Month: December 2025

Q Parker is watching the buzz around 112’s legacy reach a fresh peak, but he’s not letting nostalgia stop his own momentum.

After Slim and Mike of 112 appeared on Tamron Hall, social media chatter erupted about “incomplete groups” and fans demanding a full reunion. The Atlanta native stated clearly he’s open to making history again. But he’s also done waiting on phone calls that never come.

Parker told AllHipHop that he wants nothing more than for the original 112 lineup to reunite for the group’s 30-year anniversary, a moment he knows holds both emotional and financial weight for everyone involved. Still, he says he’s the only one reaching out.

“The side of this coin that I sit on have reached out on multiple accounts personally and through third parties on my behalf,” Parker said. “Haven’t gotten a response.”

He emphasized he hasn’t spoken to Slim or Mike—who currently represent 112 on tour—in “a while,” but the desire remains. “I remain hopeful. I would love more than the fans would love for us to be able to celebrate together.”

That hope hasn’t paused his career. Parker has leaned heavily into his new solo era, which he describes as “romance dealing,” a nod to the hustler in him.

“I have a singular journey at this moment,” he said. “I would love to get some of the support from the fans in the same regard as how they want to see the reunion. I don’t think it’s an either or. It can be an and. There can be a 112 reunion and you can still support Q Parker too.”

He acknowledges the public’s hunger for nostalgia, because 112’s golden era touched an entire generation. But Q also warned that getting stuck in the past isn’t an option.

“I love that we fight for nostalgia, but I just think we can’t stay there. We have to still allow evolution,” he said. “I just don’t want to be one of those guys that is saying when I’m older, I wish I would have.”

Parker compared the ideal scenario to how New Edition balances group success with individual ventures, calling it a roadmap he believes 112 could follow if communication ever reopens.

Until then, he says he’s fully committed to his latest project while keeping a small emotional space reserved in case the door cracks open again.

“If there ever is an opportunity for a reconcile and a reunion of sorts, I’m always keeping myself in position for that,” he said. “But until then, I have to move in the direction that I am in.”

112’s first album dropped on Sean “Diddy” Combs’ Bad Boy Records, nearly 30 years ago. The self-titled opus was released on August 27, 1996, on Bad Boy Records, featuring hit singles like “Only You” (with The Notorious B.I.G. & Mase) and “Cupid.”

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Nipsey Hussle will be the focus of a long-awaited docuseries expected to debut in 2026, as director One9 wraps post-production on a project built from decades of rare footage and personal archives.

One9 confirmed the multi-part series is nearly complete and awaiting distribution, telling Variety on December 5 that the collection includes never-before-seen material dating back to Hussle’s childhood.

“His father videotaped everything,” One9 said, describing the trove of recordings that follow the late rapper from his first studio session at age 12 to his rise as a Grammy-winning artist and entrepreneur.

The series, which will run between five and seven episodes, features narration from Hussle’s brother Blacc Sam and posthumous voiceovers from the rapper himself. The production also includes unreleased music and excerpts from an audiobook Hussle recorded before his death in March 2019.

Produced by Marathon Films, the company Hussle co-founded, the docuseries is backed by LeBron James and Maverick Carter’s SpringHill Entertainment.

The project aims to offer a complete picture of Hussle’s life—including his early ties to the Rollin 60s Neighborhood Crips, his independent music career and his community development efforts in South Los Angeles.

One9, who previously directed Nas: Time Is Illmatic and recently completed Allen Iv3rson for Prime Video, said he intends to approach Hussle’s story with the same unfiltered lens. “We’re not sanitizing anything,” he said, noting that the series will explore both triumphs and struggles.

Interviews include appearances from Hip-Hop heavyweights like Jay-Z and Kendrick Lamar, as well as close friends from Hussle’s early days in Crenshaw.

The director said the goal is to present Hussle’s whole journey—from burning CDs on his home computer to launching real estate projects in his neighborhood.

Nipsey Hussle was shot and killed at age 33 outside his Marathon Clothing store in March 2019. His death left a lasting impact on South Los Angeles, where murals in his honor still line the streets.

The docuseries is currently seeking a distribution partner, with a tentative release planned for sometime in 2026.

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Khaby Lame secured a major UN Tourism ambassador position in November, just months after Donald Trump’s immigration enforcement forced him out of America in a move that cost the U.S. access to the world’s most powerful social media creator.

The 25-year-old TikTok star, who has 162 million followers and earned $20 million in 2024 without speaking a damn word, was detained by ICE in Las Vegas on June 6 after allegedly overstaying his visa.

Conservative influencer Bo Loudon claimed credit for the deportation, stating he “personally took action to have him deported” after discovering Lame was “an illegal who overstayed an invalid VISA.”

Khaby Lame accepted voluntary departure rather than face formal deportation proceedings, leaving America behind just as his earning power peaked.

Reports show he commands between $500,000 and $850,000 per sponsored post, with some campaigns paying over $1 million.

The UN Tourism appointment, announced during the organization’s General Assembly in Riyadh, puts Lame in a position to promote global travel destinations while America loses access to his massive audience.

@khaby.lame This is Qatar Airways! Get a chance to WIN 1 of 5 BUSINESS CLASS TICKETS in 2 easy steps: 1. Follow @qatarairways on Instagram & Tiktok. 2. Comment #QRFlyMeTo ♬ original sound – Khabane lame

His role focuses on youth engagement, sustainable tourism practices, and showcasing “hidden gem” destinations worldwide.

“Khaby Lame has brought joy to many millions of people, in every corner of the world, and from every walk of life,” UN Tourism Secretary-General Zurab Pololikashvili said in the announcement. “His openness and readiness to connect with people across borders and languages represents what tourism is all about.”

The timing highlights the consequences of America’s immigration policy.

While Trump’s administration revoked Lame’s visa for visa violations, international organizations immediately recognized his value. UNICEF named him a Goodwill Ambassador in February 2025, giving him a platform to influence global audiences that American brands can no longer easily reach.

Lame rose from factory worker to social media king during COVID-19 after losing his job in Italy. His wordless reaction videos became the most-watched content on TikTok, building a following that spans every continent and demographic.

The Senegal-born creator now works with two major UN agencies, while American companies lost direct access to his influence. His UN Tourism role will showcase international destinations to his massive following, potentially directing tourism dollars away from U.S. destinations.

Trump’s immigration crackdown reached peak irony when it targeted the world’s most successful content creator, someone who built his empire on American social media platforms but was forced to take his influence elsewhere.

The move represents a broader pattern of America losing global cultural ambassadors to strict immigration enforcement.

Lame’s departure came during his peak earning period, when TikTok reportedly paid him $20 million in 2024 alone. His content creation empire, built without speaking any language, transcended cultural barriers that traditional American entertainment often struggles to cross.

The UN appointments give Lame official platforms to influence global travel patterns, youth engagement, and cultural exchange, roles that could have benefited American tourism and cultural diplomacy if immigration policies had been different.

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Missy Elliott nearly scrapped her now-iconic anthem “Get Ur Freak On” after producer Timbaland was too drained to keep working in the studio, the Hip-Hop pioneer revealed in a new interview.

In a conversation with Rolling Stone, Missy Elliott explained the 2001 hit almost didn’t make it onto her third album, Miss E… So Addictive because Timbaland was ready to call it quits.

“He just started hitting anything,” Missy Elliott said. “He was bamming on the keyboard ’cause he was ready to go.”

But Elliott pushed back, convinced the project needed one last track. That’s when magic struck.

“And he hit something and I was like, ‘That’s it right there.’ And he was like, ‘What? What you talking about?’ I just went in the booth and did the record,” she said.

As she laid down the lyrics, Elliott envisioned the choreography that would eventually define the song’s visual identity.

“I’ve spent so much time around dancers,” she said. “From my first time on tour, I had 22 dancers… When I’m doing that record, I’m thinking of my dancers. I could just see them moving to it.”

The gamble paid off. In October, Rolling Stone named “Get Ur Freak On” the best song of the 21st century so far, cementing its place in music history.

Elliott, whose last release was the 2019 EP Iconology, also hinted that more music is on the horizon.

“I have something in the works,” she said. “It’s just different. It’s me being experimental again… I got some stuff coming. Some fire.”

“Get Ur Freak On” was released in 2001 and remains one of Elliott’s most celebrated tracks.

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Diddy is under fire in a new Netflix documentary, but it’s his mother who’s pushing back hard against what she calls a smear campaign involving 50 Cent, false abuse claims and a decades-old tragedy.

Janice Combs, the 83-year-old mother of the embattled Hip-Hop mogul, issued a sharp rebuke of Sean Combs: The Reckoning, which premiered on December 2 on Netflix.

In a statement to Deadline, she said the film contains “inaccuracies regarding my son Sean’s upbringing and family life” and accused the producers of trying “to mislead viewers and further harm our reputation.”

The documentary, which explores allegations against Diddy, including sex trafficking and racketeering, features an interview with Kirk Burrows, an early associate of Diddy, who claims the Bad Boy Records founder once slapped his own mother during a conversation following the 1991 City College stampede that left nine people dead.

Janice called that claim “inaccurate and patently false.”

“The allegations stated by Mr. Kirk Burrows that my son slapped me while we were conversing after the tragic City College events on December 28, 1991, are inaccurate and patently false,” she said. “That was a very sad day for all of us.”

She also took aim at the documentary’s executive producer, 50 Cent, accusing him of using Burrows and the tragedy to push a personal agenda.

“For him to use this tragedy and incorporate fake narratives to further his prior failed and current attempt to gain what was never his, Bad Boy Records, is wrong, outrageous and past offensive,” she stated.

Diddy’s legal team sent a cease-and-desist letter to Netflix on December 1, calling the series a “hit piece” and labeling Jackson’s involvement as “corporate retaliation.”

Janice Combs, who reportedly attended nearly every day of her son’s two-month trial in Manhattan this summer, said the documentary’s tone and content were designed to provoke rather than inform.

She accused the streaming giant of going “salacious to promote the series.”

Diddy is currently incarcerated at Fort Dix in New Jersey, where he is serving a 50-month prison sentence after being convicted of two counts of transporting two male prostitutes across state lines.

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Imagine standing for hours, waiting. You just know that at the end of this rainbow is an epic rap battle that’s been hyped for weeks. The combatants have trashed each other relentlessly, back and forth across social media. The buildup is insane — you’re convinced you’re about to witness history. And then, right when the moment finally comes, it all falls apart right in front of your face after all that waiting… and all that money spent.

Well, that’s exactly what happened. Cassidy and Eazy the Block Captain attempted to have their long-anticipated battle, but the tension between them was so thick you could cut it with a knife. They couldn’t even make it past Round 2. Standing inches from each other, neither one could control themselves enough to actually rap. The intensity boiled over, and the whole thing collapsed — battle abandoned, night ruined.

I don’t know if people got their money back or if the rappers still got paid for their time and energy, but they did not get the job done. It looked like there were a thousand people on stage and I didn’t see a lick of security anywhere. Multiple camera angles are circulating, and from what I’ve seen, it looks like pure chaos. Honestly, I’m glad I didn’t go — and I was seriously considering it. Check out some of the footage below to see the madness that went down on December 6, 2025.

And just to be clear, I expected way more professionalism from these two bona fide battle champs and supposed torch-carriers of the culture. For them to melt down like this? They’re absolutely going to have to rethink how they approach these events. This is not a good look for the “sport” of battle rap.

CASSIDY VS EAZY TBC GOES LEFT IN THE BEGINNING OF THE SECOND ROUND pic.twitter.com/tazs4En5jC

— KING DNA TOOTH (@KINGDNATOOTH_) December 7, 2025

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