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Music

Hudson Westbrook Defines Texas Pride His Own Way

To Hudson Westbrook, being loyal to his home state of Texas is important both on and off the stage. With his debut album Texas Forever out now, the rising artist shares how staying true to his roots shapes everything he does.

That commitment to the Lone Star State comes through loud and clear when Westbrook talks about how he approaches his live shows and his songwriting.

“So, loyalty to Texas would mean, so to me, I’ll never run tracks in my songs. It’s going to be real drums, real everything. And if I can’t stop my live band in the middle of the show without a track playing, then I’m done making music. I don’t like tracks…Do whatever you want, whatever, but not hating. And then just melodies matter a lot, and topic of songs,” he told Apple Music’s Kelleigh Bannen on Today’s Country Radio.

Hudson Westbrook; Photo by Ian Noh
Hudson Westbrook; Photo by Ian Noh

Westbrook also wears his roots with pride by starching his jeans but stays true to his own style by often skipping out on donning a cowboy hat. For him, being a true Texan ultimately isn’t determined by what you wear or the way you sing, what’s really important is always showing up for the communities of his home state when tragedy strikes.

He is currently putting his words to action by donating all proceeds from his merch sales through the end of July to Kerr County flood victims via the Community Foundation of the Texas Hill Country. Plus, he’s made it a point on his newest record to not just say he’s country but rather to show it through his lyrics.

“That’s loyalty to Texas. It’s not… A lot of times people are like, ‘Texan brah, come on.’ I think it’s more. There’s a certain thing that if you’re from Texas, you don’t say that you’re country. You know what I mean? You don’t have to say… Nothing on my album is like, ‘I’m country.’ It’s like, ‘I’m drinking beer on a…’ It’s like, ‘Woke up this morning’ in boots and jeans.’ It’s just topics, you know? And I think that’s my favorite thing to write. I mean, if I did like writing about beer drinking, I definitely would sing a song like that. I don’t care,” he admitted.

Hudson westbrook; Texas Forever
Hudson westbrook; Texas Forever

Westbrook co-wrote each of the 17 tracks on Texas Forever alongside a close-knit group of collaborators. Together, they assembled a collection of songs that perfectly pay tribute to Texas while also representing what the emerging act’s life has looked like over the past year.

Reflecting on finally being able to share the album with the world, Westbrook stated, “It’s super special because you’re like, ‘Dang, I really worked on this since…’ There’s some songs on here from a year and a half ago, you know? And you’re like, these are the headspace I was in when I wrote that song and the headspace I was in when I wrote this song. And it’s so weird how life changes and how you look back on your album. I mean, it is who I am now, but just why every song was written is so different than why I would write them now.”

A few of the songs he particularly called out for holding new meanings now compared to the time they were written includes the title track and his debut single that’s climbing its way into the Top 10 at country radio, “House Again.”

“I wrote ‘House Again,’ didn’t even think about my I, and then I was like, ‘Hmm, where did that thought stem from?’ Then I’m like, ‘Oh, wow.’ I moved houses when I was seven years old, and then it turned into that. And then ‘Texas Forever’… Flood hits Texas, and now that the flood’s hit, ‘Texas Forever’ means something totally different this week than it ever did,” he explained.

A lot has changed for Hudson Westbrook over the past year. But one thing that will never waver, is his pride for Texas and his knack for writing songs rooted in Red Dirt.

“I’m proud to be from Texas, and I carry that with me everywhere I go. Thank you for everything – Texas Forever,” he shared via press release.

Hudson Westbrook; Photo by Ian Noh
Hudson Westbrook; Photo by Ian Noh

Just before releasing the album, Westbrook crossed off two major bucket list shows. He made his Grand Ole Opry debut on Tuesday night (7/22), and then delivered his first-ever Nashville headline show at Marathon Music Works on Wednesday (7/23).

He’s set to continue building the momentum on his current headlining 2025 Summer Tour, and will open select dates for Parker McCollum, including a bucket list performance at Red Rocks Amphitheatre this Thursday, July 31.

The post Hudson Westbrook Defines Texas Pride His Own Way appeared first on Country Now.

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Music

Morgan Wallen Grabbed, Luke Bryan Hit With Object in Back-to-Back Concert Incidents

Over the weekend, two of country music’s biggest stars, Morgan Wallen and Luke Bryan, experienced alarming encounters with fans who crossed the line with their behavior. These types of crowd interactions appear to be happening more frequently, possibly fueled by social media trends, but regardless of the reason, it’s not okay. Artists should never be put in a position where they feel unsafe or disrespected on stage.

Morgan Wallen, Luke Bryan; Photos by Andrew Wendowski
Morgan Wallen, Luke Bryan; Photos by Andrew Wendowski

On Friday, Morgan Wallen was grabbed by a fan while walking through the crowd and giving high fives during his concert at Lumen Field in Seattle, Washington. In fan-captured videos, an audience member is seen yanking Wallen’s hand aggressively. Clearly taken aback, Wallen turned to confront the fan before continuing toward the stage alongside security. He went on with the performance and thankfully, there were no additional incidents that night. 

@ravi3802 A fan pulled Morgan Wallen at his concert in Seattle. #morganwallen #seattle #Imtheproblem #lumenfield ♬ original sound – Interesting Things

This marks the second recent incident involving overly aggressive fans at Wallen’s shows. The week prior, during a similar walk through the crowd at State Farm Stadium in Glendale, Arizona, another fan grabbed onto Wallen’s shirt and tugged him as he passed by. Judging by his reaction caught on video, he was visibly unhappy about the interaction.

Meanwhile, Luke Bryan was performing at the North Dakota State Fair when a ball, around the size of a softball, was thrown at the stage. It struck him in the head mid-song during “Country Girl (Shake It For Me).” Though he appeared to be annoyed, Bryan paused briefly before resuming the show.

@mysterious..username Absolutely CRAZY. #luke #lukebryan #ndsf #ndsf2025 #concert #fyp #viral #wtf@Luke Bryan ♬ original sound – mysterious..username

These two incidents follow a string of unruly behavior at concerts in recent months. Last fall, Megan Moroney dodged a flying hat and continued her performance of the “28th of June” without missing a beat. 

And during her HEARTFIRST Tour in 2023, Kelsea Ballerini was hit in the eye by a flying bracelet. The country star stopped the show and addressed what happened while on stage. 

“Can we talk about what just happened? All I care about is keeping everyone safe, so if you ever don’t feel safe, please let someone around you know,” she said.. “There’s security everywhere tonight. If anyone’s pushing too much or you just have that gut feeling or anything, just always flag it. Don’t throw things, you know! I just always want shows of mine — every show, for every artist — but I’m in control of this one. I just want it to be a safe place for everyone. … Can you help me do that tonight?”  

As fan behavior continues to get out of hand, moments like these are a clear reminder that respect and boundaries matter, for the safety of the artists and to protect what makes live music so special. And honestly, who wants to spend hundreds of dollars on a concert just to get kicked out for making a bad decision? Let’s do better, people!

The post Morgan Wallen Grabbed, Luke Bryan Hit With Object in Back-to-Back Concert Incidents appeared first on Country Now.

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R&B

‘No Diggity’: The Story Behind Blackstreet’s Iconic Anthem

Blackstreet around the time of the release of 'No Diggity'

For Blackstreet, 1996 represented new beginnings thanks to a new record deal and the addition of Eric Williams and Mark Middleton. While the group continued to ride the wave of their successful 1994 debut album, thanks to the success of singles like “Before I Let You Go,” and “Joy,” Teddy Riley still found time to produce for the who’s who of hip-hop and R&B like Whitney Houston, Bobby Brown, Heavy D, and more.

At this point, Riley was considered one of the most talented and trustworthy tastemakers in the game. Still, “No Diggity,” the lead single for Blackstreet’s sophomore album Another Level – and the biggest song of the group’s career – almost didn’t happen because practically no one believed in the track. Eventually, though, everyone got on board thanks to some magical production from Riley and Will “Skylz” Stewart, plus major cosigns from Dr. Dre and Riley’s best friend, Heavy D.

Listen to Blackstreet’s “No Diggity” now.

Indeed, “No Diggity” ushered in a new sound in R&B as it was often imitated throughout the rest of the decade and the early aughts. The track is the blues, a nursery rhyme, and futuristic R&B wrapped in a fun, cheeky woman’s anthem. The song introduced the world to Riley’s protege Queen Pen and was a complete 180 from their signature slow jams like “Tonight’s The Night” and “Before I Let You Go.” It’s a song you’ve never heard before, yet it sounds so familiar; it’s catchy without being corny. It’s one of the most addictive songs ever created.

The recording

“No Diggity” started its life when Riley ran into Skylz at the Future Sound Studios and heard him experimenting with Bill Withers’ 1971 song, “Grandma’s Hands.” After insisting that Stewart give him the sample, Riley added the drums and a reverse kick, laying the foundation to the track.

“After I finished making the track, Will came in and was like, ‘This record is a smash. But what do you want to write to it?” Riley told VIBE Magazine. “I gave him the melody to ‘No Diggity.’ I wanted the song to start with ‘Shorty get down…’ And then I thought, ‘Well, can we add the words ‘Good Lord’ to the track?’”

Stewart added, “She got game by the pound,” then Riley had the idea to sample “I Like the Way You Work” from the group’s debut album. According to Riley, he couldn’t sell the other members of Blackstreet on the song, which is why he sings the first verse. He convinced Williams to do the second verse, and the rest was history.

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Well, almost. According to Riley, the label also didn’t understand “No Diggity,” but his best friend, Heavy D, and Dr. Dre convinced Jimmy Iovine that it was worthy enough to be the lead single. At the time, Heavy D was the freshly appointed CEO of Uptown Records and was well respected as a producer thanks to his work with Mary J. Blige, Monifiah, and Riley’s previous group Guy. Meanwhile, Dre was new to the Interscope family after departing from Death Row in March of 1996. The infamous producer launched his Aftermath label under the Interscope umbrella and the mentorship of Iovine.

Both of these men’s cosigns were worth their weight in gold. Dre’s reason for wanting “No Diggity” to be a single was pretty straightforward. He missed the filming of Wreckx-n-Effect’s “Rumpshaker” video and didn’t want to miss another Teddy Riley music video party. When Iovine told Riley that Dr. Dre wanted to be in the video, Riley said he would only allow it if he could get a verse on the song.

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The reception

The song was an immediate hit, selling 1.6 million copies in 1996. It went to No. 1 on the Billboard Hot 100, ending the 14-week streak of Los del Río’s worldwide smash “Macarena.” “No Diggity” went on to win Best R&B Performance by a Duo or Group with Vocals at the 1998 Grammy Awards. Not only was it one of the biggest songs of 1996, but it was one of the biggest songs of the decade and beyond. Several artists have covered the song, including X-Factor finalist Cher Lloyd and singer Ed Sheeran.

Listen to Blackstreet’s “No Diggity” now.

​Discover more about the world’s greatest R&B artists | uDiscover Music

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