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R&B

‘Ain’t Supposed to Die a Natural Death’: Melvin Van Peebles’ Remarkable Album

Melvin Van Peebles’s landmark 1971 film Sweet Sweetback’s Baadasssss Song was the cinematic Big Bang of the Blaxploitation genre. The story of a male sex performer who becomes a fugitive after defending a young radical being beaten by police, its opening credits famously announced, “Starring THE BLACK COMMUNITY.” “Before that time there had been no Black movies that mirrored the wants and desires of the urban proletariat,” Van Peebles recalled in 1990. But the antecedent to Sweetback’s revolutionary storytelling can be heard in Van Peebles remarkable work as a recording artist.

Listen to Melvin Van Peebles’ Ain’t Supposed to Die a Natural Death on Apple Music or Spotify.

A multidisciplinary artist who was also a playwright, author and painter, Van Peebles (who passed away in September 2021 at age 89) came to music with no formal training but with a wealth of life experience. Just as he believed that Hollywood failed to present adequately expressive Black stories onscreen, so too he felt that Black popular music was severely limited. So he went into the studio with a line-up of accomplished musicians led by drummer/arranger Warren Smith, and in his distinct Southside Chicago drawl spoke/sung compositions that gave voice to characters that white society had long marginalized.

Like Van Peebles’ 1969 debut, Brer Soul, Ain’t Supposed to Die a Natural Death (shortened from A Slave Ain’t Supposed to Die a Natural Death) burns with humanity and urgency, its ghetto vignettes imbued with humor, pain, and poignancy. Voicing the streetwalker of “Funky Girl On Motherless Broadway” Van Peebles affectionately portrays her as both sassy (“You know what balling is/It’s a poot in old death’s face”) and sage (“The world is all scabs and broken needles/Unless someone cares for you anyway”). As “I Got the Blood’s” prizefight bettor, he’s not above hilariously name-checking the movement in order to lure a sucker bet on a so-called great white hype (“…I’m a militant/My dashiki’s in the cleaner but I’m a lieutenant/So take my money…”). The beautifully intimate “Three Boxes of Longs” finds Van Peebles’s narrator alone with his thoughts, marveling at the stillness of the city after hours, knowing its ruthlessness never really rests: “How come day break and don’t fall/And night fall and don’t break/And blue eyes can’t be satisfied/ Unless his foot’s up me.”

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Driven by Smith and company’s furious backing and dissonant electric harpsichord, “Come On Feet Do Your Thing” flips the minstrel era saying “Feets Don’t Fail Me Now” on its head for the Black Power era, advocating self-help over helpless prayer. Van Peebles practiced what he preached. Ever resourceful, he’d not only reprise the track as one of the key songs for Sweetback, he’d also utilize many of Ain’t Supposed to Die a Natural Death’s (and its predecessor’s) groundbreaking compositions for his 1971 multi-Tony Award-nominated Broadway theatrical production of the same name. Reviving the show in the 2000s – after a younger generation of listeners had also embraced his songs via hip-hop samples – Van Peebles staged it interactively, the demarcation between performers and audience non-existent. Not surprisingly its immediacy still resonated, as it does today.

Listen to Melvin Van Peebles’ Ain’t Supposed to Die a Natural Death on Apple Music or Spotify.

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R&B

Grammy Winner Muni Long Returns With New Single ‘Delulu’

Two-time Grammy winner Muni Long has kicked off her next chapter with her new single, “Delulu.”

The R&B singer and songwriter wrestles with relationship expectations on the track, confessing on the chorus, “I’m delusional thinking I could have it all.” 80s-style keys give the song a throwback feel, even while its lyrics feel definitively 2025: “I’m delulu, delulu over you.”

Within the last two years, Long has taken home a 2023 Grammy Award in the category of “Best R&B Performance” for “Hrs & Hrs” and another “Best R&B Performance” Grammy Award in 2025 for “Made for Me (Live on BET).” During the most recent ceremony, she stood out as the most-nominated artist in the R&B genre with a total of four nods across key categories.

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Long originally released music under her birth name, Priscilla Renea, before reintroducing herself in 2020 as Muni with the EP Black Like This. Before her solo career took off, Long worked in the industry as a songwriter, penning hits including Rihanna’s “California King Bed,” “Timber” by Pitbull, and “Imagine” by Ariana Grande.

In 2024 Long released Revenge, her second album on Def Jam. The album’s singles “Made for Me” and “Make Me Forget” both charted in the top 20 on the Billboard 200. Upon its release, she shared with Rated R&B what she hoped fans would take from the record: “I hope they get a couple of lessons. Maybe feel like they got to know me a little bit better. I hope they have a couple of favorites on there that they go back to. I really try to make no-skip albums that you could just put on and let it play… I’m claiming I’ve made the R&B album of the year, so that’s what we want everybody to think or feel, should I say.”

Listen to Muni Long’s “Delulu” now.

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R&B

Summer Walker Sets The Date For Her Third Album, ‘Finally Over It’

Summer Walker has officially announced the release date of her long anticipated third album, Finally Over It. The album will arrive on November 14th, completing the Over It trilogy of albums that began with 2019’s Over It, followed by 2021’s Still Over It. Finally Over It is available for fans to pre-order now.

Walker first teased the announcement last week via The Shade Room. The Instagram page shared a number for fans to call, writing: “If you or a loved one has been affected by waiting on #SummerWalker’s album to drop, compensation may be in store for you! For relief, Summer has dropped a hotline number for anyone impacted by the wait.”

That teaser was followed by a video on Walker’s own YouTube page, in which she sits down for a lie detector test to answer a series of questions about the album. In it, she confirms Latto’s appearance on the record and shares its release date.

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Finally Over It will feature the single “Heart Of A Woman,” which was first released in December 2025. The song’s lyrics explore a toxic relationship: “Question is, why I do the things I do? / Answer I may never find, but I’ll always choose you / Wanna give up on you but, damn, I know I can’t / I put the blame on me for giving you chance after chance.”

The video for “Heart Of A Woman” saw Walker stuck in a time loop, repeating the same day three times, with each day representing a different phase of the Over It trilogy. The video additionally opened with a 15 second teaser of a brand-new track, which we might expect to hear on Finally Over It.

Walker recently appeared on Cardi B’s No. 1 album, Am I The Drama?, with both of her features, “Dead” and “Shower Tears,” charting on the Billboard Hot 100.

Order the new Summer Walker album, Finally Over It, now.

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Hip Hop

Lil Yachty Concert Chaos Forces Emergency Shutdown At Sacramento State

Lil Yachty found himself at the center of controversy Saturday night when his post-game concert at Sacramento State’s homecoming celebration ended abruptly due to unruly behavior from attendees.

The Atlanta rapper was scheduled to perform following the Hornets’ 40-35 victory over Northern Colorado at Hornet Stadium, where over 20,000 fans witnessed the high-scoring matchup.

The trouble began during the fireworks display as concert organizers set up the stage in the endzone.

Attendees rushed the field from bleachers and surrounding areas, creating chaos as they scrambled for better viewing positions. The crowd surge prompted university officials to prioritize safety over entertainment.

Sacramento State President Dr. Luke Wood addressed the incident on Instagram, stating “The postgame concert concluded earlier than planned due to behavior from some community members (not our students) that did not meet our standards of decorum.”

Wood emphasized that the rapper wanted to continue performing, but the university made the decision to end the show early.

According to California State University, Sacramento’s, CapRadio, the concert was part of Sacramento State’s new initiative to enhance student experiences by combining athletics with live music performances.

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Assistant Director for President Projects and Strategic Partnerships Shawki Moore explained the program emerged from a student survey called “Operation Lit” that identified R&B and Hip-Hop concerts as a top priority for campus events.

The incident hasn’t derailed the university’s concert plans. Rappers Quavo and Blxst are scheduled to perform at the next two home games against Montana and Idaho.

Wood confirmed that a revised security plan is being developed for Friday’s game against Montana.

Lil Yachty, whose 2023 album Let’s Start Here debuted at number nine on the Billboard 200, has built a reputation for genre-bending music and energetic live performances. The 28-year-old artist has released five studio albums and collaborated with major artists throughout his career.

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Hip Hop

BIA Responds To Cardi B Reference Track Release & Explains Why Ariana Grande Collab Never Came Out

BIA delivered her long-awaited debut album BIANCA last Friday (October 10) through Epic Records, marking a decade-long journey since signing with Pharrell Williams’ I Am Other label.

The Massachusetts-bred rapper chose strategic timing over quick momentum, despite opportunities following her Billboard Hot 100 top 20 collaboration “Whole Lotta Money” remix with Nicki Minaj.

The 16-track project showcases BIA’s versatility across multiple genres. She taps into her Latin heritage on “Hard Way” featuring Becky G, which samples Shakira’s “Hips Don’t Lie.”

The album also features collaborations with Denzel Curry, Ty Dolla $ign and Young Miko, while tracks like “October” highlight her vocal range as she transforms into “R&BIA.”

“They’re kind of figuring out how we can work together and be our truest, most authentic self,” BIA told Billboard about merging her rap persona with her legal name Bianca. “Sometimes our flaws, or sometimes like things that are most forward about us, or the most vulnerable things — those are all the things I put into a blender with this album, and I wanted to feel super authentic and relatable.”

Many expected BIA to use BIANCA to respond to Cardi B’s recent disses on “Pretty & Petty” from her AM I THE DRAMA? project. However, BIA deliberately avoided attaching negative energy to her debut effort.

“If I was to ever address it again, I would never attach it to my album, because this is a beautiful body of work that I believe in,” she stated. “I wouldn’t want to disservice this and overshadow it with noise or negativity.”

When pressed about potential future responses to Cardi B, BIA remained measured in her approach. “I think if this was me a year ago, I would’ve went [back at her] in 24 hours, but I think now where I’m at is such a beautiful place. I’m way more intentional with my music, and what I’m putting out.”

The feud originated from creative similarities between different projects, according to BIA.

“There were similarities between different things in the creative. And when I responded to the tweet, acknowledging it, she came aggressively, calling me, trying to bully me,” BIA explained.

Regarding the “Whole Lotta Money” controversy, BIA clarified her writing contributions after Cardi B mentioned receiving a reference track.

“The reference that she’s speaking of is the part ‘it’s a whole lot of money,’ and maybe a verse. I wrote the first verse on that song, and the hook, ‘I put on my jewelry just to go to the bodega,’” BIA said. “So I’m so glad you clarified that, because there would be no ‘Whole Lotta Money’ if there was no, ‘I put on my jewelry just to go to the bodega.’”

BIA also revealed details about unreleased collaborations with Ariana Grande, including “Esta Noche” which faced clearance issues, and “More” which appeared on Grande’s Sweetener album.

She praised Grande’s work ethic, noting: “I’ve seen Ariana comp her own vocals. I always tell people that, because that was crazy to me. That’s a different level of taking your artistry into your own hands.”

The album represents BIA’s evolution from her early EPs For Certain and Really Her, incorporating songs recorded over several years that finally found their proper home.

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Hip Hop

Diddy Appeals Four-Year Prison Sentence Following Sex-Crimes Conviction

Music mogul Sean “Diddy” Combs has filed an appeal of his federal sex crimes conviction and 50-month prison sentence. His legal team submitted the notice of appeal on October 20 in the U.S. District Court for the Southern District of New York.

The 55-year-old rapper and producer was convicted in July on two counts of transportation to engage in prostitution. A 12-person jury acquitted him of more serious charges including racketeering and sex trafficking.

Combs received his sentence on October 3 after a two-month trial. He will serve approximately four years in federal prison. The music executive has been held at Brooklyn’s Metropolitan Detention Center since his September 2024 arrest.

“I take full responsibility and accountability for my past wrongs,” Combs wrote in a letter to Judge Arun Subramanian before sentencing. During his court appearance, he apologized to his former girlfriend Cassie Ventura and another accuser known as “Jane.”

“I want to personally apologize again to Cassie Ventura for any harm or hurt that I caused to her, emotionally or physically,” Combs said. “My actions were disgusting, shameful and sick.”

The trial featured testimony from more than 30 witnesses over seven weeks. Prosecutors alleged Combs led a criminal enterprise involving sex trafficking, kidnapping, drug offenses and forced labor. Government agents, ex-girlfriends, sex workers and hotel employees took the stand in Manhattan.

Ventura provided emotional testimony about alleged abuse during their relationship. Rapper Kid Cudi, who once dated Ventura, claimed Combs broke into his home.

Combs has faced legal troubles throughout his career. In 1996, he was convicted of criminal mischief for allegedly threatening a photographer with a gun. The Bad Boy Records founder has built a business empire spanning music, fashion and spirits.

His legal team will submit detailed appeal arguments at a later date. The appeal process could take months or years to resolve. Combs pleaded not guilty to all criminal charges before his trial began.

The case represents one of the most high-profile celebrity criminal trials in recent years. Federal prosecutors painted a picture of systematic abuse and exploitation within Combs’ business operations.

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Hip Hop

Julio Foolio Murder Trial: First Suspect Faces Jury in Tampa Gang War Case

Jury selection began Monday for the first suspect in the murder of Jacksonville rapper Julio Foolio. The case highlights a deadly gang war that has claimed multiple lives in Florida.

Alicia Andrews faces charges in the killing of Charles Jones, known as Julio Foolio. She is one of five people accused in the rapper’s death outside a Tampa hotel last summer.

Detectives say Andrews and her boyfriend, Isaiah Chance, acted as lookouts. The couple allegedly drove from Jacksonville to Tampa with three others targeting the rapper.

“The phone data shows that it was tracked from Jacksonville to Tampa,” Tampa Police detective Juan Ramos testified, Fox 13 reported. “There were no other stops — indicating that they were in Tampa for nothing other than tracking and killing the victim.”

Andrews’ attorneys maintain her innocence. Life Malcolm, one of her lawyers, said she had no knowledge of the murder plot.

“Just because she was there around a group of guys who had bad stuff on their mind, doesn’t mean that she had bad stuff on her mind,” Malcolm said. “She was here for a trip with her boyfriend. That’s it and that’s all.”

Gang War Background

The murder stems from a long-running feud between rival Jacksonville gangs. Julio Foolio was affiliated with KTA (Kill Them All). His alleged killers belonged to ATK (Aces Top Killers), led by rapper Yungeen Ace.

The gang war has produced violent rap songs and multiple deaths. Both groups have used music to taunt rivals and celebrate killings.

Yungeen Ace has not been charged in Foolio’s death. However, several ATK members face murder charges in the case.

Previous Convictions

The gang conflict has already resulted in life sentences for other participants. In October 2025, ATK members Hakeem “KSOO” Robinson and Leroy “ATK Scotty” Whitaker received life in prison.

They were convicted of killing Charles “Lil Buck” McCormick Jr. in January 2020. Lil Buck was a KTA-affiliated rapper shot outside a shopping center.

Prosecutors said the murder was retaliation over a diss track.

Current Trial Details

Andrews is the only defendant not facing the death penalty. Prosecutors say she doesn’t meet the legal standard because she wasn’t part of the criminal enterprise.

Her four co-defendants — Chance, Sean Gathright, Davion Murphy, and Rashad Murphy — could face execution if convicted. All are accused of being active ATK gang members.

Jeremy McLymont, another Andrews attorney, said his client cooperated with police from the beginning.

“She has no problem telling them everything that she knows, and she did, believing that the truth will proverbially set her free,” McLymont said.

Authorities believe Andrews helped track Foolio as he moved between Tampa nightclubs. Because she wasn’t a gang member, others allegedly used her phone and car to avoid detection.

The other four defendants will be tried separately in spring 2026. The cases represent prosecutors’ efforts to break up the deadly Jacksonville gang war.

Foolio was celebrating his 26th birthday when he was killed. The rapper had survived previous attempts on his life during the ongoing feud.

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Hip Hop

What Nas Just Did For Hip-Hop History Will Amaze You

Nas delivered a major boost to The Hip Hop Museum’s construction efforts by announcing a $2 million commitment alongside Resorts World New York City during the institution’s second annual benefit gala.

The Grammy-winning rapper from Queens made the pledge October 15 at Cipriani Wall Street, marking a significant milestone for the long-delayed Bronx project.

The museum, first conceived in 2015, has faced multiple construction delays and funding challenges before gaining renewed momentum.

The 17-time Grammy nominee added depth to his commitment with additional remarks about the cultural significance.

Resorts World New York City’s partnership with Nas extends beyond philanthropy into business ventures.

The Malaysia-based Genting subsidiary recruited the “Illmatic” creator in March 2024 to support their bid for one of three downstate New York casino licenses expected to be awarded by year’s end.

The Hip Hop Museum plans to open in 2026 at 610 Exterior Street in the Bronx, strategically positioned near Sedgwick Avenue where many historians credit Hip-Hop’s birth.

The facility will feature memorabilia, interactive exhibits and a 300-seat theater designed to honor the genre’s origins.

Construction resumed after the ceremonial groundbreaking in May 2021 featured appearances by LL Cool J and Grandmaster Flash.

The project’s revival comes as Resorts World pursues an ambitious $5 billion casino expansion that would transform their current video lottery terminal operation into a comprehensive gaming destination.

Genting’s broader community investment strategy includes $2 billion in pledged support should they secure the casino license.

Their commitments encompass $750 million for affordable workforce housing, another $750 million for a sports and media complex with Kenny “The Jet” Smith, $350 million for an Innovation Campus Community Fund and $150 million for the RW Gives philanthropic initiative.

The museum announcement represents a convergence of cultural preservation and commercial ambition as Nas leverages his legendary status in Hip-Hop to advance both the art form’s institutional recognition and Resorts World’s regulatory objectives.

Nas achieved his first Grammy victory in 2021 with “King’s Disease” after receiving 17 nominations throughout his career. The museum is scheduled to open its doors in 2026.

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Salt-N-Pepa Talks Rock & Roll Hall Of Fame Induction As Tragedy Strikes Group

Salt-N-Pepa appeared on ABC’s Good Morning America and GMA3 on Monday (October 20) and discussed their historic induction into the Rock & Roll Hall of Fame even as the group suffered a major setback with the death of Pepa’s mother.

The pioneering Hip-Hop duo, consisting of Cheryl “Salt” James and Sandra “Pepa” Denton, earned their place among the 2025 Rock & Roll Hall of Fame inductees alongside Outkast and other notable artists.

Their selection marks a significant milestone for female representation in Hip-Hop’s recognition at the prestigious institution.

“It feels amazing. We’ve done all the things now, right? We got the Walk of Fame and the Lifetime Achievement Award, the Grammys. We could go on and on. I don’t think there’s an accolade we haven’t gotten, so we’re very excited,” Salt said. “We’ve always taken our influence seriously, as far as, you know, we know that we impact women with our lyrics and who we are. We always say we brought fun fashion and femininity to Hip-Hop and that really resonated with a lot of women and men.”

Salt-N-Pepa broke barriers as the first major all-female rap group and the first women in rap to achieve platinum status, earning them the title “First Ladies of Rap.”

The group has sold more than 15 million records worldwide throughout their career, with hits like “Push It,” “Shoop” and “Whatta Man” becoming cultural anthems.

“I think we changed, or helped to change, the scope of women empowerment, and that feels amazing to be a part of that change, or to help spearhead that,” DJ Spinderella said.

Their Rock & Roll Hall of Fame induction ceremony is scheduled for November 8 at the Peacock Theater in Los Angeles.

Their recognition comes as Hip-Hop continues to gain acknowledgment at the Rock & Roll Hall of Fame, with Salt-N-Pepa joining the ranks of other rap pioneers who have been honored by the institution.

The group’s influence extends beyond music, as they helped pave the way for future generations of female rappers in the industry.

At the end of the interview, both group members paid their respects to Pepa’s mom, showcasing the tight bond between the three pioneering women of Hip-Hop culture.

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Hip Hop

Druski Baby Oil Lawsuit Gets Slippery—Over Grandma’s Phone

Druski is under renewed legal scrutiny after attorney Ariel Mitchell accused him of misleading the court about who owned the phone that allegedly placed him in Georgia during a 2018 assault in California.

Mitchell, a Miami-based lawyer, filed a motion asking a federal judge to reconsider potential sanctions against her in the Ashley Parham v. Sean Combs case.

She claims Druski and his legal team misrepresented his phone records by asserting the number belonged to his mother, when in fact, she says, it was registered under his grandmother’s name.

According to Mitchell, this detail is critical because it undermines the court’s earlier conclusion that Druski was “almost certainly” in Georgia during the alleged incident.

She argues that if the phone wasn’t in his name, then the location data tied to it doesn’t prove where he actually was.

“The court relied on a misleading narrative about which number was his,” Mitchell stated in her filing. She believes this misstep influenced the judge’s decision to consider sanctions against her and her co-counsel.

The dispute stems from a federal lawsuit filed by Ashley Parham, who accused Diddy” and others of sexual assault at a house near Orinda, California in 2018.

Parham later amended her complaint to include Druski, alleging he poured baby oil on her and used her “like a slip and slide” during the incident. Druski, whose real name is Drew Desbordes, has denied all allegations.

In response, Druski’s attorneys submitted phone and bank records to show he was in Georgia at the time. U.S. District Judge Rita F. Lin found the evidence credible and warned Parham’s legal team that continuing to pursue claims against Druski “appears to lack any reasonable basis.”

The judge questioned why attorneys didn’t drop Druski from the case after reviewing the exculpatory evidence.

But Mitchell now argues that newly surfaced evidence changes the equation. She says it proves the phone number in question was part of a family plan under Druski’s grandmother, not his mother, as previously claimed.

That discrepancy, she says, leaves open the possibility that someone else was using the phone, or that Druski’s location wasn’t definitively tied to the device.

Her motion seeks to erase the threat of sanctions and reopen discovery, which would allow her to dig deeper into Druski’s whereabouts on the night in question.

Mitchell is also entangled in other lawsuits involving Diddy, including one representing former “Making the Band” contestant Sara Rivers. That case was partially dismissed and is now on appeal. Mitchell previously represented Adria English in a separate suit against Combs in New York federal court.

Meanwhile, Combs has filed a $100 million defamation lawsuit against Mitchell, NewsNation parent company Nexstar, and journalist Courtney Burgess over televised statements related to alleged sex tapes.

The court has not yet ruled on Mitchell’s request for reconsideration.

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