Categories
Uncategorized

Wars without clear purpose erode presidential legacies, and Trump risks political consequences with further military action in Venezuela

The body of U.S. Army Spc. Israel Candelaria Mejias is carried in a transfer case at Dover Air Force Base in Delaware after he was killed on April 5, 2009, near Baghdad. AFP Photo/Paul J. Richards via Getty Images

Despite public support in the U.S. for deposing Venezuelan leader Nicolás Maduro, President Donald Trump is unlikely to find that level of support for fighting an actual war in that country.

Even as Trump tries to work through Delcy Rodríguez, Maduro’s vice president and now the acting leader of the country, to manage Venezuela, there are echoes of President George W. Bush in Iraq with Trump saying that the United States will “run” Venezuela and “nurse it back to health” with Venezuelan oil wealth. None of that – which requires a lot of control by Washington and a major presence on the ground – can or will happen without a significant commitment of U.S. military forces, however, which Trump hasn’t ruled out.

“We’re not afraid of boots on the ground,” Trump said.

Yet U.S. citizens have been and remain deeply skeptical of military action in Venezuela. From Lyndon Johnson to George W. Bush, history shows that leaders often pay a high political price – and costs to their legacy, too – when wars they start or expand become unpopular.

As an expert on U.S. foreign policy and regime change wars, my research shows that every major U.S. war since 1900 – especially those that involved regime change – was buoyed at its outset by a big story with a grand purpose or objective. This helped galvanize national support to bear the costs of these wars.

During the Cold War, a story about the dangers of Soviet power to American democracy and the need to combat the spread of communism brought strong public support, at least initially, for wars in Korea and Vietnam, along with smaller operations in the Caribbean and Latin America.

In the 2000s and 2010s, the dominant narrative about preventing another Sept. 11 and quelling global terrorism generated strong initial public support for wars in Iraq – 70% in 2003 – and Afghanistan, 88% in 2001.

A big problem Trump now faces is that no similar story exists for Venezuela.

President Donald Trump said on Jan. 3, 2026, that the US is “not afraid of boots on the ground” in Venezuela.

What national interest?

The administration’s justifications for war cover a hodgepodge of reasons, such as stopping drugs that flow almost exclusively to Europe, not the U.S.; seizing oil fields that benefit U.S. corporations but not the wider public; and somehow curtailing China’s efforts to build roads and bridges in Latin America.

All these are unrelated to any story-driven sense of collective mission or purpose. Unlike Korea or Afghanistan at the start, Americans don’t know what war in Venezuela will bring them and whether it is worth the costs.

This lack of a holistic story or broad rationale shows up in the polls. In November, only 15% of Americans saw Venezuela as a national emergency. A plurality, 45%, opposed an overthrow of Maduro. After Maduro was removed in early January 2026, Americans’ opposition to force in Venezuela grew to 52%. No rally around the flag here.

Americans also worry about where things are heading in Venezuela, with 72% saying Trump has not clearly explained plans going forward. Few want the mantle of regime change, either. Nine in 10 say Venezuelans, not the United States, should choose their next government. And more than 60% oppose additional force against Venezuela or other Latin American countries.

Only 43% of Republicans want the United States to dominate the Western Hemisphere, indicating Trump’s foreign policy vision isn’t even popular in his own party.

Overall, these numbers stand in sharp contrast to past U.S. wars bolstered by big stories, where there was generally a deep, bipartisan consensus behind using force.

For the moment, 89% of Republicans support removing Maduro. But 87% of Democrats and 58% of independents are opposed.

Reflecting the national skepticism – and in a rebuke of Trump – the U.S. Senate advanced a measure to final vote requiring Trump to get congressional approval before taking further military action in Venezuela. Five Senate Republicans joined all Democratic senators in voting for the measure.

All told, the U.S. political system is flashing red when it comes to war in Venezuela.

Hubris can turn deadly

Research shows that U.S. regime change wars almost never go as planned. Yet, the hubris of U.S. leaders sometimes causes them to ignore this fact, which can result in deadly trouble. In Iraq, influential Vice President Dick Cheney told one interviewer, “We’ll be greeted as liberators.” We weren’t, and U.S. forces got bogged down in a bloody insurgency war.

Experts say the same trouble could come in Venezuela.

US soldiers sitting at a table with a tv behind them showing an image of Barack Obama.
U.S. Army soldiers watch a TV airing election coverage of Democratic presidential candidate Barack Obama at a base located along the Afghanistan-Pakistan border on Nov. 4, 2008.
David Furst/AFP via Getty Images

What might stop the United States from rolling into a deeper war that’s not in line with how the public views U.S. interests? My research shows that the answer lies with U.S. leaders taking steps to back away from owning what comes next in Venezuela.

This turns a lot on presidential rhetoric. When leaders make robust commitments to action, it often boxes them in politically later on to follow through, even if they don’t want to do so. Their words create what political scientists call “audience costs,” which are domestic political setbacks, or punishment, that leaders will face if they fail to follow through on what they promised to do.

Audience costs can even form in a case like Venezuela, because despite limited public support for force, the media along with proponents of war inside and outside government often pick up on a president’s words and produce a churning conversation. That conversation is visible now in the news cycle, with leading Republicans and other prominent voices calling for more robust action. It’s the “you broke it, you fix it” discussion.

This churn raises questions about the president’s credibility that sometimes makes leaders feel boxed in to act, even when public support is questionable.

As a presidential candidate in 2008, Barack Obama promised to devote greater attention and resources to the war in Afghanistan. When he got in office, Obama’s words came back to bite him. Political pressure generated by his campaign pledge made it almost impossible for Obama to avoid surging troops into Afghanistan at a much higher level than what he intended.

While presidents should always strive to keep the public informed of the direction policy is headed, research shows that leaders can avoid the trap of audience costs by remaining relatively vague and noncommittal, which the public now prefers, about future military actions.

On Venezuela, Trump has done some of this vague language work already by sidestepping specifics about when and if force will be used again, and by also downplaying talk of U.S.-led democracy promotion. If he stops talking about “running” Venezuela and adopts the more measured language used by advisers such as Secretary of State Marco Rubio, who says the goal is to “move (Venezuela) in a certain direction” but not run the country, Trump could take another step away from being boxed in to do more militarily.

Events on the ground in Venezuela might also factor into future U.S. policy. Obama would not have faced the political pressure for the surge that he did when coming to office if the Afghan war had been going in a more positive direction.

Venezuela is close to economic collapse, according to some experts, due to Caracas’ inability to reap the profits of selling oil abroad. If that happens, political chaos could follow and leave Trump, like Obama in Afghanistan, feeling lots of pressure to act militarily, especially if Trump is still saying he “runs” Venezuela.

Again, Americans don’t want that, which means taking steps, such as loosening the current oil embargo, to alleviate economic pain in Venezuela might make sense for Trump. Otherwise, if American troops are sent in by Trump and deaths mount, even a president deemed virtually untouchable by scandal and failure could find himself finally paying a political price for his decisions.

The Conversation

Charles Walldorf is affiliated with Defense Priorities.

​Politics + Society – The Conversation

Categories
Hip Hop

The Best 90s Music: 200+ Songs From Alternative, Hip-Hop, And More

Picture of Woodstock 99, a festival of 90s music and songs

The best 90s songs reveal a simple fact: The decade was a Golden Age for many types of music. Rap and R&B dominated the charts, bringing Black American culture around the world thanks to the prevalence of MTV. Alternative music saw a number of genres proliferate outwards from it in the 90s, like indie rock and emo. Country music took a bold step into the mainstream, and became a defining music of America thanks to a plethora of new stars.

Music from around the world, too, was becoming more popular in America. Jamaican dub and reggae were prevalent in ska and punk music, and Afropop found its way into a variety of genres. Electronic music hit the mainstream with force, as both underground and mainstream acts helped define the dance culture we now see at festivals worldwide. Jazz saw an experimental renaissance after a tough decade, and Latin music started its long ascent to becoming pop music in the United States. The 1990s represented a grab bag of unimaginable wealth for music fans. Here are just a few starting places for you to explore the decade.

Shop the best of 90s music on vinyl and CD now.

Alternative/Rock

The 90s saw an influx of alternative artists shape the sound of rock music. Gone were the days of hair metal and arena rock. In its stead came artists willing and insistent on changing the rules of the game in favor of something weirder, edgier, and rule-breaking. Female stars like Fiona Apple and Alanis Morissette proved that women not only had a seat at the rock table, they were sitting at the head. Elliott Smith appeared to be the second coming of Bob Dylan, infusing his folk-inspired 90s songs with tales of heartbreak and depression. Jimmy Eat World helped usher in emo music’s ascension within mainstream rock, and Pavement brought slacker cool to campuses across the country. Bands like Foo Fighters and Red Hot Chili Peppers, though, continued to make sure that mainstream rock would continue to be a dominant force in the music industry into the 21st century. For more alternative music, check out our list of the 100 best alternative songs of the 90s.

4 Non Blondes – What’s Up?

Alanis Morissette – You Oughta Know

Beck – Loser

Blur – Song 2

Chumbawumba – Tubthumping

Elliott Smith – Between the Bars

Fastball – The Way

Fiona Apple – Criminal

Foo Fighters – Everlong

Green Day – Good Riddance (Time of Your Life)

Jimmy Eat World – Lucky Denver Mint

Mazzy Star – Fade into You

Meredith Brooks – Bitch

Oasis – Wonderwall

Pavement – Cut Your Hair

PJ Harvey – Down by the Water

R.E.M. – Losing My Religion

Red Hot Chili Peppers – Under the Bridge

Sheryl Crow – All I Wanna Do

Smash Mouth – All-Star

Sublime – What I Got

Stone Temple Pilots – Interstate Love Song

The Breeders – Cannonball

The Verve – Bitter Sweet Symphony

Third Eye Blind – Semi-Charmed Life

Weezer – Say It Ain’t So

YouTube Video
Click to load video

Country music in the 90s

If country music in the 1980s was adrift, not quite sure of what it was supposed to be, it emerged full force in the following decade as a behemoth, signaling to industry insiders everywhere that the genre was once again on the rise. It foreshadowed the explosion of country in the coming decades, as stars like Garth Brooks and George Strait released some of their best songs in the 90s and newcomers such as Tim McGraw skyrocketed to the top of the charts. Women continued to innovate, too, as acts like The Dixie Chicks and solo stars such as Lucinda Williams and Shania Twain began chiseling the genre in their image.

Alan Jackson – Chattahoochee

Brooks & Dunn – Boot Scootin’ Boogie

Deana Carter – Strawberry Wine

Dixie Chicks – Wide Open Spaces

Dwight Yoakam – Fast as You

Emmylou Harris – Wrecking Ball

Faith Hill – This Kiss

Garth Brooks – The Dance

George Strait – Blue Clear Sky

LeAnn Rimes – How Do I Live

Lucinda Williams – Drunken Angel

Martina McBride – Independence Day

Reba McEntire – Fancy

Shania Twain – You’re Still the One

Tim McGraw – I Like It, I Love It

Travis Tritt – Here’s a Quarter (Call Someone Who Cares)

YouTube Video
Click to load video

Electronic

A number of electronic and electronic-leaning acts changed the course of music in the 90s. Aphex Twin brought a unique perspective that captivated hip audiences previously hesitant to listen to “electronic music.” Plenty of other acts broke through to the mainstream thanks to their pop and rock-leaning styles as well. Moby blended lush, catchy samples with hazy downtempo electronics, and Nine Inch Nails found a middle ground between electronic and acoustic instruments. Stereolab combined French pop with Krautrock to create one of the most unique sounds of the decade, and Portishead used the aesthetics of hip-hop to help introduce trip-hop. Unlike many of the genres in this list, these are songs that could have only been made in the 90s.

Air feat. Beth Hirsch – All I Need

Aphex Twin – Windowlicker

Autechre – Slip

Bjork – Joga

Boards of Canada – Roygbiv

C&C Music Factory – Gonna Make You Sweat

Daft Punk – Around the World

DJ Shadow – Midnight in a Perfect World

Goldie – Timeless

Le Tigre – Deceptacon

Massive Attack – Teardrop

Moby – Porcelain

Nine Inch Nails – Closer

Orbital – Halcyon On + On

Photek – The Hidden Camera

Portishead – Glory Box

Stereolab – French Disko

The Chemical Brothers – Hey Boy Hey Girl

The Chemical Brothers – Block Rockin’ Beats

The Orb – Little Fluffy Clouds

The Prodigy – Firestarter

Underworld – Born Slippy (Nuxx)

YouTube Video
Click to load video

Grunge

The rock kids sat in one corner, the alternative in another, and the grunge kids all alone, conjuring ways to highlight the best of both worlds without sacrificing a modicum of originality or artistic license. Grunge was born in Seattle, and bands from the city like Pearl Jam, Nirvana, and Soundgarden brought the heavy guitars prevalent in rock music but blended them with breathtaking vocal performances and a whole lot of flannel. These songs became 90s phenomenons. And the style traveled across the globe, too: Though Radiohead were by no means a grunge band, songs like “Creep” helped popularize the genre in the UK.

Garbage – Stupid Girl

Hole – Doll Parts

Marcy Playground – Sex and Candy

Nirvana – Smells Like Teen Spirit

Pearl Jam – Alive

Radiohead – Creep

Semisonic – Closing Time

Smashing Pumpkins – 1979

Soundgarden – Black Hole Sun

The Cranberries – Linger

The Smashing Pumpkins – 1979

YouTube Video
Click to load video

Hip-Hop/Rap

The 90s were the Golden Age of hip-hop music for many, and it’s easy to see why. Many of the greatest rap albums in the history of the genre, and many of the best albums, period, of all time, were created during that decade. The list of artists who dropped all-time albums during the 90s is pretty staggering, and it wasn’t limited to a particular coast, either. 2Pac, Snoop Dogg, and Dr. Dre were changing the sound of the West Coast, while a little duo called OutKast were proving that the South had something to say. But the East Coast, particularly New York, was the Mecca of rap in the 90s, headlined by stars like Notorious B.I.G., Nas, Gang Starr, Wu-Tang Clan, and more. For more hip-hop, check out our list of the 100 best hip-hop songs of the 90s.

2Pac – California Love

A Tribe Called Quest – Scenario

Beastie Boys – Sabotage

Dr. Dre and Snoop Dogg – Nuthin’ but a ‘G’ Thang

Gang Starr – Full Clip

GZA – Shadowboxin’

Lauryn Hill – Doo Wop (That Thing)

Marky Mark and the Funky Bunch – Good Vibrations

Missy Elliott – The Rain (Supa Dupa Fly)

Mobb Deep – Shook Ones, Pt II

Nas – N.Y. State of Mind

Neneh Cherry – Woman

Notorious B.I.G, Puff Daddy, and Mase – Mo Money Mo Problems

Outkast – Rosa Parks

Salt-N-Pepa – Let’s Talk About Sex

Sir Mix-A-Lot – Baby Got Back

Snoop Doggy Dogg – Gin & Juice

US3 – Cantaloop (Flip Fantasia)

Warren G – Regulate

Will Smith – Gettin’ Jiggy Wit It

Wu-Tang Clan – C.R.E.A.M.

YouTube Video
Click to load video

Jazz

Jazz music in the 90s was…weird. The classic heyday of the genre was long gone, and that era was far enough removed from the last traces of jazz’s peak for any nostalgia to remain. But a crop of innovative players helped revive the scene, and pave the way for 21st-century stars like Robert Glasper and Kamasi Washington. John Zorn was an avant-garde mastermind, Matthew Shipp was a fresh-faced innovator, and artists like Henry Threadgill began their ascent to the top of jazz’s peak.

Brad Mehldau – Exit Music

Cassandra Wilson – Harvest Moon

Charlie Haden & Hank Jones – It’s Me, O Lord (Standin’ In The Need Of Prayer)

Diana Krall – Peel Me A Grape

Dianne Reeves – Better Days

Don Byron – Tuskegee Strutter’s Ball

Henry Threadgill – Try Some Ammonia

John Scofield / Pat Metheny – The Red One

John Zorn – Lonely Woman

Joshua Redman Quartet – Chill

Kurt Elling – Nature Boy

Matthew Shipp – The C Jam Blues

Medeski, Martin, and Wood – Sugar Craft

Mose Allison – Blues

Shirley Horne – Here’s To Life

Stan Getz and Kenny Barron – Soul Eyes

YouTube Video
Click to load video

Latin music in the 90s

Latin music in the 1990s was highlighted by an American mainstream acceptance of (some) Spanish language music in mainstream pop radio. Shakira, Ricky Martin, and Jennifer Lopez became stars thanks to their authentic and passionate representations of Latin music’s rich history. They helped interpolate the rich history of the genre with pop music, moving their way to the top of the charts as a result. But America wasn’t the entire story regarding Latin music’s ascent. Cidinho & Doca helped showcase a burgeoning Brazilian rap scene, while Spanish pop duo Los Del Rio dominated parties across the world with their hit “Macarena.”

C+C Music Factory – Robi-Rob’s Boriqua Anthem

Cafe Tacvba – La Ingrata

Cidinho & Doca – Rap das Armas

Control Machete – ¿Comprendes Mendes?

Elvis Crespo – Suavemente

Enrique Iglesias – Bailamos

Ivy Queen – Muchos Quieren Tumbarme

Jennifer Lopez – Waiting For Tonight

La Atrevida/Rude Girl – Aventura y Romance

La Ley – El Duelo

Los Del Rio – Macarena

Marc Anthony – I Need to Know

OV7 – Te Quiero Tanto Tanto

Ricky Martin – Livin’ La Vida Loca

Selena – Amor Prohibido

Shakira – Antologia

Thalia – Mujer Latina

YouTube Video
Click to load video

Metal/Hard Rock

As rock was veering down a number of different paths in the 90s, metal and hard rock music continued to evolve to incorporate genres like hip-hop into heavier leaning rock. Korn, Limp Bizkit, and Rage Against the Machine walked this line effortlessly. Old friends like Ozzy Osbourne continued to build on his illustrious career, and hardcore acts such as Dillinger Escape Plan proved that there was room for something even more challenging.

Death – Voice of the Soul

Deftones – My Own Summer (Shove It)

Dillinger Escape Plan – 43% Burnt

Guns N’ Roses – November Rain

Korn – Freak on a Leash

Limp Bizkit – Break Stuff

Megadeth – Symphony of Destruction

Metallica – Enter Sandman

Ozzy Osbourne – Mama, I’m Coming Home

Pantera – Walk

Rage Against The Machine – Killing in the Name

Rammstein – Du Hast

Sepultura – Roots Bloody Roots

Slayer – Seasons in the Abyss

System of a Down – Sugar

Tool – Sober

White Zombie – More Human Than Human

YouTube Video
Click to load video

Music from (and inspired by) Jamaica

As reggae continued to grow in the United States in the 1990s, different iterations of music from Jamaica made its way stateside as well. Dub and dancehall became celebrated subgenres, and the first hints of reggaeton began to appear as well. Mr. Vegas promoted his style of dancehall music as Filthy Riddim, and Cutty Ranks equated his pre-music career as a butcher to chopping up his enemies lyrically. And one of the best songs of the 90s, full stop, emerged with Chaka Demus & Pliers’ anthem, “Murder She Wrote.” Elsewhere in the scene, Beres Hammond infused his style of reggae with the feel of romantic ballads.

Beenie Man – Who Am I

Beres Hammond – Tempted to Touch

Bounty Killer feat. Barrington Levy – Living Dangerously

Buju Banton – Champion

Chaka Demus & Pliers – Murder She Wrote

Cutty Ranks – Limb by Limb

Dawn Penn – You Don’t Love Me (No, No, No)

Ini Kamoze – Here Comes The Hotstepper

Lady Saw – Hardcore

Mr. Vegas – Heads High

Nadine Sutherland & Terror Fabulous – Action

Shabba Ranks – Ting-A-Ling

Super Cat – Ghetto Red Hot

YouTube Video
Click to load video

Songs from (and inspired by) Africa

African music continued to become a power player in the worldwide ecosystem in the 1990s, with superstars like Ali Farka Toure working with legendary American polymath Ry Cooder. Angelique Kidjo, meanwhile, became a sensation in her home country in Benin and around the world thanks to her thrilling blend of Afropop with R&B and soul music. Elsewhere, Baaba Maal brought Senegalese folk music to a wide, adoring audience.

Ali Farka Toure feat. Ry Cooder – Ai Du

Angelique Kidjo – Agolo

Baaba Maal – African Woman

Cesaria Evora – Sodade

Khaled – Didi

Papa Wemba – Yolele

Rachid Taha – Ya Rayah

Salif Keita – Africa

The Master Musicians Of Jajouka – Gabahay

Toumani Diabate & Ballake Sissoko – Bi Lambam

Youssou N’Dour feat. Neneh Cherry – 7 Seconds

YouTube Video
Click to load video

Songs from Japan

While music from Japan was growing in influence in the 1980s, it took a massive leap forward in the 1990s as artist such as Cornelius began finding audiences outside of the country. FISHMANS brought an incredible blend of Japanese pop music with Jamaican-inspired dub, while ORIGINAL LOVE helped establish J-pop as a force to be reckoned with.

Bonnie Pink – It’s Gonna Rain

Cherry – Spitz

Cornelius – Mic Check

FISHMANS – Long Season

Hide with Spread Beaver – Pink Spider

Hikaru Utada – Automatic

Hikaru Utada – First Love

LUNA SEA – ROSIER

Maki Imai – PRIDE

Matsuko Mawatari – Hohoemi no Bakudan

ORIGINAL LOVE – Seppun

Ozawa Kenji feat. Schadaraparr – Konya Wa Boogie Back (nice vocal)

Pizzicato Five – Sweet Soul Revue

Sheena Ringo – Marunouchi Sadistic

Shonen Knife – Top of the World

Yoko Takahashi – A Cruel Angel’s Thesis

YouTube Video
Click to load video

Pop music in the 90s

Though genres like indie rock and grunge became mainstays during the 1990s, the behemoth that is pop music still dominated the charts and the cultural zeitgeist during the decade. Britney Spears was arguably the biggest star on the planet when she first emerged, and Spice Girls were doing something similar across the pond. Madonna was still churning out hit after hit, and inspiring a new generation of stars such as Christina Aguilera. Celine Dion turned a soundtrack cut from Titanic into one of the biggest songs in the history of film music, and Backstreet Boys dominated the boy band circuit, helping to pave the way for groups like One Direction and BTS.

Aqua – Barbie Girl

Backstreet Boys – I Want It That Way

Britney Spears – Hit Me Baby One More Time

Celine Dion – My Heart Will Go On

Christina Aguilera – Genie in a Bottle

Hanson – MMMBop

Hootie & The Blowfish – Hold My Hand

Jennifer Paige – Crush

LEN – Steal My Sunshine

Madonna – Vogue

Sinead O’Conner – Nothing Compares 2 U

Spice Girls – Wannabe

The Cardigans – Lovefool

YouTube Video
Click to load video

Punk/Hardcore/Ska

The triumvirate of punk, hardcore, and ska helped to provide an alternative to mainstream rock and metal during the 1990s. Blink-182 masterfully blended pop hooks with playful, sneering lyrics and fast punk grooves, while Sublime married their obsessions with punk and Jamaican music. Swedish hardcore band Refused helped shape the future of punk, blending hardcore rhythms with unforgettable melodies. No Doubt proved that punk could still have pop sensibilities, and NOFX merged the parallel paths of punk music and skate culture.

Bad Religion – American Jesus

Blink 182 – What’s My Age Again?

Goldfinger – Superman

Jawbreaker – Accident Prone

No Doubt – Just a Girl

NOFX – Linoleum

Rancid – Time Bomb

Reel Big Fish – Sell Out

Refused – New Noise

Snapcase – Caboose

The Mighty Mighty Bosstones – The Impression That I Get

The Offspring – The Kids Aren’t Alright

YouTube Video
Click to load video

R&B music in the 90s

Just like its hip-hop sibling genre, R&B had a bounty of great songs during the 90s. The list of superstars emerging in the R&B lane are too many to name, but Aaliyah, Mariah Carey, and Mary J. Blige blended pop ballads with lush, R&B-inspired instrumentals, bringing a groundbreaking style to the genre. TLC mashed up lush vocals with stellar bars, giving R&B a rap edge it had previously lacked. Blackstreet helped revive New Jack Swing late in the decade, while D’Angelo was among those pioneering neo-soul along with many others.

Aaliyah – Are You That Somebody

Bell Biv Devoe – Poison

Blackstreet – No Diggity

Bobby Brown – Don’t Be Cruel

Boyz II Men – End of the Road

Brandy and Monica – The Boy Is Mine

Brandy – I Wanna Be Down

D’Angelo – Brown Sugar

En Vogue – My Lovin’ (You’re Never Gonna Get It)

Erykah Badu – On & On

Faith Evans – Soon As I Get Home

Ginuwine – Pony

Guy – Groove Me

Janet Jackson – That’s The Way Love Goes

Jodeci – Freek’n You

Johnny Kemp – Just Got Paid

Keith Sweat – I Want Her

Mariah Carey – One Sweet Day

Mary J. Blige – Real Love

New Edition – If It Isn’t Love

Seal – Kiss From a Rose

TLC – Waterfalls

TLC – No Scrubs

Toni Braxton – Un-Break My Heart

Tony! Toni! Tone! – Feels Good

Usher – You Make Me Wanna

YouTube Video
Click to load video

Shop the best of 90s music on vinyl and CD now.

​Discover more about the world’s greatest R&B artists | uDiscover Music

Categories
Music

‘Yellowstone’: The Beth and Rip Spin-Off Has a Name!

Not only does the Beth and Rip show have a name, it has a schedule! Continue reading…​The Boot – Country Music News, Music Videos and Songs

Categories
Hip Hop

The Secret Songwriters Behind The Biggest Hits

Allee Willis

Before songs were concocted by committee, with an algorithmic hive mind to produce the perfect beat, melody, and lyrics, they were written by songwriters. You may know every lyric to your favorite songs, but do you know who wrote them? From those who toiled behind the scenes to those who were performers themselves but never made the marquee, here are just a few of the secret songwriters responsible for some of the greatest hits.

Allee Willis

The ultimate multi-hyphenate, Willis is a songwriter, music video director, internet maverick, documentarian, columnist, Broadway lyricist, and artist. She’s penned hits for everyone from the Pointer Sisters “Neutron Dance” to Pet Shop Boys “What Have I Done to Deserve This?” to Patti LaBelle’s “Time Will Tell” and countless others.

Wills is also responsible for getting grannies on the dance floor of any wedding, by helping to write “September” for Earth, Wind, and Fire. She went on to co-write six songs on the group’s double-platinum 1979 album, I Am, including the chart-topping hit “In the Stone.” The experience greatly shaped her songwriting as she told NPR, “I learned my greatest lesson ever in songwriting from him, which was never let the lyric get in the way of the groove.”

The Grammy-winning and prolific songwriter was also responsible for the Top 10 hits for Ray Charles, Sister Sledge, Cyndi Lauper, Nona Hendryx, Taylor Dayne, and Toni Basil. She passed away on December 24, 2019, and was inducted into the Songwriters Hall Of Fame in 2018.

YouTube Video
Click to load video

Like many secret songwriters, Willis honed her craft as a performer first, having signed at Columbia when she was a junior copywriter there. But realizing that performing was not her forte, she was eventually dropped from the label and ended up meeting Bonnie Raitt during a chance recording session, leading her to write her first cover “Got You On My Mind.”

Having grown up on a steady diet of Motown, the Detroit native must have soaked up some of that hit-making magic while sitting outside the studio every weekend. With just one statue shy of an EGOT, Willis also found success on the stage, co-writing all the songs (with Brenda Russell & Stephen Bray) for the hit Broadway musical, The Color Purple. Willis stays busy, writing pop hits for Justin Timberlake and earning a nomination for the Songwriters Hall of Fame.

Jules Shear

Familiar to singers, musicians, and fans of classic MTV, Jules Shear’s name is still a relatively secret songwriter in the grand scheme of things. Modest as he may be, how many songwriters are enterprising enough to create their own TV show to plug their own album? In an effort to promote his acoustic record, Third Party, Jules came up with MTV Unplugged as a showcase for big-name artists to talk about their own songwriting process and play stripped-down versions of their music.

Shear had a long career of performing but he’s best remembered for his Top 40 hits in the 80s. Two of the singles off his 1983 album Watch Dog, became huge hits thanks to other singers including Cyndi Lauper’s “All Through the Night” and Alison Moyet’s “Whispering Your Name,” which charted in 1994. His sophomore album produced another pop cover, when The Bangles covered “If She Knew What She Wants.”

YouTube Video
Click to load video

Before he was unknowingly creating power pop for the greatest ladies of the 80s, Shear and his band the Funky Kings were being groomed as the next Eagles. He later ended up in the cult-favorite band, Jules & the Polar Bears, before moving into an on-again off-again recording career totaling upwards up 20 albums and collaborating with an impressive line-up of artists including Jimmy Webb, Rick Danko of The Band, Matthew Sweet, Mike Campbell of Tom Petty and the Heartbreakers and his former flame, Aimee Mann.

Cindy Walker

Country music’s most famous tunesmith Harlan Howard called Cindy Walker “the greatest country songwriter he’s ever heard.” Ascribing to Howard’s “three chords and the truth” school of songwriting, Walker penned classics such as “Not That I Care,” “In the Misty Moonlight,” “It’s All Your Fault,” and the star-making hit “You Don’t Know Me.”

Whatever magic dust Cindy sprinkled on the song must have worked, it’s been recorded and immortalized by everyone who’s covered it including Ray Charles, Elvis Presley, and Willie Nelson. Matching complex emotions with conversational lyrics, Walker could tackle any style of song, from torch ballads to western and waltz.

YouTube Video
Click to load video

Walker didn’t put the creative process on a pedestal but instead maintained a workmanlike approach to songwriting. While she scored a Top 10 hit as a performing artist with “When Your Blue Moon Turns to Gold” in 1944, she settled into full-time songwriting and spent the next decade producing top hits at a rapid clip including “China Doll” for the Ames Brothers, Jim Reeves “Take Me in Your Arms and Hold Me,” Roy Orbison’s “Dream Baby,” Gene Autry’s “Blue Canadian Rockies” and many more.

By the mid-70s, she had won over 20 BMI Awards and was later inducted into the Country Music Hall of Fame in 1997. She’s been covered by the likes of Glen Campbell, Riders in the Sky, Merle Haggard, Ricky Skaggs, and in 2006, Willie Nelson released You Don’t Know Me: The Songs of Cindy Walker, a collection of her best work.

Narada Michael Walden

Behind every great diva there’s Narada Michael Walden. Aretha, Whitney, Diana, Mariah; he wrote for them all and produced some of the biggest hits of the 80s. As one of the most in-demand songwriters of the decade, Walden helped these iconic voices at varying stages of their career.

At the same time he was producing Aretha Franklin’s 1985 comeback album, 1985 Who’s Zoomin’ Who? and co-writing “Freeway of Love” he helped make Whitney Houston a household name, producing her first two multi-platinum recordings, Whitney Houston and Whitney and writing the revised version of “How Will I Know” that was initially slated for Janet Jackson. Narada would go on to work with Whitney over the course of her career, producing the Bodyguard soundtrack and chronicling his time with the immortal singer in his book.

YouTube Video
Click to load video

While Narada may be better known as a Grammy-winning producer with the Midas touch, he’s also a talented drummer, singer, and less notably one of the more prolific secret songwriters. The former session drummer even toured with Jeff Beck, Tommy Bolin, and Weather Report before he started drafting hitmakers like Mariah Carey’s “Heartbreaker,” “Take Me Higher” for Diana Ross and Tevin Campbell’s “Tell Me What You Want Me to Do.”

Larry Stock

You’re nobody ᾽til somebody knows your name, or in Larry Stock’s case, help write a song for the Rat Pack. Technically not for the pack per se, but later adopted as one of its own, Stock (along with Russ Morgan and James Cavanaugh) helped write, “You’re Nobody till Somebody Loves You” and a nightclub favorite was born. The song was first recorded by Morgan in 1944 and has been covered by numerous artists, but none like Dean Martin. Fellow members of the pack, Frank Sinatra and Sammy Davis Jr. also put their own spin on the song, as did other artists ranging from Connie Francis to the Supremes.

YouTube Video
Click to load video

With a songwriting career that spanned nearly 50 years, he wrote many classics that transcended trends, as artists continuously reinterpreted his songs to suit each generation. Several of his songs were recorded by Perry Como as well as by Nat King Cole, including “Did You Ever Get That Feeling in the Moonlight” and “You Won’t Be Satisfied Until You’ve Broken My Heart” but it’s perhaps the Fats Domino song “Blueberry Hill” that best speaks to his secret songwriter legacy.

Looking for more? Discover the history of musicians-turned-film-composers.

​Discover more about the world’s greatest R&B artists | uDiscover Music

Categories
Music

Ali Larter Stole Angela’s Best Looks From ‘Landman’ Set

Ali Larter didn’t leave the ‘Landman’ set empty-handed — and she didn’t ask permission. From boots to bras, Angela’s spirit lives on. Continue reading…​The Boot – Country Music News, Music Videos and Songs

Categories
Music

Chris Stapleton’s ‘Tennessee Whiskey’ Makes Country Music History

A song that redefined his career just redefined the record books. Chris Stapleton is now in a league of his own — and it all started with one track. Continue reading…​The Boot – Country Music News, Music Videos and Songs

Categories
Music

Chris Stapleton’s ‘Tennessee Whiskey’ Makes Country Music History

A song that redefined his career just redefined the record books. Chris Stapleton is now in a league of his own — and it all started with one track. Continue reading…​Country Music News – Taste of Country

Categories
Food

Don’t Sleep On This Mall Staple When Buying Quality Kitchenware

There is still something to be said for the old-fashioned trip to the mall, where you can find high-quality kitchen essentials at a department store.

​Food Republic – Restaurants, Reviews, Recipes, Cooking Tips

Categories
Entertainment

See Hoda Kotb and Kathie Lee Gifford’s Special Reunion on Today Show

Hoda Kotb, Kathie Lee Gifford
Hoda Kotb and Kathie Lee Gifford have officially passed the torch.
The former Today cohosts held a surprise reunion on the morning show, dressed in Team USA garb, to hand off the literal torch—in…
​E! Online (US) – Top Stories

Categories
Entertainment

Will Nikki Glaser Host Golden Globes 2027? Producer Says…

Nikki Glaser on stage at the Golden Globes 2026
Nikki Glaser’s chances of hosting the Golden Globes for a third consecutive year are golden.
The comedian had the entire star-studded audience at the 2026 ceremony laughing out loud on Jan. 11,…
​E! Online (US) – Top Stories