The World Cup final is often a star-studded affair – and now this summer’s edition will have some of the biggest names in music joining the festivities. FIFA announced that the tournament’s final on July 19 will have a halftime show that will feature Shakira, Madonna and BTS with the show curated by Coldplay frontman Chris Martin. Shakira is set to release the official song of the World Cup, “Dai Dai,” later Thursday. The July 19 match will take place at New York New Jersey Stadium in East Rutherford, New Jersey, with the halftime show aiming to raise funds for the FIFA Global Citizen Education Fund, an initiative working to provide access to quality education and football for children worldwide. The 48-team tournament will begin June 11 and will be co-hosted by 16 cities spread across three countries – Canada, Mexico and the United States. Mexico opens up the tournament on June 11 against South Africa in Mexico City, and will have opening ceremony headliners that include Alejandro Fernández, Belinda, Danny Ocean, J Balvin, Lila Downs, Los Ángeles Azules, Maná and Tyla. An opening ceremony in Los Angeles on June 12 ahead of the USA’s opener against Paraguay will feature music acts like Katy Perry, Future, Anitta, LISA, Rema and Tyla. Canada’s opening match against Bosnia and Herzegovina in Toronto on the same day will feature performances by Alanis Morissette, Alessia Cara, Elyanna, Jessie Reyez, Michael Bublé, Nora Fatehi, Sanjoy, Vegedream and William Prince. 2026 FIFA World Cup: How To Watch The World Cup will run from June 11–July 19, 2026. Spread across three countries, the tournament will culminate with the final on July 19 at New York New Jersey Stadium in East Rutherford, New Jersey. All 104 tournament matches will air live across FOX (70) and FS1 (34) with every match streaming live and on-demand within both the FOX One and the FOX Sports app. A record 40 matches, more than one-third of the tournament, will air in prime time across FOX (21) and FS1 (19). The opening match on June 11 between Mexico and South Africa (3 p.m. ET) will stream for free on Tubi, as well as the USA’s opening match against Paraguay on June 12 (9 p.m. ET).Latest Sports News from FOX Sports
The trans-Alaska pipeline threads along the Dalton Highway in northern Alaska. (Nathaniel Herz/Northern Journal)
Is the value of the trans-Alaska pipeline system $2.8 billion, or $10.3 billion? Or is it $20 billion?
This week, a state review board will hold a formal hearing to determine which figure is the right one — with major financial implications for state government and the three municipalities along the pipeline system’s route.
At stake are hundreds of millions of dollars in property taxes, equal to 2% of the pipeline system’s value, that its oil company owners could owe each year to the state, the North Slope and Fairbanks boroughs and the city of Valdez.
The pipeline’s value had been set at $8 billion by a five-year settlement reached in 2016, which the parties extended through the end of 2025. But before that, the municipalities and the system’s owners spent a decade feuding over annual assessments in the courts — with appeals to the Alaska Supreme Court and one trial that lasted more than two months.
The pipeline system property taxes, in past years, have represented more than half of Valdez’s regular recurring revenue, according to city budget documents, as well as a significant contribution to the state’s yearly unrestricted revenues.
A decision setting the system’s value at the municipalities’ preferred value of at least $20.083 billion would result in pipeline ownerspaying at least $400 million a year in property taxes — compared to the $56 million that would be owed if the value is set at $2.8 billion, the value favored by the owners.
This week’s hearing, before the governor-appointed State Assessment Review Board, is unlikely to be the last word on the matter. While the board can consider arguments from all sides, its decisions are ultimately appealable to the courts.
The pipeline system’s owners include affiliates of ConocoPhillips, ExxonMobil and Hilcorp, the North Slope’s major oil-producing companies.
With the expiration of the settlement at the end of 2025, the state Department of Revenue’s assessment for 2026 — based on the estimated cost to replace the system, minus depreciation — actually boosted the pipeline system’s value from the settled figure, to $10.3 billion.
Discussions had been underway about a new settlement, Fairbanks finance officials wrote in a letter to borough policymakers in January. But no such deal has been announced.
The trans-Alaska pipeline passes through Fairbanks. (Nathaniel Herz/Northern Journal)
A spokesperson for Alyeska Pipeline Service Co., which operates the pipeline system for the owners, declined to comment on those companies’ behalf, citing the pending review by the state board. A spokesperson for the Department of Revenue also declined to comment.
Robin Brena, a longtime Alaska attorney who for decades has represented the municipalities in their fights over the pipeline system’s value, said he hopes that the parties can mediate their differences and strike a new agreement.
He stressed that historically, the pipeline system’s owners have argued for aggressively low valuations of the property that the courts have rejected. In 2006, the owners argued for an $850 million valuation, before the Alaska Supreme Court ultimately affirmed a lower court judge’s ruling that the value was actually $9.98 billion.
Brena’s clients, the municipalities, wrote in their recent appeal to the board that the state revenue department made a legal mistake in its $10.3 billion valuation by ignoring updated estimates from the municipalities that say replacing the pipeline system today would cost some $40 billion.
Instead, the municipalities say, the state relied on a court decision that set the 2009 replacement cost of the system at $19.1 billion, then made inflation adjustments to produced a 2026 replacement cost of $28.6 billion.
The courts and the state assessment board have preferred new cost estimates to inflation adjustments, the municipalities said, because they better capture updates in the pipeline system’s designs and allow mistakes to be corrected.
A second major error by the revenue department, the municipalities said, was that it used an inappropriate new technique to calculate depreciation: comparing the current flow of oil through the pipeline system, some 460,000 barrels a day, to its peak flow of 2 million barrels, which came in the late 1980s.
That depreciation technique, the municipalities argued, ignores legal precedent that says the calculation should account for the quantity of oil not just actively flowing from, but also available for future production at, Alaska’s big oil fields — a figure known as proven reserves.
A calculation based only on current production neglects the value contained in two huge new oil fields, Willow and Pikka, that are still under construction, according to Brena. Those fields are set to help boost the daily flow through the pipeline system to some 650,000 barrels at a new peak in 2034, according to state projections.
“The department’s calculation completely ignores proven reserves that are not in production,” Brena said.
The oil companies, meanwhile, say in their appeal that the pipeline system is a “depreciating asset” with a value that declines each year. The state, they say, is now proposing to assess a higher value for the pipeline than the $9.25 billion the Alaska Supreme Court affirmed for the 2009 tax year.
“It is fundamentally unreasonable to conclude that a pipeline that is now 17 years older — with 17 fewer years of proven reserves to transport and 17 years of additional depreciation — has an assessed value significantly greater than the value assessed in tax year 2009,” the oil companies wrote.
The companies also say that the state’s assessment fails to account for “operational and economic realities” of the pipeline system — including that the flow of oil is eventually projected to resume its longstanding decline after a “short-term spike.”
The revenue department, the companies said, also ignored the companies’ own “comprehensive” report on the pipeline system’s replacement cost that they shared for the 2026 tax year.
“The owners furnished the department with a significant volume of information relevant to the proper assessment of the subject property,” the companies said. “The department’s assessment ignores all of it in favor of reliance on a 17-year-old appraisal report that is outdated, unsupportable, and fundamentally flawed.”
The board’s hearing on the pipeline system’s value is set to begin Wednesday and finish by the end of the week. Decisions are expected within seven days afterward, according to the board’s support staff.
Nathaniel Herz welcomes tips at natherz@gmail.com or (907) 793-0312. This article was originally published in Northern Journal, a newsletter from Herz. Subscribe at this link.
With two releases in 1980, Teena Marie was on a roll, hitting her stride as one of Motown’s rising stars. She had two Top 10 R&B hits under her belt, a Top 10 R&B album, and street credibility unlike any white artist before her; credibility earned not just from Rick James’ endorsement, but the messaging in her music and poetry which made her alignment with Black culture and politics clear.
She spent the end of 1980 and the beginning of 1981 in the studio trading musical favors with James: she contributed vocals to his Street Songs album, and he contributed to her project that would become known to the world in May 1981 as It Must Be Magic.
Musically, It Must Be Magic is a symphonic tsunami of sound with out-of-this-world string and horn arrangements, unforgettable bass lines, and intricate percussion. A fusion of players from Ozone, James’ Stone City Band, and Punk Funk Horns added their touch to Magic alongside top session players like Paulinho Da Costa, Gerald Albright, and Patrice Rushen.
The album’s first and biggest single, “Square Biz” is Teena’s declaration of her musical and cultural vision. In a rap – something she decided to do after hearing Blondie’s “Rapture” while working on Magic – Teena name drops everyone and everything that inspired her: gospel music, Nikki Giovanni, Sarah Vaughan, and her godmother’s collard greens. The song shot to #3 on the R&B chart, catapulted the album to the #2 position on the R&B Album chart, and earned her first gold record. The album pays homage to her roots, down to its back cover shot on Venice Beach with a rainbow coalition of children.
Click to load video
While the album’s two subsequent singles, the title track and the sultry “Portuguese Love,” would stall at #30 and #54 on the R&B singles chart, respectively, “Portuguese Love,” “Where’s California” and the heart-wrenching “Yes Indeed” would all become enduring Quiet Storm classics.
Click to load video
Teena utilized poetry in the album’s liner notes to contemplate the physical and psychic violence of racism. It Must Be Magic spoke to the problems of the past, present, and future. Mourning the murder of John Lennon, she scoffed at the accessibility of guns and the killing of progressive political figures in “Revolution,” dedicating the album – her last Motown effort – to Lennon, John and Robert Kennedy, and Dr. Martin Luther King, Jr. In so doing, Teena embodied a boundary-lessness of spirit that defied man-made notions of color, culture, and identity.
Jessie James Decker has something to get off her chest—literally.
Three years after getting a boob job, the “Wanted” singer said she’s “officially decided to downsize” her “400plus” cc breast… E! Online (US) – Top Stories
Bumble is swiping left for the last time.
The dating app will soon be getting rid of its swiping feature altogether, founder and CEO Whitney Wolfe Herd announced.
“We are going to be saying… E! Online (US) – Top Stories
The Foundation for the Chilkat Center for the Arts wishes to thank everyone who helped make “A Night on the Steinway” such a rousing success. Thank you to the performers for sharing their talent. Thank you to the cooks and lobby crew for creating a beautiful and delicious reception. Thank you to Molly Dwyer and Michael Marks for the lights and sound. Thank you to Krystal Lloyd for the decorations, to Keith Giles for tuning the pianos, and to Deina Davis at the Aspen Hotel for a room for Keith. Thank you, Annette Smith, for everything you do. And a special thank you to Sam McPhetres for videotaping the performance, which is already on YouTube. I’ve watched the video, and it’s great! If you are not one of the lucky people who saw the show, check it out. If you are one of those lucky people, I want you to know, Haines, that you are a wonderful audience.
Lorrie Dudzik, Foundation for the Chilkat Center for the Arts President
Thank you to all who attended and participated in the Haines Health Fair on April 25. This event was made possible by a grant from the Chilkat Valley Community Foundation, an Affiliate of The Alaska Community Foundation. Hospice of Haines would particularly like to thank Alaska Health Fair and those who traveled to Haines to help us host the affordable blood screenings and health education including Wendy Carpenter, Denise Schmidt, Kate Slotnick, and Wendy Pangburn. We would also like to thank our local organizations and businesses that participated. Thank you to the volunteers who helped with the blood draw. We appreciate your expertise. Thank you to the many volunteers who assisted with setup, registration, health education, vision screening, blood pressure checks, health exits, snacks and cleanup. We are grateful for your time and dedication to your community. And, a special thanks to Susan Weerasinghe for co-chairing this event.
Much thanks,
Shannon McPhetres, Hospice of Haines director and volunteer coordinator
We can’t all be the outdoorsy type, but we can’t spend our entire lives inside either. Would we rather be lounging on the couch wearing a face mask and binging our latest TV obsession? Yes. But… E! Online (US) – Top Stories
Vin Diesel and Paul Walker weren’t friends—they were family.
And the Fast and Furious star is continuing that connection to Paul’s loved ones by reuniting with his daughter Meadow Walker at the… E! Online (US) – Top Stories
Jennifer Lopez was into Brett Goldstein from the start.
In fact, the Office Romance actress revealed that she and Brett—her costar in the upcoming Netflix rom-com—immediately felt comfortable with… E! Online (US) – Top Stories