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Music

Connie Smith and Marty Stuart Cancel Opry Appearance Due to COVID

Connie Smith’s 60th anniversary Grand Ole Opry celebration has been postponed due to illness.

Smith’s team shared the news on her official social media accounts, revealing that a new date will be announced soon.

“Unfortunately, the special evening at the Grand Ole Opry planned for tomorrow night celebrating Connie Smith’s 60 years as an Opry member is postponed,” the statement reads. “We look forward to rescheduling this soon and also listening to the wonderful lineup of folks performing tomorrow night!”

The Opry also confirmed the news, revealing that both Connie Smith and her husband, Marty Stuart, have come down with COVID.

“Though we were so excited to celebrate 60 years of Grand Ole Opry membership with the great Connie Smith tomorrow night, Connie and her husband Marty Stuart must cancel their appearances on the show due to, as Marty said, ‘the unwelcome presence of COVID in our home.’ We will look forward to celebrating Connie’s 60th with her (and with Marty by her side) on a future date to be announced soon,” the Opry shared. “Marty will also be rescheduling his concert planned for this Saturday in Louisville. Meanwhile, the Wednesday Night Opry will continue, and we hope you can join us. We love you, Connie and Marty!”

Photo Courtesy Connie Smith
Photo Courtesy Connie Smith

While Smith and Stuart won’t be in attendance, the evening will still feature an impressive roster of performers. Vince Gill, The Whites, Sierra Ferrell, The Isaacs, Old Crow Medicine Show, Mandy Barnett, Dailey & Vincent, John Conlee, and Riders in the Sky are all scheduled to take the stage.

Connie Smith was inducted as a member of the Grand Ole Opry on August 21, 1965, after making her debut on July 18, 1964. She dreamed of performing on the Opry stage since she was a young girl and has been performing there for decades. Roy Acuff, the “King of Country Music,” honored Connie with the title “Sweetheart of the Grand Ole Opry.” 

Connie Smith, Marty Stuart; Photo Courtesy Connie Smith
Connie Smith, Marty Stuart; Photo Courtesy Connie Smith

Connie Smith shot to stardom with her debut single, “Once a Day,” which made history as the first debut single by a female country artist to hit No. 1. The song spent an impressive eight weeks at the top of the charts and earned a Grammy nomination. She went on to score several more hits, including “I Can’t Remember,” “Nobody but a Fool,” “Ain’t Had No Lovin’,” and “Cincinnati, Ohio.”

Smith is married to fellow Opry member, Marty Stuart. They tied the knot on July 8, 1997.

The post Connie Smith and Marty Stuart Cancel Opry Appearance Due to COVID appeared first on Country Now.

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Music

HARDY Meets Five-Year-Old Cancer Survivor Sawyer, Who Found Comfort In His Music

Five-year-old Sawyer has endured so much while battling pediatric cancer in his first few years of life and HARDY’s music was there to help him along the way since day one. The young fan experienced a full-circle moment over the weekend when he got to meet his country music hero for the first time and attend his second-ever concert.

According to his mom, Jessica, Sawyer’s health journey began very early on when he was diagnosed with bilateral retinoblastoma, which is a form of cancer in the eyes. He went through various rounds of chemo over the span of four years and ended up having both eyes removed and replaced with prosthetics.

Sawyer; Photo Courtesy of Sawyer's mom, Jessica
Sawyer; Photo Courtesy of Sawyer’s mom, Jessica

She told Country Now that his love and appreciation for live music began when he was just a year and a half old. Particularly, HARDY and Lainey Wilson’s CMA Award-winning collaboration “wait in the truck,” became a source of comfort for the young boy.

“It was right after his first eye was removed and we couldn’t get him to calm down but when the song ‘wait in the truck’ by HARDY and Lainey Wilson came on, he went completely silent and from then on we started to play HARDY after every surgery or chemo that he had so that he would be happy.”

HARDY was such a big part of Sawyer’s time in the hospital that the superstar quickly became his “all-time favorite country artist.” The plan to introduce the young fan to the Mississippi native began when Winston Academy, where Sawyer’s grandfather attended school, reached out asking to raise money for Make-A-Wish so that he could meet HARDY.  Jessica noted it was a “no brainer for us to say yes.”

From there, Make-A-Wish got in touch with HARDY’s team to set up a date and a once-in-a-lifetime meet and greet opportunity. When the day finally came, Jessica captured snippets of the experience in a video and shared it to TikTok. In the first clip, HARDY can be seen crouching down to Sawyers level as he introduced himself during their backstage interaction.

“Anyone who knows Sawyer knows that he is never speechless but in that moment Sawyer was definitely speechless and star struck,” Jessica said of her son’s reaction.

@jessicagoodin2675 Sawyer got to do a Make A Wish and that was to mee hardy!!!! HIS WISH CAME TRUE!!!! #hardy #rockstar ♬ original sound – sawyersmom2020

The video then cuts to the moment during the concert when HARDY tells the crowd about his meet and Greet with Sawyer.

“I got a story to tell,” HARDY began. “A couple weeks ago I got a call from the Make-A-Wish foundation…they said that there was a kid named Sawyer that wanted to meet me and Sawyer had some complications with childhood cancer and lost his sight.”

He called Sawyer and his family out in the crowd and shared a few of the topics they discussed, like hunting and fishing. But HARDY revealed that his favorite part of their conversation was when the boy shared that his favorite song was “Rockstar.” Although this track is no longer a part of his live set list, HARDY made an exception that night and performed it just for Sawyer.

“Sawyer, it’s for you,” he declared before breaking out into the hard-hitting tune. Sawyer was captured head banding and dancing around in his seat with a huge smile plastered on his face.

Jessica dubbed this a dream-come-true moment.

Sawyer; Photo Courtesy of Sawyer's mom, Jessica
Sawyer; Photo Courtesy of Sawyer’s mom, Jessica

This wasn’t Sawyer’s first time seeing the country-rocker live as he also saw him in Starkville, MS, but every concert he’s attended in his life so far has featured Hardy as the headliner, and his most recent show may be the hardest one to top.

Jessica extended a “huge thank you” to HARDY, his team and all those at Make-A-Wish who made this once-in-a-lifetime night a reality.

“We want to say a massive thank you to HARDY alone for his music and giving sawyer peace and comfort through a 4 year battle!!  Sawyer will never stop listening to HARDY!!” she added.

Sawyer’s mom is happy to say that the five-year-old is currently cancer free.

The post HARDY Meets Five-Year-Old Cancer Survivor Sawyer, Who Found Comfort In His Music appeared first on Country Now.

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R&B

‘Cruisin” To The Top: Smokey Robinson’s Slow-Burning Classic

When we think of Smokey Robinson‘s indelible imprint on our collective musical consciousness, our first instinct may be to celebrate his incredible achievements as the frontman of the Miracles and as a writer and producer beyond compare, for that group and so many fellow Motown superstars.

But as he developed his solo career in the 1970s, he became one of the architects of a new sub-genre of smooth soul named after his 1975 hit “A Quiet Storm.” Then in 1979, that slow-jam style gave him his biggest hit in his own name of the entire decade: “Cruisin’” found its way to the Top 5 of Billboard’s U.S. R&B and pop charts, and to No. 1 on Cash Box.

Robinson’s 1975 album, also called A Quiet Storm, became the template for a new, sensual and sophisticated subdivision of soul and the entire radio genre named after it. He later described his vision for that LP’s concept of “seven songs carried on the back of a breeze, blowing through the record from start to finish.” The album gave him an R&B No.1 in “Baby That’s Backatcha” and set the mood not only for some of Smokey’s subsequent releases but for Quiet Storm staples by the likes of Teddy Pendergrass, Rose Royce, and the Isley Brothers.

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Robinson, also by this time a longtime industry figurehead as VP not only of Motown but also of the Performing Arts division of the Black Music Association, further augmented his catalog of solo R&B hits with such songs as “There Will Come A Day (I’m Gonna Happen To You)” and another Quiet Storm gem, “Daylight & Darkness.” But a major pop crossover in his own name had continued to elude him.

Then came the Where There’s Smoke… album, which was released on Motown in May 1979 and became the latest demonstration of Smokey’s mastery of infectious, distinctive soulfulness of every stripe. He acknowledged, for example, the prevailing disco sound, but was never subsumed by it, on such tracks as “It’s A Good Night” and “Share It,” and updated his own immortal classic for the Temptations, “Get Ready,” into a four-to-the-floor club favorite released as a 12-inch single.

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But that left plenty of room for what other artists of the day, notably Pendergrass and Barry White, had now customized as “bedroom soul.” In Robinson’s hands, that subtle but sumptuously romantic style was typified by “I Love The Nearness Of You,” co-written with his old friend Stevie Wonder, and the reflective, string-laden “The Hurt’s On You.” But the jewel in that album’s crown, and the single that would be all over pop and R&B playlists that summer, was the song that carried his Quiet Storm sound into the ’80s, “Cruisin’.”

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Robinson co-wrote the track with his close friend and former Miracles bandmate Marv Tarplin, with whom he had continued to work since Smokey’s departure from the group in 1972. Tarplin came up with the melody not long after that, but Robinson couldn’t conjure a suitable lyric until some five years later, when his car radio came to his aid.

“I was driving my car down Sunset Boulevard and I heard that song by the Rascals, ‘Groovin’ and I thought, ‘That’s it! Grooving,” he told The Guardian. “But then, no, it wasn’t intimate enough, it wasn’t sensual enough for the music, and that’s when I thought of ‘cruisin.’”

Part of the song’s success was a title phrase that was delightfully ambiguous. “You’d be surprised by how many people speculate on what cruisin’ means,” added Smokey. “Cruisin’ is a word that I leave up to the listener. When you’re with the person you’re with, and you feel you’re cruisin’, it’s whatever you want it to be.”

The combination of the song’s mesmerically hedonistic lyrics and the vocalist’s own sultry, cool-breeze production was utterly irresistible. “Heaven for fans who remember Smokey’s distinctively soft and supple R&B,” purred the Cash Box review. The song peaked at No.4 on both the pop and soul listings on Billboard, staying on the latter survey for an epic 28 weeks.

Better was to come on the Cash Box pop chart, on which “Cruisin’” finally rose to No.1 as late as mid-February 1980. It also reached the summit, and gold certification, in New Zealand. Smokey had reached a whole new cruising speed.

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Hip Hop

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Hip Hop

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Hip Hop

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Snoop Dogg Sells His Burned Blunts For $148K At Sold-Out Auction

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Hip Hop

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