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Politics

How a Democratic heavyweight is using AI in the midterms

A Democratic opposition research powerhouse is putting massive troves of its work product online ahead of the midterms. And it’s using artificial intelligence to help everyone from campaigns to podcasters figure out how to navigate it.

The project from American Bridge 21st Century, shared first with POLITICO, reflects an expansion of its efforts ahead of the 2026 midterms — as well as the evolving nature of political campaigning, including oppo research, in an increasingly fragmented media environment.

“Swing voters are generally speaking getting their information very ambiently,” American Bridge President Pat Dennis said in an interview.

A challenge in recent election cycles, he said, has not been a lack of opposition research, but rather how to best convey it when more voters are getting political news from podcasts, social media influencers or group chats. “If people can’t find it or read it, it’s no good,” Dennis said.

The new tool, titled Research Books, is a public-facing website featuring opposition research on dozens of Republican candidates in races that American Bridge has identified as crucial to deciding control of Congress. It also includes select statewide candidates.

Pages for each candidate feature messaging around key votes, candidate-specific research and — in some races — videos from Democratic trackers and sample media based on the oppo that closely resemble campaign ads.

It also includes an AI-powered search tool that aims to bring together different sources about a candidate into cohesive messaging. (The AI agent only probes the super PAC’s internal database, not external sources or the wider internet.)

Results from the search link back to original sources, which include news articles, videos and public records. The tool also integrates with other external large language model platforms such as ChatGPT.

The notion of publishing opposition research files online, rather than keeping them closely held by party operatives for strategic deployment, is not entirely new for American Bridge. Ahead of the 2020 election, the group posted 1,043 pages of opposition research about President Donald Trump online for use by other Democratic groups.

Sharing such research publicly is a way for super PACs to avoid running afoul of campaign finance laws that prohibit direction coordination.

Because the new research tool is publicly available online, it could similarly be used by Democratic campaigns or other outside groups — though American Bridge hopes the uptake is broader than that, including among influencers and voters.

For its initial public rollout, Research Books includes 15 GOP House incumbents in seats Democrats are hoping to flip this year, along with Republican Senate candidates in four seats Democrats are trying to flip, as well as Georgia, where Democratic Sen. Jon Ossoff is seeking reelection.

The initial list also includes 15 candidates for governor or attorney general in key states like Arizona, Michigan, Nevada, Pennsylvania, Georgia, New Hampshire and Iowa.

The inclusion of attorney general candidates, newer territory for American Bridge, reflects in part the greater role that they have played in suing the Trump administration, Dennis said. He expects the tool to include more races and candidates as the midterms near, with the super PAC seeking to help Democrats cast a broad net.

“There are times where opposition research can fundamentally reshape a race, so we prefer to take an expansive view on this,” he said.

​Politics

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Entertainment

Kendall Jenner Strips Down to Nothing in Bedroom Photoshoot

Reading Time: 3 minutes

Contrary to popular belief, you don’t have to wear clothing to be a model.

Just look at Kendall Jenner.

(No, seriously, look at her latest photos)

Her latest awe-inspiring snaps show her wearing barely-there thongs and ultimately nothing at all while lounging in bed.

Kendall Jenner faces the confessional camera on The Kardashians.
Looking beautiful as always, Kendall Jenner addresses the confessional camera on The Kardashians. (Image Credit: Hulu)

She looks incredible, in or out of clothes

On Sunday, January 25, Kendall took to Instagram to share a jaw-dropping photoshoot by photographer Cameron Hammond.

She goes through a few different wardrobe changes in the snaps.

At most, she’s wearing a thin crop top and some relatively normal underwear in one photo.

Kendall also models a string thong that doesn’t manage to even pretend to cover that peach.

And, at the least, she wears nothing but the bedsheet below her as she models naked on the bed. Take a look:

For obvious reasons, Kendall’s photos racked up nearly 5 million likes in under 24 hours.

“Perfect,” Gigi Hadid penned in a comment.

Hailey Bieber wrote her own supportive comment: “Exactly!”

Both of these famous women from famous families are also models.

So it isn’t just fans and followers who are enjoying Kendall’s craft, but her fellow professionals.

A dark mode Instagram screenshot of comments.
Friends and fellow models Gigi Hadid and Hailey Bieber cheered on Kendall Jenner for her glorious new photos. (Image Credit: Instagram)

The critical comments were very weird

Not everyone was a famous friend — or a fan — however.

A number of odd comments seem to question why Kendall, a supermodel, would put her body on display in a state of undress.

Pearl-clutching commenters asked why she’d post this “on Insta” and complained about how men in her life will see these snaps.

(Are they … new? Perhaps they simply use Instagram very differently)

If someone sees a model pose for bed photos and declares “it’s giving OnlyFans,” there’s a simple reason for that.

Kendall Jenner smiles and speaks.
On a 2022 episode of The Kardashians, Kendall Jenner sits down with her famous mom to chat. (Image Credit: Hulu)

There is more to the rise of fascism in America than ICE executing Americans in the streets for filming them or driving near them.

The pushback against sex and nudity and the human body has been going on for years and years, even before Donald Trump first declared his — at first farcical — desire to run for office.

There are people who will, to your face, declare that sex scenes in films are too frequent. The reality is that sex scenes are now deeply rare.

In fact, as we recently discussed, there used to be sex comedies and erotic thrillers in theaters pretty rarely. These subgenres are all but extinct.

Ultimately, this is about controlling and shaming women, the LGBTQ+ community, and more while pushing Christian nationalism and more. That doesn’t mean that the commenters are Christian nationalists or other flavors of fascists — just that they’re inundated with toxic, sex-negative messages.

Kendall Jenner on The Kardashians.
Speaking to the confessional camera on The Kardashians, Kendall Jenner shares her thoughts. (Image Credit: Hulu)

Thank you for your work, Cameron Hammond

On a lighter note, this is not the first time that photographer Cameron Hammond has captured Kendall.

Back in 2024, he photographed Kendall in barely-there bikinis when she was FWRD’s creative director.

He has also snapped other famously beautiful women, like Hailey Bieber.

Some fuddy-duddy commenters might not like it, but Kendall’s actual fans love these photos.

And so do, you know, the professionals. (And why wouldn’t they? She looks great!)

Kendall Jenner Strips Down to Nothing in Bedroom Photoshoot was originally published on The Hollywood Gossip.

​The Hollywood Gossip

Categories
Music

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Categories
Hip Hop

Summer Walker Announces ‘The Still Finally Over It Tour’

Summer Walker has announced that she’ll be hitting the road in 2026. The Still Finally Over It Tour will begin on May 26 at Scotiabank Arena in Toronto.

From there, the R&B icon will head to Chicago, Detroit, Brooklyn, Philadelphia, and more, before concluding the run on July 3 in Vancouver. Odeal will serve as direct support, with Monaleo also joining on a number of dates. After the last North American gig, Summer Walker will head to London’s O2 Arena on August 2 for a special performance.

Summer began teasing the tour last week with a surprise appearance at Georgia State University. There, she was joined by 40 women dressed in bridal gowns. Additionally, Still Finally Over It limousines were spotted driving around Atlanta and Los Angeles to help hint at the tour.

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The singer’s clever activations to announce the tour didn’t serve as her only innovative promo during the Still Over It era.

Ahead of the album, Walker began introducing the context and themes of the project with 90s-inspired hotline commercials and a lie detector test interrogating fan-theories about who might appear on the album. She also introduced the Finally Over It escape room in Atlanta and sent a Finally Over It dump truck on tour around ATL to collect any items from exes that fans wanted to get rid of.

After the lie detector test, Summer Walker shared the album’s featured artists with a wedding reception-themed seating chart and video. Artists featured on the project include Latto, Mariah the Scientist, Bryson Tiller, Teddy Swims, GloRilla, Sexyy Red, Brent Faiyaz, 21 Savage, Anderson.Paak, The Dream, Jeremih, Troy Taylor, Bryan-Michael Cox, Nineteen85, Ant Clemons, Jean Baptiste, and more.

Finally Over It was released on November 14 and was an immediate success, debuting at No.2 on the Billboard 200 and No.1 on Billboard’s Top R&B/Hip-Hop Albums chart. The album concludes a trilogy that began with 2019’s Over It and continued with 2021’s Still Over It, which gave the star her first No.1 Album on the Billboard 200.

Buy Summer Walker’s Still Over It here.

​Discover more about the world’s greatest R&B artists | uDiscover Music

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Uncategorized

Repeated government lying, warned Hannah Arendt, makes it impossible for citizens to think and to judge

Despite evidence to the contrary, Homeland Security Secretary Kristi Noem said at a Jan. 24, 2026, news conference that Alex Pretti ‘came with a weapon … and attacked’ officers, who took action to ‘defend their lives.’ AP Photo/Julia Demaree Nikhinson

In Minneapolis, two recent fatal encounters with federal immigration agents have produced not only grief and anger, but an unusually clear fight over what is real.

In the aftermath of Alex Pretti’s killing on Jan. 24, 2026, federal officials claimed the Border Patrol officers who fired weapons at least 10 times acted in self-defense.

But independent media analyses showed the victim holding a phone, not a gun, throughout the confrontation. Conflicting reports about the earlier death of Renée Good have similarly intensified calls for independent review and transparency. Minnesota state and local officials have described clashes with federal agencies over access to evidence and investigative authority.

That pattern matters because in fast-moving crises, early official statements often become the scaffolding on which public judgment is built. Sometimes those statements turn out to be accurate. But sometimes they do not.

When the public repeatedly experiences the same sequence – confident claims, partial disclosures, shifting explanations, delayed evidence, lies – the damage can outlast any single incident.

It teaches people that “the facts” are simply one more instrument of power, distributed strategically. And once that lesson sinks in, even truthful statements arrive under suspicion.

And when government stories keep changing, democracy pays the price.

CNN’s Jake Tapper goes through key excerpts from a judge’s ruling which found that Border Patrol official Greg Bovino lied “multiple times” about events surrounding his deployment of tear gas in a Chicago neighborhood.

Lying in politics

This is not a novel problem. During the U.S. Civil War, for example, President Abraham Lincoln handled hostile press coverage with a blunt mix of repression and restraint. His administration shut down hundreds of newspapers, arrested editors and censored telegraph lines, even as Lincoln himself often absorbed vicious, personal ridicule.

The Iran-Contra scandal in the 1980s brought similar disingenuous attempts by the Reagan administration to manage public perception, as did misleading presidential claims about weapons of mass destruction in the 2003 leadup to the Iraq War.

During the Vietnam era, the gap between what officials said in public and what they knew in private was especially stark.

Both the Johnson and Nixon administrations repeatedly insisted the war was turning a corner and that victory was near. However, internal assessments described a grinding stalemate.

Those contradictions came to light in 1971 when The New York Times and The Washington Post published the Pentagon Papers, a classified Defense Department history of U.S. decision-making in Vietnam. The Nixon administration fiercely opposed the document’s public release.

Several months later, political philosopher Hannah Arendt published an essay in the New York Review of Books called “Lying in Politics”. It was also reprinted in a collection of essays titled “Crises of the Republic.”

Arendt, a Jewish refugee who fled Germany in 1933 to escape Nazi persecution and the very real risk of deportation to a concentration camp, argued that when governments try to control reality rather than report it, the public stops believing and becomes cynical. People “lose their bearings in the world,” she wrote.

‘Nobody believes anything any longer’

Arendt first articulated this argument in 1951 with the publication of “The Origins of Totalitarianism,” in which she examined Nazism and Stalinism. She further refined it in her reporting for The New Yorker on the 1961 trial of Adolf Eichmann, a major coordinator of the Holocaust.

Arendt did not wonder why officials lie. Instead, she worried about what happens to a public when political life trains citizens to stop insisting on a shared, factual world.

Arendt saw the Pentagon Papers as more than a Vietnam story. They were evidence of a broader shift toward what she called “image-making” – a style of governance in which managing the audience becomes at least as important as following the law. When politics becomes performance, the factual record is not a constraint. It is a prop that can be manipulated.

The greatest danger of organized, official lying, Arendt warned, is not that people will believe something that is false. It is that repeated, strategic distortions make it impossible for citizens to orient themselves in reality.

“The result of a consistent and total substitution of lies for factual truth is not that the lie will now be accepted as truth and truth be defamed as a lie,” she wrote, “but that the sense by which we take our bearings in the real world … [gets] destroyed.”

She sharpened the point further in a line that feels especially poignant in today’s fragmented, rapid and adversarial information environment:

“If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer,” she wrote. “A lying government has constantly to rewrite its own history … depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge.”

When officials lie time and again, the point isn’t that a single lie becomes accepted truth, but that the story keeps shifting until people don’t know what to trust. And when this happens, citizens cannot deliberate, approve or dissent coherently, because a shared world no longer exists.

A gray-haired woman with a cigarette, looking thoughtful.
Political theorist Hannah Arendt in 1963.
Bettman/Getty Images

Maintaining legitimacy

Arendt helps clarify what Minneapolis is showing us, and why the current federal government posture matters beyond one city.

Immigration raids are high-conflict operations by design. They happen quickly, often without public visibility, and they ask targeted communities to accept a heavy federal presence as legitimate. When killings occur in that context, truth and transparency are essential. They protect the government’s legitimacy with the public.

Reporting on the Pretti case shows why. Even as federal government leaders issued definitive claims about the victim’s allegedly threatening behavior – they said Pretti approached agents while brandishing a gun – video evidence contradicted that official account.

The point isn’t that every disputed detail in a fast-moving, complicated event causes public harm. It’s that when officials make claims that appear plainly inconsistent with readily available evidence – as in the initial accounts of what happened with Pretti – that mismatch is itself damaging to public trust.

Distorted declarations paired with delayed disclosure, selective evidence or interagency resistance to outside investigations nudge the public toward a conclusion that official accounts are a strategy for controlling the story, and not a description of reality.

Truth is a public good

Politics is not a seminar in absolute clarity, and competing claims are always part of the process. Democracies can survive spin, public relations and even occasional falsehoods.

But Arendt’s observations show that it is the normalization of blatant dishonesty and systematic withholding that threatens democracy. Those practices corrode the factual ground on which democratic consent is built.

The U.S. Constitution assumes a people capable of what Arendt called judgment – citizens who can weigh evidence, assign responsibility and act through law and politics.

If people are taught that “truth” is always contingent and always tactical, the harm goes beyond misinformation. A confused, distrustful public is easier to manage and harder to mobilize into meaningful democratic participation. It becomes less able to act, because action requires a shared world in which decisions can be understood, debated and contested.

The Minneapolis shootings are not only an argument about use of force. They are a test of whether public institutions will treat facts and truth as a public good – something owed to the community precisely when tensions are highest. If democratic life depends on a social contract among the governed and those governing, that contract cannot be sustained on shifting sand. It requires enough shared reality to support disagreement.

When officials reshape the facts, the damage isn’t only to the record. The damage is to the basic belief that a democratic public can know what its government has done.

The Conversation

Stephanie A. (Sam) Martin does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

​Politics + Society – The Conversation

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