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Keith Urban Invites ‘The Road’ Contestant Britnee Kellogg to Join Him for ‘We Were Us’ Duet

Fans in attendance at Keith Urban’s High and Alive World Tour stop in Cincinnati, OH last week got an unexpected treat when rising country artist Britnee Kellogg made a surprise pop-up appearance on stage. The two joined forces for a powerful duet of Urban’s 2013 hit with Miranda Lambert, “We Were Us.”

Originally co-written by Jon Nite, Jimmy Robbins and Nicolle Galyon, the nostalgic track finds both singers reminiscing on the beauty of young love and wishing they could go back to the way things were. Kellogg stepped into Lambert’s role, blending her powerhouse vocals with Urban’s signature sound and electric guitar picks as they paint a picture of a time when life was simpler and love felt like it would last forever.

The pair of artists commanded the stage as they united on the chorus, “Back when that song was a song/ I could sing along without thinkin’ ’bout you every time it came on/ Every beat, every line, every word, every time/ When a road was a road/ I could roll on through without wishin’ that empty seat was you/ Money was gas, dreams were dust/ Love was fast and we were us.”

Kellogg Reveals How The Opportunity Came About

According to Kellogg, the chance to share the stage with Keith Urban came out of their time working together on The Road, his upcoming competition series created alongside Blake Shelton.

“One of the producers of ‘The Road’ reached out to me to connect me with Keith’s team about performing at a show on the tour to promote the show and I immediately freaked out obviously,” Kellogg tells us. “Working with Keith on the show was such a huge honor, so being asked to sing with him was just a pinch me moment.” 

Britnee Kellogg with Keith Urban; Photo via Instagram
Britnee Kellogg with Keith Urban; Photo via Instagram

Kellogg went on to share that the moment was “surreal” and explained what made it even more special for her.

“I felt at home, and every time I looked at him he just seemed so proud which was a really wild feeling. He truly is the most incredibly supportive cheerleader,” she said of Urban. “I feel like I had happy feet the whole time and could see my daughters face screaming go mommy and what a feeling to know that she’s seeing me pursue my dreams, and her first concert was Keith Urban featuring her mama. Like what?!”

Urban introduced Kellogg to the stage by telling the crowd she was “someone who you guys don’t know yet but you will.” He also noted she’s the first contestant from The Road expected to join him on stage randomly throughout the tour.

Fans Unite With Support For Kellogg

Since sharing a video of the collaborative performance, Kellogg has received hundreds of supportive messages, leaving her in quite the emotional state.

“My support system is unreal and the comments have had me in a puddle since I posted the video. I’m just so grateful to have never given up. I’ve been pursuing this dream since I was 6 years old, so to continue receiving the love and support is something I will never take for granted,” she said.

Britnee Kellogg and Family with Keith Urban; Photo Courtesy Britnee Kellogg
Britnee Kellogg and Family with Keith Urban; Photo Courtesy Britnee Kellogg

Just days before stepping on stage with the Australian singer/songwriter, Kellogg revealed that she’s one of 12 rising artists selected to appear on the new CBS competition series. Set to premiere this fall, the show follows a group of aspiring musicians selected to compete as opening acts for Urban at venues across America.

‘The Road’ Is Set To Air This Fall

Each episode features live performances and behind-the-scenes moments as the artists face the realities of life on the road. Urban will be joined throughout the season by executive producers Blake Shelton and Taylor Sheridan, “Tour Manager” Gretchen Wilson, and a rotating cast of country stars and live audiences who help decide which acts move on in the competition. Only one artist will walk away with the yet-to-be-revealed grand prize.

She says she’s looking forward to watching with everyone this fall.

Contestants of season one of the CBS Original Series THE ROAD. Pictured (L-R): Top Row: Channing Wilson, Britnee Kellogg, Blaine Bailey, Cassidy Daniels, Forrest McCurren, Briana Adams, Adam Sanders, and Olivia Harms. Bottom Row: Jon Wood, Billie Jo Jones, Cody Hibbard, and Jenny Tolman. Photo by Evan Mulling/CBS
Contestants of season one of the CBS Original Series THE ROAD. Pictured (L-R): Top Row: Channing Wilson, Britnee Kellogg, Blaine Bailey, Cassidy Daniels, Forrest McCurren, Briana Adams, Adam Sanders, and Olivia Harms. Bottom Row: Jon Wood, Billie Jo Jones, Cody Hibbard, and Jenny Tolman. Photo by Evan Mulling/CBS

“The 12 musicians are absolutely incredible and I have now gained 11 new brothers and sisters that will forever be such a big part of my life,” she gushed. “You can expect to see me being my authentic true self. I am 100% a what you see is what you get, and I always keep it real. You’ll see me glammed up and then no makeup with a trucker hat, being my silly self and singing with all my heart.”

After the show, Kellogg admits she feels like a changed woman and credits Urban for giving her advice she will cherish forever.  

Britnee Kellogg, Contestant on season one of the CBS Original Series THE ROAD. Photo by Evan Mulling/CBS
Britnee Kellogg, Contestant on season one of the CBS Original Series THE ROAD. Photo by Evan Mulling/CBS

“The best advice I received on the show was from Keith Urban. He really helped me open up on stage and step into my confidence. He complimented my songwriting, and I feel like I’m forever changed as a performer because of the belief he instilled in me,” she shared.

The Road is set to premiere in fall 2025 and will air Sundays from 9:00–10:00 PM ET/PT on the CBS Television Network. It will also be available to stream live and on-demand on Paramount+.

The post Keith Urban Invites ‘The Road’ Contestant Britnee Kellogg to Join Him for ‘We Were Us’ Duet appeared first on Country Now.

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Kane Brown Could Break His Album Cycle If ‘2 Pair’ Takes Off

Kane Brown typically takes two to three years between albums to write and ensure the project is ready to share with fans. However, if his latest release, “2 Pair” takes off the way he’s hoping, he says that timeline could shift.

He released his fourth studio album, The High Road, at the top of the year. By his usual pace, that would normally mean that fans shouldn’t expect another full-length project until 2027 or 2028. But in a recent interview with Audacy’s Katie Neal, Brown shared that “2 Pair” has his full attention right now, and it’s already pulling him back into writing mode for a project that would potentially come sooner than expected.

Photo Courtesy Kane Brown
Photo Courtesy Kane Brown

“So this is the song that I’m focused on. But I have writers coming down to Florida actually this week,” he revealed at the time. “It wasn’t going to be a project, but if this song “2 Pair” takes off, then there might be a EP or a quick nine-song album or something coming out.”

He goes on to say that this summertime anthem has him the most excited he’s been about a song in a while. Not only has it encouraged him to get back into writing sessions, but the country star admits he’s also fired up about getting back on his “social media grind.”

“You’re going to see me everywhere,” Brown admitted.

Produced by Jordan Schmidt and penned alongside co-writers Andrew Haas, Gabe Foust, Ian Franzino, Jacob Hackworth and Jaxson Free, the country, pop, and R&B blended track perfectly sets the tone for the care-free nature of the warm season.

Brown explained that this song is intended to be his countrified version of Nelly’s early 2000s track, “Air Force Ones.” The lyrics pay tribute to Brown’s appreciation for the classic country style as he emphasizes the importance of having good pair of leather boots for any occasion.

“Give me two pairs of Luccheses/ All-white shirt and some bootcut jeans/ I’ll go all night, stomping to the beat/ I just got a check, blew it all on my feet like/ Ooh, ooh/ Ain’t s**t you can tell me, I feel like Nelly/ Give me two pairs of Lucchese’s/ All-white shirt and some bootcut jeans, yeah,” he sings.

Kane Brown; 2 Pairs
Kane Brown; 2 Pair

Continuing to share his pride for the track, Brown added, “It’s really just a fun stomping song, like the country version of Nelly’s ‘Air Force Ones.’”

The multi-platinum selling act revealed that there was a lot of work that went being the scenes in order to make “2 Pair” perfect.

“At first, I wanted to release it and then we got feedback of, ‘I want to hear it grow’ and we were trying to do it so fast and make it look like we’re just putting this out, we’re not really putting a lot of effort behind it,” he explained.

Thanks to producer Jordan Schmidt, they eventually landed on a sound that finally made Brown feel like their work was complete and ready to share with the world.

“The chorus is just, it’s going to carry the summer. The song just keeps growing. I love the verses more. Everything about it, I just love 10 times more.” 

Kane Brown is keeping plenty on his plate this year. In addition to getting back to work with his songwriting duties, he’s hitting the road for a run of solo shows and major festival appearances this summer. Then, he’ll head overseas for the second leg of The High Road Tour across Europe and the UK.

On top of the tour, he’s also gearing up for his feature film debut in The Token Groomsman. And if “2 Pair” keeps building momentum the way he hopes, fans might be seeing even more from Kane Brown in the near future.

The post Kane Brown Could Break His Album Cycle If ‘2 Pair’ Takes Off appeared first on Country Now.

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How A Track Inspired By Koe Wetzel Became A Highlight On Parker McCollum’s New Album

Parker McCollum’s new self-titled album closes with a song that’s become one of his personal favorites, but he revealed it almost ended up in someone else’s hands. 

When he first started writing “My Worst Enemy,” McCollum had fellow Texan Koe Wetzel in mind, drawing inspiration from what Wetzel was going through at the time. Fortunately for McCollum, his fellow Texan passed on the chance to cut it and now the track holds a standout spot on the just-released album.

“I was writing it and then Wade Bowen was coming over to my house and I just sat down and I started writing it. I was like, ‘man, I feel like just thinking about Koe and everything he was going through at the time and some of the music he was putting out.’ And so I was kind of writing it with him in mind,” McCollum explained to Audacy’s Katie Neal.

McCollum originally pitched the track to his fellow artist who inspired the deep storyline, but he quickly had second thoughts. “I really wish I wouldn’t have done that,” he admitted, after realizing he wanted to cut the song himself.

He also offered Wetzel the chance to be a featured artist on the track, which he once agin declined.

“Luckily, he didn’t cut it, and then I asked him to sing on it with me, and he didn’t want to do that,” McCollum added. “And so I was like, alright, I’m going to cut it on this record. And it turned out to be one of my favorite songs on the record. I just love it so much. So I’m really glad he didn’t like it.”

The song is as raw as it gets, offering an exploration of self-doubt, internal battles, and loneliness. The moody melody mixed with pain-soaked lyrics paints a vivid picture of someone haunted by a toxic relationship with themselves and feeling trapped in a cycle they can’t escape the voice inside.

“Mirror, mirror could it be any clearer?/ Is there someone that I’m supposed to see?/ Ride or die, been this way my whole life/ Guess it’s all that I’m ever gonna be/ My worst enemy,” McCollum sings through his gritty vocals on the chorus.

In another conversation with Country Now and other outlets, the “What Kinda Man” singer opened up about this decision to place “My Worst Enemy” as the very last track of his self-titled collection.

“It felt real final. It felt like a great goodbye,” he explained. “It wasn’t really the last song on the record or hadn’t even talked about anything like that. And we were all kind in the studio looking at each other doing a live fade out and everybody’s kind of playing down and all of a sudden just that big outro, everybody just knew. I feel like you ride off into the sunset on that outro and we were sitting back listening to it. I was like, man, ‘That’s got to be the last song on the record.’”

Parker McCollum; Photo by Tim O'Keefe
Parker McCollum; Photo by Tim O’Keefe

“My Worst Enemy” perfectly fits into themes of authenticity and rawness that curses throughout the 14-track project. These songs give fans a deeper look into who Parker McCollum is and allows him to step expectations of others. As a result, he has embraced a sound that’s entirely his own.

The post How A Track Inspired By Koe Wetzel Became A Highlight On Parker McCollum’s New Album appeared first on Country Now.

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See Inside Post Malone’s Massive New Nashville Bar, Posty’s

Post Malone has officially opened the doors to Posty’s in Nashville ahead of the July 4th holiday weekend. 

Located at 305 Broadway, the 26,000-square-foot establishment opened its doors on Wednesday, July 2. It features six bars and three stages across three floors. 

Posty's
Posty’s

According to a release, Posty’s boasts the largest ground-floor footprint on Broadway, complete with three bars, a VIP lounge, a live music stage, and a gift shop. 

Guests can also enter from 3rd Avenue for quick counter-service dining, while the lower-level artist lounge provides a private space with karaoke. 

Upstairs, the rooftop patio delivers stunning views of Nashville’s beloved skyline. 

Posty's; Photo by Sam Calderon
Posty’s; Photo by Sam Calderon

Fans hoping to grab a bite to eat are in luck because the Posty’s menu has something for everyone with a variety of flavors and dishes. The menu includes sandwiches, salads, and Southern classics including BBQ ribs, cowboy ribeyes, and more. 

A late-night menu is available at the counter near the Roadside entrance off 3rd Ave with selections like grilled cheese and a Nashville Hot Chicken sandwich. 

“We’ve created a space where everyone can come together and kick some ass. Nashville has really become a second home for me so I can’t wait to invite y’all over to my house,” Post Malone previously shared of Posty’s. 

Posty's; Photo by Sam Calderon
Posty’s; Photo by Sam Calderon

Posty’s is operated by TC Restaurant Group, which is known for its successful management and operations of celebrity branded venues such as Morgan Wallen’s This Bar & Tennessee Kitchen, Jason Aldean’s Kitchen + Rooftop Bar, Luke’s 32 Bridge, Miranda Lambert’s Casa Rosa, and Lainey Wilson’s Bell Bottoms Up.

“Post Malone is one of the most influential and gravitational artists of our time, and we’re thrilled to partner with him on this exciting concept,” Adam Hesler, President and CEO of TC Restaurant Group, previously shared.. “We’re honored to work with someone as dynamic as he is and create a venue that embodies his spirit and brings a new experience to Nashville’s Entertainment District. There’s only one reason we would consider expanding our artist partnerships, and that is to have the ability to partner with someone of the caliber, innovation and authenticity of Post. His talent and ability to transcend multiple genres is one of a kind, and we look forward to creating a venue that resonates with his global fan base.” 

Posty's; Photo by Sam Calderon
Posty’s; Photo by Sam Calderon

Post Malone recently wrapped his “Big Ass Stadium” tour, following his record-breaking F-1 Trillion Tour last fall. These tours were in support of his debut country album, F-1 Trillion, which landed at No.1 on the Billboard 200 chart upon its release. 

The post See Inside Post Malone’s Massive New Nashville Bar, Posty’s appeared first on Country Now.

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R&B

‘Up for the Down Stroke’: Parliament Finds The Classic P-Funk Sound

Parliament Up for the Down Stroke album cover

More than Parliament’s official second full-length, Up For the Down Stroke signals a sea change in the history of Parliament-Funkadelic: the inception of the classic P-Funk sound. The wigged-out predecessor Osmium (and Funkadelic’s early oeuvre) spiked Black pop’s punch bowl with psyche-soul tabs. But Up For the Down Stroke represents a reorganization of influences, sounds, and ideas that feels like hearing one of the most vital musical movements of modern times cohere in real time.

Recording and performing largely as Funkadelic during the first part of the 1970s, George Clinton and his ensemble of singers and musicians excelled in the heavy – grooves, guitar, and commentary. But by 1974 Clinton correctly sensed that his troupe needed to reinvent itself in order to keep pace with the ongoing innovations in Black music. He conceived a rebooted Parliament (itself an expanded iteration of the original Parliaments vocal quintet) as an entity with its own distinct sensibilities – “jazzy James Brown, or a pop Pink Floyd,” as he once described it. Sliding into focus as outlandish front man, Clinton found a willing label partner for his vision in Casablanca Records’ Neil Bogart (whose risk-taking and affinity for theatricality was reflected in his two other notable signees of the time, Donna Summer and Kiss). But where Funkadelic comfortably played bills alongside rock acts, Parliament would openly court Black radio as it defined its new sound.

Buy Parliament’s music on vinyl or CD now.

Up For the Down Stroke’s title track realized the goal straight away, becoming the group’s first Top 10 R&B hit, and blueprinted the P-Funk approach as it would come to be known: a heavy-on-the-one groove anchored by Bootsy Collins’s nimble bass, Bernie Worrell’s snaking keyboards, and super tight horn charts supporting an intriguing irresistible hook that could mean everything or absolutely nothing (or more of either than you initially thought). Nods to the group’s past manifest themselves in remakes of its 60s singles originally cut in the classic Motown style. Here they’re (obviously) funkier – and in their best moments oddly haunting (particularly on extended takes on “The Goose” and “All Your Goodies Are Gone”).

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Most memorable, however, is the material that foreshadows the conceptual brilliance Parliament would later more fully explore. An early manifestation of P-Funk’s cosmology, “I Just Got Back” (credited: “From the fantasy, Ahead of Our Time In The Four Lands Of Ellet”) finds Clinton exalting the beauty of a distant world he’s returned from “beyond the things that we’ve dreamed about” over lovely acoustic guitar and whistling. Best of all is the album’s eerie finale, “Presence of a Brain” – an espousal of humanity over artificiality that finds longtime P-Funk musical director Garry Shider testifying, “Magnetism is more intelligent than force.” By the end of the song, though, the energy has turned mournful, Shider pleading, “When’ll God’s children start thinking together/Learning to live and love one another?” Parliament already seemed to understand that fantasy, reality, and the stakes of controlling the soul of the universe were more closely intertwined than most realized.

Buy Parliament’s music on vinyl or CD now.

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Hip Hop

Bone Thugs-N-Harmony Named Among 2026 Hollywood Walk Of Fame Honorees

Bone Thugs-n-Harmony are getting their own star on the Hollywood Walk of Fame.

The group—Bizzy Bone, Layzie Bone, Krayzie Bone, Flesh N Bone and Wish Bone—made the announcement via Instagram on Wednesday (July 2) along with a screenshot of a press release from the Hollywood Chamber of Commerce.

“BREAKING NEWS: It has just been announced that Bone Thugs N Harmony is officially in The Hollywood Walk of Fame #2026 along with the likes of @shaq @mileycyrus @thelegendaryclarksisters @demimoore just to name a few,” the caption reads. “Buck Buck Buck.”

Several of the pioneering Cleveland group’s peers hopped in the comment section to celebrate the win, including Fat Joe and DJ Paul of Three 6 Mafia. They’ll join a long list that includes fellow recording artists Miley Cyrus, Air Supply, Paulinho Da Costa, The Clark Sisters, Josh Groban, Grupo Intocable, Angélique Kidjo and Lyle Lovett as well as actors Emily Blunt, Timothée Chalamet, Chris Columbus, Demi Moore, Molly Ringwald and Stanley Tucci, among others.

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A post shared by Layzie Bone (@thereallayziebone)

Bone Thugs officially reunited earlier this year. In April, they released “Aww S###,” their first track featuring all five original members in nearly 15 years and the lead single from their upcoming album.

Leading up to its release, Bone Thugs had been sharing behind-the-scenes photos of their trip to Houston, where all five original members were working on the forthcoming album, their first group effort since 2010’s Uni5: The World’s Enemy. AllHipHop spoke to Krayzie, who had just returned to Los Angeles.

“The vibe was great,” Krayzie said at the time. “We just picked up where we left off. Everything was smooth and we were working really fast. We knocked out like four or five songs. It was a wonderful thing.”

Bone Thugs’ reunion is partly credited to UFC fighter Conor McGregor, whose recently launched Greenback Records is Ireland’s first major record label. So far, Greenback has signed Xzibit, Telander and Bone Thugs so far.

“Connor expressed interest in us last year and wanted to work with us,” Krayzie explained. “Once he put the offer on the table, it looked good. We actually signed the deal last year, but the holidays and rescheduled shows took up the first two months of 2025.  When he saw what was on the table, it was like….I mean, we were going to do this anyway, even without Connor McGregor. The Conor McGregor situation just made it happen faster.”

Scarface of the Geto Boys and Bun B of UGK showed up to the studio and are rumored to be on the project.

“We’re just getting started, but we let ’em know we wanted a feature,” he added. “When we put the videos up on social media and people are starting to see us together, the buzz is buzzing right now for sure.”

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Hip Hop

Master P Trounces Mia X: “Disciples Did Jesus Dirty”

Southern rap mogul Master P has responded to public claims made by Mia X, the First Lady of No Limit Records, who earlier this week announced she would not be performing at Essence Festival during what has been billed as his final live performance.

In a lengthy and emotionally charged statement posted to social media titled “Say Goodbye to the Bad Guy,” Master P addressed the backlash and what he described as “drama and comedy” surrounding the situation. Without naming Mia X directly, he shared his disappointment over the public nature of the dispute, stating, “I agreed to pay her whatever she asked for. Going to social media after I’ve agreed to do whatever she wanted is disappointing.”

The New Orleans rapper defended his legacy, emphasizing his long-standing contributions to the community and artists, who were once part of the No Limit family.

“I’ve been giving back to our communities for over 25 years… put artists on… gave them opportunities that nobody else would,” he wrote in a since-deleted Instagram post. “It’s been over 20 years ago that these artists were signed to me, and since then they’ve moved on to other labels. And I still showed love.”

Mia X previously explained her decision to withdraw from the July 6 Essence Fest performance, citing miscommunication, lack of rehearsal time, a late contract and disrespect around negotiations. She also expressed frustration over being advertised without her formal agreement, despite not finalizing terms.

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A post shared by Mia X (@themamamiax)

Master P, in turn, rejected accusations of disrespect or poor communication.

“How is it poor communication if my management has been speaking to artists directly for years and paying them for shows they’ve booked?” he asked. “And how is it disrespectful to offer a compensation larger than whatever the artist has ever received for a show?”

While Mia X framed her statement around professionalism, transparency and the need to protect Black women in business, Master P suggested ulterior motives from those around him.

“The disciples did Jesus dirty so I know what they’ll try to do me,” he wrote, adding that many people were “only around you for the benefits.”

The upcoming performance, still scheduled for July 6 at Essence Fest in New Orleans, is being promoted as Master P’s farewell celebration—a milestone in a storied career that transformed Southern Hip-Hop and empowered numerous artists.

“I’m focusing on coaching and making a difference,” Master P concluded. “We gon’ turn up one more time for Essence. Salute to all my real Soldiers.”

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A post shared by Master P (@masterp)

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Hip Hop

Benzino Reacts To Drake Comparison After Viral Mirror Selfie: “Make It Make Sense You Weirdos”

Benzino lashed out Tuesday (July 1) after being compared to Drake in a viral post that featured a side-by-side photo of both shirtless, accusing the blog of using a doctored image of him.

“The next time you post a pic of me comparing me to @drake make sure yall don’t use a photoshopped one off the internet,” he wrote on social media. “I got a bunch of dope gym pics on here you can use. Keep mind I’ll be 60 in 2 weeks so make it make sense you weirdos.”

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A post shared by Benzino (@benzinothelegend)

The post came after Drake uploaded a shirtless selfie to Instagram, flaunting sharply defined abs that quickly drew scrutiny from users online. Some accused the Toronto rapper of having surgically enhanced abs, while others joked about the resemblance to Benzino’s physique.

The comparison didn’t sit well with the former Source magazine publisher, who regularly shares his fitness progress and gym routines on social media.

Benzino has been vocal about his dedication to staying fit and active. In a 2024 interview, he opened up about returning to the gym after a six-month break.

“These last few months I’ve been hitting the gym like I never had before,” he said. “It feels amazing. There’s nothing that these younger guys are doing that I can’t do, and that alone feels good.”

Benzino also credited Hip-Hop culture for helping him stay mentally and physically youthful.

“Hip-Hop has really kept us young at heart,” he said. “Without Hip-Hop, we probably would be a lot older than we portray to be.”

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Hip Hop

“Squid Game” Stars Jo Yu-ri & Yim Si-wan Talk Season 3, Hip-Hop Culture & More

The global sensation Squid Game returns with Season 3—and joining the brutal competition are new standout cast members Jo Yu-ri (Player 222) and Yim Si-wan (Player 333).

In an exclusive sit-down with AllHipHop’s D-Nellz, the two stars open up about their emotional journeys, the toll of filming, and the pressure of joining the hit series.

Jo Yu-ri, known for her work as a singer, plays a pregnant participant fighting for survival. Yim Si-wan, a former K-pop idol, brings complex layers to his morally shaky character. Both say the script pulled them in instantly. And, when they got comfortable, they were immersed fully in the story.

But this wasn’t just about acting. Since AllHipHop was in the room, the conversation naturally shifted to Hip-Hop. Korean rap has gained traction globally and both stars revealed their respect for the roots and the culture.

East met West in the most authentic way—and the synergy is undeniable.

AllHipHop (D-Nellz): When you first got the script for Season 3, what was your immediate reaction?

Yim Si-wan: I was completely hooked. I read the entire thing in one go. It was that immersive—I couldn’t stop.

Jo Yu-ri: Same here. It took me about three hours, but I didn’t put it down once. I had to know what happened.

AllHipHop: Did the global success of Squid Game bring added pressure to your performances?

Yim Si-wan: Definitely. At first, I felt that pressure. But once I read the script, it was so well-written that I just told myself: trust the story, trust the director, and trust my castmates. That helped me shift my focus.

Jo Yu-ri: I agree. The expectations were high, but I reminded myself to enjoy the process. Once we started filming, the pressure kind of melted away.

AllHipHop: What was the most challenging part of filming?

Yim Si-wan: Emotionally, it was tough. My character’s morality is murky. He’s not clearly a good or bad guy. That ambiguity took a mental toll while filming.

Jo Yu-ri: For me, it was also emotionally heavy. My character is pregnant, so beyond just surviving, she’s fighting to protect a child. That added a lot of emotional weight to every scene.

AllHipHop: Since we’re AllHipHop, we have to ask…how do you both feel about Hip-Hop’s influence in Korean culture?

Yim Si-wan: I have huge respect for Hip-Hop. There are so many amazing artists I admire. It’s a genre that tells the truth in a raw, emotional way.

Jo Yu-ri: I’ve always felt a connection to Hip-Hop—even if I’m more known for pop music. It’s powerful, and I think Korean and Western Hip-Hop are learning from each other every day.

Head to www.netflix.com/SquidGame for all the action.

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BREAKING: Diddy Denied Bail—Deemed Too Violent To Be Released After Partial Acquittal

Diddy will remain behind bars after a federal judge refused to grant his release following a partial acquittal in his high-profile sex trafficking and racketeering trial.

Despite being cleared of the most serious allegations—including racketeering and sex trafficking involving Cassie Ventura, Diddy was found guilty on two counts of transporting women across state lines for prostitution.

The jury reached its decision after three days of deliberation.

Diddy’s legal team pushed for his release on a $1 million bond, arguing the remaining convictions don’t qualify as “crimes of violence” under federal law; however, Judge Arun Subramanian denied his release.

The judge cited multiple incidents that demonstrate he poses a continued danger to the community. The court referenced the widely circulated video showing Diddy assaulting Ventura and highlighted a separate violent altercation at the London Hotel.

The judge emphasized that even under the standard of proving he’s not a threat, Diddy failed to meet the burden. The court noted that the defense had already conceded to his violent behavior and concluded there was no justification to reverse the previous decision to deny bail.

“For months, the government repeatedly argued, and announced to the world, that Sean Combs was a monster who perpetrated a 20-year federal crime spree through a racketeering enterprise,” attorney AE Shapiro wrote in a letter to the judge. “It devoted enormous resources to this prosecution. Then, after almost a year in detention, Mr. Combs finally got his day in Court, and the government’s allegations were tested before a jury of his peers.

“That jury heard the government’s evidence, including testimony from his former girlfriends. By its verdict, the jury resoundingly rejected the government’s depiction of Mr. Combs. It would be unjust to continue detaining Mr. Combs at the MDC even one day longer.”

The defense cited Diddy’s family obligations, his mother’s health and the conditions at the Metropolitan Detention Center as reasons for bail.

Prosecutors pushed back, saying the convictions still fall under the category of violent crimes, which legally require detention until sentencing. They pointed to Diddy’s alleged history of violence, drug use and efforts to hide his actions.

“While the defendant has offered to have multiple sureties from his family, evidence at trial established that the defendant repeatedly sought to conceal his criminal conduct from those close to him,” prosecutors wrote. “The defendant’s conduct after he understood that he was under federal investigation underscores that he continues to be a danger to others and is either unable or unwilling to follow the law.”

Judge Arun Subramanian ultimately ruled that Diddy must remain in federal custody until his sentencing on October 3, 2025.

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