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What We Know About Quinta Brunson’s Finalized Divorce

LOS ANGELES — Quinta Brunson officially ended her marriage to Kevin Anik in Los Angeles after the pair finalized a private divorce agreement six months after her initial court filing.

The Abbott Elementary creator and Emmy-winning actress reached an uncontested divorce settlement with Anik, according to court records reviewed by People. The documents confirm their legal separation date as December 1, 2024, which had not been specified in earlier filings.

Agreement Reached Outside Courtroom

Brunson and Anik avoided a public legal battle by settling outside of court. The terms of their agreement remain sealed, but the filing confirms it includes spousal support provisions. Because the divorce was uncontested, no trial or further hearings were necessary.

The couple’s decision to keep the details confidential aligns with how they handled their relationship from the start—largely out of public view.

Marriage Timeline and Public Acknowledgment

Brunson and Anik got engaged in July 2020. While she rarely spoke about their relationship publicly, she acknowledged him during her 2022 Emmy Awards acceptance speech after winning Outstanding Writing in a Comedy Series.

“I have to thank my mom, dad, brothers and sisters, my cousins… my wonderful husband because he’s the most supportive man I’ve ever known,” she said during the live broadcast.

Career Success Amid Personal Change

Brunson’s career has surged since the premiere of Abbott Elementary in 2021. The ABC series, which she writes, executive produces and stars in as Janine Teagues, has earned critical acclaim and a growing list of accolades.

The divorce was finalized in 2024, closing a chapter in her personal life as her professional success continues to rise.

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Trump Orders Troops To Portland After Ice Cube Bus Fire

President Trump authorized a federal troop deployment to Portland as investigators continue looking into a fire that scorched Ice Cube‘s tour bus just days after his performance in the city.

In a post on Truth Social Saturday, President Trump wrote, “I am directing Secretary of War, Pete Hegseth, to provide all necessary Troops to protect War ravaged Portland, and any of our ICE Facilities under siege from attack by Antifa, and other domestic terrorists. I am also authorizing Full Force, if necessary.”

The move comes as Portland Fire & Rescue continues its investigation into the blaze that broke out on the front passenger tire of Ice Cube’s chartered vehicle on Tuesday (September 22).

The 56-year-old Hip-Hop icon had just wrapped a show at the Moda Center the night before as part of his “Truth to Power” tour. Through a representative, Ice Cube said, “I’m not taking this incident as a personal attack. A coward like that would burn anybody’s property that was out there at the time.”

Trump’s decision to deploy troops echoes his 2020 response to protests in Portland, when federal agents were sent to the city during months of unrest.

That earlier deployment led to repeated clashes between demonstrators and federal officers, drawing national attention and criticism.

Portland Mayor Keith Wilson has pushed back against federal involvement. “I have not asked for – and do not need – federal intervention,” he said earlier this month.

On Thursday, Trump hinted at the upcoming action, telling reporters, “We’re going to get out there and we’re going to do a pretty big number on those people in Portland.” He referred to the targets as “professional agitators and anarchists.”

Trump has repeatedly described Portland in bleak terms, once calling it “like living in hell.” He also signed an order this week designating antifa as a domestic terrorist group.

Portland Fire & Rescue has not released any new updates on the tour bus fire as of Saturday.

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‘It Was A One-Score Game’: Denver Broncos Fan Who Lives In Nashville Walks By Nissan Stadium. Then He Calls Out Titans Fans

A Denver Broncos fan (@ryanandjimmy) living in Nashville is wondering why Tennessee Titans fans are leaving early.

“If you’ve ever been in Nashville, there’s a bridge that goes across from downtown,” he starts in a recent viral video. “It goes over [Cumberland River] and leads you to Nissan Stadium. And when you’re on the bridge, you can see a little bit into the stadium. It’s kind of a cool thing. I went on a run, and I timed it to be there in the fourth quarter.”

But he saw people leaving the game, and thought he had mistimed his job. “I was like, “Oh man, I must have really timed it wrong. Something must have happened. Whatever. That’s kind of a bummer.”

Why Were Tennessee Titans Fans Done For the Day?

Something must have happened, as in perhaps the Titans were getting blown out in their home opener versus the Los Angeles Rams this month. The Titans have been a terrible football team for the last few years. The club has gone 16-35 in the previous three seasons, coming into this year. Last season’s 3-14 record secured they’d receive the first overall pick in the 2025 draft, where they selected record-setting Miami quarterback Cameron Ward. They had already lost their season opener—incidentally to the Broncos, in a close game.

He continued on his way, “and I finally get to where I can see into the stadium, and I can see the score. I couldn’t believe what I saw. The Titans at the time were only down by 4 points with 12 minutes to go in the fourth quarter.”

From here, imagine it from the Titans’ standpoint, from inside the stadium. Rams QB Matthew Stafford has just thrown a touchdown to take a 20-16 lead at the end of the third quarter. As a Titans fan, against a Super Bowl contender, it might be time to get ahead of traffic. Thus, the mass exodus this TikToker witnessed on his run.

But he makes several strong points.

“You can’t even stay for a one-score game in the 4th quarter?” he asks. “Now, I know it ended up not being close, but still, you gotta stay for your team. Cheer for your team and root them on. That was disappointing. Titans fans, y’all gotta do better.”

He’s right; it wasn’t close. The Rams scored two more touchdowns in the fourth quarter and won going away, 33-19. As of this writing, the Titans are 0-3 on the season.

Why Are Titans Fans Bad?

Compared to teams with 100-year histories, the Titans only began in Nashville in the late ’90s. So the tradition isn’t particularly rich. Also, the team plays professional ball in the heart of college football country, so that may impact the city center’s collective enthusiasm because they’re still hungover from Saturday’s game.

And just look at the man who called out the fans in the first place: He’s a Denver Broncos fan but he lives in Nashville. He’s not alone.

According to CNBC, the city of Nashville added 100 residents a day in 2022. Many of them arrived with per-existing loyalties to other NFL teams. According to Google Trends, the Tennessee Titans have drawn comparable search volume as the Dallas Cowboys over the past 30 days… within the state of Tennessee.

Lastly, Nashville is a city known for its bachelorette parties and music; even the massively popular NFL has to compete for attention there too.

We’ve reached out to @ryanandjimmy for comment.

@ryanandjimmy Titans fans, yall should do better than that… #tennesseetitans #titans #nfl #nashville #nissanstadium ♬ original sound – Ryan & Jimmy

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Wale’s New Series Tells Story Of Washington D.C.’s Most Violent Years

WASHINGTON, D.C. Wale is executive producing a television drama titled Silk that centers on the deadly legacy of Washington D.C. contract killer Wayne “Silk” Perry, whose name became synonymous with fear during the city’s most violent era.

The Grammy Award-nominated rapper and D.C. native is developing the series through Perry Industries, which controls the life rights of Perry, now known as Nkosi Shaka Zulu El. The show will explore Perry’s role as the enforcer for Harlem drug lord Alpo Martinez during the early 1990s, when D.C. led the nation in homicides.

A Look at D.C.’s Bloodiest Years

From 1989 to 1993, Perry operated as Martinez’s muscle, executing rivals and witnesses with a level of precision that earned him infamy in the streets. His violent run coincided with Washington’s descent into chaos, as the city earned the grim label of “murder capital” of the United States.

“That era in D.C. was internationally famous,” Wale told The Hollywood Reporter. “The Redskins were winning Super Bowls, the mayor was indicted by the FBI, Joe Biden passed the crime bill, and D.C. had 482 homicides — the highest in the country.”

The show will blend Perry’s criminal exploits with the political and cultural backdrop of the time, including the go-go music scene, the collapse of local drug empires, and the federal investigation of then-Mayor Marion Barry.

Behind the Scenes of ‘Silk’

Wale will produce the series alongside Kazz Laidlaw, his manager at EQT, and C. Edwards of Perry Industries. The project is currently in development, with no network or streaming platform yet attached.

“D.C. is more than just politics,” Wale said. “We have a rich, Black history that’s inspired audiences around the world, and it’s time to tell more stories that are based here.”

Laidlaw added, “This story is one of the last authentic stories in Black crime lore. People have seen slivers in movies like Paid in Full and read conjecture online, but beneath the surface is an entire world that hasn’t been seen before.”

Perry’s Criminal Legacy

Perry was convicted in 1994 for multiple murders tied to Martinez’s drug operation. His victims included drug dealer Garrett Terrell and Evelyn Carter, a witness scheduled to testify. He is currently serving five life sentences at ADX Florence, a federal supermax prison in Colorado.

Martinez’s cooperation with federal prosecutors helped secure Perry’s conviction. Martinez himself was shot and killed in 2021 in Harlem.

A New Chapter for Wale

Wale, who previously appeared in Ambulance and American Gods, has long infused his music with references to his D.C. upbringing. With Silk, he’s stepping further into storytelling, aiming to portray the city’s complex history beyond its political headlines.

The series joins a growing list of crime dramas like Power, Snowfall and Narcos that examine the drug-fueled violence of the late 20th century.

Silk remains in early development with no release date or platform confirmed.

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Hip-Hop Label EMPIRE Unleashes Boldest Move Yet With $6.5M Venue

Ghazi is betting big on immersive tech and hometown pride as his EMPIRE label invests in a $6.5 million entertainment venue set to reshape San Francisco’s Pier 70.

The independent Hip-Hop powerhouse is joining forces with Elevation Sky Park San Francisco to launch what’s being billed as the Bay Area’s first large-scale immersive entertainment space. The venue, slated to open this winter, will feature projection domes, a pyramid-shaped structure and capacity for over 2,000 attendees across multiple rooms.

“ESP SF represents exactly the kind of innovative, community-focused venture that embodies San Francisco’s creative spirit,” said Sean Ahearn, CEO of Elevation Sky Park. “Partnering with EMPIRE creates incredible opportunities to showcase how technology and artistry can transform communities while pioneering the future of immersive entertainment.”

The collaboration will fuse EMPIRE‘s global artist network with ESP SF’s tech-driven platform to deliver 360-degree concerts, live performances, film screenings and community arts initiatives. The venue will also serve as a hub for emerging artists, giving them access to industry resources and audiences they might not otherwise reach.

Ghazi, who founded EMPIRE in 2010, called the partnership a natural extension of the label’s roots. “

San Francisco has always been the heartbeat of EMPIRE, and Elevation Sky Park is the perfect stage to reimagine how music and culture come to life,” he said. “We’re excited to create experiences that are as bold and innovative as the city itself.”

The project is being developed through a public-private partnership involving Brookfield Properties and the Port of San Francisco. The venue’s location at Pier 70 places it in the heart of the city’s expanding arts and entertainment zone.

The team behind Wisdome LA, known for its immersive domes and multimedia installations in Los Angeles, is leading the buildout. Their experience in blending art and tech is expected to play a key role in bringing ESP SF’s vision to life.

The immersive entertainment sector is booming. According to Bloomberg, the global market is projected to reach $413 billion by 2030, driven by growing demand for interactive and tech-enhanced experiences.

Ghazi, a San Francisco native with Palestinian heritage, began producing music at the age of 14. Before launching EMPIRE, he worked as a DJ and audio engineer.

What started as a digital distribution service for Bay Area Hip-Hop artists has grown into one of the most influential independent labels in the industry, known for blending traditional music strategies with digital innovation.

The ESP SF partnership reflects EMPIRE’s continued evolution, expanding from music into experiential entertainment while staying grounded in its local community.

The venue’s programming will cater to a range of audiences, from casual music lovers to tech-savvy concertgoers.

ESP SF is scheduled to open in winter 2024, just in time to draw holiday crowds and position itself as a new cultural landmark in the Bay Area.

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Philadelphia Eagles’ AJ Brown Dominated L.A. Rams After Hearing Old-School Hip-Hop Anthem

The Philadelphia Eagles looked dead in the water at halftime last Sunday in Los Angeles. The Rams had them on the ropes, dictating the pace and stacking up a commanding lead. Then the second half arrived, and everything changed.

The game flipped when the Eagles blocked a field goal and returned it for a touchdown, but the spark that fueled the comeback came from star wideout A.J. Brown. Already considered one of the NFL’s premier offensive threats, Brown turned into a one-man wrecking crew in the final two quarters, shredding the Rams’ secondary and helping Philly secure a 33-26 win.

While highlight reels replayed the blocked kick, something else unfolded behind the scenes that may have set Brown on fire. Sources inside the stadium say the DJ cued up Kurtis Blow’s old-school classic “AJ Scratch” during the game. For those who know it, the song’s hook chants “AJ” over a funky beat — catchy enough to get a crowd moving, and apparently enough to give No. 11 an extra jolt.

In postgame interviews, Brown didn’t directly name-check the track but hinted at the moment, grinning when asked about what fueled his surge. One source who was in the locker room told AllHipHop that Brown “pointed directly to that song” as a turning point in his energy. Whether coincidence or cosmic timing, the mix of football and Hip-Hop may have tilted the momentum toward Philadelphia.

Kurtis Blow, a pioneer from rap’s earliest days, probably never imagined his 1984 anthem echoing inside an NFL stadium and motivating one of the league’s top receivers. But Hip-Hop has always been about energy, defiance and winning! These are the same ingredients that powered Philly in the second half. By the way, KB did not return our message for a comment. He might be a NY Giants fan…or worse, LA Rams

Anyway…to casual fans, it may have looked like pure luck. But in truth, the comeback was built on grit, adjustments and mental toughness. Brown and the Eagles didn’t just ride fate. They forced it.

As Philadelphia keeps pushing through the season, this victory is likely to be remembered not only for the blocked field goal or Brown’s dominance, but also for a reminder of how culture and competition often collide in unexpected ways. One old-school jam, one fired-up receiver and one resilient team turned what looked like certain defeat into a West Coast heist.

For the record…our own Chuck “Jigsaw” Creekmur is the “source.” He was there and saw it all as it rolled out.

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Cardi B Turns To Prayer To Protect Her From Dark Energy, Hating Women

Cardi B leaned on faith and her mother’s prayers after sensing what she described as “weirdness” and “dark energy” from women following her pregnancy reveal.

The Grammy-winning rapper said she felt a growing wave of negativity since announcing she’s expecting, prompting her to seek spiritual protection for herself and her unborn child.

“I called my mom the other day to pray over me and my baby because I feel like a lot of weirdness has been coming out from people and women and all this stuff ever since I announced that I was pregnant,” she said.

Cardi B is expecting her first child with Stefon Diggs, a wide receiver for the Patriots. The rapper revealed her pregnancy earlier this month and discussed how Diggs makes her feel safe as she prepares for a new album and tour.

Cardi B also has three other kids with Offset, her soon-to-be ex-husband. She told her followers that she believes many already suspected her latest pregnancy before it was confirmed.

But after going public, she noticed an energy shift that felt hostile.

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“It’s funny because I know that y’all knew that I was pregnant because clearly everybody kind of figured that I was. But the negativity and the weirdness that people are bringing and putting, I told my mom like, please pray for me and for the Lord to cover me.”

The Bronx-born rapper said she especially felt targeted by other women, some of whom she believes are wishing harm on her unborn child.

“There’s a lot of weird women that will wish you weird stuff on your kid, like stillbirth, death, slowness, you know what I’m saying? And I feel that energy. I feel people putting that on me.”

To protect herself, Cardi said she turns to her faith and spiritual practices.

She often reads the Bible aloud in her home when she senses tension or negativity. “I personally believe nothing is as powerful as a mother’s prayer,” she added.

Cardi B has been open about her spiritual side in the past, but this time she’s using it as a shield against what she sees as a toxic response to her pregnancy.

The rapper said she is doing what she can to stay grounded.

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Kim Kardashian’s Lawyer Fires Back At Ray J RICO Comments With Threats

Kim Kardashian and Ray J are at it again, but this time it’s not sex tapes, it’s full-blown legal threats over wild talk about the feds.

Ray J hopped on a livestream with Chrisean Rock and dropped a bomb, claiming he’s working with federal agents to bring a RICO case against Kim Kardashian and her mom Kris Jenner.

His exact words: “The federal RICO I’m about to drop on Kris and Kim is about to be crazy… the feds is coming. There’s nothing I can do about it. It’s worse than Diddy.”

Well, Kim’s lawyer Alex Spiro didn’t waste time. He clapped back hard, calling Ray J’s comments “false and defamatory” and warned that pushing those claims is defamation under California law.

Spiro made it crystal clear: there’s no RICO case, no investigation, no fed involvement, nothing. In his words, there’s “no credible evidence whatsoever” behind Ray J’s allegations.

He also stated that no law enforcement agency has launched an investigation against the Kardashian crew.

And he’s not playing around. Spiro demanded that any site running with Ray J’s claims yank the content ASAP and post a retraction. Kim’s legal team also contacted multiple outlets, instructing them to revise their stories or face the consequences.

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Cardi B Reveals Brutal Recovery After Butt Reduction

Cardi B revealed her grueling three-month recovery from butt reduction surgery and shut down critics of her body during a revealing episode of the Call Her Daddy podcast.

The Hip-Hop star, known for her unfiltered honesty, opened up about the physical toll of reducing her Brazilian Butt Lift, saying the process was far from simple.

“For me to reduce my butt, I have to literally sit on the table, get cut from the bottom, get cut from the top, and be on bed rest for three months,” she told host Alex Cooper.

The “Bodak Yellow” rapper, who is currently expecting a child with NFL player Stefon Diggs, said she has no plans to undergo another procedure despite lingering pressure from the public.

“I already did a reduction and people will be like, ‘Well, you need to reduce your butt more,’” she said.

Cardi clarified that the surgery was far more invasive than people assume.

“And it’s like, I think you guys think that people just plug something inside my a**hole and just suck it out,” she said.

Still, the Grammy winner said she’s reached a place of acceptance with her appearance.

“I look at myself in the mirror, and it’s like, I really wouldn’t change a thing,” she said.

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21 Savage Calls Out Critics After Young Thug & YFN Lucci End Longtime Feud

21 Savage didn’t hold back when critics questioned the surprise reunion between Young Thug and YFN Lucci on their new albums, which dropped Friday (September 26) and signaled the end of a years-long feud.

The two Atlanta rappers stunned the Hip-Hop scene by featuring each other on their respective comeback projects.

Thug’s UY Scuti includes a guest spot from Lucci on “Whaddup Jesus,” while Lucci’s Already Legend returns the favor with a Thug appearance on “Still Waiting” alongside 21 Savage.

The mutual features marked the first time the two have collaborated publicly after nearly a decade of tension and public jabs.

But not everyone welcomed the peace treaty. Some online critics accused both artists of trading authenticity for unity.

That’s when 21 Savage jumped in with a sharp Instagram comment aimed at the naysayers.

“Yall want n##### to beef forever then say they ain’t appreciate they blessings if they get locked up for it,” he wrote, urging critics to shut up.

Thug’s UY Scuti is his first full-length release since being freed from jail in October 2024.

The album features a stacked lineup including Future, Cardi B, Travis Scott, T.I., Sexxy Red, 21 Savage, and YFN Lucci, among others.

Meanwhile, Lucci’s Already Legend marks his return to music after his own legal troubles. The 21-track album includes previously released singles like “Would You Care?” and “JAN. 31ST (my truth)” and clocks in at just under an hour.

The dual releases and mutual features were seen by many in the Hip-Hop world as a symbolic end to one of Atlanta’s most notorious rap rivalries. Following the releases, Lucci confirmed in an interview that the collaboration was deliberate, designed to reset the narrative and foster unity within Atlanta’s rap scene.

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