Do Vince Gill and Amy Grant bring the music home with them, or do they leave all that at work? Grant tells all. Continue reading…Country Music News – Taste of Country
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Pete Buttigieg is picking sides in a heated Senate Democratic primary in the state that cemented his national political profile.
Buttigieg, who won the Iowa Democratic caucuses in 2020, is backing state Rep. Josh Turek — a move that shows his willingness to wade into contested primaries ahead of another possible presidential campaign.
The endorsement comes shortly after Buttigieg’s former 2020 rival, Massachusetts Sen. Elizabeth Warren, visited earlier this week to campaign for Turek’s opponent, state Sen. Zach Wahls.
“We made history in Iowa in 2020 because our campaign went everywhere,” Buttigieg said in a statement shared first with POLITICO. “We connected with people in rural towns and the largest cities, focused on the issues that affect everyday life, and brought Democrats, Independents, and even Republicans into the fold. Josh Turek has taken that same proven approach to his campaign, and that’s why I know he will be successful. I believe Iowa can make history again in 2026 by sending Josh to the U.S. Senate.”
Buttigieg’s decision to pick sides in the once-early nominating state is a reversal for him. In March, he told POLITICO it was “not in my plans” when asked whether he would endorse in sharply contested primaries in his adopted home state of Michigan or in Iowa. And while it could help elevate Turek — and potentially give Buttigieg a valuable ally if he runs in 2028 — it carries some risk of alienating Wahls’ supporters in the hard-fought contest.
It’s not a shock, however. Turek’s campaign in Iowa marks something of a reunion for Buttigieg’s 2020 campaign operation: his former national press secretary Chris Meagher is a Turek adviser, while Buttigieg’s former senior adviser Lis Smith and former aide Matt Corridoni are both advisers to The Bench, a new political group that’s been choosing sides in other Democratic primaries.
It’s not clear whether Iowa will have anywhere near the outsized role it historically held in the Democratic nomination process next time around. A calamitous caucus-night vote count and app breakdown played a role in Democrats bumping Iowa from the front of the primary line in 2024. Iowa Democrats are trying to get back in the first four states, along with a bevy of other states. Democrats are expected to choose their nominating order later this year.
Buttigieg joins Sens. Tammy Duckworth of Illinois, Catherine Cortez Masto of Nevada, and Maggie Hassan of New Hampshire in Turek’s corner — as well as former Sen. Tom Harkin (D-Iowa), the last Democrat to represent the state in the Senate.
“I am deeply honored to have Pete’s support in this race,” Turek said in a statement. “His unique ability to connect with Iowans who feel forgotten and left behind is exactly why he won the caucuses in 2020, and it’s that same approach that will help us win Senator Harkin’s seat back.”
Politics
SEARHC plans to build an 8,000-square-foot medical services building to consolidate dental and behavioral health services into a single campus, anchored by the hospital.
“We’re calling it the Wrangell Campus,” Ryan Matej, the Sitka-based chief administrative officer for the health care provider, said in a phone interview on Friday, May 1.
SEARHC has been looking at how to consolidate its multiple service locations in town, he said.
The dental clinic currently operates out of a SEARHC-owned building at Front and McKinnon streets, about a mile from the hospital. Behavioral health services are housed in a SEARHC-owned building at Church and St. Michaels streets.
Matej said no decision has been made on the future use of the two buildings after they are vacated.
“It’s really in the infant beginning stages,” he said of the construction project next to the hospital. “We’ve broken some ground,” with no specific timeline for construction.
Contractors will work over the next several months on site prep, preparing for a foundation and roughing in utilities, he said, but no actual construction.
At about 8,000 square feet, the medical services building will be about one-fifth the size of the Wrangell Medical Center, which SEARHC opened in 2021 with a hospital and long-term care unit.
The next phase, Matej said, will be the design work.
The health care provider has not yet applied for a building permit.
The new building also will include space for one or two optometry bays, he said, providing a dedicated area for visiting optometrists who currently work out of the hospital building.
SEARHC last month dedicated a new $300 million hospital and medical center on its Sitka campus. Charles Clement, who has served as president the past 14 years, talked about plans for Wrangell in a newspaper interview after the opening. “We have multiple facilities all over town, and we have enough land there to bring it all into a medical campus.”
SEARHC is the largest employer in Wrangell, with about 170 full-time equivalent employees and direct contractors in 2025, according to a Rain Coast Data economic report for the borough last fall.
The report said the health care payroll in Wrangell in 2024, at $15.2 million, exceeded all other industries in town.
SEARHC is the largest health care provider in Southeast, with facilities in 15 communities and traveling services for 13 more towns across the region.
This story was originally published by the Wrangell Sentinel.
The post SEARHC plans new medical services building in Wrangell appeared first on Chilkat Valley News.
The first month of the U.S. war against Iran caused crude oil prices to skyrocket around the world, and the price of Alaska’s oil has risen particularly far.
That rise is making tens of millions of dollars, maybe a few hundred million dollars if high prices persist, available for state services and the Permanent Fund dividend, even as it squeezes the finances of individual Alaskans.
In figures newly compiled by the Alaska Department of Revenue, the average price of a barrel of Alaska North Slope (ANS) crude was $111.17 in April.
That’s $8.70 higher than the average price of a barrel of Brent crude, a benchmark price for Europe’s North Sea oil. It was also $13.11 per barrel higher than the average price of West Texas Intermediate, the benchmark for oil from America’s second-largest state.
“The differential is the largest monthly value since the year 2000 and may be the highest value in history,” said the Department of Revenue, referring to the gap between Brent and North Slope crude.
“The large premium is due to a tightness in the Pacific basin oil market, where ANS is traded,” the department said.
Alaska crude goes to refineries in Washington state and California, with a small volume delivered to a refinery in Nikiski on the Kenai Peninsula.
In addition to Alaska oil, U.S. West Coast refineries obtain their crude from Canada, North Dakota and California oil fields, and a substantial volume from overseas suppliers.
“Uncertainty about shipping and delivery is incentivizing refiners to pay a premium for available crude that does not transit areas with substantial security risks. Crude grades from the Americas are the safest option. Brent primarily trades in the Atlantic basin, where the impacts from the Iran war are not quite as pronounced on a barrel-for-barrel basis.”
The premium now being paid for Alaska crude will have a significant impact on the state treasury if it continues for months.
Each $1 increase in the average price of a barrel of ANS crude for a full year is worth roughly $30 million to $50, depending on the price.
While more than half of the state’s general-purpose revenue now comes from the Alaska Permanent Fund’s investments, oil is still the No. 2 source of flexible spending money for the state, and prices — combined with production — cause the amount of available money to flex up and down each year.
Legislative budgeters write the state spending plan with an average crude price in mind for an entire fiscal year, from July 1 through June 30 of the following year.
In the current fiscal year, which ends June 30, the Department of Revenue expects prices to average $75.26 per barrel.
Thanks in part to the Alaska premium, the average through May 5 was $75.71. Every day that prices stay above that level, the more unexpected money the state will receive.
The state Senate already has a plan for that extra money.
The first $96 million would go to an “energy relief” payment that increases the amount of the 2026 Permanent Fund dividend by $150 per Alaskan. The next $111 million would be distributed to public schools, and anything above that would go into the state’s principal savings account, the Constitutional Budget Reserve.
While Alaska’s state treasury is receiving a boon from the high prices, legislators don’t expect it to last. In the fiscal year that starts July 1, they’re anticipating significantly lower average North Slope oil prices.
“The Senate operating budget, when combined with spending agreements for the capital budget, balances the budget on $73/barrel oil, with some money left over,” said Bethel Sen. Lyman Hoffman, co-chair of the Senate Finance Committee, speaking about the Senate’s budget proposal on May 6.
The post State profiting from higher prices for Alaska oil on U.S. West Coast appeared first on Chilkat Valley News.
Juneau Author Corinna Cook is heading to the Chilkat Valley this week for an event centered on her newest book, Permafrost Is An Archive And Other Inheritances From The Alaska-Yukon Borderlands. Cook, whose writing blends research and personal reflection, sat down with the Chilkat Valley News’ Rashah McChesney to talk more about the collection.
This conversation has been edited for clarity and brevity.
Rashah McChesney: Your essays move between reporting, memoir, philosophy, and literary criticism. What kind of reading experience are you trying to create for someone picking up this book for the first time?
Corrina Cook: I write in the tradition of the essay. I think that one thing that essayists are really involved in is trying to define what is an essay. We don’t agree. But what we do agree on is that an essay involves movement. The way that I teach it to my students is that an essay is always in motion between the three poles of research, lived experience and reflection.
The research is anything we learn from outside of the body’s senses, and then personal experience is our lived life, and then reflection involves the movement of the mind. So, my interest in that form has everything to do with that sense of movement. In my perfect world, I’d like a reader to have a chance to think a thought that she hasn’t thought before…and also potentially rub up against questions that are not easy.
One thing that I was really struck by is that a lot of nonfiction about climate change focuses on catastrophe or policy. Your work often seems more interested in memory, relationship, and meaning. I’m curious why you approach climate change in that way?
I sometimes describe my interests as like, I’m interested in social problems with a geologic sense of time. I see a lot of exciting innovation in terms of climate grief adaptation coming out of the arts.
I don’t want to live in a world that doesn’t have activists in it, I don’t want to live in a world that doesn’t have like policymakers in it. I want good attorneys making strong legal arguments on climate. But I also don’t think that arena is the only option, especially in this part of the north.
Part of our colonial reality is that we’ve got these very local specific changes that our small communities and families and neighbors have to live with and have to figure out how to live with and at the same time are relying on federal powers, federal decision makers in very far away lands, on the other side of the continent. I just find that disconnect really fascinating. Someone will be making policy somewhere but, you know, in fjord country we’re seeing landslides and increased rainfall and decreased returns in salmon runs and how do we, in our small communities, find good enough ways of living with that kind of complicated loss that those changes entail?
The title Permafrost Is an Archive treats land almost like a living record keeper. I am so curious what drew you to that metaphor?
Yeah, I was talking with a permafrost scientist, the director of Yukon University’s permafrost research lab. He made, to me, the very poetic and interesting point that ice and humans come into the land together. When you look at geologic epochs and this massive cooling event that happens on earth, it coincides with the evolution of Homo sapiens. So, this permafrost scientist told me that ice is a record of basically all of humanity so it’s very interesting that globally so much ice is melting. That’s like, our species’ most core library. So, I’m just very swept up in the kinship that implies between ice and the human animal.
The Alaska-Yukon borderlands are central to this collection. I wonder if this region reveals anything to the north that outsiders often miss.
I think of the drawing of borders up here as extremely strange. I think that might be a, kind of, basic answer to the question. It’s very weird that we have a line along the mountains and that on one side our neighbors have a Canadian healthcare system to contend with and on the other side of the mountains the neighbors have an American healthcare system to contend with. That’s just a surprising thing about the border.
I think also there’s a lot of exchange and connection across these northern coast mountains. That goes very easily into geologic time, the accretionary belt of North America certainly doesn’t stop at the Alaska-Canada border. So kind of like the way that all of these jumbled bedrocks have landed in North America in the first place, that crosses the border. Then we have these generations and generations of kinship and trade ties, people walking back and forth over these mountains and sharing information, sharing material goods, trading information, trading material goods but also intermarrying, making really strategic choices about when to call a conflict a conflict and when to create alliances and avoid a conflict. That seems very integral to our inheritance here.
Your writing often circles around the idea that the past is still present in the landscape. Do you think people in Alaska experience history differently because of the land itself and how close we are to that history?
I think we’ve just got a hugely diverse set of people here. I think that you’re walking around with neighbors who find it very easy to truncate history at a specific moment, whether that’s contact or whether that’s pipeline. I certainly do have neighbors who help dig me out of the ditch who find it very easy to find Alaska history as starting with the pipeline. Then I have neighbors who dig me out of a ditch who don’t see it that way at all, who see a much longer extensive history and, you know, the deer’s use of the Hilda Creek estuary in early spring as this kind of standing long-term understanding of why we don’t disturb certain watersheds and shorelines. I think these time scales seem to exist side-by-side in Alaska. I think that really in the neighborly part of it is, I do not think the way that all of my neighbors think but I do rely on all of my neighbors.
Is there one essay that feels especially important to read in Southeast Alaska?
My larger agenda is that even though I focused on our border lands here, I think the collection is relevant to the Americas writ large and potentially globally. That aside, I think that the Kohklux Map essay is potentially the most regionally grounded in the Chilkat Valley and beyond. So that would be one that I think is really important to point at.
Cook is scheduled to be at The Bookstore at 4 p.m. on Friday, May 15 for a meet and greet, followed by a 5:30 p.m. reading and discussion.
The post Q&A: Corinna Cook on Ice, Memory and the Alaska-Yukon border appeared first on Chilkat Valley News.

Corinne Bailey Rae’s signature tune is undoubtedly “Put Your Records On,” which combines folksy lullabies and ear-worm pop hooks with soulful, jazzy sensibilities. But the yearning ballad “Do You Ever Think of Me” from 2016’s The Heart Speaks in Whispers is just as remarkable. Connecting soul music’s past with its present, this song interpolates the melody of Curtis Mayfield’s “The Makings of You.” But while Mayfield’s gorgeous melody shapes the early parts of “Do You Ever Think of Me,” Bailey Rae ultimately diverts from it. Her dulcet, supple voice guides the listener to an extended outro with hypnotic repetitions of the title lyric.
Bailey Rae co-wrote the song with Valerie Simpson of famed recording and songwriting duo Ashford and Simpson. With her late husband Nickolas Ashford, Simpson wrote stone-cold classics for the likes of Marvin Gaye and Tammi Terrell (“Ain’t No Mountain High Enough”) Diana Ross (“The Boss”), and Chaka Khan (“I’m Every Woman”). Having already met some years prior at Ashford and Simpson’s Sugar Bar club in New York City, Bailey Rae and Simpson discussed collaborating after crossing paths at a MusiCares concert in 2015. They bonded over their shared experiences of loss and tragedy: Bailey Rae’s first husband Jason Rae died in 2008 after an accidental overdose, while Simpson lost her husband in 2011 to throat cancer.
Speaking to MOJO in 2016, Bailey Rae recalled receiving an email from Simpson after first playing her “Do You Ever Think of Me”. “[Valerie had] attached a file of her singing my song, but her version of the song, adding her own lyrics, and these amazing piano chords under where she sang ‘Why did it have to end?’ She’d smashed it,” Bailey Rae says. They finished writing the song at Simpson’s home.
“It touched my heart because it was the first time I had attempted to partner with somebody [other than] my late husband,” Simpson told me in an interview. She noted how Bailey Rae’s voice has a similar “sweetness” to Mayfield’s. “It can be soft and sensual and strong and soulful,” she explained, reflecting fondly on when she performed the song with Bailey Rae in New York City.
“Do You Ever Think of Me” is the product of an intergenerational dialogue: A key protagonist of 21st-century soul music joining forces with one of the genre’s veteran songwriters, while honoring the work of another soul legend. The results are magical.
Listen to Corinne Bailey Rae’s “Do You Ever Think of Me” now.
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