Category: Hip Hop

Tyler Perry stepped forward with a massive $1.4 million charitable contribution as American families grapple with food insecurity following the suspension of full SNAP benefit payments.

The entertainment mogul distributed his generous gift across six key organizations dedicated to combating hunger and supporting vulnerable populations.

Recipients include the Atlanta Community Food Bank, Baby2Baby, Meals on Wheels Atlanta, Caring for Others, All for Lunch, Ron Clark Academy, and Goodr, which specializes in the distribution of fresh produce.

Perry’s philanthropic move comes as the Supreme Court blocked the complete disbursement of SNAP benefits on November 7 after the Trump Administration filed an emergency appeal.

The decision delays a $4 billion transfer to the food stamp program as the legal battle continues during the ongoing government shutdown. The decision left millions of Americans uncertain about their next meal, particularly affecting working families, elderly citizens, and children.

The filmmaker and business owner demonstrated a profound understanding of the crisis facing low-income households.

“If you’ve never been poor, then you may not fully understand the life-changing impact SNAP benefits mean to hard-working people, to our seniors and to our children,” Tyler Perry told People. “For millions of people, it could mean extreme hunger. For newborns, it could mean a lack of access to formula.”

His donation targets organizations with established networks for reaching families most severely impacted by the benefit suspension.

Goodr and the Atlanta Community Food Bank, two primary beneficiaries, serve as a central hub for food distribution throughout the metropolitan area.

Baby2Baby focuses on providing essential items to children and families in need, while Meals on Wheels Atlanta delivers nutrition directly to homebound seniors.

The timing of Perry’s contribution proves particularly significant as families prepare for the Thanksgiving holiday amid economic uncertainty.

His swift response demonstrates the entertainment industry’s potential role in addressing social crises when government programs face disruption.

​AllHipHop

Outkast was inducted into the Rock and Roll of Fame on November 8. The ever-elusive André 3000, who was spotted on Venice Beach earlier in the day, wound up making the trip to the Peacock Theater to accept the prestigious honor.

After a quick game of rock, paper, scissors, Big Boi decided to take podium first and do a roll call of everyone he was thankful for along Outkast’s journey, including executive L.A. Reid.  André followed with an emotional trip down memory lane. As he reflected on Outkast’s humble beginnings, he choked up while talking about the late Organized Noize producer Rico Wade, who died unexpectedly in April 2024.

“Right out of high school, me, Big and CeeLo were the youngest people in the Dungeon,” he said. “It just so happened Rico Wade saw something in us and gave us the opportunity to come […] like Rico Wade, he’s not here right now. I wish he could be here to see this. These people had to sacrifice their home. Ms. Beatrice had to sacrifice their home for us to make music.

“This was the place called The Dungeon, where we were all making music and doing nefarious things as well. They had to go to school the next morning and we up bumping until like 6 in the morning and we smoking weed and it’s going through the vents […] From Busta Rhymes to Nas to Wu-Tang and even before, we had Raheem the Dream, these were our heroes.”

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Shortly after, André teared up and said, “Great things start in little rooms,” a reference to The Dungeon. He was quickly comforted by all of his loved ones and peers, who’d gathered on stage in support of the legendary Atlanta Hip-Hop duo.

Big Boi soon lightened the mood with, “We bout to burn this b#### down!” From there, the stage lit up with a full band, with Tyler, The Creator doing vocal duties on “B.o.B.,” Organized Noize producer Sleepy Brown joining Big Boi for “The Way You Move” and Janelle Monaé taking the mic for “Hey Ya.”

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The ceremony marked a monumental achievement for the Southern Hip-Hop pioneers, who were inducted by actor and musician Donald Glover. Glover praised the duo’s revolutionary impact on the genre, crediting them with redefining Hip-Hop’s geographical boundaries and artistic possibilities.

Notably absent from the evening was any musical performance by Three Stacks, who has stepped away from traditional rap in recent years to focus on experimental flute and piano music. The artist’s reluctance to perform Outkast classics has become a recurring theme at public appearances, leaving fans yearning for the duo’s legendary catalog.

Outkast’s recognition comes decades after their groundbreaking debut, 1994’s Southernplayalisticadillacmuzik, validating their influence on multiple generations of artists across genres. The ceremony celebrated not just their commercial success but also their cultural impact on American music—and they did it in style.

​AllHipHop

Azealia Banks found herself at the center of another explosive controversy this week after responding to boycott calls with defiant anti-Muslim statements that have intensified public outrage.

The “212” rapper escalated tensions when a former fan launched the #BoycottAzealiaBanks campaign, urging listeners to remove her hits “212” and “Liquorice” from playlists following her recent Islamophobic posts on X.

The comment came after the fan account @azealia_tiktok posted a photo of the rapper marked with a prohibited emoji, calling for DJs and music lovers to delete her tracks.

According to Banks, the campaign is nothing but a fake smear campaign designed by “gay muslims” to ruin her reputation.

The muslims have obviously paid for some massive internet clap back campaign of bots and gay muslim third worlders to mask themselves in Stan Twitter and make insufferably cliche retorts to any notice of muslim mediocrity….

They are really bad at this pop culture thing and… https://t.co/gjht3qckmO

— AZEALIA BANKS (@iiwasinthee212) November 7, 2025

“The muslims have obviously paid for some massive internet clap back campaign of bots and gay muslim third worlders to mask themselves in Stan Twitter and make insufferably cliche retorts to any notice of muslim mediocrity….They are really bad at this pop culture thing and that weakness should be exploited. All of this is engineered,” Azealia Banks said.

The controversy stems from a series of posts where Azealia Banks claimed she “hates Muslims” and made additional inflammatory statements linking her critics to global tragedies.

Earlier this year, she declared herself a Zionist and rejected calls to support Palestinians during the ongoing Middle East conflict. These positions culminated in her October 9 performance at Tel Aviv’s Ganei Yehoshua amphitheater, where she appeared draped in an Israeli flag despite widespread industry boycotts of Israel.

The Tel Aviv concert marked a dramatic reversal from Banks’ 2018 stance, when she vowed never to return to Israel after describing what she called a racist experience. Her decision to perform there drew criticism from activists and fans who viewed the show as an endorsement of Israeli military actions.

Azealia Banks’ remarks have drawn widespread condemnation from fans and social media users who labeled the comments hateful and dangerous.

You know Israel is desperate when they have someone like azealia banks defending them

— Issa (@motafaded) November 7, 2025

I think the way azealia banks finds new lows to reach is fascinating pic.twitter.com/GnFjclJcCn

— ☆*:.｡. (@taknwhtsntyours) November 7, 2025

wdc about israelia banks

— beet | DETOUR AOTY (@feedtthebeast) November 7, 2025

​AllHipHop

In every era, a few artists rise who don’t just make music, they design movements. DDTHAGR8 is one of those rare architects. His rise isn’t a story of sudden fame or algorithmic luck. It’s a study in discipline, clarity, and the kind of self-belief that can’t be faked.

Born, Dionne Taylor and raised across the DMV before planting roots in Denver, DDTHAGR8 carries a lived understanding of contrast, the quiet of reflection against the noise of survival. His presence in hip hop feels less like a debut and more like a continuation of something classic: the worker who becomes a master by refusing to rush the process.

What defines DDTHAGR8 is his relationship with reality. He doesn’t glamorize struggle; he translates it. His sound doesn’t chase the algorithm; it challenges it. The music operates like blueprints; calculated, intentional, and honest. Every line is drawn from experience, and every release adds another brick to the foundation he’s been building for years.

2025 has revealed a more refined, evolved version of the artist. His recent work, defined by hard-earned wisdom and raw conviction, presents a portrait of someone who doesn’t perform resilience but lives it daily. Each record from this chapter feels cinematic in scope, not for its production, but for its precision. The themes are consistent: self-discipline, accountability, and mastery over motion. He raps for the ones who understand that pressure is not the enemy. It’s the process.

His catalog is a collection of codes rather than songs, reflections of a mindset that values strategy over spectacle. In his music, every decision is deliberate. There is rhythm in restraint. He gives his audience authenticity without the polish of pretense. The sound is street without being boxed in by the streets, intelligent without losing its edge.

When he dropped “Crawl Space,” the record felt like a statement; a reintroduction to a sharper DDTHAGR8 who had taken time to rebuild the machine from within. It was the sound of someone who had learned to move smarter, not faster. The single’s reach across platforms wasn’t the result of hype, but of craftsmanship. His tone, timing, and delivery carried the quiet power of an artist who knows that substance always outlives noise.

Now, the focus turns to his next release, “Break the Bank,” distributed through Sony Orchard and arriving November 21st. The details remain closely held, but expectations are high for a reason. If the past few years have proven anything, it’s that DDTHAGR8 never misses the mark on intent. Listeners can prepare for something polished, poised, and purposeful; another calculated step forward from an artist who treats every drop like an investment in legacy.

But music alone isn’t what makes DDTHAGR8 stand out. It’s the way he moves outside the booth. He approaches his brand with the same precision as his bars, aligning visuals, messaging, and rollout with the professionalism of a seasoned executive. There’s nothing accidental about how he presents himself. Every move feels like a conversation between confidence and control.

His lyrics reveal a man who studies life the way others study charts. They speak of self-reliance, focus, and a refusal to conform. That’s why his fans believe him. Because he doesn’t write from imagination. He writes from motion.

The DNA of DDTHAGR8’s artistry is integrity; a commitment to substance that has become rare in a market obsessed with virality. His career is proof that greatness is not a trend; it’s a temperament. He reminds hip hop what the long game looks like: a career built on patience, not panic.

As “Break the Bank” approaches, it isn’t hype that surrounds DDTHAGR8; it’s respect. He represents the kind of artist journalists root for and purists recognize. The blueprint is clear: foundation first, everything else later.

DDTHAGR8 isn’t just part of the conversation. He’s what the conversation sounds like when it matures.

Connect with DDTHAGR8

• Spotify: https://open.spotify.com/artist/5wZCM8FJXepBLA0GWjyboB
• Apple Music: https://music.apple.com/us/artist/dd/1390131378
• YouTube: https://youtube.com/@ddmusik1
• Instagram: https://www.instagram.com/ddthagr8
• Official Website: https://www.whereisdd.com

For Media Inquiries:officialdealmaker@gmail.com

​AllHipHop

Diddy still wants to party, because prison officials busted him for consuming homemade alcohol behind bars at Fort Dix Federal Correctional Institution in New Jersey.

The Bad Boy Records founder, who made headlines for declaring his newfound sobriety during his sentencing hearing, was caught with a concoction made from Fanta, sugar and apples that inmates typically ferment for two weeks to create an alcoholic beverage.

Prison sources revealed that officials initially planned to transfer the Hip-Hop mogul to a different unit as punishment for the infraction. However, authorities have since reversed their decision, allowing Diddy to remain in his current housing arrangement.

The incident represents a significant departure from the sobriety narrative Diddy presented to the court just weeks ago.

During his sentencing proceedings, the music executive told Judge Arun Subramanian he had achieved sobriety “for the first time in 25 years” and acknowledged that substances had led him astray.

In a letter submitted to the court, Diddy wrote, “Although this situation has been the hardest and darkest time in my life, good things have come out of my incarceration…for starters, I am now sober for the first time in 25 years. I have been trying my best to deal with my drug abuse and anger issues and take accountability as well as positive steps towards healing.”

Diddy was convicted on two counts of violating the Mann Act – specifically, transportation to engage in prostitution – and received a 50-month federal sentence in October. His legal team successfully requested his placement at Fort Dix’s low-security facility, which offers a drug abuse treatment program.

Diddy was transferred to the New Jersey facility last week after beginning his sentence. The prison, located in Burlington County, houses inmates in a less restrictive environment compared to higher-security institutions.

Recent photographs showed the music mogul appearing relaxed during recreation time in the prison yard, socializing with fellow inmates, including former NBA player Sebastian Telfair.

The drinking incident comes as Diddy pursues an expedited appeal of his conviction. A federal judge recently granted his request to fast-track the appeals process, with arguments potentially scheduled for spring 2026.

His attorneys argued that an accelerated timeline was crucial to prevent his appeal from becoming moot while he was serving his sentence; however, the recent bust may sink his attempt to successfully appeal his conviction.

​AllHipHop

Lillie Coley is pursuing further legal action against Jay-Z in California federal court, despite a judge dismissing her case and opening the door for potential sanctions.

On November 5, Coley filed a notice of appeal with the Ninth Circuit, challenging Judge Sherilyn Peace Garnett’s ruling from the day before.

That decision dismissed her lawsuit and ruled that she couldn’t file another complaint against the mogul, clearing the way for him to seek sanctions and legal fees.

However, in her latest futile filing, Coley objected to the court’s refusal to allow her to amend her complaint. Coley, who is representing herself, requested additional time to prepare her appeal. In a sworn declaration, Coley said she needed the extension because she was acting pro se and wanted to ensure the appellate record was complete.

But within 24 hours, she changed course. Coley suddenly withdrew the appeal and filed another document, stating that she planned to file a motion for reconsideration instead. She stated that the new filing would raise issues that the appellate court could not yet address.

The legal maneuvering came less than two weeks after Judge Garnett hit Coley with another crushing blow by denying her emergency request for a restraining order that would have blocked Jay-Z’s team from seeking sanctions.

That October 24 ruling cleared the way for his attorneys to pursue penalties, arguing Coley’s filings were “repetitive and meritless.”

Coley is the godmother and former legal guardian of Rymir Satterthwaite, who has claimed for years that Jay-Z is his biological father.

Multiple courts have rejected those claims, and a 2022 New Jersey court order barred Coley and Satterthwaite from filing new paternity-related lawsuits without prior approval.

Jay-Z’s legal team has accused Coley of violating that order by continuing to file lawsuits across jurisdictions. They argue she has engaged in “decades-long harassment” and are now seeking to recover legal costs.

Coley insists the case remains active and she also argued that the judge “overlooked key facts” and that her motion for reconsideration will highlight those omissions.

Coley said she has no intention of dropping the case and plans to continue fighting on behalf of Satterthwaite, whose mother, Wanda Satterthwaite, died in 2019.

Jay-Z has never taken a DNA test and has consistently denied being Satterthwaite’s father. His attorneys have called the ongoing legal saga a campaign of harassment aimed at forcing a paternity test through public pressure and litigation.

Satterthwaite has said he wants the truth, not money. “This is not about a dollar,” he told media outlets earlier this year. “This is about the truth.”

​AllHipHop

Offset has stepped forward to demolish circulating reports suggesting he turned down a massive financial settlement from Cardi B during their ongoing divorce proceedings.

The Migos member found himself at the center of internet speculation after gossip outlets began spreading claims that he had refused a $10 million divorce package from his estranged wife.

However, the “Ric Flair Drip” artist quickly moved to set the record straight. Taking to social media, Offset branded the circulating stories as “false rumors” and accused social media users of creating a “hate campaign” against him.

“False rumors, all of it,” Offset said. “Stop running a hate campaign. nun of this is true.”

The controversy erupted when a popular social media account posted on X: “Offset allegedly turns down Cardi B’s $10 million divorce settlement offer: ‘I built her brand—I deserve half.’

These rumors gained momentum on social media as Offset was being dragged for allegedly making demands for 50% of the couple’s combined assets.

The Bronx-born rapper officially initiated divorce proceedings against Offset in July 2024, marking the end of their seven-year marriage.

During a recent livestream, Cardi B made cryptic references to financial disputes, sparking speculation that Offset was requesting exorbitant amounts, especially since he is currently battling multiple lawsuits and a $2.3 million tax bill.

​AllHipHop

A$AP Rocky and Rihanna shared a passionate kiss on a Paris sidewalk Wednesday night (November 5) after leaving César restaurant, turning the city’s streets into a high-end fashion shoot and date night moment all in one.

The couple, fresh off welcoming their third child, stepped out in matching fur coats and denim outfits that looked straight out of a designer campaign.

A$AP Rocky & Rihanna last night at César Restaurant in Paris pic.twitter.com/mMfMcUNuqE

— 𝕵𝖆𝖘 (@awgecentral) November 6, 2025

Rihanna wore a cropped brown fur jacket with exaggerated shoulders and a sculpted collar, paired with straight-leg jeans and pointed black heels. Her look was finished with gold chains and a sleek bun.

Meanwhile, A$AP Rocky complemented her look in a slightly lighter calf-length fur coat. He added tan-and-black loafers and a brown fur tote from his AWGE line. He topped it off with a black Chanel fur trapper hat, leaning into luxury streetwear with ease.

Rihanna and Rocky out in Paris last night pic.twitter.com/a7QnNBU6QE

— 𝖌𝖆𝖇 (@gabgonebad) November 6, 2025

The couple’s public display of affection unfolded under Parisian streetlights as photographers captured their kiss and coordinated fits. The outing comes just weeks after the birth of their daughter, Rocki, on September 13. She joins big brothers RZA, 3, and Riot, 2.

Their stylish date night followed their appearance at the 2025 CFDA Awards, the first red-carpet event they had attended since Rocki’s arrival.

At the ceremony, Rocky was honored with the Style Icon Award while Rihanna cheered from the audience.

“She the one, not the two,” Rocky told Access Hollywood. “She inspires me a lot. It’s really dope to see us carrying on the legacy and following tradition for our family. It’s dope, it’s sick. We’re first to do it.”

A$AP Rocky talked to @accesshollywood about Rihanna:

“She the one, not the two. She inspires me a lot. It’s really dope to see us carrying on the legacy and following tradition for our family. It’s dope, it’s sick. We’re first to do it”. pic.twitter.com/Vp5zLraybP

— Fenty Headlines (@FentyHeadlines) November 5, 2025

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Yaya Mayweather confronted her past in a vulnerable stream of posts, apologizing to her parents and to Lapattra Jacobs, the woman she stabbed in 2020 during a confrontation at NBA YoungBoy‘s home.

The 25-year-old daughter of boxing icon Floyd Mayweather wrote, “I’m not just this dumb delusional girl who lives a perfect life. … I’ve been through and I go through things just like anybody else,” opening a reflection that marked a shift from her previous silence on the matter.

The incident occurred in April 2020 when Mayweather, then 19, was arrested for stabbing Jacobs, who also shares a child with NBA YoungBoy.

Mayweather eventually pleaded guilty to aggravated assault with a deadly weapon and was sentenced to six years of probation.

In her posts, Mayweather directly addressed her parents, Floyd Mayweather and Melissa Brim, saying, “I apologize to my family, more specifically my father and mother, if any of my actions over the years have embarrassed you or affected you in any way.”

She also issued a rare apology to Jacobs, stating, “To anyone i may have hurt over the years i apologize, including Lapattra Jacobs… even though yes it was self defense i apologize.”

Though she maintained her actions were in self-defense, the apology marked a notable change in tone and public accountability.

Her legal team had previously defended her actions in court, but this is the first time Mayweather has publicly expressed regret toward Jacobs.

Mayweather ended her posts with a statement about her desire to change how she’s perceived.

“I want to right my wrongs while I’m still here and able to,” she added. “I want y’all to see the real me and not this f##### up perception.”

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Pusha T is setting the record straight after he reignited long-standing tensions with Kanye West and Travis Scott during Clipse’s high-profile album rollout for Let God Sort Em Out.

The Virginia duo, made up of Pusha T and No Malice, didn’t just return to the spotlight—they lit it up with a barrage of pointed remarks and unapologetic interviews.

In multiple press stops, Pusha T took aim at Kanye West and Travis Scott, calling out both artists and making it clear that their reunion wasn’t about nostalgia—it was about making noise.

The controversy spilled into their music. On the track “So Be It,” Pusha T delivered thinly veiled jabs at Travis Scott, later doubling down by referring to the Houston rapper as a “w####” in follow-up interviews.

The move stirred debate, but Pusha T stood firm, telling GQ, “You can’t let the journalism be a main focus of the rollout and you tiptoe around s###. I wasn’t going to come in and give you scenarios, and be tiptoeing around the stories. I’ll take the criticism, it’s fine. But never call me a liar. Because I never lie. I never lie. Lemme tell you something: I think lying’s for b######. If you lie about s###, that’s because you’re scared of something, and I’m not scared of anything or anybody.”

Critics accused the duo of manufacturing controversy to boost attention, but No Malice pushed back, defending his brother’s approach.

“Yeah, but look who’s saying that, though. Because on the other end of that spectrum, there are people who really see clearly that Pusha don’t lean on that kind of stuff. And look how long he sat on what has been going on.”

No Malice added that the Thornton brothers don’t operate like others in the industry. “But that’s what they do on the other side. So they think that we play that over here, but nah, we don’t. And we don’t snitch and we don’t tell.”

Their strategy stood in stark contrast to the surprise-drop model dominating modern rap.

According to Pusha T, the traditional rollout was intentional. “People talk about standing on business. This is the best way to do it musically.”

Despite the backlash, Clipse’s comeback has been met with critical acclaim.

Let God Sort Em Out earned five Grammy nominations, including Album of the Year and Best Rap Album, with features from Kendrick Lamar, Pharrell Williams, John Legend and Voices of Fire.

​AllHipHop