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Country Next: Cole Goodwin

At just 24 years old, Cole Goodwin is carving out a name for himself in country music with his throwback sound, raw vocal power, and heartfelt songwriting. 

Hailing from Pooler, Georgia, the rising artist turned heads in 2023 with his self-produced EP Soon Enough, followed by a string of fan-favorite tracks like “When You Get Home” and “Catchin’ On.” 

After spending the past year touring the Southeast and opening for acts like Zach Top and Billy Currington, Goodwin was recently named Savannah’s Best Country Artist two years in a row and officially signed with Big Machine Records. 

Cole Goodwin - Dust on the Dance Floor
Cole Goodwin – Dust on the Dance Floor

With his label debut, “Girlfriend’s Got A Boyfriend,” already making waves and the brand-new track “Dust On The Dancefloor” available today, Cole Goodwin continues to show fans exactly what he’s made of.

On the heels of his latest release, Goodwin is hitting the road for a run of shows on Luke Bryan’s Country Song Came On Tour, with several festival dates lined up through the end of the year.

We caught up with him to talk new music, his small-town roots, and what fans can expect next.

You grew up in a musical family. When did you decide to make a career out of music?

I have always been obsessed with music – even before I started playing instruments. When I got to college, I had been playing guitar for a few years and started to focus on becoming a better writer. That’s when things started to become more serious to me. Once I started playing shows and writing my own music, I began to treat it more as a business or dream as opposed to a hobby.

There’s something special about Georgia when it comes to country music—so many iconic artists have come from there. Has that influenced your creative process at all, and in what ways has your hometown shaped you as an artist or songwriter?

I think my hometown, and especially the people in it, have shaped me into exactly who I am as an artist and writer. It’s easy to find inspiration from the things and the people you love. That’s one of the reasons I still live in Georgia. I think I’d find it harder to write about country concepts if I was spending most of my time in the big city. 

When was your first ever performance? Can you share what was going through your mind at the time?

My first solo performance was in my hometown at a restaurant bar. I had sat in playing guitar with people before but never done my own gig. To be honest, it started as an absolute train wreck. The sound system completely cut out, and I ended up having to rig up one speaker cranked as loud as it would go to get through it. Overall, it was great though. The entire place was full of people that came out to support me, and I’ll never forget that.

Cole Goodwin, Big Machine Label Group Founder, Chairman & CEO Scott Borchetta; Photo by Nick Rau for Big Machine Records
Cole Goodwin, Big Machine Label Group Founder, Chairman & CEO Scott Borchetta; Photo by Nick Rau for Big Machine Records

You’ve gone through a lot of growth recently with signing a publishing deal with Concord and a record deal with Big Machine Records. Have you received any advice from other artists that have helped you enter this new phase?

This year has been crazy so far with the new opportunities that come with a publishing deal and a record deal on top of balancing all the shows on the road. I’ve been blessed to become friends with a few folks in the industry who have really helped me. Zach Top has been one of the “big brother” figures for me in my journey, and he always has time for me if I have a question about something. I’m grateful for his friendship and the advice he has given me.

Though you’re still in the early stages of your career, what would you consider to be your most significant accomplishment or highlight thus far?

I think for me, playing the Ryman Auditorium is the most significant or special thing I have done so far. The energy in that place is like no other, and it was really special to be able to soak in the history all day and into the show.

What music artists have inspired you?

I grew up listening to everything, and I still do listen to a variety of music, but a couple artists that really inspired me early on were guys like Hank Williams Jr., Waylon Jennings, and Merle Haggard.

Your song “Girlfriend’s Got A Boyfriend” is your first release under Big Machine Records. Was there anything different about how you approached the release of that song compared to when you were releasing music independently? 

I didn’t do a whole lot different on my end with this release, as we had planned on releasing music the rest of this year whether I was affiliated with a label or not. The main difference for me with this one is seeing all the support and promotion put into it that I was missing out on as an independent artist. I can’t wait to see where Big Machine takes this new music we have coming out.

What would a dream collaboration or tour look like for you?

I haven’t thought too much about collaborations, but it’s always been a dream of mine to work with somebody like Eric Church or Ashley McBryde. I have so much respect for both of them as artists.

You’ve been very busy on the road recently. What is your favorite part about touring? Do you have a favorite city or venue you’ve played? Or any bucketlist venues? 

My favorite part about touring is seeing all the different regions of the country and learning how different we are, but also how similar we are as people. I have met some wonderful people over the past couple years on the road. I think my hometown will always be my favorite city to play. It’s always a treat to be able to come back home and play for the people that supported me from the start. A major bucket list venue for me is the Grand Ole Opry.

Speaking of touring, do you have a favorite song on your setlist? 

My favorite song we do in the set is “Women Want Me, Fish Fear Me.” It’s so fun to play and I love hearing the crowd sing it back.

What can fans expect from you next?

We’ve got so many cool things happening right now. We’re touring all over the country every weekend, I’m writing more songs than ever before, and we’ve got plenty of new music in the pipeline for the rest of this year and the top of next year. Come out and catch a show if you get the chance and be on the lookout for all the updates on the socials.

Fans can keep up with Cole Goodwin on Instagram.

The post Country Next: Cole Goodwin appeared first on Country Now.

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Everything We Know About Carly Pearce’s New Boyfriend, Jordan Karcher

Carly Pearce has introduced the world to her new boyfriend, Jordan Karcher. The country star took to social media to share a sweet selfie of her and her name man looking cozy and happy in their new relationship.

“I guess this is what the kids call a ‘hard launch’ these days…” she wrote in the caption.

According to Jordan’s Instagram bio, he is an entrepreneur and a dog rescue advocate. He is currently the founder of and CEO of Eileen, “the retail intelligence platform built for modern CPG teams,” and the founder of Grounds & Hounds Coffee Co, which was established in 2014 and now supports over 600 animal rescues nationwide. Additionally, the business owner earned his MBA from the University of Notre Dame.

The comment section of the Instagram post is filled with messages from fans as well as members of the industry congratulating Pearce on the big news.

“The BEST kind of hard launch ❤️❤️❤️❤️”

“So happy for you!! 😍😍”

“Yes!! 🙌 We love Jordan!”

“LOVEEEEEEE😍😍😍😍😍”

Carly Pearce has yet to reveal how she and her new love interest met or how long the relationship has been blossoming, but from the look of her latest post, the two seem to be happily enjoying this next phase of life together.

Carly Pearce; Photo by Jamie Wendt
Carly Pearce; Photo by Jamie Wendt

However, back in April, Pearce did tell Us Weekly that she was fully embracing her “single era,” and was excited about making herself a priority as she approached her 35th birthday later that month.

“I feel in every way — no matter if it’s the kind of music that I’m making or how I spend my days in my personal life — I’m choosing me,” Pearce shared with the outlet. “For the first time, I’m totally doing things 100 percent the way that I want to, and I’m in my single era and kind of loving it for the first time in my life.”

Clearly, Carly Pearce’s “single era” has officially come to an end. This marks the first time the “Hummingbird” singer has publicly introduced a love interest since November of 2023, when she confirmed speculations of a connection between her and her drummer at the time, BC Taylor. 

The news of their relationship came shortly after Pearce and her boyfriend of two years, Riley King, went their separate ways. While speaking with Page Six in June of 2023, the MLB player turned Nashville-area realtor revealed that “things didn’t work out” between them,

 He continued, “Carly and I have parted ways and I wish her nothing but the best in both her career and personal life.”

Photo Courtesy Of Carly Pearce
Photo Courtesy Of Carly Pearce

With a new man on her arm, Carly Pearce is bringing her powerful songwriting and raw storytelling to fans all across the U.S. She is currently serving as support for select dates of Little Big Town’s summer tour ’25 and has been tapped for lineups across various fairs and festivals.

Back in May, she closed out her 40+ date headlining hummingbird world tour with a final, sold-out show at Nashville’s historic Ryman Auditorium. The night marked the end of her hummingbird era, which began with the release of her critically acclaimed fourth studio album.

With her latest announcement, it’s evident that Carly Pearce has entered an exciting new chapter both personally and professionally.

The post Everything We Know About Carly Pearce’s New Boyfriend, Jordan Karcher appeared first on Country Now.

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Jordan Davis Races Toward Healing In New Song, ‘Turn This Truck Around’

Jordan Davis is keeping the momentum going with the release of his brand-new track, “Turn This Truck Around.” The song offers another glimpse into what fans can expect from his highly anticipated upcoming album, Learn The Hard Way, arriving August 15.

Co-written by Davis alongside Devin Dawson, Jake Mitchell, and Josh Thompson, “Turn This Truck Around” captures the intense difficulty of trying to resist the magnetic pull of a past love. With a pounding tempo accompanied by Davis’ gritty vocals, the song follows a man caught up in an emotional tug-of-war between holding on and finally letting go of the toxic cycle.

Jordan Davis; Turn This Truck Around
Jordan Davis; Turn This Truck Around

At the very top of the song, the Louisiana native makes the decision to put his foot down, promising that this time will be different.

He sings, “This time, I said it and I meant it/ These boots ain’t tappin’ those brakes/  And I’ll stop for gas, but that’s the only thing/ That’ll get me off this interstate.”

The country star is determined to get as far away from his past love interest as possible. However, deep down he knows that it won’t take much for him to go running back to their fiery connection. As the storyline continues to unfold, the truck that he mentions in the chorus acts as a symbol of his escape, while the open highway mirrors the long road to healing.

The chorus hits hard as he pleads with the woman to keep her distance, knowing it’s the only way to stop him from coming back.

“Don’t make me turn this truck around/ Don’t make me make this Chevy burn back to your house/ ‘Cause nowhere’s where it gets me/ I’m keepin’ this pedal foot heavy, and I’m finally gettin’ somewhere now/ Girl, long as your memory/ Don’t make me turn this truck around,” Davis sings with an intenseness in his voice.

“Turn This truck Around” follows the release of his Top 15 and climbing single “Bar None,” as well as “In Case You Missed It,” “Jesus Wouldn’t Do,” “Learn The Hard Way,” “I Ain’t Sayin’,” “Know You Like That,” all of which are set to appear on his upcoming project, Learn The Hard Way.

In a new post, Jordan Davis declared that the project “can’t get here quick enough.”

The dad of four is preparing to hit the road on his next headline run. Produced by Live Nation, the 2025 Ain’t Enough Road Tour kicks off September 11th in Greater Palm Springs, CA, at Acrisure Arena.

Jordan Davis; Ain't Enough Road Tour
Jordan Davis; Ain’t Enough Road Tour

He will make his way across the U.S. to several major markets and will hit a few bucket list venues such as Los Angeles’ The Greek Theatre, New York City’s Radio City Music Hall, and more. The run will come to a close on Saturday, October 25 in Estero, FL at Hertz Arena. 

Mitchell Tenpenny and Vincent Mason will join serve as special guests on the entire run.

“We spend a lot of time on the road it feels like I’ve been coming up my 10th year touring now and it feels like there’s always new places to play. And I really am excited about the artists that I’m taking out with us. I feel like at the end of it, I’m going to wish we had more dates,” Davis told CBS News.

The post Jordan Davis Races Toward Healing In New Song, ‘Turn This Truck Around’ appeared first on Country Now.

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Luke Combs Saddles Up for a Major Comeback with New Single ‘Back In The Saddle’

Luke Combs is officially “Back in the Saddle” with the release of his highly anticipated new single. 

Out now, the song appears to be autobiographical as it tells the story of a man who is making a major comeback after he’s been “gone a little too long.”  

“I’ve been waitin’ on a drummer to kick off a comeback song/ I’ve been waitin’ in the wings like a dog on a chain,” Combs growls as the song’s intensity builds. 

Luke Combs - Back In The Saddle
Luke Combs – Back In The Saddle

The lyrics, written by the North Carolina native alongside frequent collaborators  Dan Isbell and Jonathan Singleton, use cowboy-themed imagery to paint a picture of man who’s ready to reclaim what’s his. 

“‘Cause I’m back in the saddle like some old cowboy/ Who dug his way out of his grave/ Pulled up his boots, put his pistol on his hip/ Climbed up and took hold of the reins/ Don’t worry where I’ve been/ I’m back in the saddle again,” he declares on the chorus. 

This radio-ready anthem mirrors Combs’ personal life and is about him getting back to his roots and reigniting the passion that started his musical journey. 

“It’s about just me getting back to what I did when I first started doing music, saddling up, hitting the road, getting after it, just kinda getting back to it,” he explains. 

The 11-time CMA Awards winner paired the song’s debut with a high-octane music video, starring  NASCAR legends Dale Earnhardt Jr. and Richard Petty. 

Directed by Tyler Adams, the clip features Dale Jr. racing around a track as Combs takes his place as the flagman. Later, Petty appears and tells Dale Jr., “Let me show you how it’s done.” 

“So much work goes into making these songs—so much time we spend making them, from the studio writing them to the videos. I got to make the video with Dale Jr. and Richard Petty, which is a total dream come true. My grandpa would be rolling over in his grave in a good way if he knew that I got to hang out with Richard Petty and Dale Jr,” Combs shares. 

“Back In The Saddle” arrives as “Back Up Plan,” Combs’ duet with Bailey Zimmerman continues its rise up the charts. It follows Combs latest solo single the heart-pounding chart-topper “Ain’t No Love In Oklahoma,” and will likely appear on his highly anticipated, yet-to-be-announced new album. 

Combs has spent the past several months on an extensive festival run, bringing his high-energy live show to festivals such as Bonnaroo and New Orleans JazzFest. Next up, he’ll hit the stage at the Newport Folk Festival in Newport, Rhode Island.         

The post Luke Combs Saddles Up for a Major Comeback with New Single ‘Back In The Saddle’ appeared first on Country Now.

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R&B

Kool & The Gang Release ‘Kool Summer’ EP

Legendary hitmakers Kool & The Gang, recently inducted into the Rock & Roll Hall of Fame, have released a brand new remix EP, Kool Summer, that reimagines some of the most beloved tracks in their discography. The six-track EP is available today on all major streaming platforms.

Kool Summer features remixes that transform some of the band’s biggest hits into high-energy tracks built with modern dancefloors in mind. Collaborators on the project include a cohort of global producers and remixers: DJ Crazy, who played a key role in bringing Baltimore club music to the mainstream; Prince Hakim, who hails from a long line of musicians, including his father, Robert “Kool” Bell of Kool & The Gang; The Reflex, a London-based DJ who’s soundtracked for stars like Louis Vuitton and Karl Lagerfeld; Adam Ten, an underground trendsetter with hits such as “3 Days Later” and “Spring Girl”; and Young Franco, an Australian producer and DJ packing venues around the world.

Prince Hakim, who remixed the hit “Fresh,” feels that projects like these help introduce catalog tracks to younger audiences. “I mean, that era is the best music ever made,” he says. “And I don’t know if we’re ever going to get back to it again, but we have the power to preserve it. So doing projects like this, when you get to remix it, it brings a song back that’s fresh.”

For “Celebration,” says DJ Crazy, “It was all about keeping the essence. I sampled some of the parts and manipulated them, and put a new groove over the song to make it real warm and fat.” The collaboration holds special meaning for DJ Crazy, who grew up surrounded by Kool & The Gang’s music at family gatherings, making his role in reimagining “Celebration” feel like a full-circle moment. “Working on the EP was surreal,” he adds. “I was raised off this. This is one of the songs I saw my uncle blow the dust off the vinyl and put on the turntable… For me, years later, to be touching it? It’s crazy.”

The Reflex, who did his own remix of “Celebration” as well as “Jungle Boogie,” echoes this sentiment. “It’s been a privilege to rework an iconic band with two of their biggest tracks, from two very different eras that both changed the game musically for them and everyone else,” he says.

When asked about the project, Robert “Kool” Bell, who’s celebrating his 75th birthday this October, says, “We try to keep the music ‘Fresh’ and exciting. It’s been great hearing the DJs put their spin on our platinum songs; celebrating while we ‘Get Down On It’ the 2025 way. Here’s hoping everyone has a ‘Kool’ Summer.”

Listen to the Kool Summer EP now.

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Seattle Pop Festival: Remembering “The Forgotten Woodstock”

Seattle Pop Festival 1969 featured image 1000

It’s been 50 years since thousands gathered in upstate New York to celebrate three days of peace and music at the first Woodstock festival, and yet there was another three-day festival that year, held just three weeks prior to Woodstock, that often gets forgotten: Seattle Pop Festival.

From 25 to 27 July 1969, local promoter Boyd Grafmyre staged Seattle Pop at Gold Creek Park in Woodinville, Washington, just a few miles outside of Seattle. It was the second successful major rock festival to occur in Washington within less than a year, after Grafmyre had previously helped organize the historic Sky River Rock Festival in 1968.

Listen to the Summer Of ’69 playlist on Spotify.

The year of the music festival

1969 was the year of the musical festival: Denver Pop Festival was followed by Atlanta Pop Festival and then Seattle Pop Festival, all leading up to Woodstock.

The concept behind Seattle Pop was to have 25 acts play over three days. Sometimes going to great lengths to achieve his ambitious goal, Grafmyre chartered a helicopter to fly The Doors from Seattle’s airport to the festival grounds, while renting a Cadillac convertible for Chuck Berry – the rock’n’roll pioneer’s preferred method of transportation.

For $6 a day – or $15 for the whole weekend – you could catch Led Zeppelin breaking America, and marvel at homegrown legends The Byrds, blues icon Bo Diddley, The Flying Burrito Brothers, Tim Buckley, The Guess Who, Santana, Ike, and Tina Turner, Vanilla Fudge, Alice Cooper, and Chicago Transit Authority (who later became Chicago), among many other rock luminaries and psychedelic acts of the day.

An estimated 50,000-70,000 festivalgoers descended upon Gold Creek Park to enjoy relative peace, music and “a certain amount of nudity”, said Grafmyre. As one of the first festivals to forego hiring police or off-duty officers as security, Grafmyre enlisted The Black Panthers to patrol Seattle Pop – a much smoother operation than Hells Angels’ provided at Altamont just a few months later, in December.

‘Sunday night was supposed to belong to The Doors’

The Seattle Pop Festival’s line-up was a mix of established acts, native groups from the Pacific Northwest, and even jazz legend Charles Lloyd. Some acts, like Led Zeppelin, went on to become rock legends, while others faded into obscurity, such as Crome Syrcus, a psychedelic Pacific Northwest band that broke up in 1973 and remain best known for their singles “Love Cycle” and “Take It Like a Man.”

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While The Doors, The Byrds, and The Ike And Tina Turner Revue were among the most highly-anticipated acts of the festival, it was really Led Zeppelin who emerged as the highlight. England’s hottest new act were just on the cusp of fame in America when they played Seattle Pop.

“Sunday night was supposed to belong to The Doors but it was stolen right out from under them by the great English blues group, Led Zeppelin,” wrote Patrick MacDonald for the Seattle Post-Intelligencer.

“Coming onstage after the forced extravaganza of The Doors, the Zeppelin faced a jaded and uncomfortable audience that had been standing in the cold all evening. But the electricity of lead singer Robert Plant and guitarist Jimmy Page quickly warmed them up.

“Plant has a voice that is controlled hysteria. Anguish pours from his every note; his voice is an epitome of the blues. Page is an amazing guitarist. His runs and fingering are magnificent, his control of the instrument pure genius.

Few who experienced it will forget Led Zeppelin’s performance, especially their smashing encore of ‘Communication Breakdown’.”

The “forced extravaganza” MacDonald writes of refers to one of Jim Morrison’s less-inspired performances, in which The Doors frontman spent the show heckling the crowd and shouting obscenities before ending the set’s finale, “The End,” in a Christ-like pose.

A watershed moment for the counterculture

Morrison’s antics aside, the rest of the performances were equally electrifying. The Flying Burrito Brothers played a blistering set, still riding high off their landmark debut album, The Gilded Palace Of Sin. Shortly after Seattle Pop Festival, however, the Burritos’ bassist Chris Ethridge left the band, turning their performance into an essential document of their original line-up.

Dressed in a daring fishnet dress, Tina Turner ripped up the stage with her signature moves, while Chicago’s producer Jimmy Guercio reportedly parachuted onto the field for the band’s performance, recalled Grafmyre.

1969 was not only a watershed moment in the countercultural movement, but a turning point for many artists who either continued their upward trajectory, such as Alice Cooper and Santana, or fell to the wayside – like Vanilla Fudge who disbanded nine months later.

While Seattle Pop Festival remains a footnote in rock history, it was an important milestone on the road to Woodstock, and one of the greatest rock festivals of all time to be held in the Pacific Northwest.

In just a few short months, at the dawn of the 70s, it would seem as though peace and love were all but a memory.

The end of the 60s saw a burst of creativity that cemented the decade’s importance in music history. Explore some of the greatest albums of the era, including classics from The Rolling Stones, The Who, and The Allman Brothers Band, on our Summer Of ’69 store page.

Looking for more? Discover the full story behind Woodstock’s “three days of peace and music.

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