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Alaska News

Mat-Su moves ahead with school concealed carry program using state, taxpayer funds

The Matanuska-Susitna Borough School District administration building in Palmer. (Photo by Amy Bushatz/Mat-Su Sentinel)

This story was originally published in the Mat-Su Sentinel.

PALMER — The Matanuska-Susitna Borough School District will use state and local taxpayer funding to cover startup costs for a new program allowing teachers and staff members to carry concealed weapons in schools, district officials said.

School board member Andrew Shane helped spearhead the concealed carry program and initially said he planned to propose an amendment directing the district to move forward with the policy only if officials could secure outside funding.

That amendment was ultimately not introduced and was not part of the final policy the board approved in June ahead of its annual summer break.

Shane said he still hopes to secure grant money to cover the program’s costs, but declined to share specific details about who could provide it.

He said he believes the program is worth doing now regardless of the funding source because it addresses what he said is a critical school safety issue.

“One of the main reasons I ran was because I wanted to make our schools a safer place,” he said. “There’s going to be people that believe that this is the wrong way to do things, and there’s people who believe this is the right way to do it.”

The concealed carry program is meant to supplement the district’s existing school policing program, which operates under contracts with the Wasilla and Palmer police departments.

Those contracts provide five officers who rotate among elementary and secondary schools in Big Lake, Wasilla and Houston, and secondary schools in Palmer. They cost the district about $800,000 annually, according to contract documents. Schools in Talkeetna, Trapper Creek and Willow do not have assigned officers included in the contracts.

District officials estimate initial startup costs for the concealed carry program will run about $130,000, according to data released in June. That includes consultant fees for designing rules and standards to operate the program and costs for creating a training program for teachers and staff who want to participate. District officials are expected to provide an update on program costs and progress next month.

District officials closed three neighborhood schools and made more than $11 million in other cuts ahead of the current school year because state and local funding did not match the district’s ongoing costs.

A $16 million state funding package tied to oil revenue and announced late last month restored money to some of the cut programs, including about $1.5 million for student transportation and activities, and covers new shortfalls, such as more than $5 million in increases to staff health care costs.

The district will designate money to pay for the concealed carry program as part of the school district’s October budget update, Assistant Superintendent Katie Gardner said in an interview last month.

Setting up the concealed carry program is one of the administration’s six priority projects for the 2026-27 school year, Mat-Su Superintendent Randy Trani told the board at a work session late last month.

“The concealed carry is in the works now — including training standards and how individuals will be chosen to participate,” he said.

Once the program opens for enrollment, accepted teachers and staff will receive a $500 stipend designed to cover the cost of required training and certifications, according to the policy.

Would-be participants must hold an Alaska concealed carry permit and complete between 24 and 40 hours of initial training to qualify, then between eight and 24 hours of annual training to remain in the program, the policy states.

Participants also must undergo a psychological evaluation before joining and complete additional screenings after experiencing a “life-altering event,” as defined by a policy the district is developing as part of implementing the program.

Contact Amy Bushatz at contact@matsusentinel.com

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Music

WATCH: Lainey Wilson Hilariously Attempts To Teach Husband Devlin ‘Duck’ Hodges To Sing

Lainey Wilson recently put her husband, Devlin “Duck” Hodges’ singing skills to the test while she took on the role of vocal coach. The couple posted a hilarious moment to social media that captures Wilson attempting to teach Hodges how to sing her current single, “Phone, Keys, Wallet.”

“Alright, I’m with the music. She’s gonna teach me how to sing,” Hodges told the camera.

With her guitar in hand, Wilson began playing and singing lyrics from the first verse of the catchy tune.

Photo Courtesy of Lainey Wilson, Devlin "Duck" Hodges
Photo Courtesy of Lainey Wilson, Devlin “Duck” Hodges

“When I’m 10 minutes late/ Rushing like a hurricane through the house/ Might leave the iron plugged in/ But I got the sure-fires ironed out,” she sang.

When it was Hodges’ turn to sing the, he explained she needed to slow down and do one line at a time. So, she put the guitar down and instead used her fingers to snap along with the beat. This time, she challenged him to just sing the first line, “When I’m 10 minutes late/ Rushing like a hurricane through the house.”

Before even attempting, Hodges admitted, “I can’t do it.”

“Yes, you can,” Wilson encouraged him. “I’ll do it with you.”

The former NFL player gave his best attempt but only made it midway through the line before breaking into laughter. He then decided instead of singing, he would try whistling along to the tune instead while the country superstar delivered the lyrics.

“Look, I’m a whistler. Let me whistle it,” he joked.

Wilson gave her husband some honest feedback afterward.

“Little flat, but that’s alright,” she teased before adding, “That a** ain’t flat.”

Hodges later returned the joke in the comments section, writing, “No that ass ain’t 😂❤️.”

At the end of the day, Hodges knows where his musical talents lie. He noted that he can blow a duck call and that’s about as close as he’s going to get. It’s safe to say Hodges might need a few more lessons before he’s ready to take the stage.

Life as newlyweds seems to be looking pretty good for Wilson and Hodges as they two always appear to be having a good time together, especially in the quiet moments at home together.

The couple said “I Do” at the Ruskin Cave in Dickson, Tennessee back in May, surrounded by loved ones and fellow country music stars like Luke Bryan, Ian Munsick, Lauren Alaina, Ella Langley, Miranda Lambert, Wynonna Judd, Ashland Craft, Drew Baldridge and Jelly Roll.

Their wedding ceremony took place a little over a year after Hodges proposed to Wilson on the doorstep of George Jones’s renowned estate in Franklin, Tennessee in February of 2025. Their first love story began in 2021 when they were set up on a blind date. The two had dinner outside of Nashville at Moby Dicky’s Hendersonville and later ended up at the bar, Silverado’s. The rest was history.

Lainey Wilson, Devlin Hodges; Photo by Arroyo-OConnor_AFF-USA
Lainey Wilson, Devlin Hodges; Photo by Arroyo-OConnor_AFF-USA

Lainey Wilson only has a few more festival dates on the books for the year, but she has another big night ahead as she has been tapped to return as the host of the CMA Awards.

The CMA and ABC announced that the 12-time CMA Award winner will host the 60th Annual CMA Awards, marking her third consecutive year at the helm of the show and her second time hosting solo. Wilson previously shared hosting duties with Peyton Manning and Luke Bryan.

Wilson is also heading into the night a three-time nominee in the categories of Entertainer of the Year, Female Vocalist of the Year and Single of the year with “Somewhere Over Laredo.”

The star-studded event will air live from Nashville’s Bridgestone Arena on Wednesday, November 18, at 8/7c on ABC and Disney+, with the broadcast available to stream on Hulu the following day.

The post WATCH: Lainey Wilson Hilariously Attempts To Teach Husband Devlin ‘Duck’ Hodges To Sing appeared first on Country Now.

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Alaska News

Congress is finally talking about menopause

U.S. Sen. Kirsten Gillibrand (D-NY) convened the hearing to announce a request to investigate how the government uses federal funds to research menopause and healthcare for middle-aged women. (Anna Moneymaker/Getty Images)

This story was originally reported by Shefali Luthra and Isabela Espadas Barros Leal of The 19th. Meet Shefali and Isabela and read more of their reporting on gender, politics and policy.

The first-ever congressional hearing on menopause is coming with a request to the federal government: Evaluate how to better fund treatment and research of menopause and healthcare for middle-aged women.

New York Sen. Kirsten Gillibrand, a Democrat who convened the Wednesday hearing, and Florida Sen. Rick Scott, a Republican, announced the request in a letter to the Government Accountability Office (GAO), which investigates how the government uses federal funds.

“Considering the importance of a rigorous health research agenda for women, we are interested in a GAO report related to menopause, with a focus on the federal government’s role in advancing research, ensuring access to evidence-based treatments, and strengthening oversight of existing programs,” reads the letter, which was also signed by Sen. Angela Alsobrooks, a Democratic from Maryland, and three Democratic women in the House.

The GAO request, Gillibrand said during the hearing, “will tell us what the federal government actually does on menopause, how well our doctors are trained and where the gaps are. You can’t fix what you refuse to even measure.”

The hearing, titled “Half the Country, Zero Hearings: Meeting the Moment to End the Menopause Care Gap in America” and held by the Senate Committee on Aging, which is chaired by Scott, focused on topics such as training physicians in caring for menopausal patients and increasing funding for research into the topic. Speakers included gynecologists and other experts who study menopause and treatment options.

“I am proud to lead the fight to get this critical healthcare issue out in the open so that we can find the best ways to improve research, training and care for women experiencing menopause,” Gillibrand said in a statement to The 19th. “I am committed to working with all of my colleagues — men and women, Democrats and Republicans — to meet the moment on menopause.”

Several of the speakers praised the Food and Drug Administration’s recent removal of the black box label on some hormone treatments but urged further research to help a more diverse range of patients. At least one speaker mentioned her own difficulty in getting insurance coverage for menopause treatments, including estrogen patches, which have faced chronic shortages. 

Menopause has seen an explosion of interest in recent years. Most statehouses have considered menopause-related bills, including those that would require insurance to cover menopause treatments and expand hormone therapy coverage for state employees going through menopause. Laws have passed in states of all political stripes, including Illinois, Louisiana, Utah and California. Multiple bills are under consideration in Congress, including legislation that would increase funding for research, address medical education and provide workplace accommodations for people experiencing menopause symptoms. None are likely to pass before the November midterm elections.

Dr. Lynne Coslett-Charlton, an OBGYN in Pennsylvania, said interest in learning more about the subject has been so widespread that she was recently surprised by a patient in her mid-20s who wanted to discuss symptoms associated with perimenopause.

“‘Perimenopause has a vibe, and I want to be ready,’” Coslett-Charlton recalled her patient saying.

That attention has also come with a surge of misinformation, especially surrounding alternative treatments to manage symptoms, a fact highlighted by the witnesses.

“Menopause has become big business, and many women are turning to influencers rather than trained clinicians for advice. Much of my time is spent counseling patients about different supplements and unregulated products marketed online on different platforms,” Coslett-Charlton said.

But witnesses urged more than just symptom management. Addressing hormonal changes, they said, is vital to help prevent other health risks that older women face, including heart disease, bone loss and genitourinary syndrome of menopause, a common condition tied to the vaginal dryness many women experience in their 40s or 50s.

“Women’s health research, particularly in older women, has been underfunded. We need studies that further examine how hormonal changes across the lifespan influence healthy longevity,” said Jean Wactawski-Wende, dean of the School of Public Health and Health Professions at the University of Buffalo.

About 30 percent of women in the workforce are between the ages of 45 and 60, which is when most will experience symptoms of perimenopause and menopause. That can include hot flashes and night sweats, but also heavy bleeding, pain during sex and mood swings.

Figures range, but the RAND Corporation, a nonprofit research group, estimates that menopause symptoms result in losses of $5.4 billion annually, largely due to women retiring early or scaling back their involvement in the workforce as symptoms worsen. Gillibrand said during the hearing that “as many as one in 10 women leave the workforce because of menopause.”

“This issue has way more resonance than members of Congress or everyday voters realize,” said Jennifer Weiss-Wolf, the executive director of the Birnbaum Women’s Leadership Center at New York University’s School of Law, who testified at the hearing. She added: “I hope this hearing is part of that education.”

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Music

Drew Baldridge Was Told He Wasn’t ‘Cool Enough,’ Now He’s Embracing Who He Is On ‘FARM FAITH FAMILY’ [Exclusive]

It’s the morning of his album release, marking his first full-length major-label album, FARM FAITH FAMILY, and fittingly, Drew Baldridge is on his farm in Illinois, surrounded by his family as he prepares for a big album release show on Saturday.

The 16-track collection is out now, and he admits he is feeling “all the feels” as the album is officially in the hands of fans everywhere.

“It feels like Christmas, but all my presents are open,” he shared with Country Now over the phone.

Drew Baldridge; Photo Provided
Drew Baldridge; Photo Provided

Baldridge spent years pouring “a lot of blood, sweat, and tears” into his career. With a No. 1 single under his belt and a major label now backing him, he says this release feels different.

“We’ve worked years for this…And now it’s just kind of out there and you just hope it does what you think it can do. You hope it touches people. You hope it makes an impact. I mean, we worked hard on these songs and in the studio and getting everything right, all the little pieces to make it perfect…I put out a record solely by myself, but this is the first with a major partner. And that comes extra weight, I guess,” he explained. “People expect it to do more. People really want to see it to do more. There’s a lot more people involved. And I was just telling my wife the other day, I was just like,’I just want it to win for everybody around me.’ You start looking around and you got all these new people, you got managers, you got your band guys, you got your producer, you got your label, you have your radio team. And I just want to win for them. I want this record to do some amazing things for them.”

When you talk about an artist experiencing the highs and lows of the music industry, Baldridge has seen plenty of both. He faced rejection, persevered when his label closed its doors in 2019, and kept going. Along the way, he also heard plenty of opinions about what he needed to do to make it in Nashville. One of the comments that stuck with him came from a record executive who told him he simply wasn’t “cool enough.”

Drew Baldridge with his Family; Photo via Facebook
Drew Baldridge with his Family; Photo via Facebook

Instead of changing who he was, Baldridge leaned into the man he had always been: a small-town guy who loves God, enjoys the rural way of life and values his family.

He channeled that experience into “Cool Enough Now,” a song he co-wrote with Tim Nichols and Monty Criswell that captures that pivotal chapter in his career, from being told he needed to become someone else to finding the confidence to stay true to himself.

“I’ve never really been cool my whole life. I’m just a small town boy, blue jeans, t-shirt kind of kid. And I think a lot of it built up over years, but it really hit me when I was sitting across from a record guy and I played him some music and he’s like, ‘Man, it’s just not cool enough. You need to listen to this artist and this artist. And that’s what’s happening right now. Look at this guy.’ And I had somebody one time told me, ‘Look at this artist. He’s got tattoos. He’s got a cool vibe. He’s got this cool look.’”

Baldridge immediately knew he wasn’t going to sacrifice who he was to potentially further his career. 

I’m like, ‘I’m not those people. I’m never going to be that. I am who I am and I’m going to stand for what I’m going to stand for.’ And if that doesn’t work out for me in the end, I’m not going to chase something that I’m not.”

For fans wanting to know exactly who Baldridge is, all they have to do is listen to FARM FAITH FAMILY. From top to bottom, the album is a reflection of the man he has become and the things that matter most to him.

The 16-track project is intentionally divided into three sections, with each one representing a different part of Baldridge’s life and identity.

Drew Baldridge - Farm Faith Family
Drew Baldridge – Farm Faith Family

“Farm, Faith, Family are three words that just really built me and really built who I am…The first third of the album is Farm. It talks about where I come from. It talks about the country boy that I am. The middle third is faith, snd it’s all songs about not only God, but faith in yourself and faith in other people. And then the last is family. It talks about my wife and my kids. So it’s fun how it’s broken down into three different tiers and I think when people walk away from this, they’ll be like, ‘oh, we know Drew. We know what he stands for.’”

That sense of authenticity carries throughout the album, particularly on songs that tackle difficult subjects that some artists may shy away from. Baldridge addresses domestic abuse on “Him For Her,” suicide awareness on “Flowers On A Stone” and redemption on “People Can Change.”

For Baldridge, these aren’t simply songs with important messages. He believes they are part of the reason he was given this opportunity to make music in the first place.

“Those are messages that I feel like God gave me to give to people. I really am lucky that I’m with a label like BMG that lets me put out the kind of music that I want. And it’s not like, ‘Well, it doesn’t sound like what’s on the radio. It’s too this, it’s too that. Put out what you want and hit home with the people that you think it’ss going to hit home with.”

Drew Baldridge; Photo by Riley Mays
Drew Baldridge; Photo by Riley Mays

That freedom to make music on his own terms is something Baldridge doesn’t take for granted. After years of setbacks, including losing his first record deal and spending time pursuing opportunities that never quite worked out, he now looks at this chapter of his career as a second chance.

“I feel like my life, my music career right now is, I’ve got a second chance here. I had a record deal for four years and I put out songs and they didn’t work. I had four failed singles and Nashville was like, oh man, I don’t. I tried to get record deals and I couldn’t until we did it independently. And then we got a deal now with which is really cool. But I feel like God gave me this second chance and he’s putting songs on my heart for a purpose that people need in their lives.”

The post Drew Baldridge Was Told He Wasn’t ‘Cool Enough,’ Now He’s Embracing Who He Is On ‘FARM FAITH FAMILY’ [Exclusive] appeared first on Country Now.

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Food

Costco Vs Trader Joe’s: How Do The Popular Chains’ Return Policies Compare?

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