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Entertainment

The Myth You Should Stop Believing About Oat Milk

There are plenty of reasons a person might want to drink oat milk. However, one of its most-touted advantages isn’t the sure bet you may think it is.

​Mashed – Fast Food, Celebrity Chefs, Grocery, Reviews

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Music

Jo Dee Messina Gets Vulnerable About Past Battle With Cancer During Candid Conversation with Ella Langley at CRS

Even the strongest women have moments of doubt and fear, something that Ella Langley and Jo Dee Messina proved during their candid conversation at this year’s Country Radio Seminar (CRS). For Messina, one of her most vulnerable moments came in 2017, when she was a single mom battling cancer, longing for someone to hold her through the uncertainty.

“People are like, ‘Oh, you’re a strong woman. You’re such a strong woman.’ And I was like, ‘That doesn’t mean that mean I don’t want to be taken care of,” she told the crowd sitting quietly in the transformed ballroom space.

She went on to describe the nights she would sit on the edge of her bed, overwhelmed by loneliness the distress of going through something so difficult and wishing for someone to share the burden with. Instead, she had to dig deep, push her fears aside and be strong for her young kids.

Jo Dee Messina, Ella Langley; Courtesy of CRB/CRS/Kayla Schoen
Jo Dee Messina, Ella Langley; Courtesy of CRB/CRS/Kayla Schoen

“People were like, ‘You’re just so strong going through this.’ And I was like, I would cry and be like, ‘Jesus, I wish you had arms. I just want somebody to hold me because this is scary and lonely.’ Then people are like, ‘You’re so strong’ and I’m like, ‘You didn’t see me last night.’ I was sitting on the side of my bed going, ‘I wish somebody would go through this with me,’” she shared honestly.

This experience proves that even though from the outside, Messina might have looked tough, putting on that strong front was just her way of coping, a survival instinct born from that hardship.

“I think sometimes it’s like having to push through, people see it as, ‘oh, you want to push through and you want to push everybody away.’ And it’s like, no, actually this is a survival thing. This is how I survive,” she added.

Jo Dee Messina; Photo by Country Now
Jo Dee Messina; Photo by Country Now

Ella Langley said she can relate to having a “tough” image, as she is often seen that way despite facing her own struggles behind the fame and success that many assume would bring only happiness. That simply is not always the reality of life in the spotlight.  

“It was kind of the same thing when I moved to town. When I would come to these writes and they had an idea of who I was and wanted to write it that way and I was like, ‘Well don’t you think about stuff that way,’” she recalled. “I guess my toughness comes from more life type of things and…I don’t view myself as that way all the time. I kind of view myself as pretty goofy and weird. So it’s odd. I think so many people share their opinion about what they think of you. You’re like, ‘What? I got to work on my face,” Langley added, earning a few laughs.

She later went on to open up about her longtime mental health battles that reached an all-time low last year, forcing her to take a step back from the road for a few weeks. Both women have found different ways to cope with the hardship and a large part of that is leaning into their faith to find that true strength.

The “You Look Like You Love Me” singer noted that she is “grateful” for the journey that her faith has led her down because it has made her the person she is today.

“Last year, every day I started to read my Bible. I pulled my Bible out, had dust all over it. I had looked for it for two days and every day I was just in the word and I’m still doing that and I’m still growing it. And that’s the thing, I think with all these questions like, ‘How are you getting through this?’ It’s that. It is truly that. That is the thing that saved my life last year,” she admitted.

Once she realized that she was put here for a reason, Langley felt confident that even though there have been high highs and low lows, she is exactly where she is supposed to be in life and it’s all because she listened to that calling from above.

Messina also leaned on her faith through difficult times.

The post Jo Dee Messina Gets Vulnerable About Past Battle With Cancer During Candid Conversation with Ella Langley at CRS appeared first on Country Now.

​Country Now

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Music

REVIEW: Is ‘The Madison’ Taylor Sheridan’s Best Show Ever?

Taylor Sheridan captured the emotions of tragedy with unthinkable precision. That might be the problem. Continue reading…​Country Music News – Taste of Country

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Music

REVIEW: Is ‘The Madison’ Taylor Sheridan’s Best Show Ever?

Taylor Sheridan captured the emotions of tragedy with unthinkable precision. That might be the problem. Continue reading…​The Boot – Country Music News, Music Videos and Songs

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Alaska News

In the wake of the storm

After resigning from her work with the federal government, the author sailed through the Northwest Passage with her family to conduct in-person research for a forthcoming book about wildlife response to climate change. (Photograph by Caroline Van Hemert)

A stocky brown-and-white shorebird scurried along the beach, pausing midstride to probe the mud for tiny pink clams that are a lifeline for rock sandipers and many other species that call Alaska home. Nearby, my friend and former colleague Dan Ruthrauff collected observations to enter into eBird, a public reporting platform, recording data as diligently as he had during the months we’d worked together in the field. The bird’s delicately painted breast and long, slender beak belied its remarkable hardiness; during his PhD research, Ruthrauff had shown me photographs of overwintering rock sandpipers waiting out a cold snap, their feathers ruffled and their legs encased in ice like tiny popsicle sticks. Now, while he tracked the sandpiper’s movements, I took pictures of several seabird carcasses that had washed up on the beach, documenting another of the growing number of wildlife mortality events that I’d been studying for the past decade.

We’d arrived by sailboat to this rain-drenched cove in the Shumagin Islands of southwestern Alaska, where fields of eelgrass nudged crumbling sea stacks and black-legged kittiwakes perched on steep rock walls. We weren’t there in our official capacity as biologists, but we’re always on the job when it comes to paying attention to the ecosystems and species we’ve long studied and cared for. Until recently, Ruthrauff and I were research biologists for the U.S. Geological Survey in Alaska, with more than 50 years of experience between us. Ruthrauff was a shorebird and waterfowl specialist; I focused largely on wildlife and environmental health.

Daniel R Ruthrauff/U.S. Geological Survey Alaska Science Center)
Rock sandpipers flock on the mudflats near Kasilof on Dec. 18, 2007. (Photo by Daniel R Ruthrauff/U.S. Geological Survey Alaska Science Center)

We left our respective positions in April 2025 as the Trump administration’s assault on federal science reached its initial climax. This was not an easy departure, but it felt untenable to stay in the climate of hostility and uncertainty that was building at USGS and other federal agencies. My decision was cemented when I heard Doug Burgum, a billionaire businessman who had recently been appointed Secretary of the Interior, describe the country’s public lands as a “balance sheet,” with the explicit desire to profit from their development and exploitation. The Department of the Interior oversees USGS, and thus Burgum had become our highest-level boss. In his “welcome” speech, he revealed both the depths of his team’s scientific ignorance and its intent to dismantle key components of our research, with severe implications for not only our careers but the nation’s wildlife, lands, and waters.

On top of what many of my colleagues and I saw as the administration’s pro-extraction, anti-science agenda, we faced another onslaught. Over the preceding weeks, we’d received threatening emails instructing us to “turn in” our colleagues for any suspected promotion of diversity and equity initiatives, including benign programs intended to support women or underrepresented groups in science. We were informed, on a near-daily basis, that we were likely to lose our jobs and all programmatic funding, and were advised to prepare a statement to send to partners in other agencies in case we faced sudden termination. Such messages were often routed through fabricated email addresses and used demeaning, unprofessional language.

The effect was both disheartening and chilling. The federal employees I worked alongside were not rabble-rousers but committed public servants, focused on providing unbiased scientific information to help manage species and ecosystems and protect human safety. Among our collective roles, we forecasted earthquakes and other natural hazards, measured toxin levels in subsistence foods, gauged streamflow that boaters and aquatic life depend on, mitigated human-wildlife conflicts, and provided early warning for infectious diseases like avian influenza. Far from being elite academics, my colleagues worked directly for the benefit of others. In Southeast Alaska, for example, USGS scientists used decades of mapping data to identify deadly landslide hazards as the warming climate brings more intense rainfall. On the Yukon River, my colleagues investigated the crash of chinook salmon stocks that left Alaska Native communities without a critical food source and brought the commercial fishing industry to a standstill.

A king salmon is seen in an undated photo. (Photo by Ryan Hagerty/USFWS)

By spring of 2025, however, our workplace felt less like a top-tier public science institution and more like an environment intended to cultivate submission via intimidation. We were fearful of losing our jobs, or worse. As a writer and concerned citizen, I knew my ability to speak out would be compromised. And as a researcher, I couldn’t, in good conscience, abandon the scientific transparency and conservation ethics that had formed the backbone of my training.

Federal employees like me were thus left with two impossible options: stay and tolerate whatever abuse and forced complicity came next, or leave and forfeit an entire career. Some of my colleagues simply could not leave: They had hospitalized children who couldn’t risk a break in health care, single-income mortgages to pay, or elderly family members to support. Others believed that the system of law would ultimately prevail. Most did not have a second career option at the ready, yet many nonetheless lost their jobs—sometimes with a few hours’ notice, and other times with no notice at all.

Ruthrauff and I were fortunate: He was eligible for early retirement, and I had a second job as a freelance writer to fall back on, with a new book contract in the works. Still, it was a decision neither of us wanted to make. We were given less than a week to collect our belongings, sign off from projects that were years in the making, and archive as much data as we could before permanently losing access to our email.

Dan Ruthrauff, a shorebird and waterfowl specialist with the U.S. Geological Survey, is among the estimated 352,000 employees who have been fired or left the federal workforce since February 2025. (Photograph by Caroline Van Hemert)

We are among the estimated 352,000 employees who have so far been fired or left the federal workforce in response to the Trump administration’s policies. Science has been hit especially hard, with climate, environment, health, and wildlife budgets specifically targeted. Some 7,800 research grants have been frozen or terminated, and further proposed cuts could result in additional losses to programs and personnel. And although Congress is pushing back, much of the damage has already been done. With programs and staff gone and employee morale tanked, it’s simply not possible to pick up where we left off.

For all of its promised cost savings, the Trump administration’s chaotic cuts over the past year haven’t actually saved taxpayers money. The federal budget grew by $220 billion in the first hundred days of the administration compared to the same period the prior year—yet our nation has lost more than many people realize. We have long relied on weather and natural hazard forecasting for our safety; we have trusted that our national parks will be sustained in perpetuity; we have hunted, fished, and recreated with the assurance that someone is looking after our natural resources. That someone might have been me, or Dan Ruthrauff, or any of my other colleagues who took an oath of public service only to find that they were no longer able to deliver on their promises—not because they weren’t qualified or didn’t care, but because the current government has failed us all.

After resigning, I took the opportunity to sail with my husband and 9- and 11-year-old sons on our small expedition sailboat through the Northwest Passage, a goal we’d been working toward for years. The same passions that drew me to my work as a biologist have long dovetailed with my personal interests. I’d walked, paddled, skied, and sailed across much of my home state; the four-month-long sailing trip was a chance to connect the dots across the broader Arctic and to report on what I’d witnessed. Along the way, I conducted in-person research for my forthcoming book about wildlife response to climate change.

Our route passed many places familiar to me from my work as a federal biologist. I glimpsed the snow-covered peaks of the Brooks Range backing up to the Arctic Coastal Plain, where I’d lived out of a tent while studying the effects of climate-driven storm surge on nesting common eiders. We stopped in communities where I’d partnered with local residents to document the risks to wildlife and people from harmful algal blooms, an emerging environmental health issue. The landscape had changed dramatically in the two decades since I began my career. Barrier islands where I’d done fieldwork were now routinely battered by what had once been described as hundred-year storms; hungry polar bears had become regular summer visitors; and sea ice had given way to large areas of open water. We saw historical sites that had flooded and seawalls that had been breached. It was impossible not to worry about how the isolated communities in this part of the world will feel the loss of federal support when salmon fail to return or wildfires rip through boreal forests or permafrost slumps into the sea.

Ruthrauff joined us for the 800-mile sailing leg from Nome to Sand Point, both in Alaska, offering an extra set of hands and an endless source of bird facts for my curious 9-year-old. It was our first reunion since we’d exchanged hasty goodbyes while packing up our USGS offices five months earlier.

Initially, as we scanned the horizon with binoculars and washed dishes with seawater, it felt as though we’d just stepped into another field stint. Only later, as we sailed past stretches of coastline where we’d each worked did we discuss our departure. I learned that a multiyear project to investigate the impacts of climate change on Arctic-nesting geese that Ruthrauff helped organize had been halted. The research I’d been doing on harmful algal blooms no longer had a program lead or a budget. Long-term monitoring studies—on caribou, polar bears, walruses, fishes, and birds—that provide basic population inventories necessary for endangered species assessments, sustainable hunting limits, and other applications had been shelved indefinitely. Meanwhile, employees were prohibited from speaking to the media, including about topics such as avian influenza and other issues that pertain to animal and human health. Our remaining colleagues and their expertise had been effectively silenced.

Other federal programs, such as those that focused on weather forecasting, were losing funds so quickly they couldn’t perform essential public services. Those gaps would soon become evident.

We had ventured into the Bering Sea at a time when the weather gods were smiling, but before long the mood would change, with disastrous effects. Far to our west, the anomalously warm waters of the North Pacific were stirring up trouble. Three weeks later, after we’d continued south and out of harm’s way, a Category 4 storm called Typhoon Halong hit the coastal villages of Kipnuk and Kwigillingok, changing course so quickly residents weren’t able to evacuate. Survivors, many of whom are now temporarily living in my hometown of Anchorage nearly 500 miles away, have become not only climate refugees, but victims of federal funding cuts: A $20 million coastal resilience grant was canceled in the months prior to the storm, at the same time that federal weather balloons were grounded and forecasting budgets were slashed.

Though no amount of preparation could have changed the storm’s track or severity, the lack of resources and information made a bad situation worse. Rick Thoman, a longtime Alaska meteorologist, wrote that while it’s not entirely clear whether the lack of weather balloons affected the forecast, “it seems likely that that had some effect on the model performance.” Emergency funding intended to help communities respond to extreme weather events, meanwhile, is no longer available under the Trump administration. That makes the future even more uncertain for the people of Kipnuk and Kwigillingok, many of whom are attempting to maintain their cultural roots while living out of temporary accommodations in the state’s biggest city.

These are not scientists or disgruntled employees, but real people feeling the real effects of a federal workforce in crisis. It doesn’t take a PhD to recognize that these and other losses will reverberate for decades to come, and that the true price of dismantling our federal science programs is far higher than any supposed cost-cutting measures have saved.

On the last day before we dropped Ruthrauff in the Unangax̂ community of Sand Point, where I’d spent one frigid December chasing sea ducks as a USGS employee, we did a final eBird survey. It was a drizzly afternoon with fickle sailing conditions, gusty one minute, dead calm the next. Ruthrauff sat in the cockpit with binoculars trained on the jumpy horizon; I held onto an overhead rail and steered through the waves. 

As we called out our sightings—sooty shearwater, common murre, black-legged kittiwake—we knew that these observations were nothing more than lone data points in a sea of information needs. But we also knew that even the most seemingly mundane reports, taken together, can provide valuable insight. Public data platforms such as eBird will never replace detailed monitoring studies, but in the absence of federal support, having extra eyes on the water, in the sky, and in the trees might help fill some of the gaps. 

Turning our collective attention to the natural world also offers the sort of inspiration we need in a time of crisis. From hardy rock sandpipers waiting out a deep freeze to the millions of seabirds that survived Typhoon Halong, we need look no farther than our own backyards to find examples of resilience. We, too, must find a way to weather this storm. 

This commentary was originally published in BioGraphic Magazine and is republished here with Permission.

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Entertainment

Sydney Sweeney Goes Topless to Promote ‘Seductress’ Lingerie Line

Reading Time: 2 minutes

For a lot of people, 2026 is off to a very rocky start.

But amid all the reports of war and corruption and environmental collapse, there are still reasons to be optimistic.

For example, Sydney Sweeney has launched a lingerie line, and she promotes it by wearing the items herself.

Sydney Sweeney attends the 41st Annual Santa Barbara International Film Festival at The Arlington Theatre on February 08, 2026 in Santa Barbara, California.
Sydney Sweeney attends the 41st Annual Santa Barbara International Film Festival at The Arlington Theatre on February 08, 2026 in Santa Barbara, California. (Photo by Kevin Winter/Getty Images)

The brand is called SYRN (pronounced “siren”), and it’s divided into five different collections.

Each time new items drop, Sydney models them on her Instagram page, which makes perfect sense.

If she picked someone else for the job, it would only create confusion. It would be like if Elon Musk hired someone hired a guy to be awkward on social media for him. He can just do that himself!

Anyway, first came the Seductress, which carried a femme fatale vibe featuring corsets and garters. Old school lingerie.

Then Sydney released Romantic, which had a softer and lacier vibe. Playful was the name suggests, more fun and sporty.

Then came Comfy, which was the most casual of the bunch.

Now, we’re getting a second round of Seductress releases. And as usual, both the lingerie and the model are receiving rave reviews on Instagram.

“A lil bit more of our seductress,” Sydney wrote in her caption, a play on words worthy of Shakespeare.

Predictably, the post quickly racked up hundreds of thousands of likes and an astonishing number of ultra-thirsty comments.

“GIRL YOU’RE SO STUNNING,” wrote one user.

“Internet is on its knees!!!” added another.

Sydney Sweeney attends the Los Angeles premiere of Lionsgate's "The Housemaid" at TCL Chinese Theatre on December 15, 2025 in Hollywood, California.
Sydney Sweeney attends the Los Angeles premiere of Lionsgate’s “The Housemaid” at TCL Chinese Theatre on December 15, 2025 in Hollywood, California. (Photo by Monica Schipper/Getty Images)

A third chimed in by basically writing an ode to the Euphoria star and lingerie mogul:

“Amidst the hellish battles raging in the Middle East between America and Israel against Iran, there is something beautiful that brings a smile and a sense of joy,” this person wrote,” adding:

“Sydney Sweeney and seeing her work and projects flourishing. There are beautiful women, yes, but the most beautiful of all in every way is Sydney Sweeney.”

Now, we’re sure Sydney is used to people being weird about her on the internet. But it still must feel a little strange.

But hey, she’s a natural-born star who seems perfectly comfortable in the spotlight.

While some celebs seem to hate every second of being famous (looking at you, Chappell Roan!), Sydney has worked hard for this moment, and she’s clearly enjoying every second of it.

Sydney Sweeney Goes Topless to Promote ‘Seductress’ Lingerie Line was originally published on The Hollywood Gossip.

​The Hollywood Gossip

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Entertainment

Why One Woman Sued Burger King Over 20 Cents

Practically every major fast food chain has faced a lawsuit at some point, but this Burger King case from the ’90s boils down to a $0.20 price discrepancy.

​Mashed – Fast Food, Celebrity Chefs, Grocery, Reviews

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Music

Tim McGraw, The Stanley Brothers, Paul Overstreet Named 2026 Country Music Hall of Fame Inductees

The Country Music Association unveiled the 2026 inductees into the Country Music Hall of Fame on Friday morning (March 20) during a special ceremony held in the iconic Rotunda at the Country Music Hall of Fame and Museum in Nashville.

CMHOF Inductees 2026
CMHOF Inductees 2026

Marty Stuart, a Country Music Hall of Famer, served as host of the press conference, revealing this year’s inductees: Paul Overstreet (Songwriter category), The Stanley Brothers (Veterans Era Artist category), and Tim McGraw (Modern Era Artist category).

Paul Overstreet; Photo by John Russell/CMA
Paul Overstreet; Photo by John Russell/CMA

Paul Overstreet: Songwriter Category

Overstreet, a chart-topping, multi-award-winning songwriter, is behind some of country music’s most iconic hits, including “Forever and Ever, Amen” and “Deeper Than the Holler,” recorded by Randy Travis, “When You Say Nothing at All,” recorded by Keith Whitley and later by Alison Krauss, “Love Can Build A Bridge” by The Judds, “She Thinks My Tractor’s Sexy” by Kenny Chesney, and “Some Beach” recorded by Blake Shelton, among many others. Inducted into the Nashville Songwriters Hall of Fame in 2003, his catalog has since earned more than 50 million U.S. broadcast performances.

Overstreet became emotional during his acceptance speech, holding back tears as he recalled the moment he got the call and what the honor means.

“First of all, as a writer, sometimes we’re faced with the task of putting into words something there aren’t really words for,” Overstreet shared. “But in this case, my writer instinct didn’t have the words at all. I was in a bit of shock – total surprise. When Sarah called, I was in the South China Sea, or the Gulf of Thailand on a boat and the words she spoke gave me such an amazing feeling. I was sitting at a table with 10 people, and I had to fight back tears. What an honor it is to be recognized for my work by such an iconic institution as the Country Music Hall of Fame. I realize now what my friends felt when they were told they were being inducted into the Country Music Hall of Fame. Wow… it still hasn’t completely hit me yet.”

Stanley Brothers Family; Photo by John Russell/CMA
Stanley Brothers Family; Photo by John Russell/CMA

The Stanley Brothers: Veterans Era Artist Category

Comprised of Carter and Ralph Stanley, The Stanley Brothers built a raw, emotional sound deeply rooted in the mountains of Virginia, where they were raised on gospel music and the Grand Ole Opry. After forming the Clinch Mountain Boys in the late ’40s, they carved out their own lane in bluegrass with signature three-part harmonies and Carter’s simple yet powerful songwriting, taking their music from radio stages to the Newport Folk Festival and helping songs like “I Am a Man of Constant Sorrow” stand the test of time. Following Carter’s death in 1966 at just 41, Ralph carried on the legacy for decades, mentoring future stars like Ricky Skaggs and Keith Whitley and later introducing their sound to a new generation with “O Death” in O Brother, Where Art Thou?, proving their influence spans generations.

The Stanley Brothers will be inducted posthumously. Their family, who continues to carry on their musical legacy, was on hand to accept the honor.

“This moment is deeply personal for our entire family,” The Stanley Brothers’ family stated. “Seeing Ralph and Carter – The Stanley Brothers – inducted into the Country Music Hall of Fame is an extraordinary honor, and something we know would have meant so much to them. The fact that people around the world still love their music speaks to the heart and soul they poured into every recording and performance. Carter’s emotional lead combined with Ralph’s haunting tenor created a sound that was truly special. After Carter’s passing, Ralph carried on the music they began together, dedicating his life to preserving the spirit of traditional mountain music and sharing it with audiences everywhere through the Clinch Mountain Boys before his passing in 2016. To see The Stanley Brothers recognized together, side by side, is incredibly meaningful for our family and a testament to a legacy that continues to live on through their music.”

Tim McGraw with Marty Stuart; Photo by John Russell/CMA
Tim McGraw with Marty Stuart; Photo by John Russell/CMA

Tim McGraw: Modern Era Artist Category

For more than 30 years, McGraw has remained one of country music’s most consistent hitmakers, earning over 49 No. 1 singles, selling more than 106 million records worldwide, and landing 13 studio albums atop Billboard Top Country Albums. The Louisiana native has also built a successful acting career with roles in Friday Night Lights and The Blind Side, starred in Country Strong, and led the hit series 1883. In addition, he co-authored the bestselling book Songs of America with Jon Meacham and has earned 11 CMA Awards and three Grammys.

McGraw, who will be inducted in the Modern Era Artist category, called the moment the “greatest honor.”

“Everything good in my life has come from Country Music,” McGraw said. “From my best memories as a kid, to meeting my wife, to this music community, to the friendships I’ve made along the way. To represent Country Music at the highest level is the greatest honor anyone could bestow on me. I admit, I’ve imagined this moment many times through my career — worked towards it, thought of how I could be the kind of artist who was worthy of it. But my imagination didn’t do it justice. As I stand here, I’ll be the first to tell you I’m only worthy of it because it’s not mine alone. It also belongs to my family, to my team on and off the road, to the songwriters who trust me with their songs, to the musicians, the actors, the co-authors and to the many, many greats that came before me and taught me how it’s done. I am so honored.”

CMA CEO Sarah Trahern reflected on the announcement, noting it “serves as a powerful reminder of the people whose passion and dedication have defined Country Music at its very best.”

She continued, “As we welcome Tim McGraw, Paul Overstreet and The Stanley Brothers into the Country Music Hall of Fame, we celebrate not only their extraordinary achievements, but the lasting influence their music will have on future generations. It has been one of the greatest honors of my career to help recognize these legacies and share in this unforgettable milestone.”

Kyle Young, CEO of the Country Music Hall of Fame and Museum, added, “The new inductees each followed their own distinctive career paths, but they have one critical commonality: they have left an indelible mark on Country Music,” said Kyle Young, Country Music Hall of Fame and Museum CEO. “Louisiana native Tim McGraw has built a catalog of hits defined by emotionally resonant, thought-provoking songs, achieving more than 60 Top 10 Country hits, nearly 30 No. 1 Country singles, and a formidable acting career. Raised in Mississippi, hit songwriter Paul Overstreet has penned modern Country classics for numerous Country Music Hall of Fame members, as well embarking on a successful recording career of his own. Hailing from mountainous southwestern Virginia, the Stanley Brothers – Ralph and Carter – were a foundational act in bluegrass whose music has influenced generations of artists in a variety of genres. Now, they will permanently be enshrined in the Country Music Hall of Fame alongside their esteemed peers and fellow pioneers.”

The 2026 inductees will be formally welcomed during the Medallion Ceremony later this year.

The post Tim McGraw, The Stanley Brothers, Paul Overstreet Named 2026 Country Music Hall of Fame Inductees appeared first on Country Now.

​Country Now

Categories
Food

These Dollar Tree Chocolates Are Better Than The Name Brand, According To Customers

It’s no secret that chocolate is pricey, but you can get this off-brand chocolate that is better than the big name stuff for less than $2 at Dollar Tree.

​Food Republic – Restaurants, Reviews, Recipes, Cooking Tips

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Entertainment

This Was John Wayne’s Go-To Cooking Method

John Wayne may be remembered for his many western films, but he was also a man of classically simple culinary tastes. Here’s how he preferred to cook.

​Mashed – Fast Food, Celebrity Chefs, Grocery, Reviews