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A$AP Rocky’s high-powered attorney Joe Tacopina suffered a crushing legal blow Thursday when a Los Angeles Superior Court judge denied his motion to dismiss a defamation lawsuit filed by the rapper’s former friend, A$AP Relli.

Superior Court Judge Randolph Hammock rejected Tacopina’s anti-SLAPP motion, which would have quickly killed the case and forced A$AP Relli to pay the defense’s attorney fees.

The ruling keeps alive explosive claims that Tacopina defamed Relli by calling him a “liar” and “gold digger” during media interviews.

The defamation case stems from a 2021 Hollywood shooting incident where A$AP Rocky allegedly fired shots at A$AP Relli. The former friends were part of the same Hip-Hop collective before their relationship exploded into violence.

“Those would be protected by the litigation privilege,” Judge Hammock said during Thursday’s hearing according to Court House News. “But the statements that Mr. Ephron is making were not made in that context. Is the word spin? This was spin — a lawyer spinning for his client.”

Tacopina, who has defended high-profile clients like Donald Trump, Meek Mill, Wendy Williams and Michael Jackson, had argued his inflammatory statements to various media outlets were protected speech.

The Brooklyn-born attorney told the media that Relli’s shooting claims were “an extortion attempt by a former associate” and accused him of fabricating the story in a “get-rich-quick scheme.”

“He’s a failed associate–ex–associate of Rocky’s and he’s jealous. He was trying to get money from Rocky. He wanted Rocky to support him. He made it clear. There were repeated attempts where he tried to ask for money in lieu of not causing problems for Rocky. That’s what he said. We have all this memorialized in text messages and otherwise, so it’s an extortion,” Joe Tacopina told Rolling Stone.

The judge found those statements crossed the line from protected litigation privilege into public relations spin designed to damage Relli’s reputation.

Relli’s lawsuit claims the defamatory statements resulted in death threats on social media, public ridicule and “extreme emotional distress.”

The struggling music producer told the court he’s already invested $500,000 in legal fees fighting both the defamation case and a separate civil assault lawsuit against Rocky.

The legal drama began after Rocky was acquitted of felony assault charges in February 2025 following a three-week criminal trial. Despite the not-guilty verdict, Relli’s civil lawsuits continue, with a jury trial tentatively scheduled for January 2026.

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Chris Brown sent shockwaves through London’s Southwark Crown Court on Friday when he made an unscheduled appearance for a pre-trial hearing, just days after wrapping his massive “Breezy Bowl XX” stadium tour across the United States.

The 36-year-old R&B superstar was not required to attend the hearing but chose to appear alongside co-defendant Omololu Akinlolu, 38, as both men face charges stemming from what prosecutors describe as an “unprovoked attack” at London’s exclusive Tape nightclub in February 2023.

Prosecutors allege Brown and Akinlolu brutally assaulted music producer Abraham “Abe” Diaw at the upscale Mayfair venue, with Brown allegedly striking Diaw multiple times with a tequila bottle before punching and kicking him.

The “Run It” hitmaker was arrested at a Manchester hotel in May after returning to Britain for the first time since the alleged incident, forcing him to post a staggering $6.71 million bail to secure his release and continue his world tour.

Brown spoke only to confirm his name during Friday’s brief hearing, maintaining the same composed demeanor that has carried him through decades of legal battles. The Grammy winner has pleaded not guilty to charges of grievous bodily harm and assault causing actual bodily harm.

Brown’s surprise courtroom cameo stands in stark contrast to his recent triumphant tour performances across America, where he commanded sold-out stadiums from Miami to Las Vegas.

The “Breezy Bowl XX” tour, which featured special guests Summer Walker, Bryson Tiller and Jhené Aiko, concluded this week after a months-long run that generated millions in revenue.

The timing of Brown’s court appearance highlights the dramatic shift from his recent tour success to the serious legal consequences he now faces. The trial is scheduled to begin in October 2026, giving the embattled star more than a year to prepare his defense.

The case represents another chapter in Brown’s troubled legal history, which has included multiple assault charges, restraining orders and civil lawsuits throughout his career. Despite his legal woes, the Virginia native continues to command massive audiences and generate substantial touring revenue.

Diaw has also filed a separate $16 million civil lawsuit against Brown, seeking damages for the alleged attack that left him unconscious at the London hotspot.

Brown’s legal team has not commented on Friday’s court appearance, but the singer’s decision to attend voluntarily suggests a strategic approach to the high-stakes case that could impact his ability to tour internationally.

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Jay-Z emerged victorious in a California courtroom on Friday (October 24) after a federal judge denied an emergency restraining order request filed by Lillie Coley, the godmother of the man who claims to be his son, clearing the way for the rapper to pursue sanctions in a long-running legal feud.

U.S. District Judge Sherilyn Peace Garnett rejected Coley’s attempt to block what she described as a “retaliatory” sanctions hearing, marking another legal win for Jay-Z in a case that has dragged on for years.

Coley had asked the court to freeze proceedings, claiming she was being targeted for her advocacy on behalf of Rymir Satterthwaite, who alleges Jay-Z is his biological father.

The judge found no legal basis for emergency relief.

The ruling allows Jay-Z’s legal team to move forward with efforts to penalize Coley over what he has called “decades-long harassment,” according to court filings.

The case has seen repeated filings, procedural disputes and a failed attempt by Coley to win a default judgment earlier this year.

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Coley, who once served as Satterthwaite’s legal guardian, has been at the center of the paternity saga since Rymir’s mother became too ill to continue the legal fight and died.

She has accused Jay-Z of using his wealth and legal firepower to avoid DNA testing and accountability.

In her latest filing, Coley sought a temporary restraining order and an order to show cause, hoping to stop the sanctions hearing. But Judge Garnett declined to intervene, a common outcome when plaintiffs cannot meet the high threshold for immediate court action.

The failed restraining order comes months after Satterthwaite dropped a separate paternity suit. Jay-Z responded by formally entering the California case and asserting that the legal campaign against him is baseless and abusive.

Court records show that in 2022, a New Jersey judge barred Coley and Satterthwaite from filing new lawsuits in that state without prior approval, citing repeated failed attempts to litigate the paternity issue.

Coley’s filings have also drawn attention from Nicki Minaj, who publicly backed Satterthwaite and accused Jay-Z of trying to silence him.

Nicki Minaj has used her social media platforms to criticize the rapper’s alleged actions, saying he tried to frame Satterthwaite and calling him “weak.”

Nicki Minaj also claimed that Beyoncé is preventing Jay-Z from acknowledging Satterthwaite, calling it Jay-Z’s “biggest secret.” She has also alleged that the rapper has interfered with her music career and legal matters.

Despite Minaj’s public support, Coley’s legal maneuver failed to convince the court.

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Summer Walker is closing the chapter on heartbreak and tapping into self-worth with help from Sexyy Red, GloRilla and Latto, all featured on her upcoming album Finally Over It, dropping November 14.

The Atlanta singer confirmed the trio of rap heavyweights during a sit-down with Speedy Morman for his “360 with Speedy” series, where she opened up about the album’s direction and her mindset behind it.

.@IAMSUMMERWALKER confirms Sexyy Red, Glorilla & Latto will be featured on “Finally Over It”, out 11/14. pic.twitter.com/omya8sAJae

— Summer Walker Charts (@SWCHART) October 22, 2025

“I’m moving into a little bit of a different genre as I talk about new things that I’m usually not talking about ’cause I’m usually just like, ‘Oh, he broke my heart;’ put it on an 808 trap beat,” Walker said. “And so now, we’re just trying different things. The other songs are kind of just more so like, ‘Oh, I choose me’ type s###.”

The project marks the third and final entry in her Over It trilogy, following 2019’s Over It and 2021’s Still Over It, the latter of which debuted at No. 1 on the Billboard 200 and solidified her status in R&B’s top tier.

This time around, Walker is stepping away from familiar collaborators. Notably absent is London on Da Track, her ex and the father of her daughter, who produced much of her earlier work.

“It’s the trilogy, it’s the end of it,” she explained, adding,” It’s a different sound. It’s more polished a little bit. I did it by myself. No baby daddy.”

The guest lineup reflects the current pulse of female Hip-Hop. GloRilla, who recently made waves with her album Glorious, landed a top-five debut on the Billboard 200 in October. Her collaboration with Sexyy Red, “Whatchu Kno About Me,” also gained traction throughout the year.

Latto, meanwhile, continued building momentum with high-profile features and consistent chart presence.

Walker’s shift from emotional ballads to empowerment anthems mirrors her personal growth. She’s been vocal about prioritizing herself over romantic drama and leaning into self-love.

“I think it’s gonna be really good,” she said of the upcoming release.

Finally Over It is scheduled to arrive on November 14.

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Bad Bunny claimed the spotlight in Miami Thursday night as he was crowned Top Latin Artist of the 21st Century at the 2025 Latin Billboard Music Awards and walked away with 11 trophies, including Artist of the Year and Top Latin Album for Debí Tirar Más Fotos.

The Puerto Rican megastar accepted the career-defining award from none other than Rita Moreno, the 91-year-old Hollywood legend who received a standing ovation before delivering a powerful speech in Spanish.

“When I started my career, being Latino in the United States meant facing barriers. Opportunities were few, almost non-existent, and every small step forward was a victory,” Moreno said. “I see an artist who brings the world to Latin culture with the same strength and passion that kept me going and allowed me to never give up.”

Bad Bunny, 31, danced his way to the stage as the crowd erupted, then embraced Moreno before delivering an emotional acceptance speech.

“For me, it’s an honour to receive this award from your hands. I respect you and admire you so much. Every time I hear other artists speak as you did of me, it tells me that doing things from a good place and with your heart, it’s always the best decision,” he said. “I know how much I have worked, and not just me, but my whole team. At the same time, I’m 100 per cent aware that any one of my colleagues could have been given this award.”

The ceremony, held at the James L. Knight Center, also saw Karol G take home six awards, including Hot Latin Songs Artist of the Year, Female. Shakira earned Latin Pop Artist of the Year, Solo.

The event marked a major milestone for Bad Bunny, whose influence on Latin music continues to grow.

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Megan Thee Stallion is back with another dose of heat and a surprising touch of softness. Following April’s “Whenever,” the Houston rapper dropped her second solo single of the year, “Lover Girl,” which flips the 1996 R&B classic “Kissin’ You” by Total into a modern bounce-infused anthem. Produced by newcomer Jacobdior, the track layers Megan’s signature confidence over a blend of New Orleans bounce and Jersey club energy, anchored by the nostalgic Bad Boy sample.

The song arrives as Megan enjoys her high-profile romance with Golden State Warriors star Klay Thompson. The couple went public in July, sharing affectionate photos on Instagram and stepping out together at Megan’s Pete & Thomas Foundation Gala, fueling plenty of buzz about Hip-Hop’s newest power pair.

READ ALSO: Houston Rapper Megan Thee Stallion Says 2025 “Hottieween” Concert Will Be Bigger Than Ever

Musically, “Lover Girl” finds Megan exploring romantic territory without abandoning her trademark boldness. The hook, featuring her chanting “my man, my baby,” has already caught listeners’ attention for its infectious rhythm and smooth delivery. Also, there is Klay.

Still, reactions are mixed. Some fans praise the song’s nostalgic feel and smart use of the Total sample, while others feel the lyrics lean too heavily into explicit territory, missing an opportunity for more clever wordplay.

“I actually really like the hook, the sample throughout the song is utilized well and production is decent,” one listener wrote online. “But the middle of the song after the first verse is where it starts to go downhill for me…I just feel the song could’ve used less vulgar sex references and leaned more toward witty double entendre or innuendo punchlines, especially on a song called ‘Lover Girl.’”

Still, there’s no denying the track’s cultural spark — particularly for its producer. Jacobdior, a DJ and TikToker who only began his music career two months ago, created the beat and posted it online with the caption, “Someone call Megan.” The clip went viral, eventually catching Megan’s eye. “Friend I’m late but if you send me this beat I will record it TONIGHTTT,” she replied.

That online moment led to a full-circle success story, culminating in one of the most talked-about releases of Megan’s current era.

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Kehlani brought together R&B royalty and longtime musical inspirations on October 24 with the release of her “Folded Homage Pack,” a six-track remix collection spotlighting Toni Braxton, Brandy, Ne-Yo, Mario, Tank and JoJo.

The tribute EP, released through Atlantic Records, reimagines her hit single “Folded” with a lineup of vocal heavyweights who defined 2000s R&B.

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Ne-Yo’s appearance, kept under wraps until the full tracklist dropped, capped off the rollout as a surprise addition.

Originally released on June 11, “Folded” has become Kehlani’s most commercially successful song.

The track climbed to No. 18 on the Billboard Hot 100, her highest solo chart position, and reached No. 1 on both Billboard’s Rhythmic Airplay chart and urban radio.

Produced by Andre Harris, D.K. the Punisher, Don Mills and Khris Riddick-Tynes, the song blends nostalgic melodies with modern production.

The record will follow her 2024 Grammy-nominated project, “Crash,” and its swift follow-up, “While We Wait 2.”

Kehlani opened up about the creation of “Folded” in a heartwarming Billboard interview alongside her five-year-old daughter, Adeya.

“I was in Miami on a work trip with my friends when I first heard the beat,” she recalled. “I loved it immediately, so I took it into the studio—me, Uncle Kamal, Uncle Dixon, Aunt Jenna—and we all sat together, vibed out, and made the song. We were really excited about it and thought, maybe we should put this one out.”

When Adeya asked why she wanted to release “Folded,” Kehlani smiled and replied, “I just thought it was a really cool way to come back into music after taking a little break. I felt confident about it—it felt like the right song. Do you think it’s a good song? Because as long as you like it, I love it.”

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Rick Ross is parting ways with his sprawling South Florida estate, listing the luxury property in Landmark Ranch Estates for $6.5 million as he continues expanding his business portfolio.

The 14,000-square-foot mansion, located in the gated community of Southwest Ranches, features six bedrooms, seven bathrooms and a long list of high-end amenities.

Kimberly Knausz, who is handling the sale, describes the property as “Grandeur. Sophistication. THE BIGGEST kind of luxury. Because big dreams deserve an even bigger address.”

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Built for both comfort and showmanship, the home includes marble flooring, a custom bar, a soundproof movie theater and a resort-style pool complete with a waterslide.

The primary suite offers a spa-style bathroom, a custom walk-in closet and a private sitting area.

A nine-car garage adds to the appeal, built to accommodate Ross’s extensive car collection. The estate sits on 2.3 acres in a private equestrian neighborhood known for attracting celebrities.

Ross originally bought the home from former NBA star Amar’e Stoudemire for $3.5 million. Since then, he’s added a new roof and stamped his signature double-R logo into the driveway.

This Florida property is separate from Ross’s massive Georgia estate, dubbed the “Promise Land,” which includes 109 rooms and has served as a backdrop for major productions like “Coming 2 America” and his annual car show.

The sale comes as Ross continues to diversify his business ventures.

In 2025, he became a co-owner of BitFortune, a digital currency platform launched in partnership with Gamma.

He has also grown his Wingstop franchise portfolio to over 30 locations across the United States, generating millions in annual revenue.

In the health and beauty space, Ross launched “Smiles by Mario Montoya,” a dental brand focused on porcelain veneers. He also remains active in the cannabis industry through his Collins Avenue brand, with investments in both California and Michigan.

Ross’s decision to sell the Florida property is part of a broader strategy to streamline his real estate holdings while continuing to scale his business empire.

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Jack Schlossberg blasted Donald Trump for gutting the White House Rose Garden planted by his grandmother, Jackie Kennedy, accusing the former president of replacing her legacy with concrete in a scathing Instagram post.

The grandson of the former First Lady posted side-by-side images of the garden before and during construction, slamming Trump for stripping away the floral design Jackie helped create during her time in the White House from 1961 to 1963.

“My grandmother saw America in full color – Trump sees black and white,” Schlossberg wrote. “Where she planted flowers, he poured concrete. She brought life to the White House, because our landmarks should inspire and grow with our country.”

The criticism followed online circulation of photos showing the Jacqueline Kennedy Garden, located along the East Colonnade, demolished as part of an ongoing renovation project.

In July, Trump announced plans to expand the White House grounds to accommodate a new venue for formal events, such as state dinners.

Though the Washington Post previously reported the renovation would include a ballroom addition, it remains unclear whether the original Rose Garden will be restored once the project is complete.

Despite the removal of the flowers, Schlossberg, Caroline Kennedy’s son, emphasized that his grandmother’s influence endures.

“Her Rose Garden is gone, but the spirit of the Kennedy White House lives on – in the young at heart, the strong in spirit, and in a new generation answering the call to service,” he added. “A year from now, we’ll get our last chance to stop Trump. History is watching. We need leaders with courage, conviction and who actually care.”

Neither Donald Trump nor the White House has issued a public response to Schlossberg’s remarks.

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Dave dropped his third studio album, The Boy Who Played the Harp and revealed a 2026 tour across the UK and Europe, ending a four-year solo hiatus with a project packed with heavyweight features and personal reflection.

The South London rapper’s 10-track release includes appearances from Nigerian vocalist Tems, genre-blending producer James Blake, UK rap legend Kano and rising talent Jim Legxacy.

Announced in October 2025, the album marks Dave’s first full-length solo project since 2021’s We’re All Alone In This Together.

In an emotional Instagram post announcing the project, Dave reflected on the journey that led to its creation, writing, “After a few years of soul searching to arrive at this point I want to say thank you to everyone who made this possible… my mum who raised me and gave me my name and destiny.”

He also thanked his fans for their unwavering loyalty during his time away from music, saying, “Over this time I have been away you have genuinely saved my life… I wake up and think about you and I write and I pray for you and I speak life into your lives every day I walk this earth.”

The 27-year-old rapper described the project as deeply spiritual and purpose-driven, adding, “I want to thank God for taking a scared little boy trying to navigate the world and giving him the chance to help others and for protecting us all.”

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Dave’s past releases have earned critical acclaim and commercial dominance.

His 2019 debut, Psychodrama, won the Mercury Prize and topped the UK Albums Chart. His sophomore album also hit No. 1 and went platinum. In 2023, his joint single “Sprinter” with Central Cee broke multiple records and became the longest-running No. 1 UK rap single.

Away from music, the 27-year-old artist stayed active in philanthropy. In December 2023, he helped raise more than $633,000 for children impacted by conflict in Palestine, Sudan and Congo.

He also supported his mother’s Juliet O Foundation, which provides care for elderly patients in London and Surrey hospitals.

Dave Announces UK & Europe Tour

Dave is set to return to the stage in February 2026 with multiple shows across the UK and Europe as part of his upcoming tour.

The performances will be his first major concerts since shifting focus to acting and charity work during his extended break from releasing solo music.

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