Day: October 11, 2025

LeAnn Rimes is stepping back into the spotlight, sharing her story of resilience and growth after years in the industry. It’s a refreshing take on fame. Continue reading…

​The Boot – Country Music News, Music Videos and Songs

Darius Rucker’s latest fitness journey includes some light-hearted jabs from his trainer. Who knew leg day could spark such laughter? Continue reading…

​The Boot – Country Music News, Music Videos and Songs

Lainey has become one of the biggest names in country music! Continue reading…

​The Boot – Country Music News, Music Videos and Songs

It was a longshot that turned into a television phenomenon. Continue reading…

​The Boot – Country Music News, Music Videos and Songs

Alan Jackson’s family is growing again: His daughter Mattie just announced she’s pregnant with baby No. 2 Continue reading…

​The Boot – Country Music News, Music Videos and Songs

There’s a good chance you will see more pumpkin colors besides orange while trick-or-treating this Halloween. Here’s what you need to know. Continue reading…

​The Boot – Country Music News, Music Videos and Songs

In honor of Mae Estes celebrating 10 years in Nashville, she is honing in on her honest storytelling and unmistakable country sound and offering a true reflection of herself in her new self-titled EP.

The project, out today, October 10, finds Estes capturing everything she loves about music while navigating the pressures of perfectionism and trying not to overthink her decisions. It’s comprised of five tracks including fan favorites “Mr. Fix It” and “Mountain Of A Man,” the recently released “Drunk On That,” along with two brand-new songs, “I Better Go” and “What She’s Havin’.”

This year, the rising star says she has opened her eyes to realize that she doesn’t always have things figured out and that growth is never ending. From having a major moment online to opening for acts such as Carly Pearce, Luke Bryan and Brad Paisley and now crafting this project, Estes has accomplished a lot, not just in the past year, but in the past decade. Now, she’s looking forward to adding this EP as another stamp on her resume of accomplishments that allow her to keep evolving and figuring out her sound.

“I had to sacrifice a whole lot and work my a** off to be here. And so that is something I’m super, super proud of,” she told Country Now of her milestone anniversary. “On top of all the shiny accomplishments and the incredible community and family of people I’ve built here, I just see it as something I’ve set my sights on and had a lot of people help me figure out how to do because I come from a small town that nobody leaves and nobody dreams this big where I’m from. And so I’m really proud to, no matter how this thing turns out, to have had the guts to go see what happens.”

Keep reading to learn more about Mae Estes’ new EP, hear the kinds of stories that only come out of Nashville, and get a glimpse into her busy year of touring.

Talk about why you decided to make this a self-titled project. 

Well, I struggle so hard with trying to make projects in general. It just seems like so much pressure. You want it to be perfect. You want every song to fit together perfectly, and I’m OCD and a ADD and perfectionist and all the things most creatives are. And so I just put a lot of pressure on songs fitting together well, and I kind of took that pressure off myself with this one and was like, I’m just trying to say all of the songs on this project are something I love and that’s what makes ’em similar. It doesn’t have to have a crazy well-thought through line. That’s something I’m trying to grow out of it as an artist is it’s okay for there to be a little something different than the next song when you’re listening to a project. And so I think that’s what we nailed with the Mae Estes EP, it’s a little something for everybody. 

What are some of the common threads that you discovered while making the project?

When I was looking for the common thread to go through those five songs that are all kind of different, I realized it was me and my vision and what I like. So that’s really what I’m trying to keep honing in on as my career grows is what I like because I think the people who listen to my music have the same taste as me. So yeah, I’m just really trying to get back in a season of remembering what my favorite songs are because I think that’s what connects best with other country music fans out there.

What was your process to choosing the songs on this project?

Well, I have been in Nashville for 10 years this year, and so I have a lot of really talented friends and a big music community that I’ve built over the last 10 years. And so specifically with a song like “Drunk On That,” my friend Chancie Neal played that in rounds with me 10 years ago when we moved to town, and I was so pissed every time she played it. I was like, that’s one of those ‘I wish I would’ve been in that room. Why’d you write that without me?’ So it’s just kind of been in my back pocket for all this time. And then we started trying to pick songs for this EP and I have a ton of songs I love, but really trying to stay well-rounded and keep growing as an artist, those outside songs were something really important to me. And so I was like, ‘Hey guys, I’ve always loved this song. What does everyone think?’ And my whole team was like, ‘oh my gosh, this is a great classic country song.’ And so just stuff like that, this gave me an opportunity to dig up songs that I didn’t write that I’ve loved for a long time, and explore some different sides of myself. Like “Mountain Of A Man” is another outside cut. I didn’t write on the project, and my producer Paul wrote that and texted it to me, and that’s not something I would write, I don’t think. I don’t usually pine over men well, but it’s so fun, just enough outside of my own comfort zone that it feels, yeah, it just feels well-rounded in a way.

“Drunk On That” has another special element. The reference track for that song was “Neon Moon,” and Lonnie Wilson, who was in the studio at the time for “Neon Moon” also plays on your track. Talk about having that connection.

I am an absolute country music nerd. I mean, I am such a nerd about this stuff, and so is my producer, Paul Sikes, which is great because yeah, we were in the studio and reference tracks are pretty common in Nashville production. If you have a similar vibe of something that’s been done, it just gives you a starting place sometimes. And so we don’t always have one, but we definitely were like a slow, easy, but still keeping it going, kind of  “Neon Moon” vibe for “Drunk On That.” And so funny, I’m trying to be professional in the studio. I’m talking to these, my hero musicians trying to tell ’em what to do. It’s hilarious to me…All the musicians go into the studio part where they play and Lonnie grabs his snare drum and comes back out and says, ‘Hey, that shouldn’t be a problem cause I played “Neon Moon” on this snare drum, actually in this studio. We were at Sony, so I was like, I mean, me and Paul just started giggling. We were having a panic attack. It’s just like, what do you even do with that information? 

That kind of stuff is, that’s the Nashville I dreamt about. That’s why I worked my ass off to just get to move to this town from small town Arkansas. And this is the place where people who have it in their bones are making music. And so I am obviously a gigantic Brooks and Dunn fan, but Lonnie’s played on every hit you could imagine from that era. And so just to get to meet him and have a friendship with him is unbelievable.

Are there any other tracks on the EP that you really want to highlight?

I will say “What She’s Havin’” is a song that I wrote, I don’t know, probably five years ago and shared it on socials and played it at rounds and stuff locally. And people have been hounding me for that song for years. And so it is something really special to, we tacked it onto the EP last second because I was like, ‘guys, I think this song’s really special’ and finally convinced everybody, but there are a lot of, “maniacs” are what we call my fans. My husband came up with that term. And so there are a lot of maniacs who’ve been loving on that song on just YouTube for several years. And so I am really, really excited to finally get this to them. This is one of the first songs that I’ve been like, ‘okay, finally, it’s yours.’ So it feels really good to have that coming out on the 10th on the EP. 

You’ve compared your sound to the likes of The Judds, Patty Loveless, Shania Twain, and more. What inspires you about these female country stars?

I think subconsciously I’m just a product of all of those women in little pieces. I’m kind of patchwork made of those women, I think, because I pull a little something different from all of ’em. And Loretta Lynn is a massive influence of mine, and I think for several reasons, but a songwriter specifically, Loretta was so honest and real and authentic in her music. And I think that taught me, I’ve always been honest and a little outspoken. I think I came out the womb that way, but Loretta really showed me that not only can you be honest, but you have to be, you got to say it like it is because if you don’t believe it, nobody else is going to. And so from a really young age, I was 12 years old singing, “Don’t come home a drinkin’ with loving on your mind” on local talent shows and stuff like that. And so I really think I learned to tell the truth as ugly as it is, as a songwriter from her.

Then, just timeless, iconic voices like Trisha Yearwood and Lee Ann Womack and Martina McBride and those women, you know who they are when you hear their voice on the radio. And that’s a signature sound I definitely hope to evolve into. I want people to know who I am. I want that kind of originality because I think that’s the most powerful thing you can have in life in general is being unique.

How has this big year of touring impacted you as an artist?

It has been a super busy year, but an incredible one. You kind of get those hand-in-hand, I feel like in this industry. I have learned so much this year, that has been the biggest takeaway is just so many up-close learning opportunities. Tour definitely dominated this year for me. I’m so excited to have a new project coming and things like that, but we spent so much of this year on the road and getting thrown into situations we had never been in before, and so I feel so much more confident on a stage and trying to win over a crowd that’s never heard me before. And like you said, you learn how to build a set list for any situation you’re in. So I’m in a really cool spot in my career right now, where sometimes I’m playing a private event or corporate event by myself sometimes and having to win ’em over with just a guitar or I’m opening solo acoustic at a theater for a bigger artist or full band to 20,000 people in an opening slot in a city like Maine that’s pretty far away from my hometown of Hope, Arkansas. So I just feel like I’ve really added to my tool belt this year and I’m a little more prepared for all the crazy things that touring the country throws at you. 

What was your experience touring with Luke Bryan this summer?

I think Luke is exactly how we all have perceived him as fans forever. I posted a picture, I can’t remember when it was, but I was in high school when I went to a Luke show and someone handed us free meet and greets. We were sitting in our lawn chairs on the lawn at the show in Little Rock, Arkansas, and someone handed us meet and greets. And so me and my sister got to go meet Luke along time ago. So it was so full circle that I ended up getting to go out with him. But he’s obviously, I mean, Luke Bryan’s kind of bigger than country music in my mind. He’s got a global career going on, especially with American Idol and things like that. And so he is best of the best to get to watch up close. He knows his fans. He is throwing a party every night on stage. You’ll see viral videos of him acting a fool and it always says, ‘nobody’s having a better time at a Luke Bryan show than Luke Bryan.’ We definitely tried to give him a run for his money on that. We had a pretty dang good time ourselves. That was the big reminder I took from Luke, is it is supposed to be fun. We all started this with music as a medicine and an outlet for us. And so Luke is a great example of the artist should be having the most fun of anybody there when you’re doing it. So that’s something I took from him that I hope to be able to implement for years to come. 

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Do you have any fun stories from the road you can share?

My funniest stories this year come from touring. It is such a unique experience because it is grueling. You are exhausted and the travel is damn near impossible. Sometimes you don’t even know how you’re physically going to get there because of the travel schedule, but then like you said, you are getting one in a million opportunities and feeling like an absolute rock star for 25 minutes during your set. And so just that mental health journey for me this year has been really, really strange. But learning a lot. We hired we’re the only artist not on a bus, on the loop tour. And so that has been really interesting because you are kind of catching a plane and then renting a car and then catching another plane and driving through the night and driving after the show and bus life isn’t a whole lot easier. It’s still very hard, but they get on the bus and go to sleep and they wake up in the next town. So we hired a driver for the first time and rented an RV that’s not a bus, but still had bumps and had to fire our driver the second night of our run. Some things that was a little sideways. And so that was another big story was hiring and firing my first bus driver with no bus. Oh my gosh. That was the first weekend of the Luke Bryan tour actually. 

This year marks your 10-year mark in Nashville. What goes through your head when you think about where you started and how far you’ve come in that time?

It’s kind of a black hole, honestly. I think I’ve kept my head down and kept chugging along for 10 years. And honestly, I’m just now kind of opening my eyes and looking up and looking around because I have accomplished a lot of those bucket list goals. I moved to town with top of that list was playing the Grand Ole Opry, and now I’ve got to play the Opry, I don’t know, 15, 16 times. And they really feel like family to me, and so that’s hard to accept. And then playing the Bluebird Cafe and I’m back there this weekend and they feel like family. So really trying to settle into a season 10 years in where, okay, I think I can say I belong here a little bit at least and settle in. And now I’m really trying to show up to those places and those friendships. I’m friends with Vince Gill and things like that, and trying to just push the imposter syndrome aside enough to really enjoy these opportunities that I have now. And it’s crazy to think, it took me 10 years to validate myself enough.

The post Mae Estes Reflects On Her 10-Year Nashville Journey And Shares Stories Behind Her Self-Titled EP [Exclusive] appeared first on Country Now.

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Eric Church is taking his Evangeline vs. The Machine era to a whole new level. In a first-ever partnership among IMAX, MCA, Mercury Studios and Q Prime South, Church is offering an exclusive theatrical experience that will bring his celebrated 2025 album, along with reimagined fan favorites, to life like never before.

Set to premiere exclusively in IMAX theatres across the U.S. and Canada on Friday, February 13, 2026, Evangeline vs. The Machine Comes Alive will give fans the chance to experience Eric Church’s music with IMAX’s groundbreaking 12-channel sound and unmatched cinematic scale. 

“I’ve played a lot of shows. I’ve never had two nights like these where the room felt literally transported. We went to a different plane, musically, artistically, emotionally,” Church reflects. “It was unforgettable and I’ll remember it the rest of my days.”

The limited release captures Church performing his eighth studio album front-to-back before diving into some of his most cherished hits, including “Desperate Man,” “Give Me Back My Hometown,” “Sinners Like Me,” “Mistress Named Music,” and, of course, “Springsteen.”

Filmed over two nights at The Pinnacle in Nashville, the film showcases a powerhouse lineup of musicians including a six-piece band, four-piece horn and string sections, an eight-member choir, and longtime vocalist Joanna Cotton. This element of the show further amplifies the music fans know and love.

Directed by Reid Long and Executive Produced by Barak Moffitt, Andrea Dunn, Mike Harris, Rob Femia and John Peets, Church is represented by WME, Q Prime South and MCA Nashville. 

A list of participating theaters and ticketing information will be available soon at Imax.Com/EricChurch.

Evangeline vs. The Machine Comes Alive Performers:

Eric Church, Lead Vocals and Guitar
Joanna Cotten, Vocals
Lee Hendricks, Bass
Craig Wright, Drums
Jeff Cease, SR Guitar
Jeff Hyde, Utility/BGV
Driver Williams, SL Guitar
John Henry Trinko, Keys

April Rucker, Choir Lead Alto
Maureen Murphy, Soprano
Amanda Broadway, Soprano
Devonne Fowlkes Alto
Samson White, Tenor
Armand Hutton, Bass
Gregory Breal Jr., Bass
Moiba Mustafa, Tenor

Roy Agee, Trombone
Evan Cobb, Saxophone
Michelle McClary, French Horn
Jeffrey Bailey, Trumpet

Eleonore Denig, Violin
Patrick Monnius, Viola
Kaitlyn Raitz, Cello
Kristin Weber, Violin

Last month, Eric Church announced that he would be expanding the Free The Machine Tour into 2026 with 24 brand-new stops. Next year’s run will kick off January 22 and 23 at The Anthem in Washington, D.C. and continue through the spring with his final date set to take place on April 11 in Tampa, Fla. at the Benchmark International Arena.

Along the way, he will bring his show to venues all across the nation, including stops in Nebraska, Minnesota, Canada, Texas, New York, South Carolina, North Carolina and more.

The 10-time GRAMMY nominee will be joined by guests Kashus Culpepper, Caylee Hammack, Ella Langley, Ashley McBryde, Stephen Wilson Jr. and 49 Winchester, all serving as special guests on select dates of the 2026 tour.

The post Eric Church Takes ‘Evangeline vs. The Machine’ To The Big Screen With Exclusive IMAX Concert Film appeared first on Country Now.

​Country Now

Today, Noah Hicks releases his major-label debut Small Town Does. In celebration of the drop with Nashville Harbor Records & Entertainment, we sat down with the Carrollton, GA native to discuss the sound and stories behind the eight-song collection.

The rising star has built a reputation for his gritty vocals, hard-hitting country-rock sound that makes up stories that are just as authentic as the life he’s lived. From the autobiographical title track to the anthemic “Country Tonight” and the fan-favorite “Get Enough,” the project captures everything that makes Hicks stand out, especially his appreciation for where he comes from.

Although he’s just getting started, Hicks has already racked up several independent hits resulting in more than 100 million streams and shared stages with acts like HARDY, Parker McCollum, and Justin Moore. But with this project, he’s taking things to the next level.

Keep reading this exclusive Q&A to learn more about Noah Hicks new project, how his upbringing influenced his newest collection of stories and his headlining Small Town Does Tour, a 16-date run that launches tonight in Nashville

The title track feels very autobiographical to your real-life. What does this song mean to you and why use it as the name of the project?

“Small Town Does” feels so integral to who I am as a person, and it only feels right for it to be the title track of the project. I’ve lived everything mentioned in the song’s lyrics, from having my granddaddy’s knife to drinking beer in a back forty that somebody’s older brother bought. Growing up, it was so special to me to hear songs that felt like they were written for me and about me, and with this project, I’m excited to try and make other people feel the same way.

How did your upbringing in Carrollton, GA, influence the sound and stories on this project?

Being from a country town and growing up on a farm, I listened to a lot of contemporary Country music and related to the country lyrics and lifestyle sung about in songs from artists like Luke Bryan, Jason Aldean, Florida Georgia Line and Thomas Rhett. In addition to that though, my brother and my friends were listening to other genres of music that greatly influenced me, from rock bands to rappers. I think you can hear a bit of all those influences displayed across the eight tracks of Small Town Does.

You co-wrote all eight tracks—was there a particular song that was the most personal or challenging to write?

The idea for “Get Enough” came to me when I was sitting on my balcony a while back. I was watching the leaves blow by, and I jotted down the first line of the song – “the leaves change, and they get gone.” I ended up writing the song with John Pierce and Lindsay Rimes, and we all knew that it was the start of something special. I’m not sure if I would say that it was challenging to write, but we really wanted to make sure we got it right, so we took our time with it.

“Country Tonight” is the latest release from the collection. Take us into the writing room and share the story behind this song. 

I wrote “Country Tonight” with Zach Abend and Troy Cartwright a few years ago. I remember going into the writing room feeling fed up with the city life and wanting to spend some time back home in Georgia. Zach came to the write with the title “Country Tonight,” and everything fell into place. It was one of those special times that the song kind of wrote itself. It’s all about getting out of the city and back to your roots when you’re feeling a little lost in the neon and the noise.

How does it feel to be releasing this project through your new partnership with Nashville Harbor Records & Entertainment?

It’s such a blessing any time that I get to put out new music. It’s really exciting and a little nerve wracking to release these songs that mean so much to me, but I’ve been so happy with the response from fans so far. All in all, I’m just excited to be putting out this collection of songs and ready to get to work on the next one!

How would you describe the sonic direction of Small Town Does compared to your previous releases?

We’re definitely heading into some new territory with Small Town Does. We have some more upbeat tempos, driving guitars and heavier drums throughout. I like to joke that I’m in my “punk rock era” with a handful of these new tracks. I’m definitely still staying true to my country roots and talking about real lived-in experiences, but I’m also tipping my hat to some of my other musical influences with sounds that I haven’t explored before.

Which track on the album resonates with you the most right now, and why?

With everything happening in the world right now, the lyrics of “More People Don’t” are hitting especially hard. I feel really grateful for my small town upbringing and the values that were instilled in me very young, and I sometimes wonder why more people don’t do the things or live the same lifestyle that the song describes. 

The Small Town Does Tour kicks off on October 10—What can fans expect from this run?

Fans can expect a new set and night full of fun and connection. It’s really important to me that there’s no separation between me and the people who come to my shows and that we’re all just having a great time together. I really want to soak in every city and leave people feeling like their cup has been filled over those 90 minutes.

Having toured with some huge names in the business, what’s the biggest lesson you’ve learned on the road?

One of the biggest lessons that I’ve learned on the road is that it’s not about you even though your name might be on the marquee. It’s about the fans, and that’s the whole point. I’ve learned that it’s super important to be present in the city you’re in, know where your feet are at, and make the most out of each night.

The post Noah Hicks Talks The Stories And Authenticity Behind Major Label Debut, ‘Small Town Does’ [Exclusive] appeared first on Country Now.

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Lauren Watkins’ second full-length album, In a Perfect World, marks a clear evolution from the heartbreak of her debut, The Heartbroken Record. While her first project explored the pain of love, Watkins has moved on personally and is now happily married to her husband and CMA/ACM Award winner, Will Bundy. With this new album, she reflects that shift while getting out of her comfort zone to explore new themes.

Produced by Bundy with additional co-production from hit maker Joey Moi on select tracks, Watkins’s new 10-track collection is built on stories “inclusive of the good, the bad, and the ugly of life.”

“I’ve always sort of stayed in my comfort zone writing the sad songs, and I’m going to keep doing that. But I also just wanted to sort of spotlight reality a little bit and healthy relationships and beautiful things about just the simple things about life, and I just want to really highlight that in this album. So I hope I did, and I hope that people can appreciate that,” Watkins told Country Now.

She sets the tone with the dreamy Kacey Musgraves-inspired title track. This tune was placed at the very top of the album with the intention of making sure fans understand her overall purpose right away.

“‘In A Perfect World,’ I wanted that to be the title because when you say that, it’s a hypothetical. It’s like you’re about to set up an imaginary scenario,” she said, explaining her vision. “‘In a perfect world, we would have all of this, and we’d have all the money in the world, or we’d have a perfect steady job, or we’d never fight.’ And in reality, the world is not perfect and thank God, because it’d be pretty boring if it was…that’s the point of this record is all of that.”

While the same Nashville native fans know and love shines through on this project, she also has presented a collection of songs that stand apart from her previous releases. This evolution reflects her growing confidence in both herself and her music. As a result, this time around, the Big Loud Records / Songs & Daughters songstress made an effort to ensure everything surrounding the music aligned with her real life.

“Sometimes I feel like you feel like you need to write what you think people want to hear or what you think is cool. And lately I’ve just kind of been throwing all that out the window and just writing what I want to write and what I think is good and what I think represents me well. So it’s been really refreshing,” Watkins noted.

In A Perfect World Tracklist:

1. “In A Perfect World” (Lauren Watkins, Mia Mantia, Caroline Watkins)

2. “Love Is Tough” (Lauren Watkins, Will Bundy, Mark Trussell, Lydia Vaughan)

3. “I’ll Get Through It” (Lauren Watkins, Trannie Anderson, Will Bundy)

4. “Marlboro Man” (Lauren Watkins, Natalie Hemby, Jeremy Spillman)

5. “Slippery Slope (feat. John Morgan)” (Lauren Watkins, Will Bundy, Mark Trussell, Lydia Vaughan)

6. “Average Joe and Plain Jane” (Lauren Watkins, Lauren Hungate, Luke Laird, Caroline Watkins)

7. “Britches” (Lauren Watkins, Trannie Anderson, Will Bundy, Mia Mantia)

8. “Lose My Cool” (Lauren Watkins, Will Bundy, Rodney Clawson, Nicolle Galyon)

9. “I Was Fine Before I Met You” (Lauren Watkins, Rodney Clawson, Luke Laird)

10. “Pretty Please” (Lauren Watkins, Lauren Hungate, Luke Laird)

Fans got an early look into the project through tracks like “Lose My Cool,” “Average Joe & Plain Jane,” “I’ll Get Through It,” “Marlboro Man” and the only collaboration on the collection, “Slippery Slope” with John Morgan. Across these tracks and those remaining, Watkins taps into a variety of musical influences with sounds reminiscent of Willie Nelson, Kacey Musgraves, Miranda Lambert, Lee Ann Womack, Sheryl Crow and more.

Through these influences, combined with Watkins’ real-life storytelling, listeners are transported into a dreamy space filled with honesty, resilience, and vivid imagery.

Much like every other element of her new album, Lauren Watkins was very intentional when choosing the perfect closing track. The result was “Pretty Please,” a song that captures the bittersweet sting of jealousy and lingering attachment after a breakup. Watkins explained that she wanted the album to end on an “unsettling” note as a way to make listeners pause, question what they’re hearing, and feel compelled to revisit the songs. And that’s exactly what this song does.

“Most of the time, I would choose a song that is sort of all encompassing, or it wraps up the album or just closes it out. Well, and I actually wanted to end it on a really unsettling note because I kind of wanted people to go like, ‘wait, what was that? ‘And I might have some more tricks up my sleeve there, but I also wanted it to make people to go back and listen to the album again and be like, ‘wait, that did not satisfy me. What was this? I need to figure this out and to go listen to it again.’ So that’s why I did that. I genuinely just wanted it to be unsettling.”

Lauren Watkins will celebrate the release of In A Perfect World by opening for Lainey Wilson’s The Whirlwind Tour at Madison Square Garden tonight.

Reflecting on her upcoming performance with Wilson, Watkins gushed, “I couldn’t be more excited. I also couldn’t be more nervous, honestly, because I feel like she’s a lot to live up to. She entertains the heck out of her crowds, and so I just hope that I can live up to that and warm up the show if that’s even possible. And so I’m really excited to go and watch that and learn from her and to get to release my album on the night I’m playing Madison Square Garden is crazy.”

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Things all fell into place with this performance and release date, as she has now dropped 10 new songs on day 10 of the tenth month of the year. Later on, she will also join Kameron Marlowe on select dates of his fall tour.

The post Lauren Watkins On Stepping Out of Her Comfort Zone With The Dreamy Soundscape Of Her New Album, ‘In A Perfect World’ appeared first on Country Now.

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