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Anne Wilson On How A Personal Tragedy Shaped Her Faith And Inspired Her Vulnerable New Album, ‘Stars’

Anne Wilson is 23 years old, the same age her brother Jacob was when he tragically passed away in 2017. Coming to terms with this reality has had a profound impact on her life and her perspective on grief, faith, and purpose. It’s this journey that inspired her third studio album, Stars, a deeply personal collection of songs that arrives today, October 17, via Capitol Christian Music Group.

The Lexington, KY native poured the emotions she has walked through since losing Jacob into this coming-of-age collection. She bares her soul while weaving in reflections from her real-life journey—from her childhood dreams of becoming an astronaut, explored in the title track, to the strength of her faith and the resilience that has carried her through the greatest challenges.

Anne Wilson; Photo Provided
Anne Wilson; Photo Provided

“This album is really vulnerable and feels like what I’m still walking through right now as of today,” Wilson recently explained to Country Now. “It’s about kind of exchanging your dreams for God’s dreams and for me that was, I wanted to be an astronaut and work for NASA, and then my brother passed away and everything changed and music became what God was calling me to. So I love getting to dive into this record and write this idea of ‘Stars,’ of what it means to just embrace what God has now put in my life and the dreams that he’s now placed on my heart, which is music and getting to walk. And that has been so cool.”

Each year, the rising star says she chooses a word to use as the foundation for her prayers every day. In 2025, she landed on the word “wonder” after feeling God’s calling to return to that childlike wonder she had before tragedy struck and to dream bigger dreams for her life. One month after making that decision, she began writing for this record. “Wonder” suddenly became the guiding force of these songs, thus adding a whimsical feeling to the vulnerable and real narratives.

Anne Wilson; Photo by Sophia Mantinazad
Anne Wilson; Photo by Sophia Mantinazad

It’s evident that faith is at the center of Anne Wilson’s life, and that extends to her music. As a result, she admits she could never make an album that doesn’t fully reflect her beliefs, including the honest reality that even someone as devoted to their faith as her faces challenges along the way. This honesty coms through particularly in the track, “Still Do.”

“I love artists that write songs or that will cut an outside song that’s nothing about their actual life. But for me, I have to write very real songs of what I’m actually going through and what’s real to my life. And so this album felt like, ‘okay, if I’m going to be honest with fans, then I’m going to have to write a song like ‘Still Do,’ for example, is a very kind of song about wrestling with my faith. And so I just kind of had to get to that point where I was like, okay, I’m going to be vulnerable and real and put this out.”

Every song on this project offers a glimpse into Wilson’s story in some way and a few like her latest release, “Carry On” and the final track, “Twenty Three,” find her digging the deepest into her emotions. These are two songs that Wilson knew she had to put out, even if it meant risking being completely vulnerable with her fans unlike she ever has before.

“There’s a couple other songs that talk about being 23 on this album and it just felt like a really pivotal year for me because I was grasping the idea of living longer than my brother ever got to,” she explained. “And for me, he was eight years older than me so it was like, I always looked at Jacob as so much older and he was this big adult and he is just so much older than me. And now that I’m his age, it’s so hard to grasp that I’m going to live longer than he got to. And it makes me sad and it’s an extra layer of grief.”

Wilson shared that February (when she turned 23) was one of the hardest months she’s had since losing her brother, but it also became one of the most meaningful. Out of that deep grief came the songs that would shape her new album. She says the experience reminded her how pain can sometimes lead to unexpected blessings. After writing most of the project in February and finishing it in May at the beach, she knew the song “Twenty Three” would be the perfect way to close both the album and this chapter of her life.

Anne Wilson is expanding her message of faith beyond music with her new 40-day devotional, Hey Girl: You Are Seen, Loved and Made for More. Named after her 2021 hit single and inspired by the growing Hey Girl Nation community, the book aims to guide young women towards discovering their true worth and connection to God.  The book is designed to connect with readers of all ages, from middle school to college and beyond,

“I just have a heart for young women and reminding them and encouraging them and who they are in Christ. And so this devotional was that. I wanted a girl to have a physical copy of that reminder, and I can only write so many songs. I can only talk so much about that at a show. So to be able to have something that these girls can take home with them and continue to inspire and encourage them outside of listening to my music or watching a show or something was just the goal in that.”

Once again, Wilson found herself trying to create a book that was completely authentic to who she is at 23 years old while also trying to tap into the mind of who she was in her early teens. To write her devotional, she revisited her old journals from middle and high school, reflected on past insecurities and moments of self-doubt. Drawing from those experiences and scripture she created a resource to help others find the same confidence and peace she’s discovered through faith.

Hey Girl: You Are Seen, Loved and Made for More  is available now wherever books are sold.

In support of the new album, Anne Wilson is preparing to embark on The Stars Tour. The trek opens on October 18 in Nashville and runs through November 23. A full list of dates can be found on her official website.

The post Anne Wilson On How A Personal Tragedy Shaped Her Faith And Inspired Her Vulnerable New Album, ‘Stars’ appeared first on Country Now.

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Chris Young Celebrates Renewed Creativity With 10th Studio Album, ‘I Didn’t Come Here to Leave’

Almost two decades into his career, Chris Young is proving that instead of slowing down, he’s raising the bar. With his 10th studio album and first with Black River Entertainment, I Didn’t Come Here To Leave, Young is celebrating a fresh chapter fueled by his latest wave of creativity.

Released today, the 14-track project, featuring 11 songs co-written by Young, came together in less than a year’s time. The Tennessee native explained to Country Now and other outlets that his pen never stopped, even after dropping his latest project and scoring his 14th career No.1, “Young Love & Saturday Nights” in 2024. He found that there was more to be said, and he decided to lean into wherever his creativity was leading him.

“It was very interesting for me because I had all this music that I’d been writing, I’d been constantly writing, and I was like, ‘what am I doing? I’ve got a record out, we just had a number one.’ I don’t know what’s going on, but I’m just continuing to write more and more songs and I had most of this album just teed up, ready to go, not all of it, and I definitely rerecorded all of the demos that I had, but that was one thing that we did and spent a lot of time on. By we, I mean me and Andy Sheridan who co-produced this,” he shared.

Chris Young; Photo Courtesy of Black River
Chris Young; Photo Courtesy of Black River

Young found that when recording for this record, he was determined to take his time to make sure he got it right, even if that meant doing several passes just to ensure every single word he was singing felt like his best work.

“It’s almost, I don’t want to say this and it be taken out of context, but it is sort of a God thing. It was like upstairs knew I needed this music and I was just being pushed to create, and I was like, ;I’m going to take January, February, and March off this year.’ Nope, that did not happen,” he added with a laugh.

The level of care that has been put into the album has made Chris Young that much more excited to share it with the world because not many of his past albums have had that same level of time and effort poured into them.

“There’s something special about this one. I don’t know what it is, and it just makes me happy. I love going back and listening to it. Normally as an artist, I feel like a lot of us say I get done and I don’t go back and listen to it anymore, and I’m walking around to my friends going, ‘Hey, listen to this. This is cool. Right?’ So I don’t know. I’m just excited. I think this record is special and obviously the new relationship with Black River is pretty incredible.”

Chris Young;I Didn’t Come Here To Leave
Chris Young;I Didn’t Come Here To Leave

On December 4, 2024, it was announced that the multi-platinum, global entertainer had officially joined the Black River Entertainment roster. This new partnership followed Young’s run with RCA Nashville, which served as his home since 2006. But it was time for a change.

When looking for his new home, Young immediately connected with the Black River team, who he says proceeded to “kill me with kindness.” Within that three-hour meeting, he played the label some songs he had written, shared ideas and by the end he had canceled any other meetings he had originally planned with other labels. He credits a big part of his new creativity wave to the fresh partnership with Black River.

“I think that’s a big part of why I feel not necessarily reinvigorated, because I’ve always enjoyed making music and I’ve been lucky to do so. There’s not many people that get to do this as long as I’ve been able to do it. It’s more so from a perspective of this album just sort of came together and such a cool way that it just feels right. And I’ve used this quote, and I don’t mean to belabor the point, but art’s never finished or completed. It’s only abandoned. I feel like this record was completed.”

Young first teased this new chapter with “Til The Last One Dies,” which now serves as the lead single from the project and is rising on the country radio and streaming charts. He also unveiled “Jesus, Momma, Country Radio,” “Brake Lights,” and the title track “I Didn’t Come Here To Leave.”

When asked how he landed on the title for this record, Young revealed this was a song he wrote with Dallas Davidson and Kyle Fishman in nearly 45 minutes.

“I just had a lot of fun with this song and I also thought it was a statement of sort of where I’m at in my career, which is weird if you think about my age compared to some other people that got started at least on a label much later than me. They’re older than me. So it is very interesting to look at it, but I think that’s being around for 20 years on record labels. I think that’s indicative of that. And it is sort of me just looking at everybody going, I still have more to say.”

Just like he felt a pull to the title track, Chris Young admits he got that same gut instinct when it came to choosing an outside cut to be the lead single. Penned by Bay Hayslip, Seth Mosley and Jordan Walker, “Til The Last One Dies” is a song Young wishes he had written, but he still had the chance to share its powerful love story.

Throughout the project, fans will hear love stories like “Til The Last One Dies,” as well as songs that will bring happiness and songs that will evoke tears like “What Would You Take,” “I Hope It’s Okay” and “Just Keep Living.” Tapping into all these different themes is what makes the project a well-rounded country album in Young’s eyes.

“I think that’s important with the Country album. I think you have things that make you happy…I have songs that are going to make you want to cry and text your parents or your kids and just be like, I love you.”

While fans have a lot to unpack with this project, Young hinted that this might be the end of the I Didn’t Come Here To Leave chapter.

“I would say that there’s a pretty good feeling that in the future there will be things added to this record possibly, and I’ll leave it at that,” he teased.

The album’s fall release date also coincides with another special milestone, Chris Young’s 8th anniversary of his induction into the exclusive membership of the Grand Ole Opry.

Next month, listeners will get to hear a few songs off the new album along with some holiday classics on his first-ever holiday tour. The “It Must Be Christmas – An Acoustic Evening with Chris Young” trek will feature 15 headlining shows running November through December.

The post Chris Young Celebrates Renewed Creativity With 10th Studio Album, ‘I Didn’t Come Here to Leave’ appeared first on Country Now.

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‘Wanderland’: How Kelis’ ‘Lost’ Album Discovered The Future Of Pop Music

Kelis Wanderland

When she was writing Wanderland in 2001, Kelis probably didn’t know how prescient the album title would end up being. It’s an obvious pun: a reference to Lewis Carroll’s classic novel Alice’s Adventures In Wonderland, it’s also evocative of the desire for adventure and wanderlust.

Wanderland has its own fabled story behind its release. Amid a series of label mergers and other industry upsets, Kelis’ experimental sophomore album got lost in the shuffle. Right when it was released in Europe, Kelis parted ways with her label, and the album was never released in the US. Wanderland was… wandering. But a Neptunes-produced Kelis album wasn’t going to elude fans forever.

Listen to Wanderland now.

A significant mythology

Wanderland became one of the most storied “lost albums” of the era – even if it wasn’t really lost, just exceedingly hard to come by. It was, of course, imported, bootlegged and loved, before finally being released in the States via streaming services in June 2019, 18 years after its October 17, 2001 release date around the rest of the world.

Kelis wasn’t alone; this was the second time in three years that a Neptunes-produced project got shelved. Clipse had suffered the same fate with their album Exclusive Audio Footage, which, like Wanderland, accrued a significant mythology during its lost years. In fact, Clipse, as individuals, feature on Wanderland as well, with Pusha T and Malice featuring on the tracks “Popular Thug” and “Daddy” respectively.

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Timelier than ever

Pharrell himself lends vocals to a handful of tracks, but, like Clipse’s appearances, these spots help tether Wanderland to our familiarity with The Neptunes’ sound rather than overshadowing the album’s departure from it. Ultimately, this is a Kelis album first and foremost, not a Neptunes project. Even if the beats immediately identify it as being of the era (no bad thing), Wanderland is a welcome – if not unexpected – departure from the braggadocio of N*E*R*D and Clipse… even if the Rosco P Coldchain feature on “Digital World” makes you think Ab-Liva is going to pop around the corner any second.

About halfway through Wanderland, “Shooting Stars” starts to sound like something out of a late-90s shoegaze album, or Frank Ocean a decade ahead of schedule. Even when it’s less outwardly self-assured than the work of Kelis’ counterparts, Wanderland remains self-aware – and sexy with it. Outside of some dated tech references, “Digital World” is timelier than ever, proving that people have been struggling with sex and technology for decades.

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Predicting the hip-hop hybrid

When “Perfect Day” hits, it’s an arresting moment: the kind of perfect hip-hop/rock hybrid that would have felt right at home on Post Malone’s Hollywood’s Bleeding. Indeed, two decades on from its release, Wanderland’s crossover appeal is almost shocking, making you wonder how anyone could have shelved the record. “Perfect Day” sounds like the kind of rock-rap hit Pharrell would chase for the better part of a decade. That it features contributions from No Doubt makes sense: they’d spent the late 90s crafting their own reputation for genre-blending, while Pharrell and Gwen Stefani would go on to have a hugely successful working relationship just a handful of years later.

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Wanderland ends on its most unexpected notes: “Mr. UFO Man” and “Little Suzie.” The tracks address God, but are ultimately more existential in nature. “UFO Man” centers around the idea that things have gotten so complicated in the world, only an alien is capable of relating to The Creator. Released just one month after the September 11 attacks, it didn’t sound like such a far-fetched idea at the time.

On “Little Suzie,” Kelis casts herself as a woman aware of the problems the world faces, while “just trying to play my part.” If she’s doing anything, it’s what God willed for her. This sentiment of self-assurance, if only a misguided half-truth, feels all the more powerful in the light of Wanderland’s receiving the release it always deserved.

Wanderland can be bought here.

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Best Ne-Yo Songs: 20 R&B Essentials

Ne-Yo

You can’t discuss contemporary R&B music without Ne-Yo. Since the start of his illustrious career, the Arkansas-bred singer-songwriter, producer, and performer has treated listeners to his buttery vocals, slick dance moves, and poetic lyricism regarding life and love. With a host of top 10 hits, No.1 albums, and platinum plaques, Ne-Yo has proven his abilities as a hitmaker who stretches the confines of genre.

Inspired by artists like Michael Jackson, Donny Hathaway, and Usher, Ne-Yo combines the traditional aspects of R&B with modern flair. One may think ego would accompany his gifts, but Ne-Yo’s unabashed, gentlemanly swagger always has a humility built-in. His dedication to music, passion for performing, and love of songwriting make him a true quiet storm.

The Songwriter

Before he became a solo sensation, Ne-Yo got his name off the ground in the mid-2000s as a songwriter. Some of Ne-Yo’s best songs from this period focus on love, sex, and relationships. One of his strongest gifts as a writer is his ability to create memorable, empowering songs for women, no doubt a result of being raised by a single mother and other strong female family members.

Mario – Let Me Love You

Mario’s 2004 single “Let Me Love You” put Ne-Yo on the radar as an R&B songwriter. The velvety, Scott Storch-produced song, which topped the Billboard Hot 100 in 2005, also may have a familiar ring to it, as it gently lifts musical elements from Tina Turner’s “What’s Love Got To Do With It?”

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Rihanna – Unfaithful

The second single from Rih’s 2006 sophomore effort A Girl Like Me, “Unfaithful” is one of many collaborations between Ne-Yo and the Norwegian production team Stargate. The song deals with feelings of regret and shame for cheating on a partner, and features dark production inspired by the rock band Evanescence. Rihanna reportedly reached out to work with Ne-Yo after the success of Mario’s “Let Me Love You,” and was eager to work on a ballad in order to show off her singing chops.

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Beyoncé – Irreplaceable

Beyoncé’s number one single “Irreplaceable” went through several twists and turns before making its way into her catalogue. Ne-Yo’s initial idea was to make the 2006 hit a country tune, however, production and lyrical tweaks made it a Queen Bey staple. Ne-Yo also wrote the track from a male perspective, but later recognized it would be more empowering for a woman to sing.

Jennifer Hudson – Spotlight

Thanks to Ne-Yo, Jennifer Hudson’s 2008 debut single showed a different side of the Oscar-winner, whose work in Dreamgirls was focused on theatrics and themes of self-reflection. The mid-tempo R&B ballad keeps her show-stopping pipes intact while remaining relatable to the average listener, as she sings about sticking it to a no-good partner. The song earned Hudson two Grammy nominations.

Keri Hilson – Pretty Girl Rock

Female empowerment and self-love are a few of the themes Ne-Yo focused on for Keri Hilson’s 2010 song, “Pretty Girl Rock.” Over sugary yet sassy production that features a subtle sample of Bill Withers’ “Just The Two Of Us,” Hilson repeats affirmations about being “beautiful” and “fly,” hoping to instill a sense of confidence in herself and her listeners.

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The R&B Hits

After a failed try at solo success, Ne-Yo found his lane in 2006 with his debut album, In My Own Words. Years later, he continues to release the thought-provoking, relatable songs that made him a star, while also fitting the fresh vibe of contemporary R&B.

So Sick

The second single from Ne-Yo’s debut proved to be an instant hit, peaking at the top slot of the Billboard Hot 100 in 2005. Working with longtime collaborators Stargate, “So Sick” was written about the first time Ne-Yo experienced true heartbreak. Because of this pain, he detests love songs, yet they allow him to reminisce about his past relationship.

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Sexy Love

Take “Sexy Love” as the more positive musical counterpart to “So Sick.” Instead of lyrics about missing a former flame, this time around Ne-Yo sings about how much love he has for his current partner, painting vivid depictions of their time beneath the sheets. The track reached No. 7 on the Billboard Hot 100, and is certified three times platinum.

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Because of You

The title song from Ne-Yo’s 2007 album (which peaked at No. 2 on the Billboard Hot 100) tells the story about an intoxicating woman occupying his everyday thoughts. What makes this track stand out is the production. “Because Of You” has an undeniable disco influence, and includes the sounds of a harpsichord and guitar to make the track stand out.

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Miss Independent

Ne-Yo’s critically-acclaimed third album, 2008’s Year of the Gentleman, dropped off a host of hit tracks, including the top 10 single “Miss Independent.” The mid-tempo ballad about loving a self-sufficient woman samples Keesha’s “Forget About Me,” and won Ne-Yo two Grammy Awards (Best R&B Song and Best Male R&B Vocal Performance).

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Mad

This Year of the Gentleman staple carries an important message about relationships of all kinds: fighting – instead of listening – only creates more chaos. The Stargate-produced song, which features a heavy piano and bass, finds Ne-Yo explaining to his partner that while they’re not perfect, he hopes that their issues are patched up before bed.

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The Collaborations

Ne-Yo’s approach to work thrives on collaboration, stating in an interview that some link-ups “just work.” Several of his sonic pairings have been outside of the R&B realm, but his singing talents and songwriting chops remain intact wherever he finds himself.

Hate That I Love You

2007’s “Hate That I Love You” sees Ne-Yo reuniting with his A Girl Like Me collaborator Rihanna. Throughout the track, the two trade lines about being hopelessly in love, and their voices complement each other beautifully as they tell their tale. The platinum-selling tune is one of Rihanna’s longest-running top 10 hits; it peaked at No. 7 on the Hot 100, and was in the top 10 on the chart for 26 weeks.

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Knock You Down

Sometimes a good love can become sour, and “Knock You Down” – Ne-Yo’s 2009 collab with Keri Hilson and rapper Kanye West – proves it beautifully. The platinum-selling, Grammy-nominated tune masterfully pairs contemporary R&B with hip-hop flair, and Ne-Yo’s standout verse showcases both his envious vocal runs and storytelling skills. (“I used to be commander-in-chief on my pimp sh*t flying high,” he croons, “‘til I met this pretty little missile that shot me out the sky.”)

Bust It Baby Pt. 2

Rapper Plies made his Janet Jackson-sampling song “Bust It Baby” the first single off Definition of Real, in 2008. It was “Part 2” featuring Ne-Yo, however, that proved to be the version with staying power, as it combines his tender singing voice with Plies’ gritty, hard-hitting rap verses. The second edition peaked at No. 7 on the Billboard Hot 100 and No. 2 on the R&B/Hip-Hop chart.

Give Me Everything

“Give Me Everything” is an Afrojack-produced club banger that featured on Pitbull’s 2011 album Planet Pit. Not only did the song hit No. 1 on the charts, it’s certified six times platinum and is one of the best-selling digital singles of all time, with 11.2 million digital copies sold. “Give Me Everything” is also a product of the times, referencing everything from a “locked up” Lindsay Lohan to taking photos in Times Square with Kodak cameras (remember when?).

Time of Our Lives

Another popular link-up between Ne-Yo and Pitbull, “Time Of Our Lives” is featured on Pit’s album Globalization and Ne-Yo’s Non-Fiction (both from 2014). The duo sing and rap about living in the moment and not worrying about what tomorrow will bring. They teamed up with producers Dr. Luke and Cirkut, who created the top 10 hit’s electropop-heavy sound.

Ne-Yo’s Electronic Songs

As electropop began to heat up in the late 2000s and early 2010s, Ne-Yo reintroduced himself as a high-octane hitmaker. He worked closely with artists and DJs to release songs with fiery energy.

Closer

A top 10 hit from Ne-Yo’s Grammy-nominated Year of the Gentleman, “Closer” is heavily inspired by a visit to London, which proved to him the impact of house and techno club sounds. To accompany lyrics about his experiences with a magnetic yet enigmatic woman, Ne-Yo and Stargate provide production that is “smoky, kinda dark, and mysterious.”

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Turn All The Lights On

Ne-Yo joined T-Pain on his Revolver album in 2012 for “Turn All The Lights On.” The duo worked with Dr. Luke and Cirkut to produce and co-write the song, which is about going hard in the club, partying, and celebrating for the hell of it. T-Pain and Ne-Yo have a brother-like bond, with the rapper saying that the singer “stayed down” and supported him during a period of depression.

Let Me Love You (Until You Learn To Love Yourself)

The Afrojack-produced “Let Me Love You” (not to be confused with the chart-topping song Ne-Yo penned for Mario) peaked at No. 6 on the Billboard Hot 100 in 2012. The song is co-written by Australian singer-songwriter Sia, and describes a love that goes further than just romance. As the title suggests, Ne-Yo wants to help his partner build not just a better relationship with him, but the one she has with herself.

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Let’s Go

DJ and producer Calvin Harris teamed up with Ne-Yo in 2012 for their gold-certified collaboration “Let’s Go.” A top 20 single, the high-octane tune is hype music, pure and simple, with lyrics about going for your goals. It’s no surprise, then, that “Let’s Go” was used in a Pepsi campaign in 2012 and Ne-Yo performed it during his set at the 2013 NBA All-Star game.

Play Hard

“Play Hard,” a 2013 collaboration between Ne-Yo, David Guetta, and Akon is about the balance of work and play. The electro-house song was a huge hit on Billboard’s Dance Club Songs chart, where it peaked at No. 2. It heavily samples Dutch musician Alice Deejay’s 1999 track “Better Off Alone” and the remix of Italian singer-songwriter Noemi’s “In My Dreams.”

Shop for Ne-Yo’s music on vinyl or CD now.

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Dru Hill’s ‘Enter The Dru’ Gets a 25th Anniversary Reissue

In celebration of the 25th anniversary of Dru Hill’s Enter The Dru, the album is coming to vinyl for the first time. The reissue, which was announced today, is set for an October 24 release on 2LP standard black vinyl.

Originally released in 1998, Enter The Dru (whose title was inspired by the Bruce Lee 1973 film, Enter the Dragon), marked the R&B group’s second album, following 1996’s Dru Hill debut. It included R&B classics like “How Deep Is Your Love,” “These Are The Times,” “Beauty,” and “You Are Everything.”

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“How Deep Is Your Love,” Dru Hill’s biggest hit to date, spent three weeks atop the US R&B chart and peaked at No. 3 on the Billboard Hot 100 chart. Its remix featuring Redman was included on the soundtrack for the 1998 film Rush Hour. “These Are The Times,” co-written and co-produced by Babyface, reached No. 21 on the Billboard Hot 100 and No. 5 on the Billboard R&B chart. Enter The Dru peaked at No. 2 on both the Billboard 200 and the R&B Albums chart, and later received a double-platinum certification.

Following Enter The Dru, the group released 2002’s Dru World Order and 2010’s InDRUpendence Day. In 1999, lead singer Sisqo embarked on his solo career with Unleash the Dragon, known for hit singles “Thong Song” and “Incomplete.” He followed up with 2001’s Return of Dragon and 2015’s Last Dragon.

Dru Hill remains active in the R&B scene, releasing new music and touring frequently. In 2020, they released their comeback single, “What You Need.” In 2023, they embarked on the Summer Block Party Presents: Jodeci, SWV & Dru Hill tour alongside fellow ‘90s R&B groups Jodeci and SWV. Last month, R&B icon Keith Sweat announced his The R&B Lovers Tour featuring special guests Dru Hill, Joe, and Ginuwine. The trek kicks off Feb. 13, 2026, and wraps on June 2, 2026.

Shop for Dru Hill’s music on vinyl or CD now.

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Hip Hop

Yung Miami Accuses Tyla Of Stealing Her Song “Chanel” After Private Listening Session

Yung Miami called out Tyla on social media after the South African pop star previewed her upcoming track “Chanel,” claiming the song was lifted from a private session where she had played it for her.

The former City Girls rapper took to X (Twitter) on Thursday (October 16), posting: “This girl really ran off with my song and ion know how to feel about it mind you I played this song for this girl.”

She followed up with, “Like…. B#### I’m confused!” and added, “Take me to Chanel > put me in Chanel.”

Tyla’s teaser for “Chanel,” which drops October 24, quickly went viral, with clips of her dancing to the track circulating across platforms. But Yung Miami insists the concept wasn’t new to Tyla.

When a user commented, “Miami that song took you forever to drop,” she fired back: “Don’t matter it’s my mf song!!!” and emphasized again, “I played her the song!”

She ended her post with a promise to revisit the matter, writing, “It’s my daughter birthday I’ll be back tomorrow with the tea!”

Tyla, who won a Grammy earlier this year for her breakout hit “Water,” has not responded to the accusation as of Friday morning (October 17).

Her silence hasn’t stopped the internet from weighing in.

One user wrote, “tyla single needed more promo for next week thank you miami.”

Another dismissed the claims entirely, saying, “Young Miami is just using Tyla’s name to promote her song, cos nobody would’ve cared about it. People still don’t care about it btw.”

A third user posted a screenshot comparing Spotify monthly listeners, showing Tyla with over 29 million and Yung Miami with fewer than 150,000, captioning it: “Yung Miami can’t be serious when she got on this here internet and said Tyla stole from her…”

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Hip Hop

NBA YoungBoy Concert Canceled & Key To Atlanta Denied After Wednesday Success

NBA YoungBoy faced another concert cancellation Thursday when State Farm Arena announced his Saturday Atlanta performance would not proceed as scheduled.

The Baton Rouge rapper had successfully completed the first of two sold-out shows Wednesday night before officials made the decision to cancel the October 18 date. State Farm Arena provided no explanation for the abrupt cancellation in their Thursday announcement.

“If you purchased through Ticketmaster, refunds will be issued automatically,” the statement read. “If you purchased from a third-party reseller, please reach out to your point of purchase.”

This marks the second major venue cancellation for the 25-year-old artist’s “Make America Slime Again” tour. The United Center in Chicago made a similar decision in September, canceling his scheduled performance without a detailed explanation.

YoungBoy remains one of YouTube’s most-streamed artists despite ongoing controversies. The chart-topping rapper has released eight studio albums and dozens of mixtapes throughout his career.

In 2024, YoungBoy was sentenced to federal prison on a firearm charge but was later pardoned by President Donald Trump. His legal troubles have included multiple arrests since 2016, creating complications for his touring schedule.

During Wednesday’s Atlanta performance, music executive Jerry Clark presented the rapper with proclamations from Georgia State Representative Inga Willis, Fulton County Probate Judge Kenya Johnson and Fulton County Commissioner Marvin Arrington Jr.

The honors recognized his commitment to promoting peace and avoiding gun violence in his music.

Following the concert, rumors circulated online that YoungBoy had received a key to the city of Atlanta. However, the city’s Mayor’s Office of Film, Entertainment & Nightlife quickly denied that claim.

“While we respect all individuals and agencies who choose to recognize cultural or community impact, the City of Atlanta and the Mayor’s Office of Film, Entertainment, and Nightlife were not involved in this presentation,” the office said in a statement. “This recognition was made by representatives of Fulton County and the State of Georgia.”

The office added that the city has not issued a “key to the city” in “a very, very long time” and does not currently give out that commendation.

About a dozen tour dates remain in the “Make America Slime Again” Tour, including two back-to-back shows in New Orleans on October 19 and 20. The tour is set to wrap up on November 12 at the Climate Pledge Arena in Seattle.

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Rapper Cisco Go Crazy Sentenced To Jail In Washington Rape Case

Rapper Cisco Go Crazy was sentenced to six months in jail and one year of community custody in Lewis County Superior Court after pleading guilty to third-degree rape stemming from a 2020 party in Randle, Washington.

The 24-year-old rapper, whose legal name is Francisco Prater, received the punishment from Judge Joely Yeager on Wednesday (October 15). The sentence follows a plea deal that reduced his original charge of second-degree rape, filed in April 2021, to a lesser offense.

According to The Daily Chronicle, the incident occurred on January 6, 2020, when Prater allegedly had sex with a woman who was too intoxicated to consent.

Prosecutors recommended the six-month term and 12 months of community custody as part of the agreement.

Prater, who is from Edmonds, was taken into custody immediately after sentencing. He did not provide a statement in court. Instead, he allowed the judge to rely on police reports and the probable cause statement to support the plea.

Judge Yeager also issued a five-year no-contact order protecting the victim, following the state’s recommendation.

Court records show the standard sentencing range for third-degree rape, a Class C felony, is six to 12 months. The charge carries a maximum penalty of five years in prison and a $10,000 fine.

Two other men were initially charged in connection with the same incident — Lil Mosey (real name Lathan Moses Echols) and Bandkidjay (real name Joshua Darrow).

Their cases were separated from Prater’s in early 2023. Both were acquitted by a Lewis County jury in March after roughly seven hours of deliberation.

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Wild Brawl Erupts During Chris Brown’s New Orleans Concert

A brawl broke out among fans during Chris Brown’s Breezy Bowl XX concert at the Superdome Wednesday night (October 15). The incident forced security to escort multiple people from the venue.

Video footage shows the moment tensions exploded in the stands. Two women, one wearing blue and another in black, began arguing while a third woman tried to calm them down.

The situation escalated quickly when a fourth woman approached the group. She spoke briefly with the woman in black, then suddenly punched the woman in blue.

“What started as a small argument quickly became a full-on brawl, with several others joining in,” according to the Hot97 report.

The woman in blue tried to defend herself but couldn’t move freely. Someone seated behind her grabbed her arm. The woman in black took advantage and began hitting her opponent with a purse.

More people joined the fight as spectators watched in shock. The crowd shouted and threw punches in the stadium stands. The woman who first tried to separate them eventually cleared the area and helped end the fight.

Security and police arrived shortly after. Authorities escorted everyone involved out of the venue. The cause of the original argument remains unclear.

Brown continued performing throughout the incident. Fans described it as one of the wildest scenes of the night at what was supposed to be a celebration.

The Breezy Bowl XX Stadium World Tour has faced several challenges recently. Traffic problems in Raleigh delayed fans from entering Tuesday’s show. The Memphis concert was canceled due to stadium renovations.

Brown’s tour has otherwise been successful, with sold-out shows in Birmingham and Washington, D.C. The R&B star has been touring extensively to promote his latest music.

Concert violence has become an increasing concern at large venues. Security protocols often struggle to manage crowds during high-energy performances.

The New Orleans Police Department has not released information about potential charges. Representatives for Brown and the Superdome did not immediately respond to requests for comment.

The tour continues with upcoming dates across the country. Fans are encouraged to report any safety concerns to venue security immediately.

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Lil Nas X Spotted Out In Public For First Time Since Bizarre Arrest

Grammy Award-winning rapper Lil Nas X was spotted in Santa Monica this week, marking his first public appearance since completing inpatient mental health treatment. The 26-year-old artist looked

The “Old Town Road” hitmaker was photographed running errands in Los Angeles. He wore casual denim and western-style boots. His appearance suggests positive progress following a challenging period.

The sighting comes months after a serious incident in August. On August 21, police responded to reports in the San Fernando Valley. They encountered Lil Nas X during circumstances that escalated quickly. The situation led to his arrest and hospitalization.

Law enforcement suspected substance involvement initially. They transported him to a medical facility for evaluation. He was later transferred into custody. The incident resulted in serious charges against the artist.

Prosecutors filed three counts of battery with injury on a peace officer. They also charged him with one count of resisting an executive officer. These are felony charges that carry significant penalties.

Rather than remaining in jail, Lil Nas X pursued treatment. He entered an inpatient mental health facility outside California. His lawyers confirmed this during a court hearing in September. The artist missed his initial court date due to treatment.

His father, Robert Stafford, spoke publicly about the situation. He discussed the pressures of fame affecting his son’s wellbeing. Stafford expressed family concern about managing psychological demands. The entertainment industry creates intense pressure for public figures.

The Rolling Out report shows the artist engaging in normal activities. He spent time in a local park before leaving in a vehicle. His well-groomed appearance indicates successful treatment progress.

Recovery from mental health crises requires structured care. Inpatient treatment typically precedes outpatient support. Lil Nas X appears to have progressed through initial intensive phases. He now navigates daily life while maintaining professional support.

Legal proceedings continue despite his recovery efforts. A court date is scheduled for November 18. The criminal charges remain unresolved. Managing both health recovery and legal obligations creates complex challenges.

The artist has received public support throughout this period. His visible recovery communicates important messages about treatment effectiveness. It demonstrates the possibility of recovery from mental health crises.

For public figures experiencing such challenges, visible improvement carries significance. It shows that addressing mental health seriously produces positive results. Treatment should not be dismissed or minimized.

Lil Nas X’s appearance suggests commitment to recovery. While court proceedings remain pending, his wellbeing represents positive indicators. The recovery journey will likely require ongoing attention and professional support.

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