Before Morgan Wallen was a country superstar, he went on a few dates with Leanne Morgan’s daughter — but she quickly realized she wasn’t quite his type. Continue reading…
The Boot – Country Music News, Music Videos and Songs
Month: December 2025
Last night, Megan Moroney lit up the CMA Country Christmas stage with one of the night’s most charming performances as she delivered her clever holiday original, “All I Want for Christmas is a Cowboy.”
The songstress brought the heart, humor and glam to the annual television special, stepping out in a festive velvet red mini dress topped with a fur collar, elegant gloves, and glittering heels. Backed by a crew of western-styled dancers who brought the playful track to life, Moroney let her warm and effortless vocals bring the energy up with the song’s flirty charm.
Ahead of her performance, she talked about the magic of being part of CMA Country Christmas, explaining that it doesn’t get much better than getting to combine her love for Christmas with the country community.
“I’m so excited to be here for CMA Christmas. Christmas is my favorite holiday and CMAs are my favorite awards. So when you combine the two, I’m just happy to be here,” she said.
The festive event, which was shot live at Belmont University’s Fisher Center for the Performing Arts, has turned into one of country music’s most beloved holiday traditions, known for its jolly atmosphere, magical staging, and a lineup packed with superstar performances. This year was no exception as the set glowed with twinkling lights and decked out Christmas trees, creating the perfect backdrop for Megan Moroney’s heartfelt track that arrived last holiday season on an EP titled, Blue Christmas …duh.
This project features two original songs and the holiday classic, “Blue Christmas,” made famous by the King of Rock ‘n’ Roll” – Elvis Presley.
“All I Want For Christmas is a Cowboy” was written by Moroney with frequent collaborators Ben Williams, Mackenzie Carpenter, and Micah Carpenter. The track quickly became a highlight of the project as it finds the Georgia native painting a picture of her ideal Christmas wish list. Instead of asking for material items, she has one simple request for Santa to send the perfect cowboy her way.
“Give me tall hot in a stetson/ Something I can unwrap like a present/ Put him in some new Luccheses/ Make him call me baby/ I swear I’ve been good all year/ Please Santa please/ All I want for Christmas is a cowboy/ Who only wants me,” she sings on the chorus.
This year’s CMA Country Christmas was co-hosted by Lauren Daigle and Jordan Davis, who are led the show together for the very first time. In addition to their hosting duties, the pair also took the stage as performers, joining the lineup including Riley Green, Lady A, Little Big Town, Parker McCollum, Megan Moroney, Preservation Hall Jazz Band, Susan Tedeschi, Derek Trucks, and BeBe Winans.
These festive performances aired on Tuesday, December 2 at 9/8c on ABC. Those who want to go back and relive the magic can find them now streaming on Hulu and Disney+.
The post Megan Moroney Brings Holiday Charm to ‘CMA Country Christmas’ with ‘All I Want for Christmas Is a Cowboy’ appeared first on Country Now.
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Parker McCollum showcased a playful side of his personality with a fun-filled performance of “Santa Claus Is Coming to Town” on CMA Country Christmas.
The Texas native took the stage at Belmont University’s Fisher Center for the Performing Arts in Nashville, Tennessee, surrounded by a full jazz band that gave the beloved holiday classic a fresh twist.
Fans first heard McCollum’s take on this Christmas classic with the release of the song via Apple Music.
McCollum sported his usual stagewear, jeans, a button-up shirt, and a ball cap, keeping things true to his signature style.
This marked his first-ever appearance on CMA Country Christmas.
“I think it means everything that the holiday spirit embodies,” he shared. “I think when you’re a kid and you grow up watching Christmas shows, you kind of look forward in show business to being a part of one of ’em one day. So to do it, I think it’s pretty special.”
As a father to his son, Major, McCollum says he’s excited to experience the holidays from a new perspective.
“My son’s right on the cusp of being old enough to really enjoy Christmas. I think we may be a little bit early. That’s not going to stop my wife from acting like he’s 10 and fully aware of what’s going on. So I’ll be looking forward to just playing along and acting like she’s right,” he explained.
He also shared the tradition he’s most excited to pass down.
“Probably the tradition I look forward most to showing my son one day is taking off to the ranch to go hunting as soon as Christmas day’s over.”
McCollum was one of several artists featured on this year’s CMA Country Christmas lineup, joining Lady A, Little Big Town, Riley Green, Megan Moroney, Preservation Hall Jazz Band, Susan Tedeschi, Derek Trucks, and BeBe Winans. Jordan Davis and Lauren Daigle hosted the special and also performed.
CMA Country Christmas aired Tuesday, Dec. 2 at 9/8c on ABC, with streaming available the following day on Hulu and Disney+.
Parker McColllum will close out the year with a performance at Dickies Arena on December 31. Next year, he will continue his tour into 2026 with dates planned through late September.
The post Parker McCollum Puts a Jazzy Spin on ‘Santa Claus Is Coming to Town’ During His ‘CMA Country Christmas’ Debut appeared first on Country Now.
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Lainey Wilson is delivering some extra Christmas cheer this season with a brand-new video for her version of “Let It Snow! Let It Snow! Let It Snow!,” a charming collaboration with the man who made the song famous in the 1940s, Bing Crosby. Created in partnership with Hershey’s, the video brings a nostalgic holiday classic to life through animated versions of the musical acts.
The clip opens with Wilson holding a sparkling snow globe as she welcomes viewers into a cozy winter wonderland. Inside, an animated version of the songstress in her signature bell bottoms and cowboy hat warms up a mug of “Mama’s Cocoa” in her rustic cabin while snow gently drifts outside.
In true Lainey Wilson fashion, the video mixes feel-good energy with a little humor. When a blown fuse forces her to brave the cold and check the breaker, she ends up giving herself a small zap. Then, her attempt to start a fire goes sideways, thanks to a mischievous pair of mouse neighbors. Just when she finally sits down to enjoy a quiet moment with her hot cocoa, a set of unexpected visitors show up at the door, including a mailman, Bing Crosby with a mistletoe, and her beloved dog, Hippie, who runs through the door in with a duck friend in tow (giving a nod to her fiancé, Devlin “Duck” Hodges).
Between all the chaos, Wilson spills the last of her warm drink, forcing her to give up on the mug entirely and instead heads to her fridge, and pours some milk and Hershey’s chocolate sauce directly into her mouth. Through it all, her vocals glide through the background, adding warmth and cheer with her unmistakable Louisiana charm.
The playful video perfectly captures the heart behind the classic tune and the Louisiana native’s fun-loving spirit. “Let It Snow! Let It Snow! Let It Snow!” is featured on Wilson’s new EP, Peace, Love, & Cowboys (Holiday Edition), which also includes the title track as well as instrumental versions of both songs. The collection is now available on 12-inch vinyl, 7-inch vinyl and CD.
Lainey Wilson will take the stage at the Grand Ole Opry next Wednesday, December 10, for a special Christmas show, capping off what has been a truly landmark year for the country star. She recently earned her ninth #1 at country radio with “Somewhere Over Laredo,” which also reached the top spot in the U.K. and Canada. The single, from the deluxe edition of her award-winning album Whirlwind is nominated for Best Country Song and Best Country Solo Performance at the 68th Annual Grammy Awards.
This accomplishment adds to a series of recent milestones for Wilson, including her recent appearance at the 59th CMA Awards. She not only hosted the star-studded night solo, but she performed twice and walked away with trophies for Female Vocalist of the Year and Album of the Year (Whirlwind) and Entertainer of the Year.
Her momentum will continue into 2026 when she extends her headline tour with new dates across Australia and New Zealand with special guests Flatland Cavalry and Kaitlin Butts on select dates.
The post WATCH: Lainey Wilson Drops Animated ‘Let It Snow! Let It Snow! Let It Snow!’ Video Featuring Bing Crosby appeared first on Country Now.
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Cody Johnson joins Michael Martin Murphey for a fresh take on the Platinum-certified ballad, “Wildfire,” which first appeared on Murphey’s notable album Blue Sky Night Thunder back in 1975. In celebration of the song’s its 50th anniversary this year, the pair of artists teamed up to release a new duet as well as a powerful music video that shines a light on the haunting story that has captivated fans for generations.
The accompanying visuals add another layer to the landmark milestone, as it brings new life to the classic narrative. Inside the video, viewers are treated to a series of breathtaking scenes from Wildfire: The Legend of the Cherokee Ghost Horse, a new feature film inspired by Murphey’s iconic hit. Fans get to see a glimpse of how the story is portrayed in the full film, which arrived in select theaters this fall and become available nationwide on October 10 via Fandango at Home and on-demand platforms.
As the story unfolds, viewers are faced with nostalgia and a powerful sense of wonder as they watch a young girl’s bond with her horse take center stage. However her dreamlike state turns into a panic when her companion gets lost during a fierce blizzard. Braving snow and obstacles, her determination drives her on a journey to find her horse until she ultimately reunites with him with the help of others along the way. Several stars from the upcoming film, including Chevel Shepherd and Moses Brings Plenty, appear in the music video to help bring key moments of the narrative to life.
Interlaced with the cinematic moments are intimate shots of Murphey and Johnson in the studio recording their collaborative rendition, showcasing the true heart and strength behind their vocals. These two artists coming together on such an iconic track makes for a timeless experience for both longtime fans and new listeners.
Looking back on the song’s longstanding impact, Murphey reflected on how the story came to be and shared his excitement about the opportunity to revisit it with a new voice. Their collaboration is already making waves, entering the Mediabase Activator charts.
“Over 50 years ago this song came to me in a dream, and after 50 years I can’t believe the impact it’s had. Cody Johnson’s voice was great and the combination was incredible to do together. I hope this song impacts more generations and the stories continue to be told of how ‘Wildfire’ moved them. Some songs are just brought to life through an amazing gift, ‘Wildfire’ is like that to me.”
Another way that Murphey plans to honor the milestone is by recording a special anniversary edition of Blue Sky Night Thunder, revisiting Platinum-certified classics like “Carolina in the Pines” alongside some of today’s biggest country stars. Fans can get in on the historic celebration through an upcoming pre-order campaign, which will include exclusive rewards, behind-the-scenes access, and collectible memorabilia. A date for the re-recorded album has not been announced yet.
Michael Martin Murphey has spent the over five decades building a career and a legacy as one of America’s most influential singer-songwriters. He is credited for being a trailblazer across the genres of country, folk, Western, and bluegrass and even had a hand in pioneering the Austin “Cosmic Cowboy” movement alongside Willie Nelson and Jerry Jeff Walker.
He went on to achieve chart-topping success with classics like “Wildfire,” “Carolina in the Pines,” and “What’s Forever For,” and his songs have been recorded by music legends including Johnny Cash, Dolly Parton, Kenny Rogers, The Monkees, John Denver, and the Nitty Gritty Dirt Band. Between his impactful career and his devotion to cowboy culture and Western heritage, Murphey’s influence remains as powerful today as ever.
The post Exclusive: Cody Johnson and Michael Martin Murphey Bring New Rendition Of ‘Wildfire’ to Life in Cinematic Music Video appeared first on Country Now.
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The Nashville community rallied in a powerful way last night as the American Cancer Society hosted its annual Country vs. Cancer benefit concert at The Pinnacle, raising more than $350,000 to support ACS programs and research.
According to ACS, a new cancer diagnosis happens in the U.S. every 15 seconds. That reality brought thousands of country fans, donors, cancer survivors, and superstar acts and more together on Giving Tuesday to raise critical funds in an effort to fight the terrible disease.
Presented by The HARDY Fund and Whiskey Jam, the event was about far more than the music, it was a chance to spotlight the real experiences of those impacted by cancer.
Host Ward Guenther led the audience through a lineup that found HARDY, Miranda Lambert, Dierks Bentley, Lanie Gardner, and McCoy Moore taking the stage throughout the night. In between the music, the show highlighted powerful stories from patients in treatment, survivors, caregivers, and advocates. These moments alone proved to the crowd why continued funding for research, support services, and patient resources remains critical.
“It was an honor to be part of Country vs. Cancer this year,” said HARDY. “Music brings people together, and we united for a great cause on Dec. 2. I’m so thankful I was able to be part of this event and help raise money for people who are battling cancer.”
“Nashville and the country music community showed up in an incredible way for cancer patients and their families on Giving Tuesday. Country vs. Cancer is a reminder that when we stand together, cancer doesn’t stand a chance,” said Shane Jacobson, CEO of the American Cancer Society. “We are deeply grateful to these artists and this community for helping us ensure that every life impacted by cancer has hope.”
The event was produced by TRACK mgmt and Kevin Meads of WME, with support from The HARDY Fund, which invests in community programs across Mississippi and Tennessee, and Whiskey Jam, the beloved Nashville live-music series.
For more information, visit cancer.org/countrygives.
The post HARDY, Miranda Lambert & More Help Raise $350K at ‘Country vs. Cancer’ Benefit Concert appeared first on Country Now.
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Categories
Sexyy Red Nights Or $500 EBT Days?
Oh yes – it is Silly Season!
Sexyy Red is back with a viral challenge that’s taking over social media. The Internet stays undefeated and this time it has cooked up a wild new challenge. The question is simple, outrageous and apparently irresistible. Would you rather have one night with Sexyy Red or take $500 in food stamps? Only the internet, y’all.
READ ALSO: Drake Thinks Sexyy Red Is An Upgraded Serena Williams
What’s funny is how quickly people jumped into the debate. People are arguing and joking about this. People just can’t resist weighing in on Sexyy Red. She’s become one of the most polarizing, influential, hood celebrities in Hip-Hop. Her look, her vibe and her unfiltered personality make her a lightning rod. Some call her attractive. Some say the opposite. She’s heard it all and her clapbacks are epic.
She has posted plenty of pictures reminding the world she can look fly when she feels like it. Drake clearly finds her entertaining enough to hang around. If you asked him personally whether he wanted a night with Sexyy Red or food stamps, he’s taking it.
So far she hasn’t chimed in on the challenge. I think she will if we nudge her. She’s built her whole lane on not taking social media trolling too seriously. Give it time.
Drop in the comments and let us know where you stand. A night with Sexyy Red or $500 in food stamps? If you aren’t on food stamps, you might want to clarify whether you’d take cash instead, just for the record.
Oops…she responded!
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Kanye West faced another professional setback when São Paulo officials canceled his scheduled November 29 concert at Interlagos Racetrack, citing his history of promoting Nazi ideology and hate speech.
Consequence reported that the cancellation came after Brazilian authorities had already warned the rapper he would face immediate arrest if he performed his controversial song “Heil Hitler” or made any pro-Nazi statements during the show.
São Paulo Mayor Ricardo Nunes declared, “He won’t sing a single word” and “No one who promotes Nazism will play or sing any words on public equipment belonging to the City Hall.”
The concert prohibition followed months of mounting pressure from Brazilian officials who had been monitoring West’s activities since his release of the song “Heil Hitler” in May 2025.
The track incorporates portions of speeches by Adolf Hitler, the Nazi dictator responsible for the Holocaust that killed six million Jews. West had also been selling merchandise featuring swastikas.
Brazilian law strictly prohibits Nazi apologia, making the country’s stance against the West’s performance legally enforceable. The threat of arrest represented more than political posturing – it carried real legal consequences under Brazil’s anti-Nazi legislation.
Event organizers expressed hope of rescheduling West’s performance in Brazil for 2026, though they indicated it would likely take place in a different city given São Paulo’s firm rejection.
The Brazil concert cancellation occurred just weeks after West met with New York City Rabbi Yoshiyahu Yosef Pinto to apologize for his antisemitic behavior.
During the November 7 meeting, West told the rabbi, “I feel really blessed to be able to sit here with you today and just take accountability.”
West attributed his antisemitic actions to his bipolar disorder, explaining, “I was dealing with some various issues of bipolar, so it would take the ideas I had and have me take them to an extreme where I would forget about the protection of the people around me or and myself.”
The rapper used an analogy to describe his responsibility for actions taken during bipolar episodes: “Sometimes people aren’t that knowledgeable about bipolar and the cause, or what causes it, and the way you act when you have this disease. So it’s like if you left the house and you left your kid at the house and your kid went and messed up the kitchen and messed up the garage and messed up the living room, and when you get back, it’s your responsibility, because that’s your job, and that’s the way I look at it, like I gotta go clean up the kitchen.”
Rabbi Pinto accepted West’s apology through a translator, calling him a “good man” and stating, “A person is not defined by his mistakes, but by the way he chooses to correct them. This is the true strength of man: The ability to return, to learn, and to build bridges of love and peace.”
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Snoop Dogg and Daz Dillinger are locked in a bitter public fallout over Death Row Records, with accusations flying over ownership rights, royalties and betrayal between longtime collaborators and family.
The dispute started after Daz claimed Snoop removed him from the Death Row roster while keeping Tha Dogg Pound signed, allegedly because Daz refused to sign over his publishing rights.
In a profanity-laced video, Snoop responded directly to his cousin.
“I see you ain’t got s### to do, but hate on me, huh? In a minute, I’ma f### you up. You ain’t got s### to do, but hate on me, huh? In a minute, I’ma f### you up, cuz. On some real s###. Not physically, but business-wise. Cuz you broke as a m########### right now, so I’ma f### you up in a minute, cuz. Leave me alone. Leave me the f### alone,” Snoop said.
Daz fired back on social media, accusing Snoop of forging paperwork to take control of his Death Row-era material without paying proper royalties.
“HE MAD NOW…NOW HE WANNA F## ME UP BIZNIZ WISE BY TRYNNA STEAL EVERYTHING I OWN THAT WAS ON DEATHROW BY FORGED SIGNITURE & NOT PAYING ROYALTIES SINCE HE HAD THE LABEL USING OUR ROYALTIES TO PAY HIS STAFF THEY MAKIN MORE THEN THE ARTIST,” Daz wrote. “I SUED SUGE BACK IN THE DAY SHOULD I DO THE SAME TO CUZ 
ITS ALL IN MY NAME.”
The rift centers on control of music rights, with Daz saying he refused to give up his catalog because he already owns it and receives royalties directly. He views his publishing as both a retirement plan and a legacy he won’t surrender.
The tension boiled over into a diss track from Daz, who compared Snoop’s tactics to those of former Death Row boss Suge Knight. “We ain’t family no more,” Daz said, accusing Snoop of prioritizing business over loyalty.
Snoop acquired Death Row Records in February 2022 from MNRK Music Group, which is backed by investment firm Blackstone. The deal initially included the brand and trademarks, with the recordings catalog finalized in separate negotiations. Some titles, including those by Dr. Dre and Tupac, remain under separate control.
Under Snoop’s leadership, Death Row has relaunched with new partnerships and publishing deals, including an administration agreement with Reservoir Media.
Daz, however, remains independent and says he has no intention of handing over his rights. “U A THIEF U CANT STARVE ME OUT IM INDEPENDENT I RUN MY OWN SHIP ALWAYS HAVE 
U LITTLE BBITCH,” he added.
The family feud, which dates back years, has resurfaced with new intensity. In 2013, Snoop told Noisey he had to cut off Daz, saying, “I taught you everything you know. I put you in the game. And you go against me?”
Daz confirmed in 2023 that the tension has never really been resolved.
“Me and Snoop been feuding for a little bit because the older cousin trying to punk the little cousin, but I’m not going for that s###,” he said.
Daz’s latest album, Retaliation, Revenge And Get Back 3, dropped in September, adding another layer to the ongoing dispute.
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MBNel might not be a household name across Hip-Hop, but suddenly his world is under a blazing spotlight for all the wrong reasons. The Stockton rapper found himself at the center of an unthinkable nightmare after a mass shooting erupted at a child’s birthday party that left three kids dead and several others injured. It sounds unreal even as we say it, yet here we are staring at a tragedy that is shaking an entire community to its core.
READ ALSO: Rapper Fly Boy Doughy Arrested, Speaks On Stockton Mass Shooting: “Live A Movie”
This wasn’t some random block function gone sideways. According to folks I’ve spoken to, this was a banquet hall event meant to be family friendly, low-key, and celebratory. MBNel doesn’t even live in that area anymore. He reportedly pulled up just to meet friends, make an appearance, show love. Instead, he was met with bullets. His father has been talking to media outlets, but those statements aren’t weaving in the deeper layers circulating through the streets.
And trust me, there are deeper layers. The whispers out of Stockton aren’t painting this as a coincidence at all. In fact, the word is this wasn’t just retaliation. It was retaliation wrapped in grave allegations. Street chatter says MBNel’s camp allegedly shot an opposition member and his mother during a previous conflict. That kind of violation is beyond a line in the streets. When you hear someone’s mother got hit, you already know the rules of engagement change completely.
READ ALSO: Father Watched Son Die, Police Investigate Rap Beef In Birthday Party Massacre In Stockton
This crew allegedly vowed to find MBNel wherever he was, however they had to. And as horrible as it sounds, the birthday party became the moment they chose. That choice cost the lives of innocent children. No justification. No excuse. No framing makes that acceptable. It’s a cold and catastrophic act that will follow everyone involved forever.
Authorities are now deep into their investigation, and you better believe prosecutors will throw every letter in the law book at whoever they lock in for this. A crime scene involving babies turns into a courtroom death march for the suspects, whether they’re tied to gang life, music, or both.
The saddest part is watching yet another rapper’s name hit headlines not because of a hit record or a breakout performance, but because the streets caught up before the music did. We’re watching artists become known as criminals before people even hear a verse. At this point, you almost want some of these dudes to pivot into rock ’n’ roll or polka or anything that keeps the smoke off Hip-Hop’s back. Our culture has carried enough tragedy for a few lifetimes.
This situation isn’t just a rumor. It’s a warning. And the fallout is only beginning.
Check this song out (three months ago) and tell me I am lying.
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