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Just Like Daddy: Diddy’s Twin Daughters Launch Clothing Line 12twinty1

Jessie and D’Lila Combs unveiled their debut fashion label 12twinty1 on Instagram on Wednesday (July 9), introducing a streetwear brand rooted in identity and inspired by their twinhood.

The twin daughters of Diddy announced the launch through a video post, revealing the name draws from their shared birthday, December 21. The brand’s mission centers on comfort, self-expression and inclusivity.

“We’ve been waiting our entire lives for this moment — and it’s surreal to finally share it with you,” the twins said in a joint statement. “This isn’t just a brand. It’s our story. Our bond. Our roots. 12twinty1 was created with purpose, built from who we are, not just what we wear.”

They continued, “The name reflects our birthday, December 21st, but it means so much more: 1 is bold, fearless, and marks the beginning of something powerful. 2 speaks to love, connection, and harmony, the essence of our twin hood. We’ve spent so much time pouring our hearts into creating a brand that speaks to everyone. It’s more than fashion, it’s about identity, confidence, and being seen. This is just the beginning. Stay tuned. We cannot wait to grow this with you.”

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The launch marks a new chapter for the Combs family in fashion, following in the footsteps of their father’s once-dominant clothing empire, Sean John.

Founded in 1998, Sean John became a staple in Hip-Hop fashion, pulling in over $500 million in annual sales during its glory days.

In 2016, Diddy sold a majority stake in Sean John to Global Brands Group. After the company filed for bankruptcy, he repurchased the label in 2021 for $7.5 million, aiming to restore its legacy.

But while his daughters are building their own fashion identity, Diddy’s public image continues to unravel.

Last week (July 2), he was convicted on two federal counts of transporting individuals for prostitution. He was acquitted of more serious charges, including sex trafficking and racketeering.

Each conviction carries a maximum of 10 years in prison. Legal analysts expect a sentence between 2.5 and 5 years. He remains in custody after being denied bail, with the judge citing concerns about violence in past relationships and potential witness tampering.

Diddy’s sentencing is scheduled for October 3, 2025.

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X CEO Steps Down After Grok Goes Kanye West- Style With Antisemitic Comments

Linda Yaccarino stepped down as CEO of Elon Musk’s X on Wednesday (July 9) after two years at the helm of the Elon Musk-owned platform, just days after its Grok chatbot drew backlash for making anti-Semitic remarks.

The resignation, announced via a tweet came without a direct explanation, though it follows mounting scrutiny over the behavior of Grok, the artificial intelligence tool developed by Musk’s xAI firm.

Yaccarino did not reference the controversy in her statement.

“After two incredible years, I’ve decided to step down as CEO of X,” Yaccarino wrote. “When @elonmusk and I first spoke of his vision for X, I knew it would be the opportunity of a lifetime to carry out the extraordinary mission of this company. I’m immensely grateful to him for entrusting me with the responsibility of protecting free speech, turning the company around, and transforming X into the Everything App.”

Yaccarino joined X in May 2023 after a high-profile run at NBCUniversal, where she led global advertising. Her appointment by Elon Musk was seen as a strategic move to stabilize the platform’s business operations and rebuild relationships with advertisers following Musk’s 2022 acquisition of Twitter.

During her time as CEO, she focused on content moderation, brand safety and restoring corporate trust.

“I’m incredibly proud of the X team — the historic business turn around we have accomplished together has been nothing short of remarkable,” she said. “We started with the critical early work necessary to prioritize the safety of our users — especially children, and to restore advertiser confidence.”

The timing of her exit comes as X faces renewed criticism over its AI strategy. Grok, the chatbot launched by xAI and integrated into the platform, recently generated responses that were widely condemned as anti-Semitic after its latest update.

Grok referred to itself as “MechaHitler” and said, “The white man stands for innovation, grit and not bending to PC nonsense,” in another post.

The company has not publicly addressed whether the incident played a role in Yaccarino’s departure.

“X is truly a digital town square for all voices and the world’s most powerful culture signal,” Yaccarino added. “We couldn’t have achieved that without the support of our users, business partners, and the most innovative team in the world. I’ll be cheering you all on as you continue to change the world.”

Yaccarino’s resignation marks another leadership shakeup for X as it continues to navigate the intersection of free speech, artificial intelligence and platform safety.

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“Superman” 2025 Offers Light & Fantastical Take On Man of Steel

Chris “Boogie” Brown reviews the latest version of the DC classic superhero.

Superman, the first film under Warner Bros. Discovery’s new “DC Studios” banner, is directed by James Gunn and stars David Corenswet, Rachel Brosnahan and Nicholas Hoult. Here are my spoiler-free thoughts.

The film is set in a fictional universe, where metahumans have been known to society for more than 300 years. Rather than functioning as an origin story, the narrative picks up with Superman already three years into his role as Earth’s protector. The movie serves as a snapshot in time, depicting a chaotic week in the hero’s life as he navigates the duality of his Smallville upbringing and Kryptonian heritage.

Superman’s relationships, with Lois Lane, his dog Krypt and the public at-large, are explored under the cloud of backlash and scrutiny. A lot of this is orchestrated by the ever-manipulative Lex Luthor. Using social media smears and political influence, Luthor sets out to discredit the Man of Steel permanently. He’s aided by Ultraman, a powerful foe, and The Engineer, a nanotech-enhanced warrior.

In response, Superman forms an unlikely alliance with a group of metahumans including Mister Terrific, Hawkgirl, Guy Gardner and a mysterious otherworldly ally. Together, they aim to stop Luthor’s sinister plans.

Going into the film with modest expectations, I was pleasantly surprised. Superman is a solid and enjoyable superhero entry that delivers something new for fans of the character. That said, it’s important to note this movie is tonally distinct from Zack Snyder’s 2013 film, Man of Steel. While Man of Steel embraced a grounded and existential tone, Superman veers sharply toward the fantastical. It’s closer to the spirit of DC’s Silver Age.

The tone is lighthearted, playful and even whimsical, with offbeat humor and vibrant visuals. Superman aims to evoke the nostalgia of Richard Donner’s 1978 film while feeling like a live-action animated feature. Viewers familiar with Superman: The Animated Series or My Adventures with Superman will recognize the tone instantly. From the classic score to its bright color palette, this is classic material.

While the humor and sci-fi tropes don’t always land, the film embraces its comic book roots unapologetically. Key action sequences involving Superman, Krypto and the Justice Gang offer fun, uneven spectacles.

The ensemble cast includes David Corenswet as Clark Kent/Superman, Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Ed Gathegi plays Mister Terrific and Nathan Fillion is Guy Gardner. Rounding out the cast is Isabela Merced as Hawkgirl, Anthony Carrigan as Metamorpho, Maria Gabriela de Faria as The Engineer and the legendary Wendell Pierce as Perry White. Last, but not least: Skyler Gisondo plays Jimmy Olsen.

Brosnahan delivers a confident, sharp portrayal of Lois Lane, capturing both her intelligence and spirit. Her chemistry with Corenswet feels genuine. Hoult plays a psychologically unstable, obsessive Lex Luthor with conviction. At times some of his manic moments slide into camp. Ed Gathegi’s Mister Terrific is a standout, while performances by Fillion and Merced felt less memorable.

Corenswet shines in the dual role. He effectively capturing Clark Kent’s modest awkwardness and Superman’s earnest heroism. He looks the part—standing at 6-foot-4—and brings warmth and physicality to the role, even if the suit design isn’t ideal. His performance feels distinct among past portrayals, offering a fresh interpretation of the iconic character.

Still, the film isn’t without its flaws. Tonally, it sometimes feels like a Guardians of the Galaxy film dressed in Superman’s colors. Gunn is well known for directing the Guardians of the Galaxy trilogy for Marvel. The crowded cast occasionally sidelines Superman himself. Visually, the film suffers from inconsistencies, with cinematographer Henry Braham’s ultra-wide lens choices leading to warped or uncanny character appearances in certain shots. Although it’s an improvement over his work on The Flash (2023), the over-lighting and visual distortions persist.

Despite those issues, Superman manages to balance its story, action, and joyful tone. There is one particularly violent scene involving Luthor, but this is mostly an accessible film that could appeal to all. Reception among hardcore comic book movie fans will likely vary depending on expectations.

If you’re partial to the hopeful tone of 1978’s Superman: The Movie, this may be your film. If you favor the brooding, philosophical depth of Man of Steel, you might find this version lacking. However, if you’re simply excited to see Superman back on the big screen, Superman delivers a crowd-pleasing ride.

This Superman film carves its own path with a fresh story, distinct tone and colorful direction. As the first entry in the new DC Universe, it packs a big punch.

Superman opens in theaters nationwide on (Friday) July 11.

FINAL RATING: 3.5 out of 5 Stars

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Diddy Notches Partial Legal Victory, Judge Dismisses Key Claims In Ecstacy Assault Lawsuit

Diddy scored a partial legal win in New York as a judge tossed out most of the claims brought by April Lampros, who claimed the rap mogul raped her in 1995 in a hotel room.

Lampros filed the lawsuit in 2023, alleging that Diddy lured her into a controlling relationship under the guise of mentorship in music and fashion.

She also alleged that in 1996, Combs forced her and his then-girlfriend Kim Porter to take ecstasy before raping her.

Justice Leslie Stroth dismissed all claims of battery, assault, and emotional distress against Diddy and other named parties, including Bad Boy Records.

The court also rejected all allegations under the GMVPL that occurred before December 19, 2000, and denied Lampros’ request to revise her complaint.

The only surviving claim stems from an alleged incident in late 2000 or early 2001. Lampros claims Diddy made unwanted sexual advances in her apartment. According to the complaint, he left after being asked to go.

The remaining accusation involves alleged groping and forced kissing. The court clarified that no rape allegations are part of the ongoing claim.

The ruling came at the pleading stage, meaning no evidence has been presented or evaluated.

Diddy has not yet had the chance to formally respond to the remaining allegation because he’s been fighting a RICO case, which he defeated on July 2, but is awaiting sentencing for two counts of transportation to engage in prostitution.

The court emphasized that its decision does not weigh in on the truthfulness of the claims.

Diddy’s legal team has strongly denied the accusations. In a previous statement, his attorney Erica Wolff.

“April Lampros filed this baseless lawsuit more than twenty years after the end of her romantic relationship with [Diddy] represented by an attorney who regularly sues celebrities and was recently chastised by a federal judge for ‘improperly fil[ing] cases to garner media attention, embarrass defendants with salacious allegations, and pressure defendants to settle quickly,” Erica Wolff said.

The case will now proceed with only the GMVPL claim related to the alleged 2000-2001 incident. No trial date has been set.

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UK Rapper Giggs Calls For Urgent Action To Help Autistic Children In Schools

British rap icon Giggs used his platform on BBC’s “Newsnight” to speak openly about his autism diagnosis and the urgent need for stronger support systems for children with special educational needs, including his own two young kids.

The South London rapper expressed concern for his 5-year-old daughter Isla and 9-year-old son Israel, both of whom are navigating life with autism.

He warned that without proper Special Educational Needs and Disabilities (SEND) resources in schools, their futures could mirror the struggles he faced growing up.

“In school, I didn’t get any support, so I was always getting in trouble,” he said, explaining how his “impulsive” behavior led to frequent disciplinary issues and the conclusion, “I was good at being bad.”

That lack of support had long-term consequences. “You take that through life,” he said, referencing the path that led him to serve two prison sentences before finding direction in music.

He credits his rap career with turning his life around and said he hopes his son doesn’t have to rely on hardship to shape his own journey.

The “Talkin da Hardest” rapper posted a clip of the interview to Instagram with a direct message in the caption: “MORE SUPPORT IS NEEDED.”

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Giggs Reveals Autism Diagnosis

This isn’t the first time Giggs has spoken publicly about living with autism. On the “90s Baby” podcast, he recalled feeling “different, special, gifted” as a child, but not understanding why until his diagnosis.

He said the lack of awareness and resources at the time left him without the tools to succeed in school.

His adult son, ML, is also on the autism spectrum and has followed in his father’s footsteps as a musician. ML has also spoken about how autism influences his creativity and everyday life.

Giggs said that finally receiving a diagnosis helped things “make sense” but also highlighted how little support existed for kids like him growing up.

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He’s now using his visibility to draw attention to the broader issue of undiagnosed and unsupported autistic children in the UK.

Meanwhile, Giggs is set to headline the final night of the Somerset House Summer Series 2025 with a special “Giggs & Family” performance on Sunday, July 20. It will be his first headlining show in London in more than six years.

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Mello Buckzz Dad Charged With Selling Guns, Even After Mass Shooting

Mello Buckzz’s dad kept selling firearms even after a mass shooting outside his daughter’s album release party left four people dead and 14 wounded, federal prosecutors said.

Melvin Doyle, 45, was charged with being a felon in possession of a firearm after allegedly selling 13 guns to undercover informants between May 20 and July 7, according to a federal complaint.

One of those transactions happened just days after the July 2 shooting outside Artis Lounge in Chicago’s River North neighborhood, where Mello Buckzz had hosted a private event.

Authorities said Doyle, who has prior felony convictions for attempted murder and drug trafficking, was legally barred from owning or selling any firearms.

The Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) launched an investigation in May after receiving tips that Doyle was dealing guns.

Agents used confidential informants to arrange and record multiple buys from Doyle, including one at his home on the 5800 block of South Martin Luther King Drive.

Investigators have not linked Doyle’s weapons to the shooting, and no suspects have been arrested in the case.

Doyle’s criminal history includes a 1998 conviction for attempted murder, a 2003 conviction for manufacturing and delivering controlled substances, and a 2006 conviction for heroin distribution.

Those convictions make it illegal for him to possess or sell firearms. Prosecutors say the gun sales were all captured on audio and video.

Police are still on the hunt for multiple gunmen who opened fire in front of Mello Buckzz’s mixtape release party.

They shot from a dark-colored vehicle around 1:30 a.m. July 2, targeting a crowd outside the club. The shooters fled the scene, and detectives believe the attack may have been retaliatory.

A $10,000 reward is being offered for information leading to arrests.

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Inside THC Dispensary Austin Lounge. The Spot Everyone’s Talking About

In a city celebrated for its vibrant culture and discerning taste, it takes something special for a new business to create a genuine buzz. The Austin cannabis scene is full of options, but a new destination in the St. Elmo District is proving that there’s still room for a truly thoughtful and elevated experience. 


THC Dispensary Austin Lounge, also known as The High Company, has opened its doors with a clear and compelling vision. The establishment is a thoughtfully designed social and cultural hub built around a premium cannabis experience, and it’s already becoming a favorite for those in the know.

The reason for its growing popularity is straightforward: The High Company provides the sophisticated yet completely relaxed Cannabis Lounge Austin locals and visitors have been seeking. 

They’ve seamlessly blended a top-tier dispensary with a space designed for community, discovery, and connection. It’s an innovative and essential addition to the city, providing a destination for newcomers and seasoned connoisseurs to explore the best of Austin’s cannabis culture.

The Atmosphere: A New Standard for Cannabis Spaces

The first thing that strikes you upon entering The High Company is the atmosphere. There is a clear sense of intention in the design. The space manages to be both modern and comfortable, stylish and welcoming, sidestepping the sterile feel of some dispensaries and the cluttered chaos of others. They’ve described it as a “cannabis oasis,” and frankly, that’s exactly what it feels like.

The aesthetic is a unique and effective blend of styles. You can feel a hint of classic “roaring twenties” charm in the rich textures and elegant fixtures, which is then balanced by a clean, modern sensibility that is pure Austin. The walls serve as a rotating gallery for local Austin artists, grounding the dispensary in the city’s rich creative spirit. 

This isn’t just decoration; it’s a statement that signals a deep value for culture and community. The result is a polished backdrop that encourages you to slow down, browse, and have a real conversation.

The Menu: A Curated Approach to Quality

A great environment requires exceptional products to match, and the philosophy here is clearly quality over clutter. The menu at this Austin cannabis dispensary feels handpicked by people who are genuinely passionate about the plant. It’s a focused collection that showcases a deep respect for both cannabis and the people who enjoy it.

Their commitment to sourcing is a key part of this. The High Company has built strong relationships with some of Austin’s most renowned master gardeners and top local suppliers, ensuring their selection is always top-tier. The flower menu, for instance, features beloved classic strains right alongside interesting and rare cultivars that will impress even seasoned enthusiasts. 

This curation extends across their entire menu. The edibles, concentrates, and cannabis-infused beverages are all chosen with a sharp eye for excellence, favoring reliable effects and superior ingredients over novelty.

The Human Element: Guidance, Not Gatekeeping

Perhaps the most crucial element to The High Company’s success is the human experience they provide. The staff here operates with a level of warmth and professionalism that is truly noteworthy. They are aptly named “cannabis counselors,” and they function as passionate, knowledgeable guides for your journey.

Interactions are relaxed, informative, and refreshingly devoid of pressure. The budtenders are skilled at having nuanced conversations about what you’re looking for, whether it’s a specific terpene profile, advice on dosing, or understanding different consumption methods. 

They excel at demystifying cannabis for newcomers and geeking out with experts. This dedication to a superior customer experience is a core reason why word-of-mouth has been so powerful for this new spot, solidifying its reputation as a contender for the best dispensary in Austin.

The Lounge: The Future of Cannabis Culture in Texas


Image Credit: THC Dispensary Austin Lounge

What truly sets The High Company apart and fuels the city-wide buzz is its ambitious vision for the future: the creation of Austin’s first truly elevated cannabis lounge. This concept is central to the brand’s identity and its commitment to building a real community.

The plan is to create a high-end, ridiculously comfortable space where guests can unwind and connect. The vision includes a full calendar of intimate live music events featuring local Austin artists, creating a much-needed new venue for the city’s talent. 

They also plan to host educational classes and workshops, covering everything from “Cannabis 101” for beginners to deep dives into cultivation and infused gourmet pairings for the connoisseur. This forward-thinking concept—a dedicated, stylish cannabis lounge in Texas—is what makes The High Company a true destination.

How to Visit: A Quick Guide to Your First Trip


Image Credit: THC Dispensary Austin Lounge

Ready to check it out for yourself? The experience at The High Company is designed to be straightforward and enjoyable from start to finish. Here’s a quick guide on what to expect.

First, you’ll find the THC Dispensary Austin Lounge conveniently located in the St. Elmo District with plenty of parking, making the trip easy. When you arrive, the only thing you’ll need is a valid government-issued ID showing you are 21 years of age or older.

Once inside, you’re free to explore. You can browse their full menu on your own, or you can connect with one of their friendly cannabis counselors who can guide you through the selection. While all purchases are completed in person, you can view their entire, up-to-date menu on their website before you visit. 

This is a great way to see what’s in stock and get an idea of what you might like to explore further when you get there.

The Verdict

THC Dispensary Austin Lounge is a smart, well-executed addition to the city’s landscape. It succeeds by seamlessly blending a high-end atmosphere with a down-to-earth, welcoming attitude. It’s a place that respects the intelligence of its customers, celebrates local culture, and is deeply committed to providing a superior experience.

In a scene that is constantly evolving, The High Company feels like the future. It understands that the culture surrounding cannabis is just as important as the product itself. For all those reasons, it is a place that is not just worth visiting, but worth watching.

If you’re ready to see what the next generation of the Austin cannabis experience looks like, a visit is highly recommended.

Here is the new section to add to the end of the article:


Plan Your Visit

Ready to experience The High Company for yourself? 

Here’s everything you need to know to plan your trip to this standout Austin dispensary.

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Faith Evans Accused Of Hoarding Proceeds From $100M Sale Of Biggie’s Catalog In New Lawsuit

Faith Evans is accused of enriching herself from a fat $100 million deal involving The Notorious B.I.G. and now Biggie’s fam is dragging her to court, claiming she’s been hoarding the bag.

According to documents filed in Delaware and unsealed July 8, Faith Evans is being sued by the estate of Biggie’s late mom, Voletta Wallace, for allegedly keeping the trust’s cut of the massive catalog sale to Primary Wave.

The suit says she cut out the trust from both the money and the business side of things after Voletta passed in February.

Wayne Barrow, who manages the trust, is calling foul. He says Evans became the sole manager of Biggie’s estate after Voletta died and has been moving shady ever since.

The lawsuit claims she’s been handing out checks to Biggie’s kids, Ty’anna and CJ, and probably herself, but skipped the trust.

“Ms. Evans has distributed sale proceeds to Ty’anna, CJ, and presumably to herself,” Barrow wrote. “She, however, has wrongfully withheld the Trust’s share of the proceeds, in the amount of [redacted],” Billboard reported.

Barrow also says she’s been ghosting him on all business matters and acting like the trust doesn’t even exist.

“Ms. Evans’s actions are particularly troubling given that, unlike Mr. Barrow, she has never previously been involved in the LLC’s management,” the petition reads.

He’s now asking the court to force Faith Evans to cough up the trust’s share of the sale. Barrow says the money is supposed to go to the Christopher Wallace Memorial Foundation.

He also wants her booted as manager of the LLC and wants the court to let him take over.

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C-Tru and Marina’s My Spirit Fights On Hits #1 with a Story the World Can’t Ignore

Independent artists C‑Tru and Marina have struck a powerful chord with their latest single “My Spirit Fights On,” a raw, emotional track that just climbed to #1 – not through gimmicks or virality, but through truth.

The track was born from a conversation between C‑Tru, a seasoned rapper/producer known for collaborations with Snoop Dogg and DMX, and Marina, a survivor of abuse in the foster system. What started as her personal story became a rallying cry for others. “This one wasn’t just about making music,” said C‑Tru. “It was about doing justice to a story that’s been ignored for too long.”

C‑Tru, with four #1 albums already under his belt, says this moment feels different. The song’s message – about survival, injustice, and healing – has resonated deeply with listeners, especially survivors who have flooded Marina’s inbox with messages of connection and gratitude.

“For years I didn’t have a voice,” said Marina. “To see this song not just reach people, but be heard – it’s overwhelming. That #1 means our pain is being acknowledged.”

Featuring vocals from singer Tariah, the song’s impact has grown far beyond charts. Marina says one message from a young girl who said she finally believes she can heal stands out more than any accolade.

The duo is already working on a remix with a European artist to widen the reach. Marina, originally from Austria, hopes to bring in German rap legend Sido to further amplify the message.

Beyond the music, Marina is planning a film project to tell her full story and build a broader movement focused on survivor support and system reform.

“My Spirit Fights On” is more than a #1 single. It’s a moment of reckoning and proof that music rooted in truth can still cut through.

Watch the official music video for My Spirit Fights On on Marina’s Mission YouTube channel, and follow Marina’s Mission on Instagram for updates on the movement. You can also follow C-Tru on Instagram and stream his music on Spotify.

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LiAngelo Ball Files For Divorce From Rashida Nicole Days After Pregnancy Reveal

LiAngelo Ball filed for divorce from Rashida Nicole in California just one week after she publicly announced she was expecting their child, according to court documents obtained by TMZ Sports.

The former basketball player-turned-rapper, known for his track “Tweaker,” married Nicole on March 24 and listed their separation date as June 15. The filing cites “irreconcilable differences” as the reason for the split. Ball is requesting joint custody and visitation rights.

Nicole’s pregnancy reveal came only seven days before the divorce paperwork was submitted. The timing raised eyebrows online, but Ball didn’t seem fazed by the public reaction.

“When people conversate about my personal life, it don’t touch me or bother me too much. Like I see it, of course, because, you know, everybody got a phone, but it don’t rub me the wrong way or nothing because nobody really go what I go through every day. You not me, for real. So it don’t mean s**t, for real,” Ball told Billboard News.

This isn’t the first time Ball’s personal life has made headlines. In March, Nikki Mudarris—the mother of his other children—claimed he walked out on their family shortly after the birth of their second child.

“We spent three and a half years together, and last week he decided to walk out on his kids and tell me he got someone else pregnant (allegedly) and now is creating a new life with her,” Mudarris wrote in a now-viral Instagram post.

Ball has not publicly responded to Mudarris’ claims.

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