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Rob Cole Moves ‘The Voice’ Coaches With Heartfelt Performance Of Lee Ann Womack’s ‘I Hope You Dance’

Rob Cole delivered an unforgettable performance of Lee Ann Womack’s “I Hope You Dance” during The Voice Season 28 Playoffs.

The moment began in complete darkness, with only Cole’s voice cutting through the silence as he gently plucked his acoustic guitar. The lights slowly rose to reveal an image of a single hourglass shining behind the member of Team Bublé, representing the powerful message that encourages listeners to live life to the fullest even when times get tough because time is fleeting.

Rob Cole; Photo by: Casey Durkin/NBC
Rob Cole; Photo by: Casey Durkin/NBC

As soon as Cole stepped up to the mic and sang his heart out, the energy felt calm, still and filled with heavy emotions as the audience took in every word of the hit song from Womack’s 2000 album of the same name. His voice was tender yet strong, further proving how much meaning the Grammy winning track holds for him as a father who wants nothing but the best for his children.

That emotional depth is exactly what Cole hoped to bring to this performance when he claimed this song.

“I had the most vivid dream and I was singing, ‘I Hope You Dance.’ And I woke up the next morning singing the song and then you called. You said, ‘Hey, I think I’ve got the song. Lee Ann Womack,’” he recalled. “As soon as you said that…I was like, that’s crazy. Singing this song feels meant to be. It very much describes where I’m at in life as a father. I want to be that dad that pushes my kids to dream, to go out on the edge to go for it.”

Rob Cole; Photo by: Casey Durkin/NBC
Rob Cole; Photo by: Casey Durkin/NBC

Reba McEntire, along with the rest of the coaches, was clearly moved. She told him, “It touched my heart. You just take a real soft song like that and just make it better. Great job.”

Snoop Dogg jokingly added, “I’m over here sweet on you, Rob.” He then turned to Cole’s coach, telling him, “Michael Bublé, this is somebody that I would take to the studio and make a real record with because he’s got superstar potential. Great job Rob.”

Coach Michael Bublé then took a moment to reflect on the strength of his team and the tremendous performances he saw that night that made his next decision that much more difficult.

“Rob was flawless tonight. He truly knows how to touch hearts. Jazz, for me, I think it’s very rare to hear a voice that perfect. Trinity always looks like she was meant to be on that Grammy stage. I’m ambitious and in the quest to threepeat, there’s going to be a tough decision, but I’m going to have to put my faith in America that they’ll help me in bringing a couple of my people to the finals.”

Season 28 of The Voice is officially getting down to the wire. During the playoffs round, each coach can only pick one artist to send through to represent them in the Live Finale. This week’s episode highlighted each of the four contestants from McEntire and Bublé’s respective teams. Then the coaches were met with the difficult task of choosing one hopeful act to advance.

Rob Cole’s performance was unfortunately not enough to convince Bublé to select him. He instead chose Jazz McKenzie, however Cole still has a chance to move onto the finals through an audience vote, which closes on December 2.

Niall Horan and Snoop Dogg take on their playoff rounds next week and then head into the Live Finale, where viewers will vote for the winner. The finale unfolds over two nights, airing December 15 and 16, 2025, on NBC.

The post Rob Cole Moves ‘The Voice’ Coaches With Heartfelt Performance Of Lee Ann Womack’s ‘I Hope You Dance’ appeared first on Country Now.

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WATCH: Aaron Nichols Turns ‘The Voice’ Stage Into A Honky Tonk With Luke Combs Cover

Aaron Nichols brought a bit of Music City to The Voice last night when he showcased his gritty vocals on a cover of Luke Combs’ “Beer Never Broke My Heart.”

The seasoned performer, who cut his teeth playing bars along Nashville’s Lower Broadway, looked completely at home as he tore into electric-guitar riffs and belted out the No. 1 hit with everything he had. The delivery was elevated by multi-colored lasers that swept across the stage, neon guitar graphics flashing on the screens around him, and his name glowing in bright lights.

Aaron Nichols; Photo by: Casey Durkin/NBC
Aaron Nichols; Photo by: Casey Durkin/NBC

He created a true honky tonk party that had the audience and all four coaches smiling and bouncing along to the irrespirable beat. The song may have been made famous by Combs, by Nichols made it his own, pouring heart and charisma into every ounce of the high energy performance.

“For the playoffs, I’m singing “Beer Never Broke My Heart.” This is the first fun party song I get to do. I’m one step away from the live finale, so I’m very excited to get the show that side of me,” he shared prior to taking the stage.

Aaron Nichols; Photo by: Casey Durkin/NBC
Aaron Nichols; Photo by: Casey Durkin/NBC

The dedication of the Team Reba contestant paid off when he earned rave reviews from the coaches.

“I love it. You performed like a superstar the way you managed the band, the way you controlled the guitar, the way you sung. I feel like you can’t lose with him,” Snoop Dogg told Reba McEntire, to which she replied, “I agree.”

She added, “You did wonderful in rehearsal. But this cherry on top way to go.”

The “Fancy” singer went on to explain that during the playoff rounds this season, each coach can only pick one artist to send through to represent them in the Live Finale and that is no easy task. Last night, both her and Bublé got to watch each of their four team members perform and then chose who would advance.

“I love Aaron’s voice. It’s very raspy. Chris Stapleton-esque. He set the bar real high, but I got three more to see.”

By the end of the December 1 episode, McEntire ultimately decided to go with a different member of her team to continue on, Aubrey Nicole, who performed her rendition of “Black Velvet” by Alannah Myles. Even though Aaron Nichols was not her top contender, he still has a chance to make it to the finals through an audience vote, which closes on December 2.

Niall Horan and Snoop Dogg will have their playoff rounds next week. Then, they will enter the The Voice Live Finale where viewers will decide who gets crowned the champion. This epic event is set to take place across two-nights, airing on December 15 and 16, 2025, on NBC.

The post WATCH: Aaron Nichols Turns ‘The Voice’ Stage Into A Honky Tonk With Luke Combs Cover appeared first on Country Now.

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Ashley Cooke Opens Up About ‘my worst fear’ and the Quiet Pressures Women in Music Face [Exclusive]

Over the past few weeks, Ashley Cooke has released her brand-new project, ace, performed at both the Grand Ole Opry and the TODAY Show, delivered a powerful rendition of “God Bless America” at WWE Monday Night Raw inside Madison Square Garden, and walked the red carpet at the CMA Awards. All of this momentum leads back to ace, a nine-track collection that pulls straight from the most personal corners of her life over the past two and a half years.

The project features songs like the fiery new single “the hell you are,” now at country radio, the reflective “gettin’ old,” and the raw, vulnerable “my worst fear,” which confronts the harsh realities of chasing big dreams and the sacrifices that come with them.

Ashley Cooke; Photo by Nathan Wingate
Ashley Cooke; Photo by Nathan Wingate

Since its release, fans have been quick to notice the parallels between Cooke’s “my worst fear,” Carly Pearce’s “Dream Come True,” and Kelsea Ballerini’s “I Sit in Parks,” noting how all three songs share an honest look into the choices women make in pursuit of their dreams.

While backstage at the 59th Annual CMA Awards, Cooke opened up about her friendship with Pearce and Ballerini and their shared experiences in the industry. 

“I think we all have talked about it quite a bit, me, Carly, and Kelsea. And that’s the beauty of having friends in the industry because we all want each other to win. And not just for the sake of saying it on an interview, we just genuinely want each other to succeed,” she shared. 

She added that beneath all the success and whirlwind moments, there’s a shared feeling of longing and reflection that makes these songs hit a little deeper.

“But I think all of us in music are just trying to say, we’re so thankful for what we’ve worked for and the successes that we’ve had so far. But there’s also things that we feel like we’re missing. And I think Kelsea’s song, for example, that lyric of, ‘I wonder if she wants my freedom like I want to be a mother.’ I think that encompasses it so perfectly because it’s not that we don’t love our freedom and we don’t love the lives that we have and the crazy experiences that we get to have,” she continued. “It’s more we all kind of want it all. We can’t have everything. And so it’s like this emotion of ‘what am I missing? What am I giving up to have what I have currently?’ And I think that moms feel that way, and successful artists feel that way. And all across the board, we all think about what we’re missing when we have what we have.”

Ashley Cooke; Ace
Ashley Cooke; Ace

This sentiment is expressed throughout “my worst fear,” which was written by Cooke alongside Emily Weisband, Johnny Clawson, Kyle Sturrock, Seth Ennis, and Joe Fox. Click below to listen. 

The post Ashley Cooke Opens Up About ‘my worst fear’ and the Quiet Pressures Women in Music Face [Exclusive] appeared first on Country Now.

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More Details Around POORSTACY Death Emerge

POORSTACY was confirmed dead at 26 following a medical emergency at a Boca Raton hotel and now authorities are investigating the circumstances surrounding the Hip-Hop artist’s passing.

The rapper, born Carlito Milfort Jr., was staying at the Boca by the Sea Hotel on Federal Highway when the incident occurred early Saturday morning on November 29. Police transported him to a local hospital, where medical staff pronounced him dead.

Boca Raton Police Department confirmed the death stemmed from an incident at 2899 N. Federal Highway. A hotel employee revealed POORSTACY had been staying at the property for approximately 10 days with a woman and a toddler before the fatal incident.

Authorities have not released the cause of death as the investigation remains active. No additional injuries were reported and POORSTACY was the only person hospitalized during the incident.

The Palm Beach County native gained recognition for his unique blend of emo rap, punk rock and alternative Hip-Hop. His music appeared on the Grammy-nominated Bill & Ted Face the Music soundtrack, and he collaborated with notable artists, including Blink-182 drummer Travis Barker.

Barker shared a tribute to POORSTACY on Instagram Stories on Saturday, following news of the artist’s death.

Fans have posted comments on Milfort’s recent Instagram account speculating about suicide, though police have not confirmed any details about the manner of death.

The investigation continues as authorities work to determine the exact circumstances. The hotel employee declined to provide additional details about the incident when contacted.

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Nick Cannon Takes Christmas Photos With Massive Family After Sibling Controversy

Nick Cannon brought together several of his children for a cheerful Christmas photo shoot this week, just weeks after his daughter, Monroe, made headlines for comments about her siblings.

The TV host and father of 12 shared a carousel of holiday snaps on Monday on Instagram, posing with 14-year-old twins Monroe and Moroccan, his children with Mariah Carey, alongside some of his younger kids.

The group stood in front of large, decorated Christmas trees, flashing smiles and silly faces in a series of lighthearted images.

“Cannon Family Vibes,” he captioned the post.

The twins chimed in with playful remarks in the comments. Moroccan wrote, “Finna be white this winter man,” while Monroe dropped a gif from Elf showing Will Ferrell’s character shouting, “Santa’s Coming!”

The post comes on the heels of Monroe’s November statement about her family dynamic.

View this post on Instagram

In a social media post, she clarified her relationship with her father’s other children, saying, “I only have ONE brother who is @moroccan.cannon. i do have other half siblings from my dad but they are all many many years younger than me!”

Nick Cannon’s sprawling family includes children with multiple women.

In addition to Monroe and Moroccan, he shares Golden Sagon, Powerful Queen and Rise Messiah with Brittany Bell; twins Zion Mixolydian and Zillion Heir and daughter Beautiful Zeppelin with Abby De La Rosa; son Legendary Love with Bre Tiesi; daughter Onyx Ice Cole with LaNisha Cole; and two children with Alyssa Scott—Zen, who passed away from brain cancer in December 2021 at five months old, and daughter Halo Marie.

The Christmas photos mark another public moment of togetherness for Cannon, who frequently shares snapshots of his family life on social media.

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YSL Woody Breaks Silence On Death of Newborn: “Feeling Empty Now”

YSL Woody shared devastating news: he revealed his newborn son died just weeks after birth, prompting an outpouring of sympathy from across the Hip-Hop world.

The Atlanta rapper held a funeral for the newborn, and he has not publicly disclosed the cause of death or the exact date his son passed. However, his posts suggest the baby was just over one month old.

He continues to share photos and videos of his son, capturing moments with his son and his son’s mother. Woody reflected on how the child’s brief life changed him, saying that the moment the child was born gave him a new sense of purpose and strength.

He described feeling transformed, overwhelmed by how lucky he felt to become a father, even as the loss left a wound he said would never fully close.

“You came into this world with your hands balled into a fist, which symbolize strength,” Lil Woody wrote, saying that moment made him feel “as I was the luckiest person alive.”

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He admitted that his “heart will never heal from this” but promised, “I won’t be weak bc of you.” Woody said the child touched far more people than anyone could have imagined.

“You will never be forgotten,” he wrote, noting how “in 2months your presence touched the world. Millions of ppl watched you.” He described the love surrounding the child’s life as a spiritual gift, adding, “God is a God of love he sent you with so much of it!!!”

His final words carried the weight of a father grieving in real time: “I love you and imma miss you!! I’m feeling empty now.”

The loss comes shortly after Woody had publicly celebrated the upcoming arrival of his son. During a recent livestream with his longtime girlfriend, he beamed with pride as he announced, “It’s a boy!” while she showed off her baby bump.

Though YSL Woody has mentioned having daughters from previous relationships, this appeared to be his first son.

YSL Woody gained national attention for his involvement in the high-profile YSL RICO case, where he served as a key witness in the prosecution of Young Thug and others.

The Hip-Hop community has rallied behind Woody during this painful time, with artists and supporters continuing to send messages of strength and solidarity through social media.

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Drake Dominates Apple Music 2025, Kendrick Lamar’s ‘Not Like Us’ Rules Rap

Drake secured Apple Music’s most-streamed artist position for 2025, while Kendrick Lamar‘s Grammy-winning diss track “Not Like Us” claimed the platform’s top rap song for the second consecutive year.

Apple Music announced Tuesday that the Toronto rapper earned the streaming service’s highest artist ranking, driven by momentum from his February collaboration Some Sexy Songs 4 U with PartyNextDoor and tracks from his upcoming “Iceman” album rollout.

The platform’s “’25 Replay” data revealed Lamar’s Drake-targeted track maintained its dominance in Hip-Hop categories, marking the first time any rap song held the genre’s top position across back-to-back years on Apple Music.

“Not Like Us” finished as 2025’s most-streamed rap song worldwide despite Rosé and Bruno Mars‘ “APT.” claiming the overall number one position across all genres.

The competing chart positions highlight the complex aftermath of Hip-Hop’s most publicized feud in recent memory.

The conflict erupted in 2024 with multiple diss tracks exchanged between the artists, culminating in “Not Like Us” becoming a cultural phenomenon that extended beyond music. Kendrick Lamar’s track earned five Grammy Awards in February 2025, including Record of the Year and Song of the Year, the ceremony’s most prestigious honors.

The Compton rapper dedicated his Record of the Year victory to “the culture” during his acceptance speech. Drake ultimately filed a legal response to the track over claims he was unfairly labeled a pedophile, which ruined his reputation and put his life in danger.

A federal judge dismissed his defamation lawsuit against Universal Music Group in October 2025, rejecting claims that the label intentionally promoted false statements about him in “Not Like Us.”

The Apple Music nod caps off a banner year in which both artists achieved significant milestones. Drake reached RIAA Diamond certification status for multiple tracks, while Kendrick Lamar’s surprise album GNX generated over 2 million sales within weeks of its November release.

Drake’s streaming dominance comes as he prepares to release Iceman, his first full-length studio album since the feud’s peak.

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Megan Thee Stallion, Milagro Gramz Trade Shots Through Statements After Verdict

Megan Thee Stallion fired back at critics questioning her defamation victory against blogger Milagro Gramz after a Miami jury awarded the Houston rapper $75,000 in damages on December 1.

The legal dispute reached its conclusion when nine jurors found Milagro Cooper, known professionally as Milagro Gramz, liable for defamation and intentional infliction of emotional distress.

The verdict included $15,000 in compensatory damages for defamation, $8,000 for emotional distress and $50,000 for promotion of deepfake pornography featuring the rapper.

Hours after the ruling, tensions escalated when both women issued competing statements about the case’s outcome and its implications.

Milagro Gramz went live on Instagram within hours of the verdict to address supporters and frame the ruling as motivation for future projects. The blogger, whose real name is Milagro Cooper, appeared defiant during the livestream.

View this post on Instagram

“I’m start working on my mixtape because apparently the only place where you can bully people and talk crazy and pop s### is in the studio,” Milagro Gramz told viewers during the broadcast. “So I’m gonna go get on my mixtape s###, and make sure I channel all my energy into my raps and put that out. Let that be artistic expression.”

Gramz also released an official statement through Asilia Law Firm, P.A., while her Instagram Live featured more personal commentary on the case’s impact.

During the livestream, Gramz thanked her audience for their support throughout the legal proceedings.

“I love you guys so much. Hope that y’all can see the bigger picture and that you understand what new media is,” she said. “I hope that you understand that the things that we do, in the work that we put in, is valuable.”

The blogger maintained her stance despite the jury’s decision.

“Solid b######, they ain’t built, they born,” she continued. “I’m happy that I stood up for something that I believed in, followed it all the way through, and I don’t need validation from anybody else about those things.”

Megan Thee Stallion responded directly to media coverage on X, writing: “Here they go lying again AS USUAL If you want REAL MEDIA/NEWS know how to be Patient and know how to read.”

The rapper’s legal team disputed claims from Gramz’s attorneys about the verdict’s scope, stating: “Contrary to public statements issued by Milagro’s attorneys, the court has not issued a final judgment regarding the defamation count. The judge will make a final ruling and determine the entire financial amount that Milagro will be required to pay Megan, inclusive of legal bills and the defamation count, at a later date.”

The case centered on allegations that Milagro Gramz spread false information about Megan Thee Stallion and promoted deepfake pornographic content featuring the rapper.

Megan’s legal team argued during trial that Gramz served as a “mouthpiece” and “puppet” for coordinated harassment campaigns.

The final judgment amount remains pending, as the judge will determine additional costs, including legal fees, at a later hearing.

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50 Cent Takes Aim At Jane Doe & Her Morals: “Hoes Are Different”

50 Cent didn’t hold back when asked about his new docuseries Sean Combs: The Reckoning on Diddy, revealing he regrets not including one person in particular: “Jane Doe,” a woman many believe is his ex and the mother of his son, Daphne Joy.

In a wide-ranging interview with GQ, 50 Cent said her presence would’ve added a different kind of clarity to the series.

“The one person that I wish was in the doc that would create clarity for people in a different way is Jane Doe. So you could see someone who was willing to do it for money. Do you understand?” 50 Cent said.

The rapper and television executive contrasted Jane Doe’s alleged motivations with those of Cassie Ventura, who filed a lawsuit against Diddy that is now settled.

“Cassie came in so early, she’s a baby at 19. Look, the innocent energy that you feel when his kids are walking into the courtroom and you’re sympathetic to them, that’s who Cassie was when she met him,” Fif said.

He continued, “It is a really interesting balance of things because people think of how a woman who has a moral compass, a traditional woman would feel under those circumstances. They don’t think about hoes. Now, hoes are a bit different. They’re not so emotionally connected to the sexual experience. So they can have that sexual experience with those other people as long as you’re going to pay.”

The woman referred to as Jane Doe delivered harrowing testimony in the federal sex trafficking case against Diddy. She described being coerced into group sex acts, referred to as “freak-offs,” at luxury hotels in cities like Los Angeles, Miami and New York.

Jane said Diddy insisted no condoms be used, claiming he didn’t want to “see a rubber” and liked to “play around with it.”

She also said the men would “finish on me,” after which Diddy would have sex with her. She added she was told not to clean up because Diddy “liked to play with it.”

She testified that she was often high during these encounters and feared Diddy’s reaction if she refused.

Jane said she once tried to negotiate condom use, even recording it, but Diddy guilt-tripped her. “It was not something he wanted to see,” she said.

50 Cent made it clear he sees a distinction between women like Cassie and Jane Doe.

“If the person’s a frequent OnlyFans person and already solicited and looking for somebody to pay and you meet them and you tell them, ‘Just be who you are and meet other people and do it in front of me,’ you don’t think they’ll do it?” 50 Cent said.

Sean Combs: The Reckoning, which dives into years of allegations against Diddy, does not include Jane Doe’s testimony.

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EXCLUSIVE: Milagro Gramz Gets Big Win Over Megan Thee Stallion As Judge Slashes Damages

Milagro Gramz scored a pivotal courtroom win in Florida when a federal judge tossed the defamation payout awarded to Megan Thee Stallion.

The judge slashed the total damages to $59,000 and shifted the outcome of a lawsuit that had gripped the Hip-Hop world for weeks. The decision, issued on Tuesday (December 2), wiped out all damages tied to defamation per se after the court found Megan failed to meet a crucial legal requirement under Florida law.

The judge ruled that Megan Thee Stallion didn’t comply with Florida Statute 770.01, which requires plaintiffs to give media defendants written notice at least 5 days before filing a defamation suit. The court noted it was “uncontested” that Megan never sent such notice.

Since the jury had already determined that Gramz operated as a media figure due to her consistent commentary and reporting on public legal matters, the defamation award was legally unenforceable.

That ruling eliminated a $15,000 compensatory award and a $1,000 punitive award tied to the defamation claim. What remains is $59,000 in damages linked to two other claims the jury upheld: intentional infliction of emotional distress and the promotion of an altered sexual depiction.

The trial, which ran from November 17 through December 1, pulled back the curtain on the digital fallout Megan endured after the Tory Lanez shooting case.

Jurors heard about Milagro Gramz’s repeated online accusations that Megan lied under oath, calling her a “non-credible witness” and suggesting she misled the court. These statements were at the heart of the now-vacated defamation claim.

Megan’s legal team also introduced evidence that Gramz promoted a manipulated, explicit video of the rapper without her consent. The jury found that Gramz acted “willfully and maliciously” in sharing the altered content, awarding $50,000 in damages for that claim alone.

Another $9,000 was awarded for emotional distress, stemming from Megan’s testimony about the emotional toll of relentless online harassment, misinformation and public ridicule.

Megan Thee Stallion described the financial and psychological cost of therapy and recovery in the wake of the viral attacks. While the judge closed the case, the court retains jurisdiction over Megan’s request for injunctive relief, which could lead to future restrictions on Milagro Gramz’s conduct.

For now, both sides are barred from seeking legal costs or attorney fees until any post-trial motions or appeals are resolved.

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