Here is a list of all six singers and their song choices, plus who was eliminated. Continue reading…
The Boot – Country Music News, Music Videos and Songs
Month: December 2025
Adin Ross just dropped a bombshell that’s got the Hip-Hop community talking. The white Kick streamer straight-up admitted he uses the N-word when rapping along to songs, and he’s not backing down from it.
During his November 28 stream, Ross made the confession that’s now going viral across social media.
“I’m not going to lie to you guys. I’m not fake. Whenever I listen to rap music… there’s times where I say it. But me not saying it on stream, like, I have rapped songs before saying the word. I’m not a pu**y, and I’ll tell you guys that,” Ross told his viewers.
But Ross didn’t stop there. He doubled down by claiming every other streamer does the same thing, saying, “I believe that every single streamer f###### says it… pretty sure everyone f###### says it.”
For streamers who deny using the slur, Ross had harsh words: “they’re full of f###### b#######.”
This latest admission adds fuel to the already-burning fire around Ross and racial controversies. The 25-year-old streamer, who’s of Jewish heritage, has been at the center of multiple N-word incidents that have damaged his relationships within the Hip-Hop community.
The most damaging controversy came earlier this year when Kai Cenat revealed that Ross’s manager, Taav, called him the N-word during a heated phone call about Cenat’s McDonald’s commercial deal.
Cenat explained this incident was a major reason he distanced himself from Ross, saying the manager went on a racist tirade after he declined to collaborate with the Kick streamer.
Ross has also faced backlash from established Hip-Hop artists. Chief Keef previously reacted to Ross using the N-word during streams, and Sexyy Red has also addressed the streamer’s problematic language.
These incidents have created a pattern that’s hard to ignore in the Hip-Hop community. The issue of white fans using the N-word isn’t new in Hip-Hop culture.
Kendrick Lamar famously called out a white fan at his concert for saying the slur while performing “M.A.A.D City,” stopping the show to address the inappropriate behavior.
What makes Ross’s admission particularly problematic is his platform and influence.
As a prominent streamer with millions of followers, his casual attitude toward using racial slurs normalizes this behavior for his predominantly young, white audience.
His claim that “everyone does it” attempts to deflect responsibility rather than acknowledge the harm. The Hip-Hop community has consistently made it clear that the N-word isn’t for everyone to use, regardless of musical context.
Artists have repeatedly explained that singing along to lyrics doesn’t give non-Black people permission to use the slur, yet Ross seems to dismiss these boundaries entirely.
Ross’s “I’m not fake” defense misses the point entirely. Being authentic doesn’t mean ignoring the cultural significance and pain associated with racial slurs.
This controversy comes as Ross continues trying to rebuild his reputation in Hip-Hop circles.
Adin Ross’s casual admission and defiant attitude show he’s either unwilling or unable to understand why his behavior harms the culture he profits from.
AllHipHop
Republic Records has stepped into the world of gaming with a major new venture and Houston’s own Sauce Walka is a player in an unexpected way.
The label has announced a strategic partnership with developer Nothing Projects Interactive to launch OnlyHands, a real-time mobile fighting game inspired by the cult legacy of Def Jam: Fight for NY. The title is slated for release in late 2025.
Sauce Walka isn’t just a featured character, he’s part of the creative DNA.
“Proud to announce the future/present of Hip-Hop gaming,” Sauce Walka wrote on Instagram. “We have been begging for a video game like this since Def Jam Vendetta & Def Jam: Fight for NY… now it’s finally here… ‘OnlyHands’ is the elite Hip-Hop (open world) fighting game featuring the industry’s top artist & most influentially cultured figures in the RAPGAME. Real hands will be THROWN.”
Walka appears prominently in early trailers and has publicly stated he is working with the development team, injecting the game with his signature blend of energy, humor and authenticity. His involvement has already helped push OnlyHands beyond a typical music-industry tie-in toward something fans are beginning to view as a full-scale cultural event.
Republic has not yet confirmed which artists will appear as playable fighters, but the roster potential is massive. The label’s lineup includes Nicki Minaj, Kid Cudi, Ariana Grande, Lorde, Taylor Swift and others.
Avery Lipman, Founder of Republic Records and Vice Chairman/COO of Republic Collective, said the partnership represents a deliberate push into digital culture.
“They’ve created a new paradigm with OnlyHands,” Lipman said. “It’s a seamless platform for the integration of gaming, music, and culture.”
Nothing Projects Interactive describes OnlyHands as a “music-first” ecosystem built on four pillars:
• Combat-driven streaming, where match victories trigger real music streams
• Playable artist avatars designed around each performer’s style and identity
• Instant content drops, allowing artists to push new moves, cosmetics, or tracks in real time
• A connected fan economy, merging streams, in-game rewards, and digital purchases
CEO Zane Comer said the intention is not to blend industries but to establish a new medium.
“Gaming and music were never truly separate—they just hadn’t found their native form,” Comer explained. “What we’re building isn’t a crossover, it’s a new medium.”
The project arrives as Republic’s parent company, Universal Music Group, expands deeper into interactive entertainment, including ventures in Roblox, metaverse fan experiences, and tools that integrate artists like Lil Wayne directly into games.
Meanwhile, OnlyHands is already building an online community through playful world-building, fictional “studies,” teaser clips, and cameos from Boosie, Key Glock, Kodak Black, and others.
But at this early stage, Sauce Walka is the loudest voice championing the game, positioning himself as both a character and a cultural architect.
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Lizzo opened up about the darkest chapter of her life, detailing how a wave of public scrutiny and personal betrayal pushed her into a mental health crisis that led to her unexpected weight loss.
“I started losing weight in the fall of 2023,” she wrote in a deeply personal Substack essay. “I was severely depressed. I had been the subject of vicious scandal, and it felt like the whole world turned its back on me. I became deeply suicidal. I cut off all my loved ones.”
The Grammy-winning artist said the emotional collapse followed a lawsuit filed by three former backup dancers who accused her of harassment. The fallout left her feeling abandoned by friends and colleagues.
“I couldn’t trust anyone,” she said. “People I loved, trusted, and looked up to were turning on me publicly. They were making things up about me for clout and attention. God knows why…Fifteen minutes of fame? I guess I’ll never know.”
The emotional toll, she said, left her furious and voiceless. “I was angry every day. I couldn’t defend myself. I couldn’t explain myself. I couldn’t be myself. No one would believe me.”
What followed wasn’t a fitness plan or a body transformation goal; it was survival. Lizzo turned to pilates to cope with the emotional weight she was carrying.
“I needed a way to process [my] pain through [my] body,” she wrote. “I found that I had lost some weight in that process, but it wasn’t as significant as it is now. Because it wasn’t intentional.”
Through therapy, she began to understand the emotional armor her body had become.
“My weight had been a protective shield, a joyful comfort zone, and even sometimes a super hero suit to protect me through life.”
She traced her emotional burdens back years, her father’s death in 2009, a string of unhealthy relationships, and the pressure of financially supporting her family since 2016. “I wanted to let-it-the-f### go,” she wrote.
Lizzo has long been a target of public criticism over her appearance. From backlash over her sheer dress at a Lakers game to negative reactions to her workout videos, she’s been accused of everything from glamorizing obesity to giving in to fatphobia.
“The way I’ve been treated as a public figure since I was introduced to the world as a confident, body positive figure has been borderline emotional abuse,” she wrote. “And it’s simply because of my weight.”
Now weighing over 200 pounds, Lizzo says she’s proud of herself regardless of the number on the scale.
AllHipHop
The Miami barber who found himself at the center of a viral firestorm and a near-death experience after a disagreement over a haircut at his shop is speaking out.
Samuel Wilson, who owns The Square Cutz barbershop, was giving a routine trim to a client when the conversation turned tense over a hairline. Moments later, the man returned with a firearm, pointed it at Wilson and physically assaulted him, all while two kids sat nearby.
The entire confrontation was caught on video and has since spread across Instagram, Facebook and other platforms, racking up thousands of views and reactions.
“He wasn’t a man when he had that gun,” Wilson told Local 10 News. “He slapped me in the head with it, choked me out.”
The footage shows the man growing visibly irritated mid-cut, then stepping outside before storming back in with a gun. A second customer can be seen trying to intervene as Wilson attempts to defuse the situation.
“I did not think he was going to come around here and come back,” Wilson said. “I thought we might have fisticuffs but I didn’t think he was going to come back with a firearm. I told him, man, have a good day.”
Wilson said he had cut the man’s hair “many times before” and never imagined the situation would spiral into violence. The customer was reportedly wearing a county-issued uniform, adding confusion to an already surreal moment.
The video’s rapid spread has drawn widespread outrage, mainly because of the children who witnessed the armed confrontation. The panic in the footage has only fueled calls for police to take swift action.
Despite the trauma, Wilson says his commitment to the community he’s served for five years remains unchanged.
“This is a safe place for anybody,” he said. “I don’t hold no grudges,” Wilson added. “I can’t say I can forgive him. But I hope the best for you, homie. Have a good day and have a good life.”
As of now, no arrests have been confirmed.
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Turk says the Cash Money Millionaires’ 30th Anniversary Tour hit financial trouble long before he was removed, claiming promoters asked him to take less pay.
The rap star says his public friction with BG was used as a cover to hide the tour’s underwhelming performance and as the reason for his firing, according to information obtained by AllHipHop.
Turk argues Dope Shows, Inc. pushed to alter his guaranteed payments after admitting the tour was underperforming and struggling to generate revenue. Emails cited in the filing show the company reached out to him and his manager, flagging what they described as financial shortfalls and asking him to revise his payment schedule.
Turk refused to renegotiate. Within days, Dope Shows cut him from the lineup.
The court filing states the tour’s promoters “sent multiple emails” outlining that the shows were not bringing in enough money to satisfy the payment structure the parties agreed to in March, when Turk signed a ten-show deal for the Cash Money anniversary run.
Instead of acknowledging the tour’s financial problems, Turk says Dope Shows publicly claimed it removed him because of a social media feud with fellow Hot Boys member BG.
The company accused Turk of making threats and asserted that unnamed venues feared violence, though the filing says no proof has been produced to support those allegations. According to Turk, that explanation was a disguise.
The document says Dope Shows used the dispute with BG “as a pretext” to justify removing him from the bill after he declined to take reduced payments on a tour that was reportedly underperforming.
Turk also claims Dope Shows failed to follow the contract’s termination rules, which required written notice of any alleged breach and a five-day window to fix it, before removing him. The filing says no such notice was ever delivered.
The dispute escalated when Dope Shows sued Turk in New York federal court for $12 million, accusing him of defamation for publicly saying the company lacked the funds to pay him. Turk’s filing counters that the promoter’s own emails corroborate his statements.
The document adds another layer: after dropping him, Dope Shows and the tour’s booking agent, Artists By Artists Agency, allegedly continued to use Turk’s name, image and likeness in marketing the tour and future dates.
A cease-and-desist letter was sent on July 26, according to the filing. Turk sued both Dope Shows and the booking agency in Florida on September 25, claiming breach of contract and unauthorized use of his image.
Dope Shows then filed its own lawsuit in New York one month later, a move Turk calls “retaliatory” in the filing. The dispute continues as both sides fight over where and how the Cash Money tour’s collapse will be litigated.
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An Austin-based woman posted a video criticizing the aesthetic that she says is growing rampant throughout the city. Her analysis left viewers divided.
On Nov. 21, TikTok creator Greta Devereaux (@greta.d##) posted a video responding to a criticism she heard from a different creator.
“I saw this guy make a video about how there are all these copycats in Austin that wanna look like influencers,” she said. “They have the stupid haircut, the stupid tattoos, they all wear the same activewear all the time. And not only is it true, but there’s also a girl version of this.”
Deveraux Explains the ‘Epidemic’ of ‘Clean Girls’ in Austin
Devereaux gives an in-depth explanation of what she believes comes with this aesthetic that she associates with these women, with a text overlay reading, “The epidemic of ‘clean girl’ copy & pastes in Austin.”
“It’s like these girls that are super polished all the time, ” she said. “They’re always in a slick back or their hair is professionally done. They’re always wearing a monochromatic activewear set from like CSB or Alo or Define. They have like glowy clear girl makeup and a pair of like gold hoops. They have quite a bit of lip filler, too.”
However, after giving an in-depth visual of this aesthetic, she added a scathing criticism. “And I think most importantly, none of these people, girls or guys, have much personality.”
What Is the ‘Clean Girl’ Aesthetic?
The “clean girl” aesthetic emerged on TikTok and Instagram around 2021 and has since become a dominant look in many cities with active influencer cultures. At its core, the aesthetic is associated with minimalism, polish, and an aspirational level of effortlessness.
The trend is often characterized by slicked-back buns, perfectly fitted neutral workout sets, dewy skin, minimalist gold jewelry, and looking effortlessly put-together despite the fact that it oftentimes requires significant time, money, and intentional effort.
Brands like Alo, Lululemon, Skims, and Set Active have shaped the visual language of the trend. That helped to standardize the uniform now recognizable in gyms, coffee shops, and co-working spaces across the country.
The look has also become intertwined with a broader lifestyle aspiration around productivity, wellness, discipline, and a curated sense of restraint. Online, “clean girl” often overlaps with routines centered on green juices, hot yoga, cold plunges, and color-coded planners.
It’s less about any one piece of clothing and more about an overall presentation that signals control, tidiness, and an almost aspirational adulthood. Critics argue that part of why the aesthetic caught on so quickly is that it offers an archetype that feels safe and digestible.
Why Are People Bashing the ‘Clean Girl’ Trend?
Deveraux’s video elicited a divided reaction. Many defended the trend and said that people should be allowed to dress how they want.
“Why can’t people look and dress the way they want to without being criticized?” asked one commenter.
“I think it’s OK for people to do what they want and wear what they want!” added another.
However, many comments agreed with Devereaux’s take. Others said they feel as if that lack of personality is taking over a city once known for being “weird.”
One person wrote, “Yes, but also I think it’s OK to bemoan the slow death of individuality that we’re witnessing happen in real time. Nobody does what THEY like anymore. It’s just what’s trendy.”
“Austin is so boring now. I miss when Austin was lowkey ratchet,” wrote one commenter.
“Over the last five years, Austin’s developed its own scene for people who just moved here and watch Instagram lifestyle vlogs a lot,” said one commenter. “There’s a lot more scenes here in art, music, fashion, raves, outdoorsy granola vibes, or even country vibes if you go outside the city.”
The tension highlighted in Devereaux’s video mirrors a larger debate playing out in other rapidly growing cities about whether social media–driven aesthetics are flattening local culture. As places like Austin, Nashville, and Denver experience influxes of young professionals, long-time residents say that neighborhoods once known for their eccentricity now feel dominated by near-identical, Instagram-friendly looks and lifestyles.
For some, the “clean girl” trend is simply a fashion choice, but for many, it’s a symbol of sameness.
All Hip Hop reached out to Deveraux for comment via TikTok direct messages.
@greta.d## #austintx #austin #austintexas ♬ original sound – Greta
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Iggy Azalea. The way people are talking about her, you would think she was Jay-Z. HA!
An internet fan innocently asked if she had signed a new record deal, the “Fancy” hitmaker said something that dashed the hopes of millions.
“F**k no,” she wrote under a selfie on Instagram. Damn, sis. There is a thing called independence and love of the culture that may prompt somebody to do music.
“But I did consider signing, for weeks. I’m very sure I don’t want to come back to the music industry.” The Australian-born rapper makes it seems like she closed the Hip-Hop chapter, but I think she did what most do: play around and break tf out. She got what she wanted and, to me, that as fame and money. Why do all this rapping when you can do OF? She couldn’t turn another page. Rap is hard. OF is easy.
Azalea has been distancing herself from full-blown releases for years. Her 2021 album, which I don’t recall, says it all – The End of an Era. It was a final bow, but I guess some people were holding their breaths.
Maybe it is time to recollect that Iggy did have hits with 2014’s The New Classic and her No. 1 smash “Fancy.” She remains as one of the most commercially successful Australian rappers ever.
GMother
pic.twitter.com/r7A2ZgbF52
— IGGY AZALEA (@IGGYAZALEA) November 27, 2025
But her story from an industry perspective is a bit different.
Earlier this year, Azalea went nuclear on X, claiming Universal Music Group owed her “millions of dollars in back pay” from overseas royalties. She said the number lived somewhere in the “eight-figure range” and insisted the corporation “technically stole” money during her early career. UMG stayed quiet, but Azalea didn’t. She has continued dragging those receipts into broader conversations about artist rights and royalty transparency.
On ABC News, she opened up about the psychological pressure cooker that defined her rise. She talked about being labeled an “industry plant” and called the rap game a “battlefield.” She didn’t sugarcoat a thing. “I was stepping on landmines left and right, and I just couldn’t survive it. It’s not survivable,” she said.
She did acknowledge her own missteps, so maybe I should give her some slack. “There are some things I walked into and deserve, or things I could have done better. But I can’t sit here all day long feeling sorry about that. It’s just part of life.”
Iggy Azalea is out of the music industry, and according to her, she’s not looking back at all. She is 35. I think she may reconsider given the right deal.
Lemme play my fave Iggy jam.
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Klay Thompson stamped his relationship with Megan Thee Stallion into nautical history by renaming his boat the “S.S. Stallion” during a recent West Coast getaway, a move that’s fueling buzz about how serious things have gotten between the NBA star and the Grammy-winning rapper.
The Dallas Mavericks guard casually revealed the tribute in an Instagram photo dump from his coastal road trip, captioned “West coastin’.” Among the scenic shots was a clear image of his boat’s stern, freshly labeled “S.S. Stallion” with “Houston, Texas” printed below, an unmistakable nod to Megan’s hometown.
Meg was standing on the boat in brown boots and fitted jeans, her back turned to the camera.
The timing of the reveal is worth noting as well. Megan recently dropped a new single where she referenced Klay’s “stroke game,” and now he’s returning the public affection by putting her name on his boat.
The romantic gesture comes as the couple’s relationship continues to escalate. The pair only went public with their relationship in July, but they’ve been making big moves ever since.
Another milestone came over Thanksgiving when Megan cooked dinner for Klay’s entire family. She even posted a behind-the-scenes look at her prep work.
While their relationship seems to be thriving, not everyone has been supportive. On a recent episode of the “Hoopin’ N Hollerin” podcast, former NBA players Jason Williams and Patrick Beverley made crude remarks, blaming Megan for Klay’s shooting slump this season.
From sharing a home to holiday dinners and now a boat that bears her name, Klay and Megan appear to be fully invested in their relationship.
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Kim Kardashian gave the world a visual mic drop on Instagram, posing in a sheer brown jumpsuit that left little to the imagination and even less to productivity.
The reality mogul turned the photo studio into her own private runway, uploading a carousel that instantly grabbed attention.
In one image, Kardashian stands with one hand on her hip while crew members mill around her.
A massive softbox light casts her silhouette in sharp relief, putting her backside squarely in the spotlight. It’s less behind-the-scenes and more like a still from a dream sequence.
Another slide brings her face-to-camera. Still in the same translucent one-piece, Kardashian stares straight ahead, her long black hair cascading down her back.
The outfit clings to her frame like it was airbrushed on, emphasizing every curve without a single exaggerated pose.
Another frame finds her lounging in a chair while her glam squad touches up her makeup. She scrolls through her phone, possibly scanning for the first comment to delete.
Even seated, the jumpsuit remains unforgiving, tracing every line of her body with precision. This isn’t Kardashian’s first time turning a casual moment into a viral spectacle.
As AllHipHop previously reported, she recently posted a series of photos from Brazil, where she swam in the ocean at night wearing a sheer vintage Alexander McQueen gown.
The caption read “shipwrecked in rio” and the images showed her adrift in the surf like a high-fashion siren. That same shoot included shots of her in a gold bikini by the pool and biking near the water’s edge, all carefully curated to deliver maximum visual impact.
This latest studio series feels like the landlocked follow-up. No waves, no beach, no props, just Kardashian, a skintight jumpsuit and the quiet power of her Instagram presence.
She didn’t post a motivational quote to start the week. She posted a reminder that her posts can stop time.
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