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WATCH: Aaron Nichols Turns ‘The Voice’ Stage Into A Honky Tonk With Luke Combs Cover

Aaron Nichols brought a bit of Music City to The Voice last night when he showcased his gritty vocals on a cover of Luke Combs’ “Beer Never Broke My Heart.”

The seasoned performer, who cut his teeth playing bars along Nashville’s Lower Broadway, looked completely at home as he tore into electric-guitar riffs and belted out the No. 1 hit with everything he had. The delivery was elevated by multi-colored lasers that swept across the stage, neon guitar graphics flashing on the screens around him, and his name glowing in bright lights.

Aaron Nichols; Photo by: Casey Durkin/NBC
Aaron Nichols; Photo by: Casey Durkin/NBC

He created a true honky tonk party that had the audience and all four coaches smiling and bouncing along to the irrespirable beat. The song may have been made famous by Combs, by Nichols made it his own, pouring heart and charisma into every ounce of the high energy performance.

“For the playoffs, I’m singing “Beer Never Broke My Heart.” This is the first fun party song I get to do. I’m one step away from the live finale, so I’m very excited to get the show that side of me,” he shared prior to taking the stage.

Aaron Nichols; Photo by: Casey Durkin/NBC
Aaron Nichols; Photo by: Casey Durkin/NBC

The dedication of the Team Reba contestant paid off when he earned rave reviews from the coaches.

“I love it. You performed like a superstar the way you managed the band, the way you controlled the guitar, the way you sung. I feel like you can’t lose with him,” Snoop Dogg told Reba McEntire, to which she replied, “I agree.”

She added, “You did wonderful in rehearsal. But this cherry on top way to go.”

The “Fancy” singer went on to explain that during the playoff rounds this season, each coach can only pick one artist to send through to represent them in the Live Finale and that is no easy task. Last night, both her and Bublé got to watch each of their four team members perform and then chose who would advance.

“I love Aaron’s voice. It’s very raspy. Chris Stapleton-esque. He set the bar real high, but I got three more to see.”

By the end of the December 1 episode, McEntire ultimately decided to go with a different member of her team to continue on, Aubrey Nicole, who performed her rendition of “Black Velvet” by Alannah Myles. Even though Aaron Nichols was not her top contender, he still has a chance to make it to the finals through an audience vote, which closes on December 2.

Niall Horan and Snoop Dogg will have their playoff rounds next week. Then, they will enter the The Voice Live Finale where viewers will decide who gets crowned the champion. This epic event is set to take place across two-nights, airing on December 15 and 16, 2025, on NBC.

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Rob Cole Moves ‘The Voice’ Coaches With Heartfelt Performance Of Lee Ann Womack’s ‘I Hope You Dance’

Rob Cole delivered an unforgettable performance of Lee Ann Womack’s “I Hope You Dance” during The Voice Season 28 Playoffs.

The moment began in complete darkness, with only Cole’s voice cutting through the silence as he gently plucked his acoustic guitar. The lights slowly rose to reveal an image of a single hourglass shining behind the member of Team Bublé, representing the powerful message that encourages listeners to live life to the fullest even when times get tough because time is fleeting.

Rob Cole; Photo by: Casey Durkin/NBC
Rob Cole; Photo by: Casey Durkin/NBC

As soon as Cole stepped up to the mic and sang his heart out, the energy felt calm, still and filled with heavy emotions as the audience took in every word of the hit song from Womack’s 2000 album of the same name. His voice was tender yet strong, further proving how much meaning the Grammy winning track holds for him as a father who wants nothing but the best for his children.

That emotional depth is exactly what Cole hoped to bring to this performance when he claimed this song.

“I had the most vivid dream and I was singing, ‘I Hope You Dance.’ And I woke up the next morning singing the song and then you called. You said, ‘Hey, I think I’ve got the song. Lee Ann Womack,’” he recalled. “As soon as you said that…I was like, that’s crazy. Singing this song feels meant to be. It very much describes where I’m at in life as a father. I want to be that dad that pushes my kids to dream, to go out on the edge to go for it.”

Rob Cole; Photo by: Casey Durkin/NBC
Rob Cole; Photo by: Casey Durkin/NBC

Reba McEntire, along with the rest of the coaches, was clearly moved. She told him, “It touched my heart. You just take a real soft song like that and just make it better. Great job.”

Snoop Dogg jokingly added, “I’m over here sweet on you, Rob.” He then turned to Cole’s coach, telling him, “Michael Bublé, this is somebody that I would take to the studio and make a real record with because he’s got superstar potential. Great job Rob.”

Coach Michael Bublé then took a moment to reflect on the strength of his team and the tremendous performances he saw that night that made his next decision that much more difficult.

“Rob was flawless tonight. He truly knows how to touch hearts. Jazz, for me, I think it’s very rare to hear a voice that perfect. Trinity always looks like she was meant to be on that Grammy stage. I’m ambitious and in the quest to threepeat, there’s going to be a tough decision, but I’m going to have to put my faith in America that they’ll help me in bringing a couple of my people to the finals.”

Season 28 of The Voice is officially getting down to the wire. During the playoffs round, each coach can only pick one artist to send through to represent them in the Live Finale. This week’s episode highlighted each of the four contestants from McEntire and Bublé’s respective teams. Then the coaches were met with the difficult task of choosing one hopeful act to advance.

Rob Cole’s performance was unfortunately not enough to convince Bublé to select him. He instead chose Jazz McKenzie, however Cole still has a chance to move onto the finals through an audience vote, which closes on December 2.

Niall Horan and Snoop Dogg take on their playoff rounds next week and then head into the Live Finale, where viewers will vote for the winner. The finale unfolds over two nights, airing December 15 and 16, 2025, on NBC.

The post Rob Cole Moves ‘The Voice’ Coaches With Heartfelt Performance Of Lee Ann Womack’s ‘I Hope You Dance’ appeared first on Country Now.

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With a New Baby and a New Single, Cole Swindell Is Entering His Best Chapter Yet [Exclusive]

Cole Swindell is stepping into a brand-new chapter of life with a baby girl at home, but his passion for making music and watching his songs climb the charts remains as strong as ever.

Backstage at the CMA Awards, the Georgia native caught up with Country Now, where he opened up about his new single, teased what’s ahead for 2026, and couldn’t help but gush over his daughter, Rainey.

Cole Swindell; Photo by Nathan Wingate
Cole Swindell; Photo by Nathan Wingate

Fresh off his 13th No. 1 with “Forever To Me,” Swindell recently sent “We Can Always Move On” to country radio. The track, featured on his latest album Spanish Moss and penned by Thomas Archer, Kyle Fishman, and Michael Tyler, follows a couple wrestling with the reality of goodbye and ultimately choosing to spend one last night together before facing the truth.

Swindell revealed that the song came to him at the very last minute while he was finishing the album, and it arrived exactly when he needed it.

“We were getting close to wrapping up the album, but I just felt like we were missing a few things,” he shared. “There’s the heartfelt stuff, and then there’s the songs with a vibe — the ones that make you roll your windows down. And this was one. Thomas Archer sent me this song when I was driving home in traffic. He sent three or four, and all of them were good. It felt meant to be.”

He remembers playing it when he got home. “It starts with that chorus, and my wife was like, ‘What is that?’ The more I listened, the more it became one of our favorites. I’d never heard a breakup song written from that angle, like, ‘We’re going to be over at some point. We can always do that. But tonight…’ As a songwriter, I can really appreciate that.”

With his Happy Hour Sad Tour wrapped, Swindell is already gearing up for 2026, a year he says is packed with exciting plans.

Cole Swindell; Photo by Cody Arrington
Cole Swindell; Photo by Cody Arrington

“Shows I’m excited about. We haven’t announced them yet, but I can’t wait,” he teased. “I’m excited to hit the road, but also to watch Rainey grow up.”

He’s finding a new rhythm as both artist and dad. “I’ve reached a point where I feel like I’ve found a good balance. I still love being on the road, playing shows, seeing the fans… but coming home is even sweeter now. I’m just looking forward to seeing what life holds.”

And for fans who love the emotional punch of a Cole Swindell song, there may be some fatherhood-inspired music on the horizon.

“That’s all I think about — the ideas,” he laughed. “When you’re a songwriter, the ideas come from the season you’re in, and right now everything looks different. I think differently. I see things differently. I’m excited to share this part of my life. That’s how I get things out — through my lyrics — and I can’t wait for people to hear it.”

Swindell has one final show left this year, set for Thursday, Dec. 4 in Augusta, Georgia. Fans can keep an eye on his website for updates on all things 2026.

The post With a New Baby and a New Single, Cole Swindell Is Entering His Best Chapter Yet [Exclusive] appeared first on Country Now.

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Russell Dickerson Reflects on a Life-Changing, Record-Breaking Year [Exclusive]

It’s been a wild, life-changing year for Russell Dickerson, filled with milestones and achievements that still feel surreal to him. As he looks back on everything 2025 has brought, the country star gets overwhelmed by pride and awe of the fact that he saw so many of his dreams unfold right in front of his eyes, along with new goals that weren’t on his bucket list.

“It’s just been such an amazing year. I was weary, I’m not going to lie. I will be real with y’all. My first single came out 2017 and it’s just hustle and grind and hustle and grind,” Dickerson told Country Now backstage at the 59th Annual CMA Awards.

Russell Dickerson; Photo by Nathan Wingate
Russell Dickerson; Photo by Nathan Wingate

Those years of hard work paid off in a sudden and big way this year with the release of his fan-favorite track, “Happen To Me.” The song and its accompanying dance took over the internet this year, turning into an international multi-week No. 1 song that Dickerson got to showcase across major stages, including on The Kelly Clarkson Show on NBC and during his first appearance at the Macy’s Thanksgiving Day Parade.

“‘Happen to Me’ happened and I don’t know, it’s like a dance thing that I just never really expected. I’m a dad, bro. I’m a dad. I don’t have time for all the tickety tockeies,” he added, joking about the countless number of times he has done the viral dance on his own, with fans, fellow artists and so many others along the way.

He also recently released a brand-new rendition of the song featuring the pop sibling trio, the Jonas Brothers. The Tennessee native explained this collaboration came about after he appeared as a special guest at one of the band’s 2025 tour stops and took a chance by asking the brothers if they would be open to adding their vocals to the track.

“So I got called to be one of their special guests. They’re doing a special guest every night. Got to do that. Phenomenal…long story short, a girl on our team grew up with them. So I was like, ‘you’re coming with us and our goal is get them on ‘Happen to Me.’’ It was already at pop radio. And who wouldn’t want to just hop on a song that’s rocketing?”

Dickerson continued, “I was like, ‘you guys should hop on it.’ And they’re like, ‘actually we’re going into the studio next week. We can put vocals on it.’ And Shazam, ‘Happen to Me.’ Russell Dickerson, Jonas Brothers, it’s yours. It’s happening.”

On top of gaining tremendous momentum with “Happen To Me,” Russell Dickerson also set records with his 2025 RUSSELLMANIA TOUR. The sold-out run featured more than 40 stops across the U.S. and Canada and ended up being one of his most successful yet. 

“I want the biggest show. And I’ve told my wife, it made me emotional, I was like I’m finally looking out into the crowd, and it matches what my dreams look like,” he said with sincerity. “So it’s just such wind in my sail, our sails, everybody, my whole team. It’s just like, I don’t know, it’s been an emotional, wild, huge year for us.”

Russell Dickerson; Russellmania 2026
Russell Dickerson; Russellmania 2026

His electric, high-energy live performances will continue into 2026 when he extends the RUSSELLMANIA TOUR with even more bucket headline shows at Red Rocks Amphitheatre, The Greek Theatre, and Gallagher Square at Petco Park. Dasha and Niko Moon will join on select dates.

The country star is also set to appear at festivals across the globe including C2C’s Three-Day Festival, where he will take the stage in Glasgow, London and Belfast, Tortuga Music Festival and San Antonio Rodeo, to name a few.

2026 ROUND 1 RUSSELLMANIA TOUR Dates

4/23/2026 – Raleigh, NC – Red Hat Amphitheater *
4/24/2026 – St Augustine, FL – The Saint Augustine Amphitheatre * 
4/25/2026 – Orlando, FL – Addition Financial Arena * 
5/13/2026 – Morrison, CO – Red Rocks Amphitheatre ^
5/20/2026 – Los Angeles, CA – The Greek Theatre ^
5/21/2026 – San Diego, CA – Gallagher Square At Petco Park ^
5/28/2026 – Cincinnati, OH – ICON Outdoors ^
5/29/2026 – Cleveland, OH – Jacobs Pavilion ^
5/30/2026 – Grand Rapids, MI – Acrisure Amphitheater ^

*Dasha 
^Niko Moon

The post Russell Dickerson Reflects on a Life-Changing, Record-Breaking Year [Exclusive] appeared first on Country Now.

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Ashley Cooke Opens Up About ‘my worst fear’ and the Quiet Pressures Women in Music Face [Exclusive]

Over the past few weeks, Ashley Cooke has released her brand-new project, ace, performed at both the Grand Ole Opry and the TODAY Show, delivered a powerful rendition of “God Bless America” at WWE Monday Night Raw inside Madison Square Garden, and walked the red carpet at the CMA Awards. All of this momentum leads back to ace, a nine-track collection that pulls straight from the most personal corners of her life over the past two and a half years.

The project features songs like the fiery new single “the hell you are,” now at country radio, the reflective “gettin’ old,” and the raw, vulnerable “my worst fear,” which confronts the harsh realities of chasing big dreams and the sacrifices that come with them.

Ashley Cooke; Photo by Nathan Wingate
Ashley Cooke; Photo by Nathan Wingate

Since its release, fans have been quick to notice the parallels between Cooke’s “my worst fear,” Carly Pearce’s “Dream Come True,” and Kelsea Ballerini’s “I Sit in Parks,” noting how all three songs share an honest look into the choices women make in pursuit of their dreams.

While backstage at the 59th Annual CMA Awards, Cooke opened up about her friendship with Pearce and Ballerini and their shared experiences in the industry. 

“I think we all have talked about it quite a bit, me, Carly, and Kelsea. And that’s the beauty of having friends in the industry because we all want each other to win. And not just for the sake of saying it on an interview, we just genuinely want each other to succeed,” she shared. 

She added that beneath all the success and whirlwind moments, there’s a shared feeling of longing and reflection that makes these songs hit a little deeper.

“But I think all of us in music are just trying to say, we’re so thankful for what we’ve worked for and the successes that we’ve had so far. But there’s also things that we feel like we’re missing. And I think Kelsea’s song, for example, that lyric of, ‘I wonder if she wants my freedom like I want to be a mother.’ I think that encompasses it so perfectly because it’s not that we don’t love our freedom and we don’t love the lives that we have and the crazy experiences that we get to have,” she continued. “It’s more we all kind of want it all. We can’t have everything. And so it’s like this emotion of ‘what am I missing? What am I giving up to have what I have currently?’ And I think that moms feel that way, and successful artists feel that way. And all across the board, we all think about what we’re missing when we have what we have.”

Ashley Cooke; Ace
Ashley Cooke; Ace

This sentiment is expressed throughout “my worst fear,” which was written by Cooke alongside Emily Weisband, Johnny Clawson, Kyle Sturrock, Seth Ennis, and Joe Fox. Click below to listen. 

The post Ashley Cooke Opens Up About ‘my worst fear’ and the Quiet Pressures Women in Music Face [Exclusive] appeared first on Country Now.

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El Chapo’s Son Pleads Guilty & Admits To Kidnapping Plot

Joaquin Guzman Lopez just dropped the biggest bombshell in cartel history, admitting in a Chicago courtroom that he kidnapped one of Mexico’s most legendary drug lords to save his own skin.

The 38-year-old son of notorious kingpin Joaquin “El Chapo” Guzman pleaded guilty Monday to drug trafficking and continuing criminal enterprise charges, but the real shocker came when he confessed to orchestrating the kidnapping of Ismael “El Mayo” Zambada.

This wasn’t just any snatch-and-grab – this was the move that brought down the 76-year-old co-founder of the Sinaloa cartel.

Prosecutor Lynn Erskine laid out the details in court, explaining how Guzman Lopez lured Zambada onto a plane in July under false pretenses, then flew straight to Texas, where federal agents were waiting.

The operation was designed to show cooperation with U.S. authorities – basically trading the biggest fish in the ocean for a lighter sentence.

“The defendant admitted to kidnapping an unnamed individual purported to be Zambada,” Erskine told the packed courtroom, according to Reuters. The prosecutor made it clear this wasn’t some rogue operation – it was a calculated move by someone desperate to cut a deal.

The plea agreement could slash Guzman Lopez’s potential life sentence down to something much more manageable.

He’s looking at a minimum of 10 years, but with cooperation credit, he might walk out way even earlier. That’s a hell of a trade-off for someone who admitted to moving tens of thousands of kilograms of cocaine, heroin and fentanyl into the United States.

This whole saga reads like a movie, which is probably why Hip-Hop has been obsessed with El Chapo’s story for years.

50 Cent turned the cartel world into must-listen content with his “Surviving El Chapo” podcast, diving deep into the story of the Flores twins – Pedro and Margarito – who helped bring down the original El Chapo.

His podcast explored how the Chicago-born twins went from dealing $2 billion worth of drugs to becoming government informants who secretly recorded conversations with El Chapo himself.

50 Cent even revealed he once met the Flores twins at Chicago’s Cabrini-Green housing project when he was an up-and-coming star, long before they got involved with international drug trafficking.

But Guzman Lopez’s story is different. While the Flores twins flipped to avoid massive sentences, this kidnapping plot represents something unprecedented – a cartel heir literally delivering his father’s former partner to federal authorities.

Zambada had been a fugitive for decades, co-founding the Sinaloa cartel alongside El Chapo and building one of the most powerful drug empires in history.

Guzman Lopez has been in custody since that dramatic July arrest in Texas and his cooperation could provide federal authorities with inside information about current cartel operations.

His brother Ovidio was also arrested and extradited to the U.S., meaning the new generation of “Chapitos” is either behind bars or cutting deals.

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EXCLUSIVE: Milagro Gramz Gets Big Win Over Megan Thee Stallion As Judge Slashes Damages

Milagro Gramz scored a pivotal courtroom win in Florida when a federal judge tossed the defamation payout awarded to Megan Thee Stallion.

The judge slashed the total damages to $59,000 and shifted the outcome of a lawsuit that had gripped the Hip-Hop world for weeks. The decision, issued on Tuesday (December 2), wiped out all damages tied to defamation per se after the court found Megan failed to meet a crucial legal requirement under Florida law.

The judge ruled that Megan Thee Stallion didn’t comply with Florida Statute 770.01, which requires plaintiffs to give media defendants written notice at least 5 days before filing a defamation suit. The court noted it was “uncontested” that Megan never sent such notice.

Since the jury had already determined that Gramz operated as a media figure due to her consistent commentary and reporting on public legal matters, the defamation award was legally unenforceable.

That ruling eliminated a $15,000 compensatory award and a $1,000 punitive award tied to the defamation claim. What remains is $59,000 in damages linked to two other claims the jury upheld: intentional infliction of emotional distress and the promotion of an altered sexual depiction.

The trial, which ran from November 17 through December 1, pulled back the curtain on the digital fallout Megan endured after the Tory Lanez shooting case.

Jurors heard about Milagro Gramz’s repeated online accusations that Megan lied under oath, calling her a “non-credible witness” and suggesting she misled the court. These statements were at the heart of the now-vacated defamation claim.

Megan’s legal team also introduced evidence that Gramz promoted a manipulated, explicit video of the rapper without her consent. The jury found that Gramz acted “willfully and maliciously” in sharing the altered content, awarding $50,000 in damages for that claim alone.

Another $9,000 was awarded for emotional distress, stemming from Megan’s testimony about the emotional toll of relentless online harassment, misinformation and public ridicule.

Megan Thee Stallion described the financial and psychological cost of therapy and recovery in the wake of the viral attacks. While the judge closed the case, the court retains jurisdiction over Megan’s request for injunctive relief, which could lead to future restrictions on Milagro Gramz’s conduct.

For now, both sides are barred from seeking legal costs or attorney fees until any post-trial motions or appeals are resolved.

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50 Cent Takes Aim At Jane Doe & Her Morals: “Hoes Are Different”

50 Cent didn’t hold back when asked about his new docuseries Sean Combs: The Reckoning on Diddy, revealing he regrets not including one person in particular: “Jane Doe,” a woman many believe is his ex and the mother of his son, Daphne Joy.

In a wide-ranging interview with GQ, 50 Cent said her presence would’ve added a different kind of clarity to the series.

“The one person that I wish was in the doc that would create clarity for people in a different way is Jane Doe. So you could see someone who was willing to do it for money. Do you understand?” 50 Cent said.

The rapper and television executive contrasted Jane Doe’s alleged motivations with those of Cassie Ventura, who filed a lawsuit against Diddy that is now settled.

“Cassie came in so early, she’s a baby at 19. Look, the innocent energy that you feel when his kids are walking into the courtroom and you’re sympathetic to them, that’s who Cassie was when she met him,” Fif said.

He continued, “It is a really interesting balance of things because people think of how a woman who has a moral compass, a traditional woman would feel under those circumstances. They don’t think about hoes. Now, hoes are a bit different. They’re not so emotionally connected to the sexual experience. So they can have that sexual experience with those other people as long as you’re going to pay.”

The woman referred to as Jane Doe delivered harrowing testimony in the federal sex trafficking case against Diddy. She described being coerced into group sex acts, referred to as “freak-offs,” at luxury hotels in cities like Los Angeles, Miami and New York.

Jane said Diddy insisted no condoms be used, claiming he didn’t want to “see a rubber” and liked to “play around with it.”

She also said the men would “finish on me,” after which Diddy would have sex with her. She added she was told not to clean up because Diddy “liked to play with it.”

She testified that she was often high during these encounters and feared Diddy’s reaction if she refused.

Jane said she once tried to negotiate condom use, even recording it, but Diddy guilt-tripped her. “It was not something he wanted to see,” she said.

50 Cent made it clear he sees a distinction between women like Cassie and Jane Doe.

“If the person’s a frequent OnlyFans person and already solicited and looking for somebody to pay and you meet them and you tell them, ‘Just be who you are and meet other people and do it in front of me,’ you don’t think they’ll do it?” 50 Cent said.

Sean Combs: The Reckoning, which dives into years of allegations against Diddy, does not include Jane Doe’s testimony.

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Megan Thee Stallion, Milagro Gramz Trade Shots Through Statements After Verdict

Megan Thee Stallion fired back at critics questioning her defamation victory against blogger Milagro Gramz after a Miami jury awarded the Houston rapper $75,000 in damages on December 1.

The legal dispute reached its conclusion when nine jurors found Milagro Cooper, known professionally as Milagro Gramz, liable for defamation and intentional infliction of emotional distress.

The verdict included $15,000 in compensatory damages for defamation, $8,000 for emotional distress and $50,000 for promotion of deepfake pornography featuring the rapper.

Hours after the ruling, tensions escalated when both women issued competing statements about the case’s outcome and its implications.

Milagro Gramz went live on Instagram within hours of the verdict to address supporters and frame the ruling as motivation for future projects. The blogger, whose real name is Milagro Cooper, appeared defiant during the livestream.

View this post on Instagram

“I’m start working on my mixtape because apparently the only place where you can bully people and talk crazy and pop s### is in the studio,” Milagro Gramz told viewers during the broadcast. “So I’m gonna go get on my mixtape s###, and make sure I channel all my energy into my raps and put that out. Let that be artistic expression.”

Gramz also released an official statement through Asilia Law Firm, P.A., while her Instagram Live featured more personal commentary on the case’s impact.

During the livestream, Gramz thanked her audience for their support throughout the legal proceedings.

“I love you guys so much. Hope that y’all can see the bigger picture and that you understand what new media is,” she said. “I hope that you understand that the things that we do, in the work that we put in, is valuable.”

The blogger maintained her stance despite the jury’s decision.

“Solid b######, they ain’t built, they born,” she continued. “I’m happy that I stood up for something that I believed in, followed it all the way through, and I don’t need validation from anybody else about those things.”

Megan Thee Stallion responded directly to media coverage on X, writing: “Here they go lying again AS USUAL If you want REAL MEDIA/NEWS know how to be Patient and know how to read.”

The rapper’s legal team disputed claims from Gramz’s attorneys about the verdict’s scope, stating: “Contrary to public statements issued by Milagro’s attorneys, the court has not issued a final judgment regarding the defamation count. The judge will make a final ruling and determine the entire financial amount that Milagro will be required to pay Megan, inclusive of legal bills and the defamation count, at a later date.”

The case centered on allegations that Milagro Gramz spread false information about Megan Thee Stallion and promoted deepfake pornographic content featuring the rapper.

Megan’s legal team argued during trial that Gramz served as a “mouthpiece” and “puppet” for coordinated harassment campaigns.

The final judgment amount remains pending, as the judge will determine additional costs, including legal fees, at a later hearing.

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Drake Dominates Apple Music 2025, Kendrick Lamar’s ‘Not Like Us’ Rules Rap

Drake secured Apple Music’s most-streamed artist position for 2025, while Kendrick Lamar‘s Grammy-winning diss track “Not Like Us” claimed the platform’s top rap song for the second consecutive year.

Apple Music announced Tuesday that the Toronto rapper earned the streaming service’s highest artist ranking, driven by momentum from his February collaboration Some Sexy Songs 4 U with PartyNextDoor and tracks from his upcoming “Iceman” album rollout.

The platform’s “’25 Replay” data revealed Lamar’s Drake-targeted track maintained its dominance in Hip-Hop categories, marking the first time any rap song held the genre’s top position across back-to-back years on Apple Music.

“Not Like Us” finished as 2025’s most-streamed rap song worldwide despite Rosé and Bruno Mars‘ “APT.” claiming the overall number one position across all genres.

The competing chart positions highlight the complex aftermath of Hip-Hop’s most publicized feud in recent memory.

The conflict erupted in 2024 with multiple diss tracks exchanged between the artists, culminating in “Not Like Us” becoming a cultural phenomenon that extended beyond music. Kendrick Lamar’s track earned five Grammy Awards in February 2025, including Record of the Year and Song of the Year, the ceremony’s most prestigious honors.

The Compton rapper dedicated his Record of the Year victory to “the culture” during his acceptance speech. Drake ultimately filed a legal response to the track over claims he was unfairly labeled a pedophile, which ruined his reputation and put his life in danger.

A federal judge dismissed his defamation lawsuit against Universal Music Group in October 2025, rejecting claims that the label intentionally promoted false statements about him in “Not Like Us.”

The Apple Music nod caps off a banner year in which both artists achieved significant milestones. Drake reached RIAA Diamond certification status for multiple tracks, while Kendrick Lamar’s surprise album GNX generated over 2 million sales within weeks of its November release.

Drake’s streaming dominance comes as he prepares to release Iceman, his first full-length studio album since the feud’s peak.

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