

“We are pleased that it was successful. And it was designed to be a modest, and yet secure, pension for retirement. And it had some amendments made on the floor that kind of made it a little bit more moderated. Choice was put in for employers, which is a big deal,” she said.

But she pointed out that the governor has yet to weigh in: “We still have one more stop, though. We have the big red pen potentially. So we’ll see what happens.”

House Majority Leader Rep. Chuck Kopp, R-Anchorage, carried House Bill 78, and told the Anchorage Daily News that he’s discussed the proposed plan with Dunleavy and members of his staff and is “encouraged” by those conversations.

House Majority Leader Rep. Chuck Kopp, R-Anchorage, speaks in support of a state pension plan on Apr. 29, 2026. (Photo by Corinne Smith/Alaska Beacon)
House Majority Leader Rep. Chuck Kopp, R-Anchorage, speaks in support of a state pension plan on Apr. 29, 2026. (Photo by Corinne Smith/Alaska Beacon)

Kopp, speaking on the House floor Wednesday, said the new plan is entirely separate from the old plan, and has been revised with safeguards to prevent future unfunded liabilities. 

“Do we want to continue down this path, with high turnover, constant vacancies and a growing strain on public services?” he added. “Or do we want to move forward with the plan that’s been vetted, improved and supported by both chambers, a plan that’s involved a lot of collaboration and compromise, and a plan that reflects Alaska’s long term interests.”

State lawmakers voted to axe the state’s defined benefit contribution plan in 2006, after the system accrued a multi-billion dollar shortfall that was misreported by a state actuary. Alaska sued the actuary, Mercer, for $1.8 billion in damages for miscalculating liabilities and settled in 2010 for $500 million. But, opponents of the bill noted, the state still owes billions of dollars on the old system and is on track to pay it off in 2039. 

Proponents of the bill say the new pension system is structured differently to avoid repeating the same mistakes —  it includes mechanisms to adjust contributions up and down, safeguards in the form of three actuaries checking each other’s work and no healthcare insurance benefits — to prevent the pension system from going underfunded.

Health insurance benefits, a major driver of ballooning costs of the old pension system, isn’t included in the new proposal. Under the new plan, employers would pay into a health reimbursement fund of up to 3% of teachers salaries and 4% of public sector workers’ salaries to supplement Medicare for those over age 65. 

On Wednesday, members of the all-Republican House minority put up a potential technical hurdle by voting against the effective date clause of the bill, which needed a two-thirds majority vote to pass. That sets up a potential conflict between the effective date written in the bill and the Alaska Constitution, which says that the bill would be enacted within 90 days after the governor’s signature without a two-thirds majority vote to do otherwise.

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Alaska News

Blotter: April 12 – April 25

Sunday, April 12

A caller reported smoke alarms going off in the 400 block of Fourth Avenue. The volunteer fire department responded. 

A caller reported someone banging on their door in the 100 block of Dalton Street early in the morning. An officer was advised.

Haines Borough police assisted another agency in Haines. 

Tuesday, April 14

A caller reported a person driving a motorcycle on the beach on River Road. Officers responded. 

Thursday, April 16

A caller reported that a neighbor at Third Avenue and Union Street had copious amounts of garbage in their garage and the door was open. An officer was advised. 

A caller in the 1000 block of the Haines Highway reported unsecured trash and was worried about it being a bear attractant. An officer responded.

A caller reported a person trespassing on their property in the 1000 block of the Haines Highway. An officer took the call. 

An OnStar automatic notification of a vehicle accident at 25 Mile Haines Highway was received by dispatch. Police, the Haines Volunteer Fire Department and Klehini Valley Fire Department responded. 

A caller reported stolen property from their vehicle in the 100 block of Third Avenue. An officer was advised. 

A caller reported a subject throwing lumber off the dock into the water. An officer responded. 

Friday, April 17

A caller reported damage to their vehicle after a vehicle backed into them on Main Street. An officer responded. 

A caller reported harassing and threatening behavior from neighbors in the 1000 block of the Haines Highway. An officer responded. 

Saturday, April 18

A caller reported smoke in their house in the 30 block of Tower Road. The Haines and Klehini Valley volunteer fire departments and police responded. 

The Haines Volunteer Fire Department performed a post-fire follow-up in the 30 block of Tower Road. 

There were two 911 hangup calls, no canine calls, 14 EMS calls and 27 burn permits issued during this reporting period. 

Monday, April 20 

Caller reported a vehicle parked for a week in front of the entrance to a business in the 200 block of Main Street. An officer responded. 

A caller in the 70 block of Deishu Drive reported multiple vehicles speeding in the area. An officer was advised. 

A caller in the 1900 block of the Haines Highway requested a welfare check on a family member. 

A caller in the 400 block of Main Street reported a stolen bicycle. A description was obtained and an officer advised. 

A caller reported that a customer left without paying for services on Main Street. The customer returned and paid. 

Tuesday, April 21

A caller reported moose in the Tlingit Park area. An officer was advised and a Nixle alert was sent out. 

A caller reported the suspicious behavior of a customer a Mile 3 Haines Highway. An officer responded. 

An officer checked out an abandoned vehicle at Port Chilkoot. 

A caller reported items missing from a property in the 30 block of the Haines Highway. An officer took the call. 

Wednesday, April 22

A caller in Haines reported a scam on social media. They were given the information for the FBI’s Internet Crime Complaint Center. 

A driver on Beach Road was given a verbal warning for not meeting requirements to display a license plate. 

An officer put a 72-hour notice on an abandoned vehicle on Beach Road. 

A caller in the 100 block of Dalton Street reported a suspicious phone call. An officer responded and performed a welfare check. 

An officer checked a license plate during a vehicle stop. 

Thursday, April 23

A caller reported a moose on Fifth Avenue. A Nixle alert was sent out. 

An officer issued a trespass notice in the 800 block of Spruce Grove Road. 

Friday, April 24

A caller reported a parking violation on Main Street. An officer contacted the vehicle’s owner. 

A caller in Klukwan reported a vehicle fire. The Haines Volunteer Fire Department and state park ranger responded and extinguished the fire. 

A caller reported a boulder obstructing traffic on Lutak Road. The state’s Department of Transportation and an officer responded. A Nixle alert was sent out. 

A caller on Small Tracts Road was given a verbal warning for not meeting taillight requirements. 

An officer was advised of an abandoned trailer on the side of Mud Bay Road.

Saturday, April 25

A caller reported a person driving a motorcycle on the mud flats near Pyramid Island. An officer took the call. 

Officers were advised of a disabled vehicle on the side of Raven Road. It was not obstructing traffic and the vehicle was later retrieved by the owner. 

A caller reported the door of a public building in the 600 block of the Haines Highway was open after hours. Officers responded. 

Officers performed a tag check on an abandoned vehicle on Second Avenue. 

There were three 911 hangup calls, one canine call, nine EMS calls, and 38 burn permits issued during this reporting period. 

The post Blotter: April 12 – April 25 appeared first on Chilkat Valley News.

Categories
Music

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Music

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Entertainment

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