Category: Hip Hop

Do You Still Love Me? Ella Mai poses that loaded question with the title of her forthcoming album. The Grammy-winning singer-songwriter has announced a Feb. 6 release date for her third LP, which is executive produced by her longtime collaborator Mustard.

Though listeners didn’t know it at the time, Mai offered the first preview of Do You Still Love Me? in December 2024, when “Little Things” was released as part of her 3 EP. The album campaign properly kicked into gear last summer with the release of “Tell Her.” Director Cole Santiago’s music video for the track followed in September; the clip visually referenced Destiny’s Child’s “Say My Name” as a way to communicate a key influence on Mai’s new material. More details on the 14-track Do You Still Love Me? will be released soon.

Mai’s new chapter arrives following a brief stretch spent looking back. In December, the British R&B singer marked the 10th anniversary of her debut EP Troubled with her Did You Miss Me? tour, a series of concerts revisiting intimate venues where she took the stage early in her career. The six-night outing took her to London, Amsterdam, Paris, Atlanta, New York, and Los Angeles in the weeks leading up to Christmas. She also celebrated the legacy of her early EPs TIME, CHANGE, and READY with a vinyl reissue under the title TIME. CHANGE. READY., bringing the projects back to physical media for the first time in years.

Mai is one of the most successful R&B singers of her generation. The London native has been a consistent hit-maker, landing nine Top 10 singles on the U.S. R&B chart, including the No. 1 hits “Boo’d Up” and “Trip.” With “Boo’d Up,” she won Best R&B Song and was nominated for Song of the Year at the 2019 Grammy Awards. She’s also been honored with Billboard Music Awards, BET Awards, iHeartRadio Music Awards, NAACP Image Awards, Soul Train Music Awards, and more.

Shop Ella Mai’s music on vinyl and CD here.

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“Music has always been a huge influence on me,” celebrated filmmaker John Singleton told record producer Arthur Baker at the International Music Summit in 2016. “I put certain music cues in the scripts… I have an idea of exactly what I want.” When Singleton passed away, on April 28, 2019, at the age of 51, he left us with a body of work that married storytelling with music, usually set in gritty urban landscapes.

Browse our soundtracks collection featuring limited edition vinyl and CDs here.

Boyz N The Hood

Singleton grew up in the South Central neighborhood of Los Angeles before graduating from USC School Of Cinematic Arts in 1990. The 22-year-old Singleton wasted no time in launching his career, quickly selling a semi-autobiographical script with the caveat that he would also have to direct it. The result was Boyz N The Hood, a coming-of-age story about a group of friends attempting to navigate the harsh realities of life in the ghetto.

Named after Compton native and NWA member Eazy-E’s debut single, Singleton gave the song’s lyricist, Ice Cube, a supporting role in the film, as the character Dough Boy. The gangsta persona Cube had cultivated through song became fully realized on the big screen, and music was integral to capturing the mood. As in Jaws, when someone is about to get eaten by the shark, the audience hears John Williams’ fear-inducing cue, in Boyz N The Hood, “Before someone’s gonna get shot, you hear the bumping 808 bass from a car,” explained Singleton.

When Boyz n The Hood was released in 1991 to great acclaim, not only did it make Singleton the first African American to be nominated for an Academy Award for Best Director, but its accompanying soundtrack helped bring the filmmaker’s tale of the black experience to life.

“How To Survive In South Central” captures Ice Cube in his prime, though it wasn’t initially included on any of his own releases. Cube’s female protégé Yo-Yo comes correct with “Mama Don’t Take No Mess,” while fellow West Coast gangsta rappers Compton’s Most Wanted and Kam also contribute tracks.

“Whenever I’m trying to do something that is endemic of a certain environment, I have to use that music from that environment,” Singleton revealed, with regard to the Boyz N The Hood soundtrack’s heavy reliance on LA-based hip-hop. However, a handful of East Coasters thrown into the mix. New Yorkers Main Source’s “Just A Friendly Game Of Baseball” uses America’s pastime as a metaphor for police brutality to great effect. The soundtrack version is a remix of the original, which had appeared on their groundbreaking debut album, Breaking Atoms. Perhaps the most historically significant track on the soundtrack, however, is “Too Young” by Hi-Five, featuring a teenaged MC named Prodigy, who would soon make a name for himself as one half of the Queensbridge duo Mobb Deep.

Poetic Justice

John Singleton followed his cinematic debut with Poetic Justice in 1993, which, like Boyz N The Hood, sees renowned musicians cast in key roles. This time Janet Jackson and Tupac Shakur star as an unlikely couple who fall in love over the course of a road trip after finding commonalities in their painful family situations. The Poetic Justice soundtrack is an intermingling of hip-hop (Mista Grimm, Pete Rock & CL Smooth, Naughty By Nature, Dogg Pound, Nice & Smooth) and R&B (TLC, Babyface, Tony! Toni! Toné!, Terri & Monica, Cultural Revolution, Stevie Wonder and the first-ever appearance of Usher – then going by Usher Raymond), with Pac contributing “Definition of A Thug N__ga.”

Baby Boy

Tupac was also set to star in Singleton’s next coming-of-age hood film, Baby Boy, before his murder in 1996. The role of Jody, a 20-year-old who lives with his mother and small child in South Central LA, then went to R&B singer Tyrese Gibson. Released in 2001, Baby Boy saw the intermingling of hip-hop and R&B within many of the tracks themselves. Snoop Dogg (who plays ex-con Rodney) pairs up with Tyrese and Mr. Tan for “Just A Baby Boy.” Singer Raphael Saadiq and Houston rapper Devin The Dude collaborate on a track, as do D’Angelo and Marlon C. And who can forget the slow jam opus “Straight F__kin” by The Transitions, featuring Charles “Gator” Moore?

Four Brothers

When it came to creating a soundtrack for 2005’s Four Brothers, starring Mark Wahlberg, Tyrese Gibson, André Benjamin (aka André 3000 of OutKast), and Garrett Hedlund as adopted siblings in Detroit on a mission to avenge their mother’s death, the studio wanted Singleton to make it hip-hop. He refused, insisting that it needed to reflect the kind of music their mother would have listened to – late 60s and early 70s soul meets R&B and Motown.

Four Brothers holds true to the director’s vision, and includes classic Motown tracks by Jackson 5, Marvin Gaye, Four Tops, The Temptations, The Undisputed Truth, and The Miracles. “Knucklehead” by Grover Washington, Jr, while not originally a Motown release, fits the mood. “This is the music that got us through hard times,” John Singleton said of this specific era of R&B, speaking from the personal experience of growing up in the 70s.

Straight to the “scource”

For his films, Singleton often employed what he coined “scource music,” a combination of source music and the score. Source music refers to what the audience can visibly see a character listening to in a given scene that then transitions into the background score of that scene. Singleton would also play the music on set in order to capture the correct emotion from the actors.

The director firmly believed that black representation in film was often corrupted by studio execs from outside the community meddling with art. This made music a generally truer form of expression than cinema. “In terms of African-American aesthetic, the purest images we have is only through music,” said Singleton. “If music is used very well through film, it lifts and adds a whole other emotion.”

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You may not have heard of Doris Troy, but it’s likely you’ve heard her voice. Born in the Bronx, New York, on January 6, 1937, Doris Elaine Higginsen changed her name to Doris Troy after she was “discovered” working at Harlem’s famous Apollo Theatre by James Brown.

This led to her singing backing vocals for many artists, including Cissy Houston and Dionne Warwick. She got an opportunity to record for Atlantic Records in 1963, and her single, “Just One Look” made No.10 on the Billboard Hot 100; several singles followed that all stalled just outside the 100. “Just One Look” was covered in early 1964 by the Hollies and made No.2 on the UK singles chart. One of her follow-up records for Atlantic, “Whatcha Gonna Do About It,” made No.37 in the UK.

Further records in the 1960s all failed to sell in any decent numbers, and it led to Doris moving to London in the spring of 1969. One of her earliest gigs in the UK was arranging and singing on the gospel-tinged chorus of the Rolling Stones’ “You Can’t Always Get What You Want.” Around the same time, Madeline Bell asked Doris to help with the vocals on Billy Preston’s Apple album, That’s The Way God Planned It. Also on the album was Eric Clapton, Ginger Baker, Keith Richards, and George Harrison. This led to Doris signing to Apple and recording a solo album that George Harrison co-produced at Trident and Olympic studios in London.

Work began at George’s home in high summer 1969 with help from Billy Preston, before Doris and George went into the studio proper, probably in late September. Over the next few months, there were sessions in which numerous musicians participated, including Ringo Starr, Stephen Stills, Peter Frampton, Eric Clapton, Delaney and Bonnie, Leon Russell, Klaus Voormann, Bobby Whitlock, Jim Gordon, and Rita Coolidge. It all reflected George’s involvement with other musicians and his solo album, All Things Must Pass.

Harrison co-wrote four of the songs on Doris Troy, arranged the traditional, “Jacob’s Ladder” with Troy, while other tracks included a cover of The Beatles’ “Get Back” that did not appear on the original album, but was the b-side of “Jacob’s Ladder,” along with songs by Stills (a Buffalo Springfield cover), Joe South, Jackie Lomax (another Apple artist) and some Doris Troy compositions and co-writes. When the album was reissued, Troy said, “Doing that album was a reminder that ‘soul’ didn’t have a color.”

When the album came out in September 1970, at the same time as Bill Preston’s album, it largely sank without trace. Allen Klein ran Apple at the time, and his ability for marketing records was not his strongest suit.

Troy went back to singing backing vocals and arranging, and her credits during the 1970s included Humble Pie, Nick Drake, Carly Simon, Dusty Springfield, and perhaps most famously, Pink Floyd on Dark Side of the Moon.

In the 1980s, Doris co-wrote a musical, Mama, I Want To Sing, with her sister, and it ran in Harlem for 1500 performances and later in London. Doris Troy passed away in February 2004, aged 67.

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A$AP Rocky launched his latest visual spectacle for the single “Punk Rocky” on Tuesday, enlisting Winona Ryder for a surreal, genre-bending music video that previews his long-anticipated fourth album DON’T BE DUMB, set to arrive January 16 via A$AP Worldwide and RCA Records.

The video, co-directed by Rocky alongside Folkert Verdoorn and Simon Becks, collectively known as The Three Musketeers, features a cast that includes Ryder, Danny Elfman, Thundercat and A$AP Nast.

The clip brings to life five of Rocky’s six alter egos from the upcoming album, including GR1M (played by Rocky), RUGAHAND (Tommy Revenge), BABUSHKA BOI (Thoto), SHIRTHEAD (the Williams twins) and DUMMY.

Ryder, who rose to fame in the late 1980s with standout roles in Beetlejuice, Heathers and Edward Scissorhands, adds a haunting presence to the video.

The two-time Academy Award nominee and Stranger Things star has long been a cult favorite for her offbeat roles and gothic screen presence, making her a natural fit for Rocky’s eccentric visual universe.

“Punk Rocky” is the first official single from DON’T BE DUMB, Rocky’s first full-length album in eight years.

The track was co-written by A$AP Rocky, Ghost, Ging and Zach Fogarty. Its gritty, lo-fi energy sets the tone for what Rocky has described as a push toward more deliberate and creative choices in both music and life.

The album’s cover art was crafted in collaboration with filmmaker Tim Burton, whose signature visual style helped bring Rocky’s six personas to life. Each character reflects a different chapter of Rocky’s career and identity.

A$AP Rocky has been teasing DON’T BE DUMB for more than two years through live performances, fashion collaborations and cryptic previews.

The album rollout follows a high-profile year for the Harlem-born artist, who served as co-chair of the 2025 Met Gala, was named creative director for Ray-Ban and became Chanel’s newest house ambassador.

He also previewed new material during headlining sets at Lollapalooza and Camp Flog Gnaw, giving audiences an early taste of the sonic direction of DON’T BE DUMB.

The album is scheduled to release January 16, 2026.

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Franky Venegas from the Island Boys got arrested on New Year’s Eve with fentanyl paraphernalia and now an acquaintance has revealed his alleged daily drug habit.

The 24-year-old TikTok star spent the first day of 2026 locked up in Collier County Jail following a traffic stop that exposed his ongoing substance abuse problems.

Deputies pulled over Venegas and driver Olivia Dubois near a Circle K gas station on State Road 29 in Naples around midnight. Officers said they observed suspicious movements by Venegas inside the black Mercedes-Benz as they approached the vehicle during a routine traffic stop.

The search of their vehicle revealed multiple items containing fentanyl residue that painted a disturbing picture of regular drug use. Deputies found a debit card with Venegas’ name that had a white powdery substance testing positive for fentanyl in the center console area.

Officers also discovered a cut straw with fentanyl residue where Venegas was sitting and a pill breaker containing the deadly synthetic opioid. The evidence suggested a pattern of frequent drug consumption rather than casual experimentation with dangerous substances.

Paris Livvy, a social media content creator who knows Venegas through influencer Jack Doherty, made shocking claims about the rapper’s drug use habits during an interview with WZVN-TV.

“They always do fentanyl like on a daily basis,” Livvy said about Venegas and his twin brother Alex. “I don’t even know how they do it.”

Livvy described Venegas as someone who became famous for being “weird” rather than talented, adding fuel to the brothers’ controversial reputation. “He’s kind of just like a joke,” she explained. “Like he kind of went famous for people being like this guy is so weird.”

The weirdest incident involving the Island Boys happened when the twin brothers posted a viral video of themselves tongue kissing each other. The controversial clip sparked massive backlash across social media platforms as fans expressed disgust over the incestuous behavior between siblings.

Franky and Alex Venegas defended the kissing video, claiming they were promoting content on their OnlyFans accounts. The brothers said the intimate moment was purely for financial gain rather than genuine romantic feelings between them.

The year 2025 proved especially difficult for both Island Boys members as their legal troubles mounted throughout the months. Franky faced his first major arrest in February 2025 during another Naples traffic stop that resulted in gun and drug charges.

Police found oxycodone pills and a spray-painted firearm without serial numbers during that February incident, leading to serious weapons charges. Franky remained out on bond for the altered firearm possession case when deputies arrested him again on New Year’s Eve.

Alex Venegas experienced his own mental health crisis in November 2025 when authorities detained him under Florida’s Baker Act. The involuntary mental health hold allows police to detain someone for 72 hours if they pose a danger to themselves or others.

The Baker Act detention happened during a livestream where Alex appeared to be having a psychotic episode that he later blamed on “multiple substances.” His brother Franky confirmed that Alex’s drug use contributed to his mental breakdown and subsequent hospitalization.

Livvy believes both brothers need professional help for their substance abuse problems rather than continued arrests and jail time.

“They’re just like not good people,” she said. “Like they’re very like crazy in real life and like they don’t really think and like definitely like I think they probably need rehab.”

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Cardi B and marriage talk have collided at the exact moment Hip-Hop crowned her Rapper of the Year, and that timing is doing a lot of the heavy lifting in the rumor mill right now. The proclamation sent a few people into a mild panic, but the reality is simple. In a moment where Hip-Hop lacks true pop culture juggernauts moving serious units, Cardi stood tall while others stayed comfortable. That part is not really debatable.

Where things get sticky is not the charts or the sales but the heart. Or at least the Instagram captions. Cardi has been publicly referring to herself as a wife while very much still being legally married to Offset. No matter how you slice it, they are not together. This is not a union in spirit, energy, or reality. This is paperwork. A technicality. A lingering signature waiting to happen while lawyers circle the block.

The whispers say Offset wants his financial slice and that the divorce is not exactly friendly. That is the word on the street, not a sworn affidavit. At the same time, Cardi appears locked in with Stefon Diggs, a star receiver who comes with his own complicated headlines and a growing family tree that seems to sprout new branches every season. That is another conversation for another day and probably another headache.

What is interesting is Cardi’s framing. She is not presenting herself as single, confused or in between. She is presenting herself as a wife. That is intentional. With Diggs in football mode and Cardi clearly invested, it feels like she has already mentally walked down an aisle that the rest of us cannot see yet. Whether that aisle leads to peace or chaos is above my pay grade.

From a business standpoint, some will argue she should move differently. But Cardi has never lived her life based on focus groups or advisory boards. She moves on instinct and emotion, sometimes to brilliant effect and sometimes to public spectacle.

People are talking loudly, typing faster than thinking, and projecting their own anxieties onto her life. I will not join that choir. If she is happy, then she is winning. And in Hip-Hop, happiness might be the rarest flex of all.

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Rock guitarist Ted Nugent launched another verbal attack on Hip-Hop, this time targeting Eminem in a recent video where he called the Detroit rapper a “total idiot” over his political beliefs.

The 76-year-old rocker made the comments during his “Let’s Talk Music” video, where he regularly shares his conservative political opinions with fans.

Nugent specifically criticized Eminem and Jack White after their Thanksgiving halftime performance for the Detroit Lions, claiming both artists oppose secure borders and support transgender athletes in women’s sports.

“Eminem, the guy’s a… Both of those guys, Eminem and Jack White: total idiots,” Nugent said in the video. “They don’t want their country to have secure borders. They think men should destroy women’s sports.”

Ted Nugent continued his rant by connecting the artists’ opposition to Donald Trump with various political positions, making inflammatory claims about their stance on immigration and national security.

“When you hate Donald Trump, you want men in women’s sports to destroy women’s rights,” Nugent claimed. “That’s what these guys stand for. They don’t think our border should be secured. They think we should invite jihadists in who announce they want to kill the infidels, they announce they want to kill Americans and Jack White and Eminem say ‘bring those guys in.’ But their music is soulful.”

Despite his harsh political criticism, Nugent acknowledged both artists’ musical abilities, saying “their music is soulful” while maintaining his disagreement with their political views.

This latest outburst fits a pattern for Nugent, who has repeatedly targeted Hip-Hop artists and the genre itself with controversial statements over the years. In previous interviews and social media posts, the Michigan-born rocker has called rap music “racist” and questioned whether it should be banned, showing a consistent hostility toward the culture.

Nugent first gained fame in the 1960s as lead guitarist for the Amboy Dukes, a psychedelic rock band that scored hits with songs like “Journey to the Center of the Mind.”

He later launched a successful solo career in the 1970s with albums like Cat Scratch Fever and Free-for-All, establishing himself as a hard rock icon known for his wild stage performances and advocacy for hunting.

The guitarist also played in the supergroup Damn Yankees, which achieved commercial success in the early 1990s. However, Nugent’s musical legacy has become increasingly overshadowed by his political activism and controversial statements, particularly since becoming a vocal Trump supporter in 2016.

The rocker has consistently praised Trump as “the best President I’ve ever seen” and recently endorsed the administration’s deportation policies, calling immigration enforcement efforts “war” in media interviews.

Nugent’s political commentary has cost him concert bookings over the years and he was even officially branded a racist by the Southern Poverty Law Center.

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6ix9ine is heading to federal prison tomorrow and says he’ll be bunking up with none other than Nicolás Maduro and Luigi Mangione.

Both high-profile prisoners are being held at the Metropolitan Detention Center in Brooklyn, where 6ix9ine will be heading on January 6 after violating his supervised release.

The rapper, who’s no stranger to wild situations, dropped the news in a video on Monday and couldn’t help but make light of the situation.

“Guys remember when I told you I was arrested and in prison with Diddy, the president of Honduras, and Sam Bankman-Fried and you guys thought I was lying? And then it came out that the president of Honduras was like ‘He’s such a cool guy,’ I put Diddy on the phone with Akademiks. Now, I’m about to go meet the president of Venezuela,” 6ix9ine said.

“I have that luck of just being locked up with presidents. Oh, and I’m about to meet Luigi too. I’m about to play chess with them n#####, eat ramen noodles,” 6ix9ine added.

Maduro is the former Venezuelan president who was snatched up by U.S. forces in Venezuela last Saturday. He’s now facing a whole list of serious charges like narco-terrorism conspiracy, cocaine-importation conspiracy and weapons-related stuff.

On Monday, he pleaded not guilty and said he was still the President of a sovereign nation.

Meanwhile, Mangione is still waiting for his day in court after being accused of killing UnitedHealthcare CEO Brian Thompson back in 2024.

Before getting shipped off to Fort Dix, even Diddy spent some time at MDC Brooklyn while awaiting trial. He’s now serving a 50-month sentence tied to a prostitution transport case.

6ix9ine’s sentence is only three months, but leave it to him to turn a short bid into a circus.

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DaBaby delivered a one-two punch of music and meaning on Monday (January 5) with the announcement of his next album, Be More Grateful, and the release of his new single “Don’t Insult Me,” featuring his daughter, Twin.

Directed by Nick Mays, the music video opens with paparazzi swarming the rapper and his daughter before Twin uses her powers to push back the chaos. The scene quickly pivots from confrontation to control, setting the tone for a track that blends personal reflection with sharp lyricism.

Throughout the video, DaBaby warns people not to play with him because he’s “put that iron on a few n#####” as Twin stays by his side.

“Don’t Insult Me” marks one of the most vulnerable entries in DaBaby’s catalog. The track arrives ahead of Be More Grateful, which drops January 16. Listeners who pre-order the album will instantly receive “Don’t Insult Me” and “PBJT,” in addition to previously released tracks “Letter to My YN,” “Paper Low” and “Out Ya Business.”

The rollout began with “Letter to My YN,” a motivational anthem designed to uplift the next generation.

The Belly-inspired video, featuring DaBaby and his nephew, emphasized mentorship and the importance of avoiding destructive paths. That message continues to echo throughout the new project.

On his birthday, DaBaby dropped “Out Ya Business,” a black-and-white visual also directed by Mays.

Shot inside a school, the video focused on discipline and mental clarity, aligning with the rapper’s recent efforts to use his platform for more than just chart-toppers. Offstage, DaBaby has expanded his outreach through his nonprofit initiative, DaBaby Cares.

Launched during Suicide Prevention Month in 2024 in memory of his late brother Glenn Johnson, the program aims to tackle mental health stigma and provide resources for youth.

Its first event, held at West Charlotte High School, provided students with access to mental health resources and a Youth Mental Health 101 guide.

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50 Cent has found another opportunity to target his longtime rival Diddy by using Venezuelan President Nicolas Maduro’s recent arrest and detention at MDC Brooklyn.

The Queens rapper posted an AI-generated Instagram meme showing Maduro speaking with Diddy, with the Venezuelan leader saying “They took my oil also!” in reference to both countries’ oil-related situations.

The timing of 50 Cent’s post connects two major news stories involving the same Brooklyn detention facility where both men have been held.

Maduro was captured by US military forces in Venezuela over the weekend and transported to New York, where he now faces narco-terrorism and cocaine importation charges at the Metropolitan Detention Center.

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50 Cent captioned his Instagram post with motivational language about productivity and success, writing, “Good morning ladies and gentlemen, may today be productive and prosperous towards you and your goals. Make your enemies watch your progress repeatedly.”

The message maintains his typical approach of mixing business motivation with personal attacks against his rivals. The meme specifically references the massive quantity of baby oil that federal agents seized during raids on Diddy’s properties as part of his prosecution.

Authorities discovered over 1,000 bottles of baby oil and lubricant, which prosecutors said were used during what they called “freak offs” – elaborate sexual performances that Diddy allegedly organized and participated in.

Maduro’s oil reference also connects to President Trump’s recent comments about Venezuela’s petroleum resources during a Saturday press conference at Mar-a-Lago. Donald Trump announced plans for major US oil companies to invest billions of dollars in rebuilding Venezuela’s damaged oil infrastructure following Maduro’s removal from power.

The Instagram post represents another chapter in 50 Cent’s sustained campaign against Diddy, which has intensified significantly since the Bad Boy founder’s legal troubles began.

50 Cent has consistently used social media to mock Diddy’s situation, often focusing on the baby oil seizures and other embarrassing details from the federal case. His trolling efforts expanded beyond social media when he partnered with Netflix to serve as executive producer of Sean Combs: The Reckoning, a four-part documentary series that premiered in December.

The project examines numerous allegations against Diddy throughout his career and has become a major success for the streaming platform.

Diddy is currently serving a 50-month prison sentence after being convicted in July on two counts of transportation to engage in prostitution. A Manhattan federal jury found him not guilty on more serious racketeering and sex trafficking charges, but the prostitution convictions resulted in his current incarceration plus five years of supervised release.

The Metropolitan Detention Center in Brooklyn has housed several high-profile inmates, including Ghislaine Maxwell and R. Kelly, and has faced criticism for its conditions and security issues.

As for Maduro, he appeared in Manhattan federal court on Monday morning, where he pleaded not guilty to all charges and declared himself a political prisoner and still the president of Venezuela.

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