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The Glorious Gospel Of Peacock Records

“Credit will have to be given to such pioneers as Don Robey out of Houston, Texas, starting the ball rolling with the Blind Boys of Mississippi. Peacock Records is one of the largest recording companies in the country today, owned by a Black man,” Brother Sylvester Henderson, a popular gospel disc jockey, producer, and promoter, proclaimed in a 1970 column in the Soul newspaper. Peacock Records was, by then, an institution, one that listeners, radio announcers, and retailers alike depended on for the best in gospel, blues, and soul recordings.

Robey began Peacock Records in 1949 and for the next thirty years, recorded artists that would shape the global trajectory of popular music, beginning, most directly with Big Mama Thornton’s “Hound Dog,” one of the foundational songs in rock and roll history. Robey helped shift the public’s perceptions of R&B music, which people “felt to be degrading…low, and not to be heard by respectable people. People believed that for years,” he told Billboard.

Listen to the best gospel from Peacock Records now.

While the label’s R&B and blues roster boasted Memphis Slim, Clarence “Gatemouth” Carter, Bobby “Blue” Bland, O.V. Wright, and Billy Davis & The Legends (prior to The Fifth Dimension), Robey developed a sprawling gospel division that eventually became known as Songbird, getting in on the ground floor of the careers of popular gospel acts like The Mighty Clouds of Joy, The Williams Brothers, The Jackson Southernaires, The O’Neil Twins, and Rev. Cleophus Robinson. As gospel evolved, Peacock didn’t limit itself to traditional gospel. They helped some of their artists like Tessie Hill, Josh Albert Hailey, and Liz Dargan and the Gospelettes cultivate a contemporary edge.

Robey sold the label to ABC-Dunhill Records in 1973, turning over 2,700 composition copyrights, and the entirety of the master recording catalog which included over 2,000 unreleased recordings. In 1998, the Peacock Gospel Classics series made some of the gospel division’s output available digitally for the first time. Here are a few highlights to begin with.

Five Blind Boys of Mississippi – Our Father

The Five Blind Boys of Mississippi had only recorded a few sides prior to joining the Peacock roster in 1950, but they struck gold at their first session with “Our Father,” which took them all the way to #10 on the R&B charts in January of 1951, selling an estimated half a million copies. With lead vocalists Archie Brownlee and Rev. Percell Perkins, the group became stars in the gospel world. Gospel historian Anthony Heilbut wrote that Brownlee would “demolish huge auditoriums with the bluesiest version of the Lord’s Prayer ever recorded.”

The artists that they influenced would make their sound an essential ingredient in popular music. Ray Charles’ bandmate and musician, Renald Richard, said, “[Ray] used to talk all the time about Archie Brownlee, how much he liked him. Then he started to sound like him, turning his notes, playing with them to work the audience into a frenzy!” The group’s last recording with Peacock, My Desire, earned a Grammy nomination in 1974. They continued to tour internationally into the 1990s.

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Inez Andrews – Lord Don’t Move the Mountain

From the moment her 1958 recording of “Mary Don’t You Weep” with The Caravans hit the airwaves, Inez Andrews was believed to be the next big thing in gospel music, a singer/songwriter with a multi-octave range. She signed with Peacock in 1964 with her group The Andrewettes, but by 1967 was a solo act.

Her recording of Doris Akers’ “Lord Don’t Move the Mountain ” cracked the Top 50 of the R&B chart in 1973 and was the #2 gospel album on Ebony’s music poll that year just behind Aretha Franklin’s Amazing Grace (which contained Andrews’ arrangement of “Mary, Don’t You Weep”). Vogue wrote, “She erupts from an initial, polite, Sunday-best gentility into a screaming, ranting revivalist…recommended for anyone who loves great singing.” Andrews stayed with Peacock until 1978, earning a Grammy nomination for 1976’s War on Sin.

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Dixie Hummingbirds – Loves Me Like a Rock

By the time the Dixie Hummingbirds hit the #2 spot on the pop charts in 1973 joining Paul Simon on his single, “Loves Me Like a Rock,” the group had been singing together for forty-five years. They signed with Peacock in 1952, just three years into its existence, and remained with the label until 1978. Credited as inspirations for R&B legends Jackie Wilson, James Brown, and the Temptations, the Hummingbirds were one of the few groups who managed to take gospel into unconventional venues like Cafe Society and the Newport Folk and Jazz Festivals without alienating their gospel base. Lead singer Ira Tucker told Blues & Soul, “Don Robey spent 25 years trying to persuade us to get into R&B. But everybody in the group chose to make financial sacrifices to stay in gospel.” The group earned a Grammy Award for their recording of “Loves Me Like a Rock” sans Simon in 1973.

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Carl Bean and Universal Love – Something for Nothing

Carl Bean came to Peacock with a wealth of experience with gospel heavyweights under his belt: he was in Bishop William Morris O’Neil’s choir at Harlem’s Christian Tabernacle, recorded with Calvin White’s Gospel Wonders on their 1965 hit “Long As I’ve Got Jesus,” as well as with the Gospel Chimes at Atlantic Records and toured with Alex Bradford. He moved to Los Angeles in the early 70s and with O’Neil’s choir director Alahaundra Romeo and Craig Pearson formed Universal Love. The group’s only Peacock album, All We Need is Love, took a turn towards the progressive side with a set of message songs aimed at the general market that failed to reach the masses. Young, however, remembered Bean when he became an executive at Motown and facilitated Bean’s recording of the gay disco anthem, “I Was Born This Way,” which inspired Lady Gaga’s hit of the same name.

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Listen to the best gospel from Peacock Records now.

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Alaska News

Listen: Assembly to consider severance taxes, accessory dwelling units, and the value of the Freeride World Tour

The Haines Borough Assembly has a packed agenda on Tuesday. Chilkat Valley News editor Rashah McChesney sat down with local government reporter Will Steinfeld to talk more about what’s coming up on Tuesday evening. 

Rashah McChesney: It looks like several things are stacked up on the Haines Borough assembly’s agenda, what’s coming up this week? 

Will Steinfeld: Yeah, for some reason, it’s lined up in a way where we have possible final votes on some really big potential changes to how the borough functions. There’s stuff we’ve been following for a few weeks now, things like bulk or containerization – basically environmental regulations for prospective mining companies, looking at maybe a final vote on accessory dwelling units on a severance tax. So these are all big things potentially for how the borough handles heavy industry, how they handle housing, you know, really core pieces of the local economy. 

It’s possible the assembly goes ahead and takes all these final votes at Tuesday’s meeting. In that case, we would have a lot to write about for the paper, it would be a whole series of big changes. But I think it’s more likely that some of these get pushed further down the road. So far, these proposals have come in and they haven’t really been amended, even though there are controversial parts about all of them. So, I wouldn’t be surprised if assembly members in this final public hearing on these issues, present changes they want to see to make these things work. Or maybe they decide to do something like send one or all of them or a combination back to committees to get some more time and deliberation. 

Yeah, and it looked like there were maybe some indicators that something like that could happen. I was looking at a list of proposed things that assembly member Mark Smith said he wanted to see with the severance tax, for example. Is that something that you see happening with all of those measures or maybe just this one? 

I wouldn’t be surprised. I think, like you said, there’s indications for all of them. There’s, as you mentioned, assembly member Smith’s memo that he’s written up. He has a lot of detailed specific changes he’s proposing. On accessory dwelling units, I saw the borough planner, Chen Wu, had recommended it go back to the planning commission. I think because of the fact that these are such significant pieces of legislation, we’re likely to see these kinds of questions pop up, and, you know, the meeting is a finite amount of time. So, they could push these on later. 

Elsewhere on the agenda, it looks like in a couple of places, the borough is sort of dealing with higher energy costs or feedback from residents about higher energy costs. Have you seen anything about that? 

I think you need look no further than the article you wrote this week about the petition going around from the public… I guess it would maybe delay the implementation of a seasonal sales tax rate. 

The number of signatures, it’s hundreds at this point, shows how much of an impact this is making in people’s lives. So  I think there will be some pretty significant discussion at this assembly meeting of what the borough can do, if anything, to try and give people a break. 

Do you get any sense that any of the assembly members are going to be responsive to those circumstances? 

I would guess so. I think generally what you see is assembly members trying to be responsive to instances where there are public outcries of this magnitude. Sometimes it’s a ton of people showing up in person for public comment. In this case, what we’ve seen already is hundreds of people signing a petition. So I would guess that there will be some effort to do something and assembly member [Mark] Smith has already introduced a proposal before the meeting to temporarily suspend the sales tax on all fossil fuels as he’s written it. 

But there are definitely going to be challenges. The borough’s finance director, who’s also the acting borough manager right now, Jila Stewart, has written prior to this meeting that if the assembly does choose to maintain the lower seasonal sales tax rate for the rest of this year, it would have a huge impact on borough finances. It would be, by her estimate, over $1,000,000 out of the annual revenue for the borough. It would mostly come out of the specific fund that pays for things like the school and the library. And so I think even if assembly members are united in the idea that they want to give residents a break, it’s going to be a challenge figuring out how they can do that. 

One other thing that’s on the agenda that I’m curious about is final accounting of the Freeride World Tour and its coming to town and the amount of money the borough spent. I’m curious if you could tell us a little bit more about what assembly members are going to be considering. 

There’s definitely one new thing, which is, according to the manager’s report for this meeting, Freeride has actually sent a definitive proposal for how much they want the borough to pay to bring them back next year. Last year, the borough had committed $75,000 to bring them here. Now, Freeride is asking for $150,000 between the borough and potentially other local sponsors who would help contribute to that. And so at some point, the assembly is going to have to decide what they want to do with this offer. Do they take it? Do they leave it? Do they make some kind of counteroffer? 

But I think it’s part of this broader question of what Freeride is worth economically and how much the borough should be willing to spend to bring them in and see some kind of return on investment. When I was talking to people during the Freeride weekend around town, I got the sense that people really enjoyed the event and saw a lot of benefits, but also had reservations,  at least among some, about a feeling that they weren’t getting enough value for the tax dollars they were putting into the event. There’s been some public comments submitted before this upcoming meeting that echoed that. But I also know there are assembly members in the past who have spoken (about the value of the event) — I think Craig Loomis has been a really big proponent of what Freeride can offer for the economy, so there should be perspectives on both sides about how much this thing is really worth. 

The assembly meets on Tuesday, April 14 at 6:30 p.m. in the assembly chambers and on Zoom.

The post Listen: Assembly to consider severance taxes, accessory dwelling units, and the value of the Freeride World Tour appeared first on Chilkat Valley News.

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Alaska News

Peltola announces big fundraising haul, signaling an expensive Senate race in Alaska

Mary Peltola poses for a photo with supporters at her Jan. 17, 2026, Senate campaign kickoff event at 49th State Brewing in Anchorage. (Photo by Yereth Rosen/Alaska Beacon)

Mary Peltola poses for a photo with supporters at her Jan. 17, 2026, Senate campaign kickoff event at 49th State Brewing in Anchorage. Her campaign collected $8.9 million in contributions during the first quarter of the year; the campaign said it was a record total for any U.S. Senate race in Alaska. (Photo by Yereth Rosen/Alaska Beacon)

Alaska Democrat Mary Peltola, who is mounting a high-profile challenge to Republican U.S. Sen. Dan Sullivan, announced on Monday that her campaign raised $8.9 million in the first quarter of the year, a record for any U.S. Senate campaign in Alaska.

The announcement, which followed a Sullivan campaign announcement last week of $2.1 million in first-quarter donations, was a sign that the hotly contested race in Alaska, considered pivotal to Senate control, will be expensive.

Peltola’s statement about the fundraising haul said 95% of the donations were in denominations of $100 or less and that donations came from all parts of Alaska.

“I’m so grateful for the support we’ve received from every single borough and census area across our state, and it’s that support that will bring us to victory this November. It’s going to take all of us, but together we’ll take on the rigged system in DC that’s hurting each and every one of these communities,” Peltola said in the statement.

Peltola, who is Yup’ik and from the Yukon-Kuskokwim Delta, has emphasized her rural roots in her campaign; she is currently on a tour of Western Alaska villages.

Sullivan’s campaign last week said the $2.1 million in the first-quarter fundraising added to previous donations, resulting in $7.5 million on hand for the reelection effort.

U.S. Sen. Dan Sullivan, R-Alaska, speaks to the Anchorage Chamber of Commerce on Nov. 24, 2025. (Photo by Yereth Rosen/Alaska Beacon)
U.S. Sen. Dan Sullivan, R-Alaska, speaks to the Anchorage Chamber of Commerce on Nov. 24, 2025. U.S. Sen. Dan Sullivan, R-Alaska, speaks to the Anchorage Chamber of Commerce on Nov. 24, 2025. Sullivan used his speech to praise the sweeping budget and tax bill passed by Congress and championed by President Donald Trump. (Photo by Yereth Rosen/Alaska Beacon)

In a statement, Sullivan campaign spokesperson Nate Adams said the strong support shows that Alaskans know he delivers for Alaska: “From bolstering our Alaska-based military and Coast Guard, unleashing Alaska’s resource economy, and securing historic investments in Alaska’s healthcare system, Senator Sullivan has a proven record of results.”

Money spent on the Alaska Senate race extends far beyond direct donations to campaign. Political action committees and other groups are also spending heavily in independent efforts.

One of those organizations is the Senate Leadership Fund. That super PAC, which supports Republicans in Senate races, last week announced a $342 million national spending plan. It includes $15 million to support Sullivan.

An example of the national focus on the Peltola-Sullivan race is an online ad recently released by the National Republican Senatorial Committee. It blames Peltola for “men in women’s sports, costs through the roof, open borders,” and it ties her to former President Joe Biden.

Peltola, a former U.S. House and Alaska State Legislature member, is also getting support from outside her campaign as well.

The Senate Majority PAC, a Democratic group, is supporting Peltola and has already spent money on ads attacking Sullivan. The organization characterized Peltola as a top-tier candidate after she announced her campaign in January. Peltola’s entrance into the race in January “completely upends the campaign, putting an already unpopular and weak Dan Sullivan on his heels,” Senate Majority PAC spokesperson Lauren French said in a Jan. 12 statement.

Another group, the Anchorage-based 907 Initiative, has launched an advertising campaign targeting Sullivan. The campaign refers to him as “Yes-Man Dan” and criticizes him for consistently doing “the bidding of national party leaders. . .even when it’s bad for Alaska.” Among the examples cited by the 907 Initiative is last year’s sweeping and controversial budget and tax bill called the One Big Beautiful Bill Act, which Sullivan has championed as an economic boon for Alaska.

A sign posted in midtown Anchorage, seen April 13, 2026, criticizes U.S. Sen. Dan Sullivan, R-Alaska. The sign was posted by the 907 Initiative, an Anchorage-based political organization. (Photo by Yereth Rosen/Alaska Beacon)
A sign posted in midtown Anchorage, seen April 13, 2026, criticizes U.S. Sen. Dan Sullivan, R-Alaska. The sign was posted by the 907 Initiative, an Anchorage-based political organization. The 907 Initiative is one of several groups spending money to influence the race between Sullivan and challenger Mary Peltola. (Photo by Yereth Rosen/Alaska Beacon)

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