Category: Hip Hop

Kodak Black reignited his long-running tension with NBA YoungBoy by trashing the Louisiana rapper’s latest album in a fresh round of public jabs that unfolded across social media.

The Florida-bred rapper didn’t hold back when commenting on YoungBoy’s newest project, bluntly stating, “That s### straight ass.” The remark added fuel to a rivalry that has simmered for years, often spilling into diss tracks and online rants.

Their feud has played out in waves, with Kodak Black previously calling out NBA YoungBoy for wearing nail polish and grouping him with Lil Baby in a post that ridiculed their style. The criticism came after Kodak Black had already taken aim at YoungBoy in music and interviews, often referencing his legal troubles and behavior.

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The tension between the two escalated further as NBA YoungBoy’s supporters pushed the viral “#YBBetter” campaign, a social media trend that Kodak said left him feeling harassed and unfairly compared. He vented about the constant trolling, saying the online movement made it hard to ignore the ongoing drama.

Despite the back-and-forth, there was a brief moment in early 2023 when the beef seemed to cool. The two rappers connected over FaceTime in what appeared to be a friendly exchange, sparking speculation that they might be ready to bury the hatchet. But with Kodak’s latest remarks, any hope of reconciliation seems to have faded.

As for NBA YoungBoy, he released his new album, Make America Slime Again (MASA), on July 4, coinciding with Independence Day. The album marks his eighth studio project and follows his December 2024 release, I Just Got a Lot on My Shoulders. The cover art, which features the rapper wearing a green ski mask in front of an American flag, sparked significant attention on social media.

Leading up to the release, YoungBoy dropped several singles, including “Where I Been,” “Top Tingz,” “Shot Callin” and “Finest.” Alongside the album launch, NBA YoungBoy announced the Make America Slime Again Tour, set to begin September 1 in Dallas and conclude November 12 in Seattle.

The tour will cover over 45 cities, including major markets like New York, Houston and Atlanta, marking his first headlining tour since 2020.

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Beyoncé spotted a familiar face and longtime supporter during her Cowboy Carter tour stop on July 4 at Northwest Stadium in Washington, D.C., pausing mid-performance to shout out Anthony Cosby with a playful nod to their viral history.

“Come on Anthony. I see you, cousin. Husband,” Beyoncé said with a grin as she walked toward the edge of the stage, locking eyes with Cosby, who held up a sign bearing his name. The moment, captured on video and shared by Cosby on Instagram the next day, reignited a fan-favorite memory from over a decade ago.

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Cosby first made headlines back in 2009 during Beyoncé’s I Am… tour when he declared himself her husband during a live show. As she prepared to perform “Say My Name,” she asked for his name. He responded, “Anthony Cosby Hyphen Knowles.” After she asked if he was her cousin, he replied, “I’m your husband!”

The hilarious exchange was later immortalized in the live version of the “Say My Name” video, which has since garnered over 21 million views on YouTube.

Adding to the moment, Beyoncé’s mother, Tina Knowles, also chimed in on Instagram, posting a photo of Cosby at the show with the caption, “Well!! My imagination son-in-law finally showed up again ( last Night ),” followed by laughing and heart emojis.

The Cowboy Carter tour wraps up July 26 with back-to-back shows at Allegiant Stadium in Paradise, Nevada.

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Fat Joe honored 50 Cent on his 50th birthday with a heartfelt Instagram tribute, brushing aside years of animosity and even recent claims that he once plotted to kill the G-Unit mogul.

“Curtis Jackson aka I went to war with him. It’s funny how a so-called enemy can become an incredible friend. God bless you my brother 50 more hbd king @50cent,” Fat Joe wrote, marking a public moment of peace between two of Hip-Hop’s most combative figures.

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The post arrived just weeks after Terrance “T.A.” Dixon, Joe’s former hype man, filed a lawsuit alleging the Bronx rapper once orchestrated a plan to assassinate 50 Cent during the peak of their early 2000s feud.

According to Dixon, the alleged hit never happened because 50 Cent’s security detail was too intimidating, describing them as “Navy SEAL-type.”

The two rappers were once locked in a bitter rivalry that defined a chapter of Hip-Hop history, with diss tracks, public insults and even a tense exchange at the 2005 MTV Video Music Awards.

The root of their conflict stemmed from Fat Joe’s collaboration with Ja Rule on the track “New York.” At the time, Ja Rule and 50 Cent were locked in a heated feud, and Joe’s involvement was seen as taking sides.

50 Cent later said the beef was driven more by ego and competition than personal hatred. Fat Joe, for his part, said he felt obligated to support Ja Rule, who had been his friend before the drama with 50 Cent erupted.

Their relationship remained hostile for years until the death of music executive Chris Lighty, a mutual friend and industry figure who had worked closely with both men.

Lighty’s passing prompted them to put their differences aside and move forward. Despite the serious nature of Dixon’s accusation, Fat Joe’s birthday message focused on reconciliation, not retaliation.

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Chuck D stood firmly behind UK punk-rap duo Bob Vylan after their Glastonbury performance ignited political backlash and drew comparisons to Public Enemy’s own turbulent past with censorship and controversy.

During a live set at Glastonbury 2025, Bob Vylan led chants of “Death to the IDF” and “Free, free Palestine” — remarks that aired on the BBC and triggered swift condemnation from British politicians, festival organizers and the broadcaster itself.

The BBC later apologized for the broadcast, labeling the chants “offensive and deplorable,” and pledged to implement stricter editorial controls.

The fallout was immediate. UTA dropped the band, multiple festivals removed them from their lineups and their U.S. visas were revoked, canceling their North American tour.

British police also launched a criminal investigation into the performance, examining whether any laws had been broken.

Chuck D is no stranger to controversy, and the Bob Vylan incident echoed his experience during Public Enemy’s 1989 crisis.

“When people say death to a country, they’re not saying death to a people,” he told The Independent. “They’re saying death to imperialism, death to colonialism. Bob Vylan ain’t got no tanks. They’re using words to say something must end. You can’t really kill nobody with a guitar or a microphone, but you could kill somebody with a drone and a f***ing tank.”

That statement mirrors the storm Public Enemy faced when group member Professor Griff made anti-Semitic remarks to The Washington Post, saying Jews were responsible for the “majority of wickedness that goes on across the globe” and making provocative statements about Israel and Palestine.

The backlash was severe.

Chuck D initially defended Griff, calling the comments out of context, but mounting pressure from the public and industry insiders led him to dismiss Griff from the group.

Bob Vylan, for their part, defended their Glastonbury set, saying they oppose all violence and are being punished for speaking out on Gaza.

They described the backlash as a distraction from the humanitarian crisis. Chuck D concluded his remarks by emphasizing the importance of resistance through peaceful means: “We have to be able to fight for peace and love by any means necessary.”

​AllHipHop

Grammy Award-winning Hip-Hop group Arrested Development released its sixteenth studio album, Adult Contemporary Hip Hop, on Friday (July 4).

The 20-track project, dedicated to late Kali Tribe MC Twan Mack who died unexpectedly in November 2024, features guest verses from Ke’Andra, Bee Taylor, longtime collaborator Tasha LaRae and 1 Love as well as a posthumous verse from Twan.

“Twan Mack was a genuine friend to me since high school and that alone is hard to come by as you get older and associates come and go,” Speech tells AllHipHop. “But Mack was also a very genuine lover of Hip-Hop music. He had a pure and hungry heart to see Hip-Hop go in the most healthy and progressive directions.

“He toured opening up for Arrested Development in Asia, Europe the UK and, of course, the U.S. His unexpected/sudden death took everybody that knew him by surprise. I couldn’t stop crying because of the loss. His biggest goal when he was alive was to get a new category for Hip Hop Artists that were over 35 years old and that was “adult contemporary Hip-Hop,” so I wanted to continue that tradition for him in his passing.”

Speech opens the album on a personal note with the song “Let’s Get On With It” in which he mentions Twan Mack’s death within the first bar. From there, he reflects on the young Speech, who struggled with a “lack of principles,” as he puts it, before diving into society’s consciousness being “minimal.”

As the title suggests, the album is chock-full of grown-man verses, a refreshing break from the often ignorant bars infiltrating mainstream rap.

“I want Hip-Hop fans and Arrested Development fans in general to be immersed in the hunger, musicality, skills and relevancy of this 37-year-old revolutionary collective from Atlanta, Georgia,” he adds. “I want people to be inspired to remember why we were so important to Hip-Hop in the first place and why we continue to be in 2025—and in fact, possibly more than ever including our debut.”

To coincide with the release, Arrested Development released a video for “Pack It Out.” The vibrant visual, shot in the desert, finds Speech and company spreading joy as they sail through their lyrics. In fact, Speech addresses the negativity that seems to dominate the headlines in 2025.

“Fact after fact, from the tap new slaps for the floor seats,” Speech raps. “We come back to back with boom bap and the stats to fill the score sheets/And while I’m speaking on that, we zig zagged the whole map for our touring/AD may be the most positively sure thing/For the bucks that you forking up/We adorable/Trust us we a Oracle/Never sus cuz our aura is full/The opposite of deplorable.”

Arrested Development, formed in Atlanta in 1988, made a profound impact on Hip-Hop by offering a positive, Afrocentric alternative to the prevailing gangsta rap of the early ’90s. Their debut album, 3 Years, 5 Months and 2 Days in the Life Of…, broke barriers by winning two Grammy Awards, including Best New Artist, a first for any Hip-Hop group.

They also sold millions of copies worldwide thanks to its monster singles, “Tennessee” and “Mr. Wendal,” which tackled racial injustice and homelessness. Arrested Development’s conscious lyrics and uplifting messages provided a new direction for Hip-Hop, emphasizing hope, social responsibilities and cultural pride at a time when the genre was dominated by darker themes.

The group’s influence extended into fashion and cultural representation by popularizing African-inspired clothing and celebrating Southern Black culture. Simultaneously, they helped establish Atlanta as a force in Hip-Hop, paving the way for future Southern artists and shifting the genre’s geographic focus.

Their willingness to address social issues and embrace diverse sounds inspired later acts like Outkast and contributed to a broader acceptance of alternative voices. Even decades later, their impact is recognized in both music and activism, with their songs and style continuing to inspire artists and audiences around the globe.

Adult Contemporary Hip Hop is no different. Listen above and cop it on BandCamp.

​AllHipHop

Offset jumped on Instagram Live with a message that raised eyebrows amid Cardi B and Stefon Diggs breakup rumors.

The Atlanta rapper appeared in great spirits Sunday night (July 6), as he declared, “You can’t get rid of me. I’m like cancer. You can’t get rid of the cancer.”

The brief livestream came as speculation swirled online over Cardi B and Diggs possibly calling it quits. Offset didn’t mention names but added, “I’m harder than all you p######.”

The timing of Offset’s comments wasn’t lost on social media, as Cardi B’s Instagram account was scrubbed clean of any trace of Diggs, including their yacht selfies and Paris vacation snaps.

Meanwhile, Diggs still had a photo of Cardi B on his page as of Monday (July 7), though the rest of their shared content had vanished.

The couple had gone public just a month earlier in June, posting cozy photos and stepping out together after months of speculation. Their relationship appeared to begin in late 2024, with sightings at events and flirty social media interactions.

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The sudden Instagram purge coincided with Cardi B ramping up promotion for her upcoming album, leading some to wonder if the breakup buzz is part of a marketing plan.

Neither Cardi nor Diggs has confirmed or denied the status of their relationship as of Monday (July 7).

Offset Reacts To Cardi B & Stefon Diggs Romance

Offset’s reaction adds another layer to the saga. After Cardi and Diggs were first linked, Offset commented “good roll out on PR” under one of Cardi’s posts before deleting it.

In April, when Cardi was seen dancing with Diggs at Coachella, Offset publicly stated, “I’m happy for her!!”

However, he later deactivated his social media after a viral post alleging Cardi was styling their son Wave’s hair like Diggs.

Despite the deleted posts, both Cardi and Diggs still follow each other on Instagram, leaving their current status unclear.

Cardi B filed for divorce from Offset for the second time in July 2024 after nearly seven years of marriage. Their split has played out publicly, with both airing grievances online.

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Somebody I know almost got caught up in an ICE (Immigration and Customs Enforcement) raid the other day. But thanks to an app, they dodged it. Real story. Real people. Real consequences.

Here’s the deal. Immigration enforcement raids are still happening all across the U.S. and they’re throwing people’s lives into chaos. It’s not just headlines and policy talk. It’s regular people—working, shopping, trying to live—getting swooped up over paperwork.

Now get this. A friend of mine, we’ll call him “M,” was about to run a quick errand. Just a normal trip to the store. But M isn’t exactly squared away on the immigration paperwork. He’s not hiding, he’s not doing anything shady. He’s working, helping his community and handling his business. Honest guy.

But before he walked out the door, he checked this app, ICEBlock. The alert popped up: ICE spotted near the store. So, boom, he didn’t go.

Turns out ICE was there. They raided that spot and picked up a few people.

Instead, M rerouted to another store. The app showed it was clear, so he went. The homie grabbed what he needed, went back to work. Another day. That app may have saved his freedom.

The MAGA crew is heated. Furious. Foaming a the mouth. The idea that immigrants might use tech to protect themselves from federal raids has them losing their minds. They can’t believe there’s a tool out there helping people not get snatched off the street in front of their families.

If someone’s working hard, staying out of trouble, and adding to their community, why would anyone root for them to get dragged into the system over paperwork?

This isn’t some sci-fi resistance story. This is real life. Immigrants and their allies are turning to tech, crowd-sourced alerts, apps, anything that can help them avoid unjust detentions. These are essential workers, caregivers, neighbors and people who’ve built lives here. Trump knows, because some people like farmers are getting a break from these raids.

We’ve got an immigration system that doesn’t work and a federal force rolling through neighborhoods like it’s a war zone. People are doing what they have to do. And if an app gives them a fighting chance, why wouldn’t they use it?

The government’s got agents and vans. But the people? We’ve got each other. And now we’ve got apps, too. Pray for this place.

​AllHipHop

YouTube personality Armon Wiggins drew criticism outside a Manhattan courthouse Tuesday (July 1) after a viral video showed him laughing and dousing himself in baby oil following the partial verdict in Diddy’s federal trial.

The commentator, who has built a sizable following with over 285,000 subscribers and 105,000 Instagram followers, was seen celebrating with a group of people after Diddy was acquitted of racketeering and sex trafficking charges. However, Diddy was convicted of transporting individuals with the intent to engage in prostitution.

The courthouse celebration, which included baby oil—a nod to the alleged “freak-off” parties described in Diddy’s 14-page indictment—sparked immediate backlash online. Critics accused Wiggins of mocking the victims and appearing to support Combs.

Combs’ supporters are spraying baby oil on each other outside of the courthouse. pic.twitter.com/SEDZQiWpfF

— Matt Lavietes (@mattlavietes) July 2, 2025

On Wednesday (July 3), Wiggins responded to the uproar in a statement posted to social media.

“I’m learning, I’m listening, and I’m moving forward with even more care and clarity,” he wrote. “What started as a lighthearted moment, part of a long-running joke with my audience, was misinterpreted as support for Sean ‘Diddy’ Combs. That was never my intention.”

He added, “For the past 60 days, I’ve worked hard to cover this case with honesty and objectivity… I fully understand how the timing and optics may have felt hurtful, especially to survivors of abuse. I sincerely apologize to anyone who was impacted or disappointed.”

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The video, which quickly circulated across social platforms, drew attention not just for its timing but for its reference to a bizarre detail from the case. Federal investigators reportedly seized more than 1,000 bottles of baby oil during raids on Combs’ properties. His attorney, Marc Agnifilo, dismissed the relevance of the discovery, saying, “I don’t know what you need a thousand for… He buys in bulk, you know?”

Wiggins, who has been covering the case extensively from New York, has maintained that his reporting was meant to inform, not offend.

Combs’ trial concluded with a mixed verdict. While he was cleared of the most serious charges, including racketeering and sex trafficking, the jury found him guilty of transporting individuals across state lines for the purpose of prostitution. Sentencing is expected October 3.

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Eminem ignited debate with a pointed Kanye West reference on JID’s new track “Animals (Pt. I)” from the rapper’s just-dropped EP Preluxe, released Friday (July 4) as a prelude to his upcoming album God Does Like Ugly.

The JID and Eminem collaboration features two marathon-length verses packed with lyrical acrobatics, but one line from Eminem’s nearly three-minute appearance drew immediate backlash. About a third of the way through his verse, Eminem raps, “With these magazines, I act out like Ye and his cousin,” a direct nod to Kanye’s 2025 track “COUSINS,” where West referenced an inappropriate relationship with a family member.

The reaction online was swift and polarized. “Em is foul for that,” one user posted. Another asked, “What goes through your mind to say this?” while a third wrote, “This is NOT a bar.”

Still, others praised the Detroit rapper’s technical skill, saying he “left Earth” and “snapped” on the track. The song marks a return favor from Eminem after JID appeared on “Fuel,” a standout cut from Em’s latest project, The Death of Slim Shady.

Eminem’s relationship with Kanye West has long been complicated. The two have collaborated in the past, most notably on “Forever” alongside Drake and Lil Wayne, and have publicly expressed mutual respect. But Eminem has also taken lyrical jabs at Kanye over the years, often using him as a symbol of celebrity excess or erratic behavior. This latest line continues that pattern, though it’s one of the more direct and controversial references to date.

The four-track Preluxe EP also features appearances from 6LACK and Lil Yachty, and serves as a teaser for JID’s fourth studio album, which is set to drop August 8. While the full tracklist remains under wraps, expectations are high following the critical success of his 2022 release, The Forever Story.

Eminem’s verse on “Animals (Pt. I)” may have stirred debate, but it’s consistent with the provocative style that’s defined his career for more than two decades.

As for “COUSINS,” the song was released on April 21 and is one of his most controversial and confessional works to date. The track is built on a sample of Double Virgo’s “Were There Originals” and interpolates Dave Blunts’ “10 Percs,” with Blunts also credited as the lyricist for the song.

West recounts an incestuous relationship with his younger male cousin during their childhood, which began after they discovered explicit magazines and escalated to sexual acts, a narrative he describes with unflinching directness in both the lyrics and his social media posts.

The song’s lyrics and West’s public statements detail feelings of guilt, secrecy, and confusion, as well as the long-term emotional impact of these early experiences; West links this personal trauma to his cousin, who is now serving a life sentence for murder.

The accompanying music video, initially released in low quality on Twitter, features provocative and disturbing imagery, further amplifying the song’s raw and unsettling themes. “COUSINS” has ignited widespread debate about trauma, confession, and the boundaries of artistic expression, with many questioning whether West’s revelations serve as genuine catharsis or are intended for shock value.

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Diddy walked out of a Manhattan courtroom cleared of the most serious federal charges against him after a two-month trial that drew national attention and legal comparisons to one of the most watched cases in American history.

The Hip-Hop mogul was acquitted of sex trafficking and racketeering conspiracy charges on July 2, 2025, in New York’s federal court.

The jury did convict him on two lesser counts of transporting individuals to engage in prostitution. His sentencing is scheduled for October 3.

The defense team’s decision not to have Diddy testify was a calculated move that drew praise from legal heavyweight Robert Shapiro, who famously helped secure OJ Simpson’s 1995 acquittal.

“The defense team did a terrific job on a case the U.S. Attorney overcharged. An acquittal in Federal Court is highly unusual. Congratulations to Mark and Tenny for building an incredible group of talented lawyers,” Shapiro told Fox News.

Diddy’s legal team, led by Teny Geragos and Marc Agnifilo, included a lineup of seasoned attorneys: Brian Steel, Anna Estevao, Jason Driscoll, Xavier R. Donaldson and Alexandra Shapiro.

Harvard Law professor Alan Dershowitz also weighed in on the trial’s outcome, comparing the strategy to Simpson’s defense.

“Ultimately, the smart decision was not putting OJ on the witness stand. The smart decision here was not putting Combs on the witness stand. The difference is we want a complete victory. They got a partial victory, but an almost complete victory, so I commend them for excellent work,” Dershowitz said.

The trial, which began on May 5, centered on whether Diddy operated a criminal enterprise or engaged in consensual adult relationships.

Prosecutors argued the Hip-Hop mogul used his influence to exploit women. The defense countered that the government exaggerated the case and blurred the line between personal behavior and criminal conduct.

The jury sided with the defense on the most serious allegations, delivering a rare federal acquittal that legal experts say is a difficult achievement.

Shapiro’s involvement in the OJ Simpson case remains one of the most scrutinized moments in legal history.

OJ Simpson, a former NFL star, was acquitted of double murder in 1995 after a trial that captivated the nation. Shapiro helped assemble the “Dream Team” that included Johnnie Cochran and F. Lee Bailey.

Ironically, Diddy’s sentencing hearing is set for October 3, 2025, the same day O.J. Simpson was acquitted.

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