Category: Hip Hop

Olivia Rodrigo called out the Department of Homeland Security after discovering her song “All-American B####” was used in a government video promoting self-deportation, blasting the unauthorized usage as “racist, hateful propaganda.”

The Grammy-winning singer took to social media to directly address both the White House and DHS accounts, writing, “don’t ever use my songs to promote your racist, hateful propaganda.”

Olivia commented on the Department of Homeland Security’s Instagram post, which used her song “all-american b####” in propaganda related to ICE.

“don’t ever use my songs to promote your racist, hateful propaganda” pic.twitter.com/UUZsn0Wv13

— Olivia Rodrigo Daily (@DailyRodrigo) November 7, 2025

The track, which opens her 2023 album Guts, explores themes of identity and societal pressure—making its use in a federal deportation campaign especially contentious.

Rodrigo’s post ignited a wave of support online, with users praising her for taking a bold stance.

One comment read, “this 22 year old pop star with only 2 albums has taken more risks and has more of a backbone than most established singers with decade long careers.”

Another added, “the way she’s always on the right side of history.”

The video in question was part of a broader push by DHS to encourage voluntary deportation, a tactic that has drawn criticism from immigration advocates and artists alike.

The Trump administration has increased immigration enforcement efforts in recent months, prompting backlash from both political and cultural communities.

Rodrigo, a former Disney Channel star turned chart-topping musician, has consistently used her platform to speak on social issues.

Her latest rebuke adds her to a growing list of musicians—including BRMC, Jess Glynne, Zach Bryan and the estates of Woody Guthrie and Tom Petty—who have accused the government of misusing their work in political messaging without consent.

As of now, neither the White House nor DHS has issued a public response to the criticism.

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Kirk Burrowes is doubling down on his legal battle with Sean “Diddy” Combs by targeting the mogul’s mother in a fresh court filing that claims she held onto his Bad Boy Entertainment stock for nearly 30 years—then pretended she wanted to pay him back.

In a revised complaint, Burrowes alleges that Janice Smalls, Diddy’s mother, secretly held his 25% stake in the label since the 1990s and misled him for decades.

He claims he only discovered in 2024 that she, not Diddy, had been in control of the shares he earned while co-founding the Hip-Hop powerhouse.

Burrowes says Smalls “hid her role for decades” and misrepresented her intentions between 2019 and 2021 by requesting his banking details under the guise of restitution. He claims she never made any payments and had no intention of doing so.

The lawsuit portrays Smalls as an active participant in the early days of Bad Boy, rather than a passive bystander. Burrowes argues she worked from the label’s Times Square offices and continues to earn income from its business operations in New York.

According to Burrowes, Smalls’ involvement wasn’t limited to the 1990s.

He points to four separate instances between 1996 and 2021 when she allegedly misled him about the status of his stock. In one example, he states that she claimed she had never received the shares. In another, she allegedly told him that accountants would “arrange payment.”

Earlier this week, Janice Smalls called the lawsuit “preposterous” and asked the court to dismiss it. Her attorneys argue the case is legally void, expired under the statute of limitations, and lacks jurisdiction.

The court had given Burrowes until August 29 to amend his complaint or respond to the dismissal motion. He missed the deadline and later requested an extension, but failed to follow through on it.

Smalls’ legal team has requested that the judge dismiss the case with prejudice, which would prevent Burrowes from refiling.

They also claim Burrowes’ legal action is a recycled version of two previously dismissed lawsuits and was only revived following Diddy’s recent legal troubles.

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Anthony Hemingway defended “All’s Fair” and its embattled star, Kim Kardashian, after the legal drama was slammed by critics and saddled with a dismal 6% rating on Rotten Tomatoes.

The director, who helmed four episodes of the Ryan Murphy-produced series, addressed the backlash in an interview with The Hollywood Reporter, saying, “You’re not going to please everybody.”

The show, which also stars Sarah Paulson, Naomi Watts and Niecy Nash-Betts, has been widely panned despite its high-profile cast. Still, Hemingway stood by the project, emphasizing that personal taste plays a major role in how viewers respond to content.

“You may have certain criticisms, while there are a million others who love it. I think the show holds a mirror up to each person who watches it,” he said. “It’s just about: Can you connect to it or relate to it, and see yourself? It may be out of your league, it may not be anything you can connect to, and I think that goes for anything that gets presented on screen.”

Hemingway, who also served as an executive producer alongside Murphy, Kim Kardashian and Kris Jenner, acknowledged the show might not resonate with everyone.

“It may not be for you, and that’s OK, but I personally enjoy the show,” he said. “I had a lot of fun relating to it in my own way. Not everything is for everybody, and you can’t also expect one person to define something and for that be the totality of what it is — I don’t agree with that.”

Drawing from his own experience, Hemingway pointed to the slow-burning success of The Wire, the acclaimed HBO series he worked on in the early 2000s.

“I also think sometimes things may take time,” he said. “I did The Wire. No one liked the show when it was out. They hated it. They didn’t watch it. Two people watched it every week. But it got to a point where it found a moment.”

He clarified that he wasn’t directly comparing the two shows but used The Wire as an example of how public opinion can shift over time.

“It becomes something totally different in another time,” he added.

All’s Fair premiered in 2025 and has struggled to gain traction with both viewers and critics.

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Kim Kardashian leaned into the backlash and turned it into a punchline after her acting debut in All’s Fair was met with a flood of harsh reviews.

The Hulu and Disney+ legal drama, created by Ryan Murphy, has been widely panned by critics, with some calling it “the worst TV show of the year.” But Kardashian didn’t shy away from the criticism.

Instead, she posted a carousel of screenshots on Instagram, poking fun at the brutal feedback.

“Have you tuned in to the most critically acclaimed show of the year!?!?!? All’s Fair streaming now on @hulu and @disneyplus,” she wrote, dripping with sarcasm.

View this post on Instagram

Among the posts she shared was a viewer’s scathing but oddly affectionate take:

“All’s Fair on Hulu dares to ask the question, ‘Does a show need to be good?’ and the answer is no, it doesn’t. We have legendary actresses here giving the worst performances of their careers, it takes a special kind of talent to pull that kind of inability out of them. Amazeballs.”

Another added, “Some of the worst acting I’ve ever seen in my life alongside the most predictable storylines and the most ridiculous styling. I’m obsessed and I need 14 seasons.”

The nine-episode series, which follows a high-powered all-female law firm in Los Angeles specializing in celebrity divorces, features a heavyweight cast including Sarah Paulson, Glenn Close, Naomi Watts and Niecy Nash-Betts.

But even that star power couldn’t shield it from being torched by critics.

The Daily Telegraph called Murphy “the high priest of tacky, tasteless television,” adding that “this year he has outdone himself.”

The Times went further, declaring it “may be the worst TV drama ever.” The Guardian described it as “fascinatingly, existentially terrible.” All three publications gave the series zero stars out of five.

When All’s Fair premiered, it earned a rare 0% score on Rotten Tomatoes. That number has since inched up to 5%.

Despite the critical drubbing, Kardashian appears unfazed. Whether her post was defiance or just good PR, she’s clearly not letting the reviews slow her down.

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Diddy Denies Reports of Drinking Behind Bars as Social Media Speculation Grows

Diddy’s latest controversy isn’t about music, money or mogul moves. It’s about drank. Reports exploded online claiming the Bad Boy founder was caught drinking alcohol in jail, sparking a wave of speculation that he may have been celebrating his birthday with a little contraband.

Several outlets doubled down on the rumor, suggesting he might have been intoxicated during the incident. But according to new information, those claims may have been exaggerated—or flat-out false. A recent post from Diddy’s official X (formerly Twitter) account dismissed the reports entirely, calling them “completely false.”

So far, there’s been no indication that Diddy faced any disciplinary action related to the alleged incident at Fort Dix He hasn’t been placed in solitary confinement, nor has there been any mention of additional penalties. If true, that would suggest the story has more smoke than fire.

Still, the timing couldn’t be worse. The icon remains embroiled in a series of legal battles and is reportedly preparing to appeal a judge’s decision in this case that has him in prison in the first place. Any hint of rule-breaking inside the facility could complicate those efforts, even if the rumors don’t hold up under scrutiny.

The denial didn’t come directly from Diddy himself or his legal/social team, but the response carries enough weight to slow down the media frenzy that’s been circling him for months. Some critics argue that the narrative around Diddy has turned into a campaign to paint him as a hypocrite and a broken man rather than a defendant facing serious allegations.

For now, it seems the supposed jailhouse celebration was either blown out of proportion or completely fabricated. What’s clear is that the world continues to watch Diddy closely, waiting for the next twist in a saga that shows no signs of slowing down.

The rumors claiming Mr. Combs was caught with alcohol are completely false. His only focus is becoming the best version of himself and returning to his family.

— LOVE (@Diddy) November 8, 2025

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Westside Gunn Says WWE Kicked Him Out Of Raw Despite Years Of Support

Westside Gunn isn’t holding back after claiming he was kicked out of WWE Raw in his hometown of Buffalo, New York — a move he says shattered his loyalty to the brand he’s supported for years.

The Griselda frontman, known for blending wrestling culture into his music and merch, said he’s poured “thousands” into WWE tickets and promotions over the years. Still, he says the company has repeatedly ignored his passion for the sport and even threatened him over using wrestling-related references in his work.

“After all these years of showing love, supporting and buying tickets, they kicked me out,” Gunn wrote in a now-viral post. “My heart broke that day.”

The Buffalo rapper’s relationship with wrestling has long been part of his identity. His label and art collective, 4THROPE, has worked with wrestlers, released limited-edition gear, and brought wrestling aesthetics into Hip-Hop fashion. WWE wrestlers and fans alike have embraced his enthusiasm in the past, but this latest incident seems to have ended that connection.

Gunn said the removal from the show wasn’t just humiliating — it was a turning point. “I’ve been loyal for years,” he continued. “But now I’m done promoting WWE. I’m focused on building 4THROPE.”

The “Flygod” rapper has often celebrated legends like Ric Flair, The Undertaker, and Bret “The Hitman” Hart in his songs and visuals, bringing wrestling’s swagger and storytelling into Hip-Hop’s landscape. His next chapter appears to be about reclaiming that influence without corporate gatekeeping.

As of now, WWE hasn’t issued a response to Gunn’s claims, but fans across social media are already rallying behind him — many echoing his frustration over how major brands treat artists who genuinely love and amplify their culture.

For Westside Gunn, the message is now clear. Some of us have seen how they have treated him in the past and know this isn’t particularly new behavior.

Before I even say this just know GOD IS THE GREATEST

For YEAAAAAARS I mean NOBODY w/ 2 feet has spent the amount of $ I have supporting and pushing a brand I’ve loved since I could remember, I sat front row at EVERY BIG SHOW literally, all the good times it brought to my life… pic.twitter.com/6hjkO1eWFy

— WESTSIDEGUNN (@WESTSIDEGUNN) November 8, 2025

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Tyler Perry stepped forward with a massive $1.4 million charitable contribution as American families grapple with food insecurity following the suspension of full SNAP benefit payments.

The entertainment mogul distributed his generous gift across six key organizations dedicated to combating hunger and supporting vulnerable populations.

Recipients include the Atlanta Community Food Bank, Baby2Baby, Meals on Wheels Atlanta, Caring for Others, All for Lunch, Ron Clark Academy, and Goodr, which specializes in the distribution of fresh produce.

Perry’s philanthropic move comes as the Supreme Court blocked the complete disbursement of SNAP benefits on November 7 after the Trump Administration filed an emergency appeal.

The decision delays a $4 billion transfer to the food stamp program as the legal battle continues during the ongoing government shutdown. The decision left millions of Americans uncertain about their next meal, particularly affecting working families, elderly citizens, and children.

The filmmaker and business owner demonstrated a profound understanding of the crisis facing low-income households.

“If you’ve never been poor, then you may not fully understand the life-changing impact SNAP benefits mean to hard-working people, to our seniors and to our children,” Tyler Perry told People. “For millions of people, it could mean extreme hunger. For newborns, it could mean a lack of access to formula.”

His donation targets organizations with established networks for reaching families most severely impacted by the benefit suspension.

Goodr and the Atlanta Community Food Bank, two primary beneficiaries, serve as a central hub for food distribution throughout the metropolitan area.

Baby2Baby focuses on providing essential items to children and families in need, while Meals on Wheels Atlanta delivers nutrition directly to homebound seniors.

The timing of Perry’s contribution proves particularly significant as families prepare for the Thanksgiving holiday amid economic uncertainty.

His swift response demonstrates the entertainment industry’s potential role in addressing social crises when government programs face disruption.

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Outkast was inducted into the Rock and Roll of Fame on November 8. The ever-elusive André 3000, who was spotted on Venice Beach earlier in the day, wound up making the trip to the Peacock Theater to accept the prestigious honor.

After a quick game of rock, paper, scissors, Big Boi decided to take podium first and do a roll call of everyone he was thankful for along Outkast’s journey, including executive L.A. Reid.  André followed with an emotional trip down memory lane. As he reflected on Outkast’s humble beginnings, he choked up while talking about the late Organized Noize producer Rico Wade, who died unexpectedly in April 2024.

“Right out of high school, me, Big and CeeLo were the youngest people in the Dungeon,” he said. “It just so happened Rico Wade saw something in us and gave us the opportunity to come […] like Rico Wade, he’s not here right now. I wish he could be here to see this. These people had to sacrifice their home. Ms. Beatrice had to sacrifice their home for us to make music.

“This was the place called The Dungeon, where we were all making music and doing nefarious things as well. They had to go to school the next morning and we up bumping until like 6 in the morning and we smoking weed and it’s going through the vents […] From Busta Rhymes to Nas to Wu-Tang and even before, we had Raheem the Dream, these were our heroes.”

View this post on Instagram

Shortly after, André teared up and said, “Great things start in little rooms,” a reference to The Dungeon. He was quickly comforted by all of his loved ones and peers, who’d gathered on stage in support of the legendary Atlanta Hip-Hop duo.

Big Boi soon lightened the mood with, “We bout to burn this b#### down!” From there, the stage lit up with a full band, with Tyler, The Creator doing vocal duties on “B.o.B.,” Organized Noize producer Sleepy Brown joining Big Boi for “The Way You Move” and Janelle Monaé taking the mic for “Hey Ya.”

View this post on Instagram

The ceremony marked a monumental achievement for the Southern Hip-Hop pioneers, who were inducted by actor and musician Donald Glover. Glover praised the duo’s revolutionary impact on the genre, crediting them with redefining Hip-Hop’s geographical boundaries and artistic possibilities.

Notably absent from the evening was any musical performance by Three Stacks, who has stepped away from traditional rap in recent years to focus on experimental flute and piano music. The artist’s reluctance to perform Outkast classics has become a recurring theme at public appearances, leaving fans yearning for the duo’s legendary catalog.

Outkast’s recognition comes decades after their groundbreaking debut, 1994’s Southernplayalisticadillacmuzik, validating their influence on multiple generations of artists across genres. The ceremony celebrated not just their commercial success but also their cultural impact on American music—and they did it in style.

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Azealia Banks found herself at the center of another explosive controversy this week after responding to boycott calls with defiant anti-Muslim statements that have intensified public outrage.

The “212” rapper escalated tensions when a former fan launched the #BoycottAzealiaBanks campaign, urging listeners to remove her hits “212” and “Liquorice” from playlists following her recent Islamophobic posts on X.

The comment came after the fan account @azealia_tiktok posted a photo of the rapper marked with a prohibited emoji, calling for DJs and music lovers to delete her tracks.

According to Banks, the campaign is nothing but a fake smear campaign designed by “gay muslims” to ruin her reputation.

The muslims have obviously paid for some massive internet clap back campaign of bots and gay muslim third worlders to mask themselves in Stan Twitter and make insufferably cliche retorts to any notice of muslim mediocrity….

They are really bad at this pop culture thing and… https://t.co/gjht3qckmO

— AZEALIA BANKS (@iiwasinthee212) November 7, 2025

“The muslims have obviously paid for some massive internet clap back campaign of bots and gay muslim third worlders to mask themselves in Stan Twitter and make insufferably cliche retorts to any notice of muslim mediocrity….They are really bad at this pop culture thing and that weakness should be exploited. All of this is engineered,” Azealia Banks said.

The controversy stems from a series of posts where Azealia Banks claimed she “hates Muslims” and made additional inflammatory statements linking her critics to global tragedies.

Earlier this year, she declared herself a Zionist and rejected calls to support Palestinians during the ongoing Middle East conflict. These positions culminated in her October 9 performance at Tel Aviv’s Ganei Yehoshua amphitheater, where she appeared draped in an Israeli flag despite widespread industry boycotts of Israel.

The Tel Aviv concert marked a dramatic reversal from Banks’ 2018 stance, when she vowed never to return to Israel after describing what she called a racist experience. Her decision to perform there drew criticism from activists and fans who viewed the show as an endorsement of Israeli military actions.

Azealia Banks’ remarks have drawn widespread condemnation from fans and social media users who labeled the comments hateful and dangerous.

You know Israel is desperate when they have someone like azealia banks defending them

— Issa (@motafaded) November 7, 2025

I think the way azealia banks finds new lows to reach is fascinating pic.twitter.com/GnFjclJcCn

— ☆*:.｡. (@taknwhtsntyours) November 7, 2025

wdc about israelia banks

— beet | DETOUR AOTY (@feedtthebeast) November 7, 2025

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In every era, a few artists rise who don’t just make music, they design movements. DDTHAGR8 is one of those rare architects. His rise isn’t a story of sudden fame or algorithmic luck. It’s a study in discipline, clarity, and the kind of self-belief that can’t be faked.

Born, Dionne Taylor and raised across the DMV before planting roots in Denver, DDTHAGR8 carries a lived understanding of contrast, the quiet of reflection against the noise of survival. His presence in hip hop feels less like a debut and more like a continuation of something classic: the worker who becomes a master by refusing to rush the process.

What defines DDTHAGR8 is his relationship with reality. He doesn’t glamorize struggle; he translates it. His sound doesn’t chase the algorithm; it challenges it. The music operates like blueprints; calculated, intentional, and honest. Every line is drawn from experience, and every release adds another brick to the foundation he’s been building for years.

2025 has revealed a more refined, evolved version of the artist. His recent work, defined by hard-earned wisdom and raw conviction, presents a portrait of someone who doesn’t perform resilience but lives it daily. Each record from this chapter feels cinematic in scope, not for its production, but for its precision. The themes are consistent: self-discipline, accountability, and mastery over motion. He raps for the ones who understand that pressure is not the enemy. It’s the process.

His catalog is a collection of codes rather than songs, reflections of a mindset that values strategy over spectacle. In his music, every decision is deliberate. There is rhythm in restraint. He gives his audience authenticity without the polish of pretense. The sound is street without being boxed in by the streets, intelligent without losing its edge.

When he dropped “Crawl Space,” the record felt like a statement; a reintroduction to a sharper DDTHAGR8 who had taken time to rebuild the machine from within. It was the sound of someone who had learned to move smarter, not faster. The single’s reach across platforms wasn’t the result of hype, but of craftsmanship. His tone, timing, and delivery carried the quiet power of an artist who knows that substance always outlives noise.

Now, the focus turns to his next release, “Break the Bank,” distributed through Sony Orchard and arriving November 21st. The details remain closely held, but expectations are high for a reason. If the past few years have proven anything, it’s that DDTHAGR8 never misses the mark on intent. Listeners can prepare for something polished, poised, and purposeful; another calculated step forward from an artist who treats every drop like an investment in legacy.

But music alone isn’t what makes DDTHAGR8 stand out. It’s the way he moves outside the booth. He approaches his brand with the same precision as his bars, aligning visuals, messaging, and rollout with the professionalism of a seasoned executive. There’s nothing accidental about how he presents himself. Every move feels like a conversation between confidence and control.

His lyrics reveal a man who studies life the way others study charts. They speak of self-reliance, focus, and a refusal to conform. That’s why his fans believe him. Because he doesn’t write from imagination. He writes from motion.

The DNA of DDTHAGR8’s artistry is integrity; a commitment to substance that has become rare in a market obsessed with virality. His career is proof that greatness is not a trend; it’s a temperament. He reminds hip hop what the long game looks like: a career built on patience, not panic.

As “Break the Bank” approaches, it isn’t hype that surrounds DDTHAGR8; it’s respect. He represents the kind of artist journalists root for and purists recognize. The blueprint is clear: foundation first, everything else later.

DDTHAGR8 isn’t just part of the conversation. He’s what the conversation sounds like when it matures.

Connect with DDTHAGR8

• Spotify: https://open.spotify.com/artist/5wZCM8FJXepBLA0GWjyboB
• Apple Music: https://music.apple.com/us/artist/dd/1390131378
• YouTube: https://youtube.com/@ddmusik1
• Instagram: https://www.instagram.com/ddthagr8
• Official Website: https://www.whereisdd.com

For Media Inquiries:officialdealmaker@gmail.com

​AllHipHop