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Cardi B Explained What People Get Wrong About BBLs

NEW YORK – Cardi B detailed her painful recovery from butt reduction surgery and addressed public scrutiny over her appearance during a recent interview on the Call Her Daddy podcast.

The Bronx-born rapper said the procedure to scale back her Brazilian Butt Lift was far more invasive than most people realize. “For me to reduce my butt, I have to literally sit on the table, get cut from the bottom, get cut from the top, and be on bed rest for three months,” she told host Alex Cooper on the September 24 episode.

Surgery Was No Quick Fix

Cardi didn’t hold back when describing the physical toll of the operation. She explained that the process wasn’t as simple as many assume. “And it’s like, I think you guys think that people just plug something inside my a**hole and just suck it out,” she said.

The WAP artist made it clear she’s not planning to undergo another procedure anytime soon. “I already did a reduction and people will be like, ‘Well, you need to reduce your butt more,’” she said.

Body Image And Public Pressure

Despite the ongoing commentary about her figure, Cardi said she’s reached a point of self-acceptance. “I look at myself in the mirror, and it’s like, I really wouldn’t change a thing,” she said.

The Hip-Hop star is currently expecting a child with NFL wide receiver Stefon Diggs, adding another layer of attention to her personal life and physical appearance.

The full conversation aired on Call Her Daddy, a podcast known for its unfiltered celebrity interviews. Cardi’s remarks come amid ongoing public conversations about cosmetic surgery and the pressures placed on women in the spotlight.

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Mobb Deep Continues “Infinite” Album Rollout With Alchemist-Produced “Taj Mahal”

Mobb Deep continues their legacy with “Taj Mahal,” the second single from their upcoming album, Infinite, dropping October 10 via Mass Appeal. The track hit streaming platforms Friday (September 26) and finds Alchemist back on the beat.

The song paints a vivid picture of a day trip to Atlantic City with the Queensbridge crew. Over a murky, hypnotic beat, Havoc and the late Prodigy trade verses that feel like a throwback to the duo’s cinematic storytelling and streetwise lyricism. The track serves as a continuation of the chemistry the group built with Alchemist over decades.

Alchemist’s connection to Mobb Deep stretches back decades. He first linked with the duo in the late ’90s, contributing to their platinum-certified Murda Muzik album and later becoming a trusted creative partner. That bond is front and center on “Taj Mahal,” which feels like a seamless extension of their classic sound.

“Taj Mahal” follows the release of “Against The World,” the group’s first posthumous track since Prodigy’s passing. Produced by Havoc, the song drew immediate praise from critics.

Infinite is part of Mass Appeal’s Legend Has It campaign, which celebrates seven legendary Hip-Hop acts releasing new music. Alongside Mobb Deep, the lineup includes Slick Rick, Raekwon, Ghostface Killah, Big L, De La Soul and Nas with DJ Premier.

Mobb Deep, formed in Queensbridge, helped define East Coast Hip-Hop with their raw lyricism and dark production. Their 1995 album, The Infamous, went gold and introduced classics like “Shook Ones Pt. II,” while Murda Muzik hit platinum and peaked at No. 3 on the Billboard 200 with tracks like “Quiet Storm.” With millions of records sold and a legacy that spans generations, the duo’s influence remains a cornerstone of New York rap.

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Martin Shkreli Lawsuit Over Wu-Tang Clan Album Moves Forward Amid Trade Secret Concerns

Martin Shkreli must defend himself in court over alleged trade secret violations tied to the Wu-Tang Clan’s ultra-rare album Once Upon a Time in Shaolin, after a federal judge ruled Thursday that the case can proceed despite his efforts to shut it down.

Brooklyn U.S. District Judge Pamela K. Chen sided with PleasrDAO, the digital art collective that bought the one-of-a-kind album from the U.S. government in 2021, after Shkreli forfeited it as part of his sentence for securities fraud. The group sued Shkreli last year, accusing him of threatening to leak the album online, which they say would destroy its value.

Chen allowed the lawsuit to move forward under federal trade secret law, a rare application of the statute to a music album. “The secret and exclusive nature of the album is a large part of its intrinsic value,” Chen wrote. “There can be no serious debate that the value of the album … was largely based on its secret and exclusive nature.”

The judge acknowledged the legal novelty of the case, noting, “Though the court agrees with plaintiff … it cannot be understated that the application of trade secret doctrine to the unique facts of this case is unchartered territory.”

Once Upon a Time in Shaolin was recorded in secret by Wu-Tang Clan, pressed onto a single CD and encased in a hand-crafted silver and nickel box. It came with a strict clause barring public release until the year 2103. Shkreli bought the album in 2015 for $2 million, before he was dubbed the “Pharma Bro” for inflating the price of a life-saving AIDS medication.

After his 2017 conviction, Shkreli was ordered to forfeit the album to help satisfy a $7.4 million restitution order. PleasrDAO purchased it from the government for $4 million in 2021, then paid another $750,000 in 2024 to acquire full copyrights and related rights.

The group has since hosted private listening events and offered limited access to the music. But in June 2024, PleasrDAO filed suit after Shkreli hinted online that he might leak the tracks. They accused him of violating trade secret protections and breaching the terms of the forfeiture.

Chen dismissed the breach of forfeiture claim, ruling that only the government could enforce that agreement. But she allowed the trade secret and property return claims to continue.

Shkreli’s attorney, Edward Andrew Paltzik, said in a statement Friday, “Eliminating half of PleasrDAO’s case prior to discovery is a significant step forward in our effort to vindicate Mr. Shkreli, who we unequivocally believe engaged in absolutely zero wrongdoing.”

PleasrDAO’s lawyer Stephen Cooper responded, “The judge wrote a thorough and well-considered decision and we are pleased that we will be able to fully and aggressively proceed with our case against Mr. Shkreli.”

Despite PleasrDAO’s attempts to keep the album under wraps, Shkreli admitted in court filings that he had shared the music years ago.

“Because I shared the musical work several times several years ago, I cannot recall each and every time that I have shared the musical work,” he wrote. “It is possible, and indeed I find it highly likely, that one of the many people who viewed, heard, or otherwise accessed the musical work via my social media recorded the musical work and retains a copy of the same.”

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Turk Demands $340K From Cash Money Tour Promoters After Abrupt Removal Over B.G. Dispute

Turk, one-fourth of the iconic Hip-Hop group Hot Boys, is suing two concert promotion companies for over $340,000 after being dropped from the Cash Money Millionaires’ 30th Anniversary Tour over a clash with fellow rapper B.G..

The lawsuit, filed Friday in Broward County, Florida, accuses Artists By Artists Agency LLC and Dope Shows Inc. of breaching their contract and misusing Turk’s name and image in promotional materials after cutting him from the tour lineup.

According to TMZ, Turk had agreed to a $400,000 deal but was removed mid-tour after disputing a proposed pay cut and never received the full amount.

The promoters allegedly cited “security concerns” and “threats of violence” tied to Turk’s ongoing beef with B.G. as the reason for the termination.

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Turk claims those reasons were a smokescreen to dodge payment obligations. He argues that the tension with B.G. was no secret and had already been stirring before the contract was signed.

“Look, I’m fighting a lawsuit right now. I can’t put everything out there, but I want y’all to understand the lesson behind it. When you sign paperwork, when you deal with business people, when you shake hands—make sure it’s solid. Don’t just trust words, trust what’s in writing. Protect yourself, because not everybody out here got your best interest at heart,” Turk said.

In fact, he says the promoters leaned into the drama to help drive ticket sales. Despite the alleged safety risks, B.G. remained on the tour while Turk was cut.

The Hot Boys—Turk, B.G., Juvenile, and Lil Wayne– rose to fame in the late ’90s under the Cash Money Records banner. Their albums, Get It How U Live and Guerrilla Warfare, became staples of Southern rap before the group went their separate ways in the early 2000s.

This isn’t Turk’s first courtroom battle with Cash Money affiliates. In 2015, he filed a $1.3 million lawsuit against the label for unpaid royalties dating back to the late ’90s.

Juvenile, who also performed on the anniversary tour, told TMZ he had “zero issues with his pay during the tour,” suggesting Turk’s experience was not shared by all members.

The lawsuit seeks the remaining $340,000 Turk says he’s owed, along with unspecified damages for the unauthorized use of his likeness.

As of Friday, neither Artists By Artists Agency LLC nor Dope Shows Inc. had responded to requests for comment.

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will.i.am To Teach AI Course At Arizona State University’s Los Angeles Campus

Will.i.am is bringing his expertise in artificial intelligence to Arizona State University, where he’ll launch a new course at ASU’s Los Angeles campus in spring 2026.

The Grammy-winning Black Eyed Peas frontman will serve as a professor of practice at ASU’s GAME School, where he’ll lead a 15-week course titled “The Agentic Self,” university president Michael Crow announced Tuesday (September 23) in New York City.

“This professorship marks a new chapter in my life,” will.i.am said. “From creating global unifying music to establishing my i.am Angel Foundation, which empowers 15,000 Los Angeles area high school students with STEM skills and sends thousands to college, I find the answer to my question ‘Where’s the love?’ in this course. The Agentic Self represents a solution to AI replacing human jobs.”

The course is part of ASU’s broader push to equip students for a rapidly changing workforce shaped by AI.

The GAME School—short for Global Ascent in Media and Entertainment—focuses on building digital fluency and will collaborate with will.i. am’s FYI.AI platform to launch EDU.FYI, a new educational tool powered by NVIDIA technology.

“We are always looking for ways to innovate how we teach to better prepare our students to meet the moment,” Crow said. “Our graduates must be ready for the powerful shift in jobs toward AI. This pioneering partnership with will.i.am is an unbelievable opportunity for our students to learn from his extraordinary experience as a highly creative and unique tech innovator.”

The appointment adds to will.i. am’s growing resume in the tech world. He was an early equity investor in Beats Electronics, which Apple acquired for $3 billion in 2014. Since then, he’s launched several ventures focused on artificial intelligence, voice computing and natural language processing.

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His i.am Angel Foundation has funded STEAM education programs for more than 12,000 underserved students in Southern California since 2009. The foundation also backs the i.am College Track tutoring center and Boyle Heights STEM Magnet High School in East Los Angeles.

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Metro Boomin Easily Defeats Sexual Assault Accuser in Court

Metro Boomin walked out of a Los Angeles courtroom Thursday (September 25) with a clean slate after a federal jury swiftly ruled he was not liable in a civil sexual assault lawsuit brought by Vanessa LeMaistre, ending a tense legal battle that began last year.

The verdict came after less than an hour of deliberation, with jurors rejecting all four claims against the Hip-Hop producer.

The case had drawn considerable attention due to the nature of the allegations and Metro Boomin’s high-profile status in the music industry.

LeMaistre filed the lawsuit in October 2023, alleging that in 2016, after consuming alcohol and half a Xanax pill during a recording session, she lost consciousness and later woke up in a hotel room where she claimed Metro Boomin was sexually assaulting her.

She said the alleged incident resulted in a pregnancy, which she later terminated.

On the stand, Metro Boomin denied all wrongdoing and maintained that their interactions were consensual. He added that he first became aware of the allegations nearly a decade after they were filed in the lawsuit.

One of the more contentious moments in court came when the defense introduced handwritten notes LeMaistre wrote during a 2024 Ayahuasca retreat in Peru.

In those notes, she mentioned plans to “blow the whistle” on Metro Boomin and referenced seeking millions in damages. His attorney described the writings as “disturbing” and questioned LeMaistre’s motives and credibility.

A psychologist called by the defense also challenged the reliability of LeMaistre’s memory. The expert pointed to discrepancies between her testimony and her medical records, raising doubts about the consistency of her claims.

LeMaistre’s legal team requested a mistrial after the defense referenced her sexual history without prior court approval. The judge denied the motion, allowing closing arguments to proceed.

Throughout the trial, Metro Boomin received visible support from close friends, including rapper Young Thug, who made an appearance in court.

The jury’s decision Thursday officially ended a case Metro Boomin described as a “preposterous” attempt at a celebrity shakedown. The producer is now shifting his focus back to music after the verdict cleared him of any liability.

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6ix9ine Accused Of Assaulting Man Calling Him Snitch, Now He Faces More Prison Time

6ix9ine was back in court on Thursday (September 25) after prosecutors alleged he assaulted a man who mocked him for cooperating with federal authorities in the Nine Trey Gangsta Bloods case.

Federal prosecutors from the Southern District of New York say surveillance footage shows the rapper briefly attacking a man inside a West Palm Beach mall.

The individual reportedly called him a “snitch,” referencing his testimony in the 2019 racketeering trial that helped convict several gang members.

The incident, which led to a battery charge, was reduced to a misdemeanor. However, the altercation added to a growing list of supervised release violations.

Prosecutors urged U.S. District Judge Paul A. Engelmayer to jail Hernandez immediately, but the judge declined.

Sentencing is now scheduled for November 4 on three separate violations tied to his supervised release. The court will decide whether Hernandez will serve additional prison time.

The rapper’s legal issues stem from a 2019 plea agreement in which he cooperated with federal prosecutors to avoid a lengthy sentence. He initially faced up to 47 years behind bars but received just two after testifying against members of Nine Trey.

In exchange, he agreed to five years of supervised release, 1,000 hours of community service and a $35,000 fine. This latest courtroom appearance follows a string of recent legal problems.

In July, Hernandez pleaded guilty to drug possession charges after police found cocaine and ecstasy in his Miami home. Prosecutors dropped related charges involving a firearm and fentanyl due to insufficient DNA evidence.

That guilty plea alone violated the terms of his supervised release. Judge Engelmayer warned Hernandez at the time that “the rules don’t apply to him” attitude could land him back in prison.

The rapper had already served 45 days in jail last November for unauthorized travel and multiple failed drug tests, including one for methamphetamine.

Despite his own cooperation with law enforcement, 6ix9ine has publicly criticized other artists for doing the same.

He previously took aim at Young Thug amid the Atlanta rapper’s controversy after a video of him talking to police in an interrogation room and a series of leaked jail calls put him under scrutiny and damaged his reputation.

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Original Black “Power Ranger” Starts Rap Career At 54

This is awesome.

Walter Emanuel Jones is remembered by a generation as Zack Taylor, the original Black Power Ranger. Now, at 54, the Detroit-born actor is trading martial arts for microphones as he dives headfirst into rap.

Jones, who also goes by Tre Emanuel, dropped a new track that leans heavily into Hip-Hop with a bounce that would fit nicely on today’s playlists. While most might expect nostalgia when they hear the Black Ranger is rapping, Tre delivers something closer to mainstream rap than a gimmick. He’s nice. If the name wasn’t attached, listeners could easily mistake it for a fresh new artist. I guess he is a fresh new artist.

Detroit has produced rap giants like Eminem, Big Sean and J Dilla. Tre doesn’t have a well-known history in Hip-Hop, but his sound is polished. I am thinking he’s been rapping all this time and finally decided to go for it. By the way, he’s got other songs like “Dance,” a feel-good cut that’s more about fun than bars.

Walter’s story has some weight outside of music. As a child, he lost part of his left hand after an accident with a real gun he mistook for a toy. The injury cost him his middle finger. It has almost nothing to do with Hip-Hop or Hollywood, but it adds a layer of grit to his life.

For many, Jones will always be the first Black Ranger—a trailblazer. He is one of the most recognizable kids’ shows of the ’90s. I am glad he’s looking forward. He’s got new songs hitting and he has great momentum. He’s been a morphing superhero and now he’s a morphing talent. Surprise!

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A$AP Rocky Labels JAY-Z “A Black Therapist”

A$AP Rocky dismissed traditional therapy and praised Jay-Z as a trusted confidant during a revealing conversation with Elle, linking mental health skepticism to his own experiences and upcoming film.

“I think Jay-Z is a Black therapist,” A$AP Rocky said. “A lot of people come to him with their problems.”

The Harlem rapper made the remark while discussing the shortage of Black therapists and his personal doubts about the effectiveness of therapy.

His comments came as part of a wide-ranging interview tied to the release of If I Had Legs I’d Kick You, a psychological thriller he stars in alongside Rose Byrne.

“That whole f**king film is an anxiety attack,” he said.

Rocky didn’t hold back when asked about his stance on therapy, comparing it to mystical practices.

“My outlook on therapy is so pessimistic, it’s not even funny. I might get killed for this, but I put therapists in the same box as psychic readings,” he said.

He added, “I look at it like, yo, if you don’t share the same experiences what’s the point of me telling a stranger my business for an hour straight, for them to just say, ‘OK, well, how did that make you feel?’”

The Elle feature also touched on Rocky’s personal life. He and Rihanna recently welcomed their third child, a daughter, further expanding their high-profile family.

If I Had Legs I’d Kick You is set to hit theaters next month.

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EXCLUSIVE: Diddy Ordered To Explain Why He Needs Fancy Wardrobe For Sentencing

Diddy has been ordered to explain why he needs fancy threads instead of jail-issued garments when he appears in federal court for sentencing on October 3, 2025, after a judge rejected his earlier attempt to wear civilian clothes for a separate hearing this week.

U.S. District Judge Arun Subramanian denied a motion from Diddy’s legal team to allow him to wear non-prison attire at his September 25 court appearance, saying the defense failed to provide a valid reason for the request.

The judge left the door open for the October sentencing but made it clear he expects a more detailed explanation before signing off.

Diddy’s attorneys submitted a scaled-back wardrobe request, asking the court to approve two button-down shirts, two pairs of pants, two sweaters and one pair of shoes without laces.

This is far less than what he was allowed during his criminal trial earlier this year, when he was permitted to wear up to five items of each type to avoid appearing in prison attire before a jury.

The October hearing will determine Diddy’s sentence after he was convicted on two counts of transporting individuals across state lines for prostitution.

The charges stem from violations of the Mann Act, a federal law that prohibits transporting people for illegal sexual activity.

The judge’s demand for justification reflects how federal courts handle inmate appearances, especially in high-profile cases involving celebrities like Diddy.

The court typically allows civilian clothing during jury trials to avoid prejudicing jurors, but the same leniency doesn’t always apply during sentencing.

Meanwhile, Diddy’s legal team is also pushing to overturn his conviction or secure a new trial.

His lawyers argue that prosecutors misapplied the Mann Act and failed to prove their case. They claim Diddy did not profit from prostitution and only paid escorts to perform with his romantic partners, which they say is protected by the First Amendment.

They also argue Diddy never transported anyone himself and did not receive money from the encounters.

Prosecutors counter that Combs directed and sometimes participated in the acts, secretly recorded them without consent and met the legal threshold for trafficking.

Judge Subramanian heard arguments on the motion to acquit or retry the case on September 25. As of presstime, he has not yet ruled on whether the conviction will stand or if a new trial will be granted.

Diddy has been held in custody since September 2024. His bail requests were denied due to concerns about potential violence and witness tampering.

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